|
|
|
|
|
|
|
|
|
|
LP
|
|
SE 007LP
|
Second Editions presents Things Opening by Lori Goldston. Lori Goldston's approach to the violincello is true and immediate. Describing herself as "classically trained and rigorously de-trained", Goldston indeed defies all conformities of genre, style, and technique. Her playing reflects as much of Baroque as it does of American roots or experimental traditions. It is elegant, gritty, restless, delicate, irreverent, utterly pure. This album comprises of two parts, highlighting Goldston as both a distinct composer as well as a many-faceted performer. The first side holds a suite of songs written by Goldston to accompany the poems of Melinda Mueller, while the second features pieces written for Goldston by Jessika Kenney, Satchel Henneman, and Julio Lopezhiler. Recorded live by Mell Dettmer at the Chapel Performance Space and at Studio Soli in Seattle WA, 2018. Mastered and cut by Anne Taegert at Duplates & Mastering in Berlin, 2019. Photograph by Antonis Theodoridis, 2016. Includes printed inner sleeve and download code; Edition of 300.
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
12"
|
|
ED 098EP
|
With 2017 gradually facing a new beginning and end, Ed Banger Records and Études present an exclusive record with cellist Lori Goldston that accompanies these very moments of gentle melancholia. While the Seattle-based musician has spent a life performing and touring with some of history's most iconic bands -- such as Nirvana and David Byrne -- the course of Goldston's career has also mapped itself around other memorable peculiarities. Like the very undoing of her classical education. "Detraining" has allowed Goldston to access and intersect multiple layers within the landscape of music, eventually leading to compositions that embody gestural moments of past and future. And everything that seems to reside between. Originally performed live at Études AW17 show in Paris, Lori Goldston's record evokes ideas of timelessness whose intention isn't about consciously hauling in its audience's presence but rather implementing a type of absence that softly sedates into a space of continuation. There's a process, unfolding and somehow forever changing; motionlessly.
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
CD
|
|
SR 356CD
|
Lori Goldston is an American cellist. She was the touring cellist for Nirvana from 1993-1994 and appears on their live album MTV Unplugged in New York. She is a member of Earth, the Black Cat Orchestra, and Spectratone International. Classically-trained and rigorously de-trained, possessor of a restless, semi-feral spirit, Lori Goldston is a cellist, composer, improviser, producer, writer and teacher based in Seattle. Her voice as a cellist, amplified or acoustic is full, textured, committed and original. A perpetual inquirer, she wanders recklessly across borders that separate genre, discipline, time and geography, performing in clubs, cafes, galleries, arenas, concert halls, sheds, ceremonies, barbecues, and sanctuaries. The featured works are film scores for: Carl Theodor Dreyer's The Passion of Joan of Arc (1928), Yasujiro Ozu's Passing Fancy (1933), Linas Phillips' Bass Ackwards (2010), Britta Johnson's Crashing Waves (2010), and Vanessa Renwick's Charismatic Megafauna (2011) and Mighty Tacoma (2011). Featuring appearances by Dylan Carlson (Earth) and Tara Jane O'Neil (King Cobra, Retsin).
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
SR 356LP
|
LP version. Lori Goldston is an American cellist. She was the touring cellist for Nirvana from 1993-1994 and appears on their live album MTV Unplugged in New York. She is a member of Earth, the Black Cat Orchestra, and Spectratone International. Classically-trained and rigorously de-trained, possessor of a restless, semi-feral spirit, Lori Goldston is a cellist, composer, improviser, producer, writer and teacher based in Seattle. Her voice as a cellist, amplified or acoustic is full, textured, committed and original. A perpetual inquirer, she wanders recklessly across borders that separate genre, discipline, time and geography, performing in clubs, cafes, galleries, arenas, concert halls, sheds, ceremonies, barbecues, and sanctuaries. The featured works are film scores for: Carl Theodor Dreyer's The Passion of Joan of Arc (1928), Yasujiro Ozu's Passing Fancy (1933), Linas Phillips' Bass Ackwards (2010), Britta Johnson's Crashing Waves (2010), and Vanessa Renwick's Charismatic Megafauna (2011) and Mighty Tacoma (2011). Featuring appearances by Dylan Carlson (Earth) and Tara Jane O'Neil (King Cobra, Retsin).
|
|
|