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12"
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COR 053EP
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Florian Senfter aka Zombie Nation or John Starlight. Road Rage was originally released by UKW in a limited number of copies. With time-honored Plus 8 references and acid elements, the original recollects an almost-gone quality of techno: to blow away your skullcap with the unashamed joy of telling stories, many breaks, some funky dirtiness and experimental noise playfulness. Exclusively made for Cocoon was the remix by Popof who gives the track an intense gross-grained feeling. Here's the club future.
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12"
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TELE 027EP
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"John Starlight combines his advanced experience as a DJ and producer and merges it into a powerful mix of creative expression, that will raise hell on dancefloors around the globe. The apocalypse breaks loose and the sheer energy of the producer's lust for burning minds with music rolls like thunder on this revolutionary release, reflecting an approach to electronic music that lets you feel the pure power of Starlight's -- aka Splank -- live acts in this studio production. This concept definitely leads away from the usual way of the polished high gloss productions to a more spontaneous 'live' feeling with its very own Munich saw tooth massacre, that leaves room for more liveliness and dynamics. On the flip side of this record Golden Days, the new project of Maral Salmassi and Fabian Stall, remixes this monster of a mad pumping bassline with a minimal twist that masterfully combines a tremendously tricky arrangement with a fistful of funk flabbergastingly fertilized by fulminant fractions of a fantastic -- yet minimal -- acid-fueled bassline, burning down dancefloors from here to Altair-4."
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CD
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TELE 007CD
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"John Starlight is the new creation of Florian Senfter, who gained worldwide applause for his club-smashing work as 'Zombie Nation'. This second coming of the man called Splank easily managed to overcome the high expectations with the release of Blood Angels on Art of Perception. A track Sven Väth picked as his 'Song of the year 2002', an opinion shared by DJs spinning the wheels of steel around the world as the track came in second in the Groove-charts as well as the Raveline-charts for 2002."
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