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CD
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SR 331CD
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"This work is not music in a conventional sense, it does inhabit that world, but in a new way. The cello is treated fundamentally, as a resonating body, transmitting sounds elementally. The bow on a string, the flux of weight, pressure, speed and angularity releases a myriad of complex sound phenomena. The juxtaposition of multiple sounds on adjacent strings creates fluctuating and rhythmical beatings. The detuning of the instrument increases its pitch potential and basso profundity. In combination with computer electronics, these elements are multiplied, extended and enriched. Nerve Cell_0 is a joyous, ecstatic, exhilarating and epic vista of sound. It defies categorization. Play it very loud." --Anton Lukoszevieze; Performed by Zbigniew Karkowski (computer) & Anton Lukoszevieze (cello).
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CD
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SR 214CD
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"Zbigniew Karkowski studied composition at the State College of Music in Gothenburg, Sweden, aesthetics of modern music at the University of Gothenburg's Department of Musicology, and computer music at the Chalmers University of Technology. After completing his studies in Sweden, he studied sonology for a year at the Royal Conservatory of Music in Den Haag, The Netherlands. During his education, he also attended many summer composition master courses arranged by Centre Acanthes in Avignon and Aix-en-Provence, France, studying with Iannis Xenakis, Olivier Messiaen, Pierre Boulez, and Georges Aperghis, among others. He works actively as a composer of both acoustic and electroacoustic music. He has written pieces for large orchestra (commissioned and performed by the Gothenburg Symphony Orchestra), plus an opera and several chamber music pieces that were performed by professional ensembles in Sweden, Poland and Germany. He is a founding member of the electroacoustic music performance trio 'Sensorband.' Karkowski has lived and worked in Tokyo, Japan for the past eight years, and is active in the underground noise scene there. Professionally active in contemporary, industrial, rock and experimental music for the last 15 years. One and Many: an ode to loudspeakers -- These life conditions lead to a radical conclusion: the traditional definitions of music are irrelevant and music theories and music as a cultural concept must be destroyed. That is what we find in his latest works, in which his main concern is to produce pieces out of electronic sounds and acoustic walls on scores developed from the architecture of ruins. His last opus called 'who am I' is the exact development of years of theories and practices. As many of Karkowski's pieces, this is a highly delicate yet physical work, which can be seen as an ode to loudspeakers."
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