|
|
|
|
|
|
|
|
|
CD
|
|
SAAH 035CD
|
"Originally self-released by the band in 1999 in a limited edition pressing, Kinski's debut album SpaceLaunch for Frenchie captures the group in their infancy. Exploring multiple sonic terrains, the album clearly illustrates Kinski's skillful melding of their love of pop with their love of the drone. Initially a 3-piece, the band recorded their debut in their rehearsal space on an Otari 8-track. Spacelauch For Frenchie contains some of the bands' favorite early tracks, namely 'Staring' and 'Jetstream,' and a cover of the Spacemen 3 tune 'Losing Touch with My Mind.' Remastered and repackaged, this reissue includes Kinski's ultra-rare five song demo unearthed from the period, featuring two never-before heard songs as well as an early version of a number re-recorded for Be Gentle With the Warm Turtle and the outtake 'She Always Made Us Work Like Dogs.'"
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
CD
|
|
SAAH 022CD
|
"In their hometown of Seattle, Chris Martin, Lucy Atkinson, and Matthew Reid-Schwartz of the lysergic-punk band Kinski often play out incognito. Under the guise Herzog (film buffs should figure all these German names out pretty quickly), the goal is to experiment with mood, sound construction and interplay by channeling their chemistry into an exploration of their 'cosmic' side. These entirely improvised sets have yielded some truly heady excursions into the sonic ether. Although they may perform as Herzog, the sum of the parts is still Kinski, and while the intent is to shower the air with slow-raining space dust rather than their trademark heavy-paisley riffs, ambient drone is still very much an aspect of the overall Kinski sound. Don't Climb on and Take the Holy Water is a snapshot of these experiments, 'free-ambient' sounds weaved on the spot when the guitarists subliminally dialed into one another and directed their energies into a subtle exploration of drone, texture and atmosphere."
|