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LP
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HONEY 101LP
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One more step into the eclectic world of Krzystof Komeda. An outstanding compilation based on Komeda's early production featuring a variety of live and radio recordings between 1957 and 1962. Four different line ups including the Komeda Trio, quartet and sextet, plus another quartet shared with tenor sax player Bernt Rosengren. A bunch of true pioneers for Jazz in Eastern Europe searching for the perfect synthesis between the American stylistic influence and a distinctive Slavic lyricism.
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HONEY 093LP
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This is the legendary Krzystof Komeda Quintet caught live at the Jazz Jamboree Festival in Warsaw in 1963. A marvelous combo featuring some of the greatest Polish jazz musicians such as Tomasz Stanko (trumpet), Michal Urbaniak (tenor sax), Maciej Suzin (bass), and Czeslaw Bartowski (drums). Komeda, Stanko and Urbaniak were sort of pioneers who effectively opened up a way for jazz in Poland. Komeda's fluent modern jazz conception was a perfect synthesis between the American influence and a certain Slavic lyricism. The album includes an astonishing version of "Ballad -- From Knife In Water" from Komeda's soundtrack for the 1962 Roman Polanski movie. A major statement in the East European music history.
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HONEY 091LP
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Recorded at the 1962 Jazz Jamboree festival in Warsaw and originally released in 1963 on Danish Metronome label, here's a true gem from one of the most important figures in Polish music and a founding father of European jazz. Ballet Etudes was one of the three full LPs released during Krzysztof Komeda's short lifetime. His fluent modern jazz conception was a perfect synthesis between the American influence and the European harmonic complexity, a unique kind of marriage colored by a clear Slavic lyricism. For many years considered a rare collector item Ballet Etudes comes back to life as a major statement in East-European music history. Featuring Allan Botschinsky (trumpet), Jan Wróblewski (tenor sax), Krzysztof Komeda (piano), Roman Dylag (bass), and Rune Carlsson (drums).
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NAKED 022LP
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One more step into the eclectic world of Krzystof Komeda. This is the second Naked Lunch release dedicated to the music of the great late Polish pianist and film music composer. An outstanding compilation based on Komeda's early production featuring a variety of live and radio recordings between 1957 and 1962. Four different line ups including the Komeda trio, quartet and sextet, plus another quartet shared with tenor sax player Bernt Rosengren. A bunch of true pioneers for Jazz in Eastern Europe searching for the perfect synthesis between the American stylistic influence and a distinctive Slavic lyricism.
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NAKED 002LP
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This is the legendary Krzystof Komeda Quintet caught live at the Jazz Jamboree Festival in Warsaw in 1963. A marvelous combo featuring some of the greatest Polish jazz musicians, such as Tomasz Stanko (trumpet), Michal Urbaniak (tenor sax), Maciej Suzin (bass), and Czeslaw Bartowski (drums). Komeda, Stanko, and Urbaniak were sort of pioneers who effectively opened up a way for jazz in Poland. Komeda's fluent modern jazz conception was a perfect synthesis between the American influence and a certain Slavic lyricism. The album includes an astonishing version of "Ballad From Knife In Water" from Komeda's soundtrack for the 1962 Roman Polanski movie. A major statement in the East-European music history.
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AIS 002LP
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"His music was cool and modern, but there was a hot heart inside. Komeda was a film composer par excellence. He gave truth to my films. Without his music they would be meaningless." --Roman Polanski; Volume one of this Krzysztof Komeda series on vinyl looks at Komeda's classic work for Polanski's Knife in the Water (Nóz w wodzie) (1962) along with rare earlier recordings that have never been on vinyl before. These were recorded by Komeda's progressive trio at the legendary Jazz Jamboree Festivals in Warsaw. Together these recording signify a sea change in the sound of modern jazz -- especially in Poland where it had been banned until Stalin's death in 1953. By the early 1960s, Komeda had found his modern sound, one which he would build on and develop through various film scores and free-jazz sessions. His untimely death in 1969 left the jazz world with a small but significant hole, one that seems to grow bigger as more people realize just how unique and versatile his music was.
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