|
|
|
|
|
|
|
|
|
|
|
|
|
LP
|
|
ET 938-02LP
|
Christina Kubisch (b. 1948) belongs to the first generation of sound artists and is among the most prominent European artists working in sound installation and electroacoustic composition today. Many of her works involve ephemeral phenomena such as ultraviolet light, solar energy and electromagnetic induction. She transforms them to make them perceivable acoustically and visually, thereby reminding the spectator of their presence while also allowing their aesthetic qualities to crystallize. Among her most well-known works is a project called Electrical Walks which employs specially-built headphones that receive electromagnetic signals from the environment and convert them into sound. She uses these headphones for auditory dérives through any given territory, guided by the sounds that are inaudible to passersby, and stopping wherever they seem interesting. Things like light systems, wireless communication systems, ATMs, anti-theft security devices, surveillance cameras, neon advertising, etc., have proven to emit particularly strong signals worth of being explored, often even sounding quite musical. Finally, Kubisch compiles her findings into a map and allows the public to use the headphones themselves to set off for own journeys. One sound source that has shown to be particularly worthwhile, and surprisingly varied throughout different countries, is public transportation. Zenger Station thus focuses on the electromagnetic sound qualities of trams, buses and related infrastructure. Side A is taken by the "Zenger Station" suite of three single pieces, composed from recordings Kubisch made in Prague in 2021 and 2022 and titled after the transformer station of the same name. Side B has a piece from 2021 called "A bus meets a tram meets a trolley" including tram, electric bus and trolley bus recordings from Rome, Bangkok and Bratislava, respectively. Edition of 300 with full-color sleeve and four-sided insert with photos, liner notes and an extensive interview with Christina Kubisch by Christoph Cox.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
CD
|
|
TA 158CD
|
First release of the conceptual and performative pieces by Christina Kubisch, composed and realized between 1974 and 1984 during Christina Kubisch's years in Italy. Six-panel, DVD-sized digipak, illustrated with archival photos of Kubisch with extensive program-notes in English. Edition of 300. "Liquid Piece" (1975) for flute, contact microphone and 100 glasses of water (10:00): Personnel: Christina Kubisch - flute and voice. Fabrizio Plessi - water gargling and voice. Recorded live by Phill Niblock at Experimental Intermedia Foundation, New York, 1976. "Identikit" (1974) for five piano players at one grand piano, five cassette tapes and headphones (12:59): Recorded live at festival Pro Musica Nova, Radio Bremen, 1976. "Circles 1" (1984) for voice and tape delay (5:34): Personnel: Christina Kubisch - flute. Realized at Studio RDS, Milan Costante. "Variabile" (1981): sedici percorsi per un paesaggio sonoro (19:12): Personnel: Christina Kubisch - flute, field recordings, custom made electronics, radio signals and electromagnetic objects. "Kleine Liebe Violet" (1983) (9:42): Personnel: Christina Kubisch - voice, flute, slide whistle, conch, objects. Arturo Morfino - voice, drums, guitar, objects. Realized at Studio RAI, Naples.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
CD
|
|
IMPREC 328CD
|
"Magnetic Flights is entirely made of electromagnetic field recordings of international airports and inside airplanes. The recordings of this piece were made by Christina Kubisch on her travels in 2007 from and to the airports of Bukarest, Manchester, Chicago, Seoul, Munich, Amsterdam, Zurich, Frankfort, Paris, Lisbon, Berlin, Pisa, Milan and London. The sounds were not altered electronically nor changed in any other way. The only tool, which was used for a part of it, was a filtering program (DINR). All recordings were made with the help of special sensitive wireless headphones, by which the aboveground and underground electromagnetic fields are detected, amplified and made audible. The headphones are custom made and have been developed by myself and constructed by the engineer Manfred Fox, Berlin. The sounds are much more musical than one could expect. There are complex layers of high and low frequencies, loops of rhythmic sequences, groups of tiny signals, long drones and many things which change constantly and are hard to describe."
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
CD
|
|
IMPREC 327CD
|
"Mono Fluido collects two major compositions from Christina Kubisch which, until now, have been unreleased. Extensive liner notes and photographs detail the origins of the work. Heavy drones and deep emotions run through these newly discovered pieces."
"In 1980 I had the possibility to make some professional recordings on an eight track tape in an Italian sound studio for the sound track of the film Liquid Movie by Fabrizio Plessi. Some months after having finished the sound track I listened to the material again and suddenly felt the desire to make a new piece out of the material, which would be free of the limitations of a cinematic sound track. I made several new downmixes of the eight track tape and treated some of the sounds with a speed control device, one of the few tools which I had available in my own studio at that time. The sound sources are flute (alto and bass flute) played by myself, the sounds of swinging plastic tubes in the air, the recordings of the windscreen wiper ('tergicristallo') of my old car, the sampled sounds of glass and of my own breathing. Just pure instrumental sounds and some 'field recordings,' no electronics. The piece is a quiet piece of ambient music, an acoustic landscape, unspectacular and yet intense. I called it 'fluido,' which is the Italian word for liquid or fluid. Then I forgot about it. The tape was in my archive all these years with the remark Mono Fluido on the spine. Only recently I decided to digitize it, despite the mono tag, and I listened to it again. Eventually I thought the piece deserved to be published after almost 30 years. Although mono is kind of a dinosaur in the world of multichannel fiction I like the simplicity and clarity of it and I hope the listener might share this experience." -- Christina Kubisch, December 2010
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
CD
|
|
KUBISCH 001CD
|
"The recordings of the 24 Electromagnetic Walks in Poitiers were made on August 14, 18 and 19 2008, using only Christina Kubisch's electromagnetic induction headphones and a portable recorder. The sounds have not been electronically modified. The only intervention was the use of a frequency filter. Today there is a lot of interest in the musical world in mapping, the art of tracing the world we live in by means of maps which differ from those made for trade, commerce and business. The maps of the 24 Electromagnetic walks are visual and musical ones. 24 volunteers explored the hidden electromagnetic fields of Poitiers wearing a special headphone created by the artist. This wireless tool captures and amplifies the magnetic fields above and underground the city."
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
CD
|
|
KUBISCH 002CD
|
"The music on this CD is a stereo mix of the 14-channel composition for the sound-light installation Licht Himmel at the Gasometer Oberhausen, inaugurated in March 2006. The work comprises 212 special LED lights, following the architectural lines of the 100 m high building. The sound is transmitted by two speaker circles, one at the bottom and one at the top. Light and sound transform the huge gas tank into a space of contemplation and magic. Trautonium, glass harmonica, Tibetan metal bowls, voice, tuning forks, bells, glass gong, glass cornett, double bass, springdrums, nature recordings, electronic devices, electromagnetic field recordings, synthesizer. Mixed and mastered at the Electronic Studio of the Berlin Technical University, June 2006."
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
CD
|
|
IMPREC 167CD
|
"Christina Kubisch is a first generation sound artist of the highest order. Kubisch has been working with electrical induction since the late seventies and in 2003 she began her Electrical Walk installations. Listeners wear specially built headphones that reveal electro-magnetic radiation emanating from the technological world around us. Five Electrical Walks is her first collection of compositions untilizing material recorded during Electrical Walks."
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
CD
|
|
IMPREC 168CD
|
Reissue of this 1987 album, originally issued on Auf Dem Nil. "Night Flights is a groundbreaking work from one of the most influential of the first generation sound artists. For some reason, this staggering work has been left out of print for over 20 years. Night Flights has been remastered and includes updated liner notes from Christina Kubisch. Night Flights is being released in conjunction with Kubisch's release of new work for Important Records titled Invisible/Inaudible: Five Electrical Walks."
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
CD
|
|
DS 003CD
|
"A spectacular all-transparent Audio/multimedia CD (a reprint of the 1984 cassette-only private release). A final and comprehensive document on the series of installations named 'On Air' or 'Magnetic Air' which C. Kubisch exhibited in Italy and Europe from 1982 to 1986. The relationship between specific locations and electronic music was explored through the use of magnetic induction cables and special earphones. Twenty years later, On Air has remained a fascinating listening experience, and represents a unique illustration of the artistic integration of sound and vision. The interactive section provides a virtual journey through the spectacular 1984 installation created for the medieval town of Gargonza in Tuscany, complete with 1 hour of music and a 15-minute video plus photos, a Bio, info and scores." Enhanced CD; Audio and Interactive tracks. + 15 .MPG Video for PC/MAC.
|
|
|
|