|
|
|
|
|
|
|
|
|
CD
|
|
AP 083CD
|
"Nommos Visiting is an electronic work based in speculative fiction, written in 1979 by American composer Craig Leon. It was inspired by a 1970s New York exhibition devoted to the art of the Dogon people of Mali. The Dogon are renowned for their cosmogony and for their sculptures evoking their religious beliefs, received from extraterrestrial visitors, known as the Nommos, a group of amphibian humanoids who came to them from the region of the double star Sirius. Leon explains, 'It was an attempt to imagine the music that the Nommos brought with them to Earth from their home planet, thereby influencing the development of our own music.'"
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
CD
|
|
SV 017CD
|
2014 release. "First appearing incongruously on John Fahey's Takoma label in 1981, Nommos remains enshrouded in impenetrable mystery--from its understated artwork to the rich assemblage of analog synths contained inside. Best known as a producer, Craig Leon worked on landmark debuts from Suicide, Richard Hell, The Ramones and Blondie. Rather than ape the early NYC punk that he helped foster, Leon's own music is filled with lush textures and pulsating rhythm boxes. Comparisons can be made to German innovators such as Cluster and La Dusseldorf, yet Nommos is an unbalanced cosmos marked by anxious melodies, aggressive shifts and spiritual overtones. The name 'Nommos' itself refers to mythical deities worshipped by tribes in West Africa. Some scholars have argued that the myth has extraterrestrial roots. While these are significant details for understanding the album's peculiar meditative qualities, there was little context for these sounds upon their initial release. Even today, in the cold light of the early 21st century, Leon sounds fiercely contemporary. This first-time CD release is mastered from the original analog tapes."
|