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CD
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BB 090CD
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Like A Stuntman formed in 2001 in Frankfurt am Main. Half of the band moved to Hamburg soon thereafter. Their first album was released in 2005 on the English label Highpoint Lowlife. Then, the highly-praised Original Bedouin Culture (BB 033CD/LP) came out on Bureau B in 2009. YOY is now their third record in 11 years. The postman rings for longer than usual. He has a poem with him, which he reads: Title: "Like A Stuntman" --
Symptoms of the ocular / Yesterday euphoria / Dog show digest.
Ooze yeah ooze / Hell, no sport / Boy campaign.
Sentimental education / A decade or less / YOY
Y-O-Y ? (or Why, Oh Why?)
He speaks the final words with elongated vowels -- the sound of an animal, a plant, an instrument. We listen reverently as the verse fades away. It's an autumn poem, without a doubt: a bit bumpy, its breadth not immediately apparent, but one senses that there is something right about it. You slip the record out of its cover and put it on. Noise. Goofy dances. Washed-out pictures, pulled too soon from the Polaroid, held in the wind, faded, warped, covered with earth, immersed in ashes, swept through the water, caught in traps. This is how the vastness, the mid-west, the coast and desert find their way into their world of sound. They understand the beauty of the surface -- that's why their music is so iridescent. Amongst it is a crafty rustling, an oscillation, linking the songs. Sounds hover behind water, the vocal goes haywire. Discordant harmonies.
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LP
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BB 090LP
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LP version. On 180 gram vinyl; includes free download code. Like A Stuntman formed in 2001 in Frankfurt am Main. Half of the band moved to Hamburg soon thereafter. Their first album was released in 2005 on the English label Highpoint Lowlife. Then, the highly-praised Original Bedouin Culture (BB 033CD/LP) came out on Bureau B in 2009. YOY is now their third record in 11 years. The postman rings for longer than usual. He has a poem with him, which he reads: Title: "Like A Stuntman" --
Symptoms of the ocular / Yesterday euphoria / Dog show digest.
Ooze yeah ooze / Hell, no sport / Boy campaign.
Sentimental education / A decade or less / YOY
Y-O-Y ? (or Why, Oh Why?)
He speaks the final words with elongated vowels -- the sound of an animal, a plant, an instrument. We listen reverently as the verse fades away. It's an autumn poem, without a doubt: a bit bumpy, its breadth not immediately apparent, but one senses that there is something right about it. You slip the record out of its cover and put it on. Noise. Goofy dances. Washed-out pictures, pulled too soon from the Polaroid, held in the wind, faded, warped, covered with earth, immersed in ashes, swept through the water, caught in traps. This is how the vastness, the mid-west, the coast and desert find their way into their world of sound. They understand the beauty of the surface -- that's why their music is so iridescent. Amongst it is a crafty rustling, an oscillation, linking the songs. Sounds hover behind water, the vocal goes haywire. Discordant harmonies.
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CD
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BB 033CD
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This is the second full-length release by Hamburg, Germany's Like A Stuntman (Matthias Gros, Christian Fleck, Tobi Ullrich & Sven Fritz). In 2005, the quartet released their debut album, made available almost solely in the UK, with touring activities similarly focused in the UK as well. Four years on, Like A Stuntman are ready to take it well over and beyond the Isles with Original Bedouin Culture, an exhilarating celebration of eclectic instrumentation and the blending together of past and future influences that span an incredibly diverse roster of genres and eras. Fan Schneider TM on Original Bedouin Culture: "The album traces an arc from the sounds and spirit of late '60s psychedelia, the class of 1968 and a little later, The Beach Boys' Pet Sounds, Silver Apples, bands from Brazil's Tropicália movement such as Os Mutantes, etc., through the musical influences and laconic humor of some early '90s post-post-punk indie-rock bands like Sebadoh and Pavement up to a personal take on turn-of-the-century 'weird folk,' with a nod to Krautrock and the liberation of electronic music by artists from Cologne, Düsseldorf, Frankfurt, Berlin or the Warp label." Das Bierbeben's Rasmus Engler describes the album as such: "Shy vocals, possibly recorded under bedcovers, duet with warm banks of synthesizer; acoustic and electric guitars speak up and buzz through subtly-crafted songs. Original Bedouin Culture succeeds in building a bridge from Matador to Warp, with ECM and free-folk communes visible from its center. A fantastic record that could make you lose your mind!"
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Artist |
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Format |
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LP
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BB 033LP
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LP version. This is the second full-length release by Hamburg, Germany's Like A Stuntman (Matthias Gros, Christian Fleck, Tobi Ullrich & Sven Fritz). In 2005, the quartet released their debut album, made available almost solely in the UK, with touring activities similarly focused in the UK as well. Four years on, Like A Stuntman are ready to take it well over and beyond the Isles with Original Bedouin Culture, an exhilarating celebration of eclectic instrumentation and the blending together of past and future influences that span an incredibly diverse roster of genres and eras. Fan Schneider TM on Original Bedouin Culture: "The album traces an arc from the sounds and spirit of late '60s psychedelia, the class of 1968 and a little later, The Beach Boys' Pet Sounds, Silver Apples, bands from Brazil's Tropicália movement such as Os Mutantes, etc., through the musical influences and laconic humor of some early '90s post-post-punk indie-rock bands like Sebadoh and Pavement up to a personal take on turn-of-the-century 'weird folk,' with a nod to Krautrock and the liberation of electronic music by artists from Cologne, Düsseldorf, Frankfurt, Berlin or the Warp label." Das Bierbeben's Rasmus Engler describes the album as such: "Shy vocals, possibly recorded under bedcovers, duet with warm banks of synthesizer; acoustic and electric guitars speak up and buzz through subtly-crafted songs. Original Bedouin Culture succeeds in building a bridge from Matador to Warp, with ECM and free-folk communes visible from its center. A fantastic record that could make you lose your mind!"
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