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2LP
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BJR 007A-LP
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$35.50
PREORDER
RELEASE DATE: 7/11/2025
2LP Silk Screen Sleeve plus insert. Before Guaracha UFO propelled Meridian Brothers onto the international stage, Eblis Álvarez was already shaping his singular sonic universe in the shadows. Released only on CD in between 2009 and 2012 via local label La Distritofónica, Meridian Brothers VI and VII never had wide distribution or media exposure. Yet, these albums represent a crucial phase in the band's evolution, capturing the energy of Bogotá's experimental cumbia scene at the time. On VI, Álvarez crafts a hallucinatory patchwork of cumbia and vallenato, using his guitar as the guiding thread before layering other instruments on top. These two albums laid the foundation for the radical fusion and irreverent spirit that would later define Meridian Brothers. Now reissued on vinyl for the first time, these historic recordings offer a raw and fascinating glimpse into the origins of one of Latin America's most forward-thinking musical projects.
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2LP
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BJR 008A-LP
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$35.50
PREORDER
RELEASE DATE: 7/11/2025
2LP Silk Screen Sleeve plus insert. Before Guaracha UFO propelled Meridian Brothers onto the international stage, Eblis Álvarez was already shaping his singular sonic universe in the shadows. Released only on CD in between 2009 and 2012 via local label La Distritofónica, Meridian Brothers VI and VII never had wide distribution or media exposure. Yet, these albums represent a crucial phase in the band's evolution, capturing the energy of Bogotá's experimental cumbia scene at the time. VII pushes experimentation even further with a custom-built sampling algorithm, generating unpredictable loops and grooves. These two albums laid the foundation for the radical fusion and irreverent spirit that would later define Meridian Brothers. Now reissued on vinyl for the first time, these historic recordings offer a raw and fascinating glimpse into the origins of one of Latin America's most forward-thinking musical projects.
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LP
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BJR 054LP
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"After the very acoustic ¿Dónde estás María?, I decided to try a new experiment taking as a reference the legendary group Cumbia siglo XX which is a group who explores a futuristic vision of coastal cumbia in the '80s, together with other groups such as Grupo folclórico, 2000 voltios, and others, mainly under the label Machuca and Felito records. This new '80s cumbia was a combination of funky basses and a further evolution of the rhythms, blending this style with disco and even rock music and superimposing the traditional versus the urban context and the modernity. Meridian Brothers took this as a departing point and inspiration, making the same experiment but in XXI century, using the modern media of this time; all kinds of drum machines, guitars and synths, algorithmic software etc, and also taking into account the global exposition of modern cumbia in the 2010s. So all kinds of influences and genres are blended around this cumbia axis. Urban beats, synthy grooves, glitches and all kinds of swear words, and all kinds of slang language are included in the songs of the album. All these elements are filtered and passed through the traditional train of thought of Meridian Brothers, which is the figuration of an abstract picture of sound put it within a concrete context or cultural tendency." --Eblis Álvarez/Meridian Brothers
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CD
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BJR 054CD
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2020 release. After the very acoustic ¿Dónde estás María? (2017) the Meridian Brothers decided to try a new experiment taking as a reference the legendary group Cumbia Siglo XX which is a group who explores a futuristic vision of coastal cumbia in the '80s, together with other groups such as Grupo Folclórico, 2000 Voltios, and others, mainly under the label Machuca and Felito Records. This new '80s cumbia was a combination of funky basses and a further evolution of the rhythms, blending this style with disco and even rock music and superimposing the traditional versus the urban context and the modernity. Meridian Brothers took this as a departing point and inspiration, making the same experiment but in XXI century, using the modern media of this time; all kinds of drum machines, guitars and synths, algorithmic software etc., and also taking into account the global exposition of modern cumbia in the 2010s. So, all kinds of influences and genres are blended around this cumbia axis. Urban beats, synth-y grooves, glitches, and all kinds of swear words (and its censorship), and all kinds of slang language are included in the songs of the album. All these elements are filtered and passed through the traditional train of thought of Meridian Brothers, which is the figuration of an abstract picture of sound put it within a concrete context or cultural tendency.
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LP
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CREP 032LP
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Discrepant present a vinyl release of Meridian Brothers's El Advenimiento Del Castillo Mujer. Originally released back in 2006 by Colombian label La Distritofonica as a limited CD-only album, El Advenimiento Del Castillo Mujer showcased a rare style of "abstract folk music" inspired on the experiments of some Bogota collectives from the time (2005-2006). Recorded and composed in Copenhagen between 2005 and 2006 by founding and core member Eblis Alvarez (vocals, guitars & electronics), each song is intended to explore a different energy and mood, from the pure abstract rhythms, to concrete vallenato, cumbia and currulao.
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CD
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STAUB 128CD
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For the first time officially available outside of Colombia, Bogota's Meridian Brothers present on the Staubgold label a delightfully surreal and playful compilation of their works from 2005 to 2011. Devoción (Works 2005-2011) features the best moments of three albums which previously have only been released on the local Colombian La Distritofónica label. Traditional instruments, electronics, and distorted vocals are dragged through an array of influences to create a world that is as original as it is unclassifiable. Straddling the line between new and old, the Meridian Brothers' mischievous blend of Latin rhythms and psychedelic grooves is the creation of Eblis Álvarez, one of the key figures of the experimental music scene in Bogota. As with all of the Meridian Brothers' releases, every instrument on Devoción (Works 2005-2011) was played and recorded by Eblis himself. A true avant-garde guitar player and composer, he also plays in Mario Galeano's band Frente Cumbiero and was one of the 42 musicians involved in the recording of Ondatrópica. A real musical maverick, labeled a genius by his contemporaries in Colombia, Eblis Álvarez and his Meridian Brothers finally get the full, worldwide attention they deserve. The Meridian Brothers started back in 1998 with Eblis Álvarez experimenting with alternative ways of playing instruments and electronic media. Heavily influenced by Latin rock (Argentinean in particular) these early recordings were distributed by cassette on the underground music market in Bogota. It was in 1999, after joining Mario Galeano's Ensamble Polifónico Vallenato that Eblis first became interested in the tropical music of Colombia and began working these new influences in to the Meridian Brothers. Another key period in his development was his time spent in Denmark at the Royal Danish Academy of Music and the DIEM (Danish Institute of Electronic Music). It was during this stage that Eblis started using more sophisticated and intricate techniques in both electronics and signal processing. Eblis returned to Bogota in 2008, joining a burgeoning music scene with cumbia, salsa and currulao all being explored by a new generation of Colombian musicians. 2009's Meridian Brothers VI goes deep into tropical sounds of the '60s and '70s in Colombia and integrates other influences such as highlife, Ethiopian music, surf and Peruvian and Colombian cumbia. It was around this stage that Meridian Brothers made their first appearances as a live band with Damien Ponce (percussion), Maria Valencia (clarinet, saxophone and synthesizers), Alejandro Forero (keyboards), Cesar Quevedo (bass) and Eblis Alvarez (vocals, guitar and electronics). In 2011, Meridian Brothers VII was released. The sound of this album returns to Latin American rock influences as well as champeta experiments, jazz, cumbia, and tropical. Distorted sounds, electronic changes in voice, obscure surf guitar and randomly-changed sampled percussion all collide head-on. Two tracks from this record were released on 7" by New York label Names You Can Trust in 2012. Recorded in 2012 and released by Soundway Records in London, Desesperanza is dedicated exclusively to salsa and tropical music, twisting it through a dark and theatrical soundscape without abandoning traditional aesthetics.
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