|
|
|
|
|
|
|
|
|
|
|
LP
|
|
LTNC 034LP
|
$28.00
PREORDER
RELEASE DATE: 10/10/2025
Latency presents Nexus, the new solo album by virtuoso Iranian percussionist Mohammad Reza Mortazavi. Covert art by Jordan Belson. Mohammad Reza Mortazavi (b. 1979, Iran) is known for his groundbreaking work with the tombak and daf, traditional Persian drums that he has radically redefined through new playing techniques and extended vocabulary. Mortazavi began playing the tombak at the age of six. By nine, he had already outpaced his teacher and won Iran's national tombak competition -- a distinction he would earn six more times. By his early twenties, he was widely regarded as one of the foremost players of the instrument. Since then, his music has continued to evolve, embracing new forms and vocabularies beyond tradition. Following his acclaimed 2019 release Ritme Jaavdanegi, Nexus marks Mortazavi's return to Latency with a full-length album recorded entirely in Berlin. The record introduces new elements into his sound: voice, effects, and treatments never before used in his discography. These experiments serve not as departures but as further extensions of his ongoing exploration of rhythm, resonance, and transformation. Nexus refers to a point of connection or intersection, a meeting place where different energies, times, and spaces converge and transform. The cover artwork features an image by American visual artist and filmmaker Jordan Belson (1926 -- 2011). Belson's work, often referred to as "cosmic cinema" or "visual music", explores themes of consciousness, transcendence, and the infinite nature of the universe. The pairing with Mortazavi's percussive, trance-induced musical language feels immediate: two approaches to rhythm and energy, balance and harmony, coming together at a single point. Mortazavi's hypnotic live performances have been featured at renowned venues including the Berlin Philharmonie, Paris Pantheon and the Sydney Opera House. In recent years, Mortazavi's rhythmic explorations have resonated deeply with the experimental electronic music scene, leading to collaborations with artists such as Burnt Friedman and Mark Fell.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
LTNC 018LP
|
"Mohammad Reza Mortazavi is a virtuoso percussionist known for playing traditional Persian instruments such as the tombak and daf. After developing more than thirty new striking techniques and progressing to be one of the most prominent players in Iran, Mortazavi travelled to Germany, eventually settling in Berlin to record and perform regular concerts the world over. His acclaimed performances have taken in venues such as Berlin Philharmonie and Sydney Opera House. In recent years, he has been embraced by the experimental electronic music community, collaborating with Burnt Friedman, Fis and Mark Fell. Ritme Jaavdanegi is Mortazavi's sixth LP, and his first one available on vinyl. The album came together from recordings made in Berlin in June 2019, inspired by Mortazavi's vivid reminiscence about profound experiences he had listening to music as a child. As he drifted in this time-slipping reverie, the phrase 'ritme jaavdanegi' or 'rhythm of eternity' came to mind, and he found the phrase itself to match the 11/8 metre he was striving for. As such, all eight pieces on this album adhere to this time signature, which in itself harks back to the Aksak, a rhythmic pattern based on the alteration of binary and ternary quantities executed in a fast tempo, intrinsic to traditional music from Iran, Turkey, Afghanistan and the Balkans. In the same way these non-standard folk rhythms started to impact on Western music in the early 20th Century, so now you can hear an ever-increasing embrace of polyrhythms and metres that break away from the dominant 4/4 ideology. What's most striking about Ritme Jaavdanegi, perceived through a lens of modern Western experimental music, is how Mortazavi's virtuosic playing rivals the intensely programmed dynamics of electronica. His rapid, needlepoint drum hits bend their tonality in incredibly musical ways, but there is still an underlying focus on cyclical repetition that encourages the same ancient transcendental quality that so many contemporary artists strive for."
|