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3CD BOX
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DC 390CD
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"Joanna Newsom releases her first album since late 2006's Ys, making up for lost time with a disc for 2008, one for 2009 and one for today. Featuring Ryan Francesconi and Neal Morgan from Joanna's Ys Street Band, Have One On Me is an extravagantly packaged (and extravagantly nicely-priced) collection of fantastic new Joanna Newsom songs -- her most colorful record to date."
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3LP BOX
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DC 390LP
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2022 repress on vinyl; Deluxe 3LP box version with an 8-page, large-format lyric booklet and printed innersleeves. "Joanna Newsom releases her first album since late 2006's Ys, making up for lost time with a disc for 2008, one for 2009 and one for today. Featuring Ryan Francesconi and Neal Morgan from Joanna's Ys Street Band, Have One On Me is an extravagantly packaged (and extravagantly nicely-priced) collection of fantastic new Joanna Newsom songs -- her most colorful record to date."
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12"
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DC 336EP
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2023 repress. "A new Joanna Newsom record already? Don't rub your eyes and ears just yet -- it's 'just' an EP. But with all new arrangements and performances of two already-classic Joanna songs and the debut of a brand-new song, it's a solid short-play record at least -- and another inspiring slice of Newsom at best! Joanna Newsom & the Ys Street Band E.P. was performed by Joanna's road-tested band: Kevin Barker, Neal Morgan, Dan Cantrell and Ryan Francesconi, with Joanna Newsom singing and playing her harp. Recorded and mixed in its entirety by Tim Green at The Plant Studios in Sausalito, California, Joanna Newsom & the Ys Street Band E.P. is an all-new, live and lively look into the world of one of today's fastest-growing young artists."
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CD
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DC 336CD
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"A new Joanna Newsom record already? Don't rub your eyes and ears just yet -- it's 'just' an EP. But with all new arrangements and performances of two already-classic Joanna songs and the debut of a brand-new song, it's a solid short-play record at least -- and another inspiring slice of Newsom at best! Joanna Newsom & the Ys Street Band E.P. was performed by Joanna's road-tested band: Kevin Barker, Neal Morgan, Dan Cantrell and Ryan Francesconi, with Joanna Newsom singing and playing her harp. Recorded and mixed in its entirety by Tim Green at The Plant Studios in Sausalito, California, Joanna Newsom & the Ys Street Band E.P. is an all-new, live and lively look into the world of one of today's fastest-growing young artists."
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2LP
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DC 303LP
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2023 restock. Double LP version; deluxe gatefold sleeve, with inserted 12"x12" booklet of lyrics. "Five songs, fifty-five minutes, what-an-album! Ys is to Ms. Newsom a dream collaboration between her voice and harp and a full orchestra -- a sound many of us fans have thought we were hearing when listening with closed eyes at her concert performances. Songs familiar to Joanna's following are a big part of Ys, having been performed in concert over the past year -- but not with the arrangements you'll find on four of the five songs here (one song being 'classic' Joanna; which is to say, solo). The songs, conceived with harp and voice and tracked as such by Steve Albini, were arranged with kindness and love by the legendary Van Dyke Parks over several months of correspondence and collaboration with Joanna. At the end of the day, the instrument count included strings, woodwinds, and brass plus dulcimer, marimba, various percussive instruments (including a horse skull!), banjo, mandolin, electric bass guitar (played by master of mellow Lee Sklar), electric guitar (played by jazz-great -- and-definitive-MAD-magazine-authority, Grant Geisseman), and accordion played by Van Dyke himself. If this seems like a bit of an overfull house -- wait'll you hear the mix Jim O'Rourke made of it! It's light and lilting, with Joanna front and center and sounds blowing and tearing and swelling around her, in perfect consort. The wide-screen beauty of Ys is due to, among other things, a scrupulously all-analog production involving forty-odd tracks spread over two synched-up 24-track tape machines, mixed to tape and mastered at Abbey Road, home of the all-analog mastering path!"
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CD
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DC 303CD
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"Five songs, fifty-five minutes, what-an-album! Ys is to Ms. Newsom a dream collaboration between her voice and harp and a full orchestra -- a sound many of us fans have thought we were hearing when listening with closed eyes at her concert performances. Songs familiar to Joanna's following are a big part of Ys, having been performed in concert over the past year -- but not with the arrangements you'll find on four of the five songs here (one song being 'classic' Joanna; which is to say, solo). The songs, conceived with harp and voice and tracked as such by Steve Albini, were arranged with kindness and love by the legendary Van Dyke Parks over several months of correspondence and collaboration with Joanna. At the end of the day, the instrument count included strings, woodwinds, and brass plus dulcimer, marimba, various percussive instruments (including a horse skull!), banjo, mandolin, electric bass guitar (played by master of mellow Lee Sklar), electric guitar (played by jazz-great -- and-definitive-MAD-magazine-authority, Grant Geisseman), and accordion played by Van Dyke himself. If this seems like a bit of an overfull house -- wait'll you hear the mix Jim O'Rourke made of it! It's light and lilting, with Joanna front and center and sounds blowing and tearing and swelling around her, in perfect consort. The wide-screen beauty of Ys is due to, among other things, a scrupulously all-analog production involving forty-odd tracks spread over two synched-up 24-track tape machines, mixed to tape and mastered at Abbey Road, home of the all-analog mastering path!"
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CD
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DC 263CD
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"Drag City takes great pleasure in introducing to you a remarkable new musical singer, songwriter and all-around talent, Joanna Newsom. Joanna's music has more of an affinity with the folk revival of the 60s, or the bluegrass movement at present, than with most contemporary 'folk' (or 'anti-folk') scenes. Affinities aside, her style could hardly be called bluegrass; nor does it evoke the pastoral tonalities of 60s folk: she sings about whalebones, sleep, grammar, mollusks, accumulation, automobiles, owls, burning boats, string collections, milk, teeth, bridges, balloons, cake, colors, and kin, all in an otherworldly, ragged-sweet voice that defies convention. Her harp arrangements are at times ethereal and delicate, at others galloping and ornate, but never overwrought -- presenting not so much a mere fusion of influences, as an inquiry into the places where those influences naturally intersect. She considers the late composer Ruth Crawford Seeger (who was one of American folk music's earliest advocates, as well as a vanguardist composer) to be a major influence, because of Seeger's ability and desire to reconcile the tenets of experimentalism with her love for a beautiful melody."
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LP
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DC 263LP
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2023 repress. "Drag City takes great pleasure in introducing to you a remarkable new musical singer, songwriter and all-around talent, Joanna Newsom. Joanna's music has more of an affinity with the folk revival of the 60s, or the bluegrass movement at present, than with most contemporary 'folk' (or 'anti-folk') scenes. Affinities aside, her style could hardly be called bluegrass; nor does it evoke the pastoral tonalities of 60s folk: she sings about whalebones, sleep, grammar, mollusks, accumulation, automobiles, owls, burning boats, string collections, milk, teeth, bridges, balloons, cake, colors, and kin, all in an otherworldly, ragged-sweet voice that defies convention. Her harp arrangements are at times ethereal and delicate, at others galloping and ornate, but never overwrought -- presenting not so much a mere fusion of influences, as an inquiry into the places where those influences naturally intersect. She considers the late composer Ruth Crawford Seeger (who was one of American folk music's earliest advocates, as well as a vanguardist composer) to be a major influence, because of Seeger's ability and desire to reconcile the tenets of experimentalism with her love for a beautiful melody."
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