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12"
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GB 1533OBILP
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Japanese edition. Originally released in 2020. Previously only available as a vinyl release on John Peel and Clive Selwood's Strange Fruit label during a brief period in 1988, this four track vinyl EP was the first of two sessions Nico performed for John Peel (the second was in 1974). The music was recorded live for BBC Radio One's Top Gear on February 2, 1971 and broadcast the following week. This haunting session is Nico at the height of her creative powers as testified by those who saw her solo concerts in this period.
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LP
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SFR 005LP
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"Containing 2 BBC sessions (four songs recorded for John Peel's show in 1974 and two from The Old Grey Whistle Test in 1975) and two songs recorded live at the Rainbow Theatre in 1974, this record is filled with the power and intensity that Nico could summon with just her powerful voice and beloved harmonium. A somber and beautiful journey through the world of mid-'70s Nico, one of the most singular and personal artists of the era. Includes fold out poster/insert."
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LP
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VL 900129LP
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The End is the fourth studio album by German musician Nico. It was recorded in summer 1974 at Sound Techniques studio in London and produced by John Cale. It was released in November 1974. The End is Nico's fifth collaboration with John Cale and second with him as producer. It carries the same harmonium-based sound heard on The Marble Index (HE 68005LP, 1968) and Desertshore (HE 70004LP, 1970), with the addition of Brian Eno's synthesizers and electronic instruments. The song "You Forget to Answer" tells of the misery felt by Nico when she failed to reach ex-lover, and Doors' singer, Jim Morrison by phone only to find out later that he had died. The album was her first since Morrison's death in 1971.
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LP
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HE 70004LP
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Desertshore is Nico's third solo album, recorded and released in 1970. It was co-produced by John Cale and Joe Boyd. Like its predecessor The Marble Index (HE 68005LP, 2023), it is an avant-garde album with chamber music elements. The back and front covers feature stills from the film La cicatrice interieure by Philippe Garrel, which starred Nico, Garrel and her son Ari Boulogne. A few of the songs from the album were included on the soundtrack of the film.
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LP
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HE 68005LP
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Nico immediately embarked on a solo recording career after splitting with the Velvet Underground and had an unfulfilling experience making her first album. For The Marble Index, she seized control of the recording process, determined that her vision be more fully realized on her second LP. Writing all of the songs and enlisting John Cale's playing and production assistance, Nico created a dark, stripped-down atmosphere that was a million miles from Top 40. Centered around her signature harmonium playing, the songs have a stark, Gothic quality that profoundly affected listeners.
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LP
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HE 67002LP
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Reissue, originally released in 1967. "She is beautiful. And in a world where so much can easily be possessed on a whim or for a promise, she is unpossessable. She has a clear, pure ring, a trueness, like an arrow that has hit an inner mark and can't be wedged loose. Her voice and her manner, that stretch farther into the past than perhaps she realizes, may set the new style: an existential pop style that is as earthy as Mary Travers (Peter, Paul & Mary) yet more elegant, more isolated. Her name is Nico. I don't know where she was born, how old she is or anything about her life as a model in Paris, an actress in Rome, a beat in lbiza or a member of the Velvet Underground. I could easily find out. But l'd rather not. All that was yesterday." --Pat Patterson
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2LP
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VL 900960LP
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Originally released in 2002; 2010 release on Vinyl Lovers. Despite her stunning beauty, famous friends and lovers, and a promising career as a model, Nico, instead of becoming the trophy wife of rich man, aligned herself with nihilism and self-destruction, becoming the goddess of the underworld... a beautiful and tragic angel of death with a voice from the beyond. In 1982 she recorded two tracks with Martin Hannett, most known for producing the similarly gloomy Joy Division and New Order, and backed by The Invisible Girls. These tracks, a reworking of the Velvet Underground's "All Tomorrow's Parties" and her own brooding "Procession", alongside heavily atmospheric live tracks selected from her 1983 tour in London, Copenhagen, Utrecht, and Amsterdam are present here. Femme Fatale also includes versions of songs written for her by Dylan, Browne, Bowie, and Lou Reed as well as nine Nico originals. Also featuring a detailed bio by Nina Antonia.
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