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viewing 1 To 18 of 18 items
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2LP
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DG 007LP
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$37.00
PREORDER
RELEASE DATE: 11/28/2025
Double LP version. "Here is a recording of the Broad Museum show. A bunch of Krauty jams we've never played live before and a couple old favs. Mixed by JPD. Mastered by the guru JJ Golden. Here is a slab to burn one to while you jettison any garbage (good riddance) out the hatch -- onward and upward."
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CD
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DG 007CD
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$15.00
PREORDER
RELEASE DATE: 11/28/2025
"Here is a recording of the Broad Museum show. A bunch of Krauty jams we've never played live before and a couple old favs. Mixed by JPD. Mastered by the guru JJ Golden. Here is a slab to burn one to while you jettison any garbage (good riddance) out the hatch -- onward and upward."
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2LP
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DG 007X-LP
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$39.00
PREORDER
RELEASE DATE: 11/28/2025
Double LP version. Color vinyl. "Here is a recording of the Broad Museum show. A bunch of Krauty jams we've never played live before and a couple old favs. Mixed by JPD. Mastered by the guru JJ Golden. Here is a slab to burn one to while you jettison any garbage (good riddance) out the hatch -- onward and upward."
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CD
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DG 006CD
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"The twelve tracks on Abomination Revealed At Last are a hypnotic, maniacal, and propulsive attack on the senses -- a fitting reaction to a world suffering from genocide, environmental collapse, state-sanctioned violence, progressing technocracy, and more. The album was recorded by Enrique Tena Padilla, Mario Ramirez, and John Dwyer, mixed by Padilla and Dwyer, and mastered by JJ Golden. OSEES are John Dwyer (vocals/guitar/synths), Tom Dolas (guitar/samples/keys), Tim Hellman (bass), and Dan Rincon (drums)."
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LP
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DG 006LP
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LP version. "The twelve tracks on Abomination Revealed At Last are a hypnotic, maniacal, and propulsive attack on the senses -- a fitting reaction to a world suffering from genocide, environmental collapse, state-sanctioned violence, progressing technocracy, and more. The album was recorded by Enrique Tena Padilla, Mario Ramirez, and John Dwyer, mixed by Padilla and Dwyer, and mastered by JJ Golden. OSEES are John Dwyer (vocals/guitar/synths), Tom Dolas (guitar/samples/keys), Tim Hellman (bass), and Dan Rincon (drums)."
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LP
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DG 006X-LP
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LP version. Color vinyl. "The twelve tracks on Abomination Revealed At Last are a hypnotic, maniacal, and propulsive attack on the senses -- a fitting reaction to a world suffering from genocide, environmental collapse, state-sanctioned violence, progressing technocracy, and more. The album was recorded by Enrique Tena Padilla, Mario Ramirez, and John Dwyer, mixed by Padilla and Dwyer, and mastered by JJ Golden. OSEES are John Dwyer (vocals/guitar/synths), Tom Dolas (guitar/samples/keys), Tim Hellman (bass), and Dan Rincon (drums)."
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CD
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CF 151CD
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"This album (SORCS 80) was a self-imposed ambitious project for us (OSEES). Something to kick in the creative flow. The last few years, having been a challenging time in general, felt like a good time for a pivot. The last two albums were so guitar and keyboard-centric, I wanted a weird and fun set of parameters for us to work with. I demo'd everything at home on cassette four track (harkening back to simpler times) using drum loops, and just had at it 'til I had a pile of 'songs.' Tom Dolas and I chose one sound each using synths and created a range of three octaves of that sample, then loaded them into Roland SPD-SX samplers and learned the transcribed songs using drum sticks. The idea was to change the way we wrote and to have four people along the front of the stage essentially playing percussion. So no guitar, no keys. As we were recording, I kept thinking how the sounds, when paired up, sounded a bit like brass. So, we added a saxophone horn section to round out the horniness of the sound with a bit of reedy bell tones. Thanks to Cansfis Foote and Brad Caulkins on tenor and baritone saxophones. Sort of a Dexy's Midnight Runners meets Von LMO meets The Flesh Eaters meets the Screamers kinda punk junk. Poppy and hooky, heavy at times. Sort of vacuous and maybe a bit sci-fi in sound. Boneheaded in riff and heady in lyrics. Recorded at Stu-Stu-Studio by me on eight track 1/4-inch tape. So pretty hot and raw. Lots to write about today. A lot of these lyrics were taken from things people said in passing about taking on life right now that stuck with me. Things that made me reflect. Things that made me laugh. Things that made me WTF. Some folks are kind, genuine and give you love and energy. Some are greedy manipulative ghouls who hang off your veins. You must be strong, composed and take care of yourself. Be self-aware and check your mind for cracks. Learn to relax and be well. There are moments of beauty and redemption. It's not all bad news and there's always hope. People continue to surprise me one way or another. Anyhow, hope you enjoy and good luck out there." --John Dwyer
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LP
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CF 151LP
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LP version. "This album (SORCS 80) was a self-imposed ambitious project for us (OSEES). Something to kick in the creative flow. The last few years, having been a challenging time in general, felt like a good time for a pivot. The last two albums were so guitar and keyboard-centric, I wanted a weird and fun set of parameters for us to work with. I demo'd everything at home on cassette four track (harkening back to simpler times) using drum loops, and just had at it 'til I had a pile of 'songs.' Tom Dolas and I chose one sound each using synths and created a range of three octaves of that sample, then loaded them into Roland SPD-SX samplers and learned the transcribed songs using drum sticks. The idea was to change the way we wrote and to have four people along the front of the stage essentially playing percussion. So no guitar, no keys. As we were recording, I kept thinking how the sounds, when paired up, sounded a bit like brass. So, we added a saxophone horn section to round out the horniness of the sound with a bit of reedy bell tones. Thanks to Cansfis Foote and Brad Caulkins on tenor and baritone saxophones. Sort of a Dexy's Midnight Runners meets Von LMO meets The Flesh Eaters meets the Screamers kinda punk junk. Poppy and hooky, heavy at times. Sort of vacuous and maybe a bit sci-fi in sound. Boneheaded in riff and heady in lyrics. Recorded at Stu-Stu-Studio by me on eight track 1/4-inch tape. So pretty hot and raw. Lots to write about today. A lot of these lyrics were taken from things people said in passing about taking on life right now that stuck with me. Things that made me reflect. Things that made me laugh. Things that made me WTF. Some folks are kind, genuine and give you love and energy. Some are greedy manipulative ghouls who hang off your veins. You must be strong, composed and take care of yourself. Be self-aware and check your mind for cracks. Learn to relax and be well. There are moments of beauty and redemption. It's not all bad news and there's always hope. People continue to surprise me one way or another. Anyhow, hope you enjoy and good luck out there." --John Dwyer
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LP
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CF 151X-LP
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LP version. Green and magenta splatter color vinyl. "This album (SORCS 80) was a self-imposed ambitious project for us (OSEES). Something to kick in the creative flow. The last few years, having been a challenging time in general, felt like a good time for a pivot. The last two albums were so guitar and keyboard-centric, I wanted a weird and fun set of parameters for us to work with. I demo'd everything at home on cassette four track (harkening back to simpler times) using drum loops, and just had at it 'til I had a pile of 'songs.' Tom Dolas and I chose one sound each using synths and created a range of three octaves of that sample, then loaded them into Roland SPD-SX samplers and learned the transcribed songs using drum sticks. The idea was to change the way we wrote and to have four people along the front of the stage essentially playing percussion. So no guitar, no keys. As we were recording, I kept thinking how the sounds, when paired up, sounded a bit like brass. So, we added a saxophone horn section to round out the horniness of the sound with a bit of reedy bell tones. Thanks to Cansfis Foote and Brad Caulkins on tenor and baritone saxophones. Sort of a Dexy's Midnight Runners meets Von LMO meets The Flesh Eaters meets the Screamers kinda punk junk. Poppy and hooky, heavy at times. Sort of vacuous and maybe a bit sci-fi in sound. Boneheaded in riff and heady in lyrics. Recorded at Stu-Stu-Studio by me on eight track 1/4-inch tape. So pretty hot and raw. Lots to write about today. A lot of these lyrics were taken from things people said in passing about taking on life right now that stuck with me. Things that made me reflect. Things that made me laugh. Things that made me WTF. Some folks are kind, genuine and give you love and energy. Some are greedy manipulative ghouls who hang off your veins. You must be strong, composed and take care of yourself. Be self-aware and check your mind for cracks. Learn to relax and be well. There are moments of beauty and redemption. It's not all bad news and there's always hope. People continue to surprise me one way or another. Anyhow, hope you enjoy and good luck out there." --John Dwyer
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LP
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CF 150LP
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"New Castle Face reissue edition. A pop record for tired times. Sugared with bits of shatterproof glass to put more crack in your strap. At long last, verse/chorus. A weathered thesaurus. This is OSEES bookend sound. Early grade garage pop meets proto-synth punk suicide-repellant. Have a whack at the grass or listen while flat on your ass. Heaps of electronic whirling accelerants to gum up your cheapskate broadband. Social media toilet scrapers unite! Allow your 24-hour news cycle eyes to squint at this smiling abattoir doorman. You can find your place here at long last. All are welcome from the get go to the finale; a distant crackling transmission of '80s synth last-dance-of-the-night tune for your lost loves. Suffering from Politic amnesia? Bored of AI-generated pop slop? Then this one is for you, our friends. Wasteland wanderer, stick around. Love y'all. For fans of Teutonic synth punk and Thee Oh Sees (who the fuck are they?)" --John Dwyer
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CD
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ITR 380CD
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"A pop record for tired times. Sugared with bits of shatterproof glass to put more crack in your strap. At long last, verse/chorus. A weathered thesaurus. This is OSEES bookend sound. Early grade garage pop meets proto-synth punk suicide-repellant. Have a whack at the grass or listen while flat on your ass. Heaps of electronic whirling accelerants to gum up your cheapskate broadband. Social media toilet scrapers unite! Allow your 24-hour news cycle eyes to squint at this smiling abattoir doorman. You can find your place here at long last. All are welcome from the get go to the finale... a distant crackling transmission of '80s synth last-dance-of-the-night tune for your lost loves. Suffering from Politic amnesia? Bored of AI-generated pop slop? Then this one is for you, our friends. Wasteland wanderer, stick around. Love y'all. For fans of Teutonic synth punk and Thee Oh Sees (who the fuck are they?)" --John Dwyer
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CD
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CF 147CD
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"Brain stem cracking scum-punk recorded tersely in the basement of my home. After a notoriously frustrating eon, the knee-jerk song path was aggressive and hooky. This is an homage to the punk bands we grew up on -- the weirdos and art freaks that piqued our interests and pointed us on the trail head to here / now. Bad times make for strong music is something I agree with. I would say that is evident by the past few years of output from the underground. Transmissions have been all over the map: scanning...searching...sweeping out in the darkness looking for a foot hold. [OSEES] A Foul From represents some of our most savage and primal instincts. Fight or flight. And the importance of a sense of humor in the darkest hour. Nothing wrong with keeping it snappy in the meantime. For fans of Rudimentary Peni, Crass, Bad Brains, Black Flag, Screamers, Abwarts, Stooges and all things aggressively tilted towards your face. You can lean back but don't flinch...it's a brief foray into the exhausting pogo pit, so stiffen your back and jerk with your knees. Enjoy." --John Dwyer
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LP
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CF 147LP
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LP version. "Brain stem cracking scum-punk recorded tersely in the basement of my home. After a notoriously frustrating eon, the knee-jerk song path was aggressive and hooky. This is an homage to the punk bands we grew up on -- the weirdos and art freaks that piqued our interests and pointed us on the trail head to here / now. Bad times make for strong music is something I agree with. I would say that is evident by the past few years of output from the underground. Transmissions have been all over the map: scanning...searching...sweeping out in the darkness looking for a foot hold. [OSEES] A Foul From represents some of our most savage and primal instincts. Fight or flight. And the importance of a sense of humor in the darkest hour. Nothing wrong with keeping it snappy in the meantime. For fans of Rudimentary Peni, Crass, Bad Brains, Black Flag, Screamers, Abwarts, Stooges and all things aggressively tilted towards your face. You can lean back but don't flinch...it's a brief foray into the exhausting pogo pit, so stiffen your back and jerk with your knees. Enjoy." --John Dwyer
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LP
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RIP 093LP
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"It seems that every time you turn around, there's another Oh Sees [OSEES] slab. Long ago we lost all capacity to be surprised that this sturdy unit keeps putting out records and that they're really good. You can now add the Metamorphosed 12-inch to you ever deeper sagging row of John Dwyer and Co.'s seemingly no sleep release schedule. The five tracks were taken from the sessions that formed 2019's Face Stabber album, a seventeen-track / eighty+ minute jammified four-sider. Metamorphosed would have been the perfect third LP to fit in with the other two. John and Matt Jones run the Castle Face label with full autonomy, so it would make sense that Metamorphosed, like The 12" Synth, would have been a CF release. Yet, it's on the very cool Rock Is Hell Records label, which has put out some great Dwyer related jams in the past. The OCS Live In San Francisco album was not only great musically but all the vinyl and sleeve variants made the collectors break out in a fan sweat they're probably still recovering from. Being able to do all this yourself, it's obviously cool to still work with Jochen and Rock Is Hell. Metamorphosed isn't just some barrel scrape for those who can't get enough. All of the five tracks stand up to anything on Face Stabber. The record's twenty three+ minute 'I Got A Lot' is one of the coolest songs the band has ever done." --Henry Rollins
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CD
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CF 132CD
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"In the swirling and undulant warm mud of jettisoned reels of magnetic tape, blurps up the fog of reinvention. Every night I would parley with my pilots and run and rerun the recordings. Right up until the moment sleep slips its veil over eyes and ears and you drift back without a sound. Protean Threat dream haze becomes Panther Rotate in the other dimension. A companion LP of remixes, field recordings, and sonic experiments using all sounds generated by the him and crackle of the desert farm. A second version of our Protean Threat if you will, but barely conspicuous in its relation. Forward, never straight! Sunrise, sunset. Two lives connected by a cosmic thread, One for your feet and one for your head. For fans of Thee Oh Sees, Oh Sees, OCS, The Oh Sees, Osees... etc etc etcetcetc... be well." --John Dwyer
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LP
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CF 132LP
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2021 repress; LP version. "In the swirling and undulant warm mud of jettisoned reels of magnetic tape, blurps up the fog of reinvention. Every night I would parley with my pilots and run and rerun the recordings. Right up until the moment sleep slips its veil over eyes and ears and you drift back without a sound. Protean Threat dream haze becomes Panther Rotate in the other dimension. A companion LP of remixes, field recordings, and sonic experiments using all sounds generated by the him and crackle of the desert farm. A second version of our Protean Threat if you will, but barely conspicuous in its relation. Forward, never straight! Sunrise, sunset. Two lives connected by a cosmic thread, One for your feet and one for your head. For fans of Thee Oh Sees, Oh Sees, OCS, The Oh Sees, Osees... etc etc etcetcetc... be well." --John Dwyer
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CD
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CF 129CD
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"Witness the ever-changing, ever-mutating threat that is reality. Perception is under duress; sensibility is bending everyday under the barrage of nonsense. One must make note of whom one is and what one has become: look into the mirror of the planet-killers -- psychic cannibals infiltrate and contaminate once familiar and seemingly secure territories... formidable foes indeed! What powers these beasts? What fuels discord and hatred? The behemoth of a 'civil' society? What are the weapons at one's disposal? Generosity is the aegis against greed, empathy is the armor to deflect apathy, love is the club to abate hate... the fog is lifting and humans are opening their eyes. And so Castle Face offers this field recording, the Osees Protean Threat, from the pits as a quick booster between protein pills and recycled sweat beverage anthems to assist the listener to not worship at the altar of violence and greed, to not offer oneself up for free, to stand up and be vigilant! Truth will not be found in the speeches and photo ops of the overlords -- stand strong and together under the gaze of the oppressors. Stand vigilant, united with those who don't have the same privileges. Demand respect and a peaceful life for all. This recording is at the apogee of scuzz-punk anthem amulets for the ears and heart, a battery for one's core. Be strong. Be human. Be love."
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LP
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CF 129LP
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LP version. "Witness the ever-changing, ever-mutating threat that is reality. Perception is under duress; sensibility is bending everyday under the barrage of nonsense. One must make note of whom one is and what one has become: look into the mirror of the planet-killers -- psychic cannibals infiltrate and contaminate once familiar and seemingly secure territories... formidable foes indeed! What powers these beasts? What fuels discord and hatred? The behemoth of a 'civil' society? What are the weapons at one's disposal? Generosity is the aegis against greed, empathy is the armor to deflect apathy, love is the club to abate hate... the fog is lifting and humans are opening their eyes. And so Castle Face offers this field recording, the Osees Protean Threat, from the pits as a quick booster between protein pills and recycled sweat beverage anthems to assist the listener to not worship at the altar of violence and greed, to not offer oneself up for free, to stand up and be vigilant! Truth will not be found in the speeches and photo ops of the overlords -- stand strong and together under the gaze of the oppressors. Stand vigilant, united with those who don't have the same privileges. Demand respect and a peaceful life for all. This recording is at the apogee of scuzz-punk anthem amulets for the ears and heart, a battery for one's core. Be strong. Be human. Be love."
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viewing 1 To 18 of 18 items
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