|
|
|
|
|
|
|
|
|
|
|
2LP
|
|
PP 060X-LP
|
$39.50
PREORDER
RELEASE DATE: 6/6/2025
Pancrace is an ensemble comprising French, British and Austrian performers. The members being Prune Bécheau, Arden Day, Julien Desailly, Léo Maurel, and Jan Vysocky. Pancrace has "a unique, fully formed vision that combines improvisation, composition, eclectic instrumentation and a church's massive pipe organ." Pancrace's latest double LP Papotier is the third panel of a tryptic after Pancrace (2017) and Fluid Hammer (2019). The ensemble knew at some point from their previous LP they would have to go back to church and repent confronting a Silbermann 18th century baroque organ with their custom-made modular midi pipe organ: the "Organous". After nearly 18 months of lockdown the quintet finally met in Bouxwiller Alsace a few miles away from Dangolsheim where Pancrace first formed in 2015. During a residency Pancrace had full access to the Protestant church with its humongous Silbermann pipe organ famous for its "human voice" stop. Ironically the album title Papotier came up before the covid era. Ironic because a "papotier" is a mask or to be very specific a grotesque face carved in wood, initially rigged to the lower part of the organ casing. There are only very few of these fancy oddities left in France and around the world. After months of feeling gagged during lockdown having a "papotier" as an amulet was somewhat liberating and greatly contributed to opening up the Pancrace sessions to the exploration of human voice. Relearning how to breathe, listening to the human membrane, questioning the nature of air all within the confined space of a 14th century church were the essential acts that compose the pieces. One can consider this album as a phenomenological investigation into voice articulation trying to emulate the birth of a vocable like von Kempelen's speaking machine who also used rudimentary organ modules to mimic human babbling. Essentially understanding what a mouth is to us to the point where, when all the pipes are blowing, they make a hell of a noise.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
2LP
|
|
PP 044LP
|
Pancrace is a quintet from France comprising Prune Bécheau, Arden Day, Julien Desailly, Léo Maurel, and Jan Vysocky. Pancrace began with a residence in 2015 at the Saint Pancrace church in Dangolsheim where the instrument inventor Léo Maurel resides. Pancrace's debut self-titled double-LP was released by Penultimate Press in 2017 and ended up on The Wire's best releases of that year. After the first record and subsequent tour the band were despondent that the main character of their story, the church organ, was not there. A series of meetings and chance encounters resulted in the band developing their own organ which they named "Organous". The approach of Pancrace is based on the physicality of sound, a choice of specific tone qualities within a given spatial contextual awareness. Therefore, the manufacturing and usage of the musical instrument are constantly reassessed. Consequently, playing with the mechanical aspect of the instruments is central to their musical approach and narrative. Designing an unbound pipe organ -- though emulating some of the mechanical idiomatics of the initial Pancrace church organ -- seemed the obvious way to gain more spatial control over a vast choice of places. This allowed them to approach their music from a totally new angle and work from within the organ. The results of these experiments are captured here, on their second opus, The Fluid Hammer. This new beast of an instrument, somewhere between a spider or an octopus, led Pancrace to compose from the frontality of the instrument as well as with the interactive tone possibilities brought by other instruments. With its six panels display (two bass registers, two treble, and a pair of crumhorns) the organ projects sound like the musique concrèt Acousmonium giving the listener a spatialized perception of a wide range of tones and harmonics. Fluid Hammer is the result of the research and experiments undertaken with the Organous and other instruments. Fluid Hammer is a more rhythmic and percussive affair than its predecessor, bringing to mind the experiments of Conlon Nancarrow as well as fairground barrel organs. The wide range of polyrhythmic patterns generates a constant tension between the machine and the human play. Music for Organous (spatialized and MIDI-controlled pipe organ), Uilleann pipes, Pi-synth, piano, motorised bow, boîte à bourdons, gaida, Baroque violin, hurgy toys, toy piano, componium, bodhran, low whistle, bird calls, AM radio, and shaker.
|