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LP
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DC 659LP
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Last copies of this reissue from 2017; originally released in 1967. "... It's been fifty years since Pearls Before Swine first appeared. A genteel, oft-hushed missive from a far corner of the psychedelic hive mind, One Nation Underground was released on an independent outlier of a record label, removed from the mainstream -- and still its spirit came to be widely appreciated by a generation and more. Today, this music has been reissued by labels around the world dozens of times. Tragic, then, that it hasn't been heard properly in decades! The stereo record that made it to compact disc in the '90s (and to subsequent vinyl pressings) was a botched job, with reverbs added to evoke a fake stereo image, and an overdub track from the original master lost in the transfer -- providing a perfect analog for a release destined not to make the original artists any money at all. The 50th Anniversary edition, however, has been returned to the hands of its creators, restoring the original mono mix that made such an impact in 1967, freed from the muffling veils that time eventually wrapped around it. Cast into a moment of incredible tumult and great discovery, Pearls Before Swine contributed a uniquely earthy strain to the arc of sound that defined the time and place of the later 1960s. A group of young men in Florida were inspired to send their demo tape to the label that released The Fugs, whose appearance and lawless attitude seemed at once a dare and an invitation. The label was ESP-Disk, whose catalog was largely comprised of records from some of the farthest-out jazz players in New York City -- but Pearls Before Swine were welcome to make a record there, too. Relocating to New York in the spring of 1967, they were installed at Impact Sound with provisional ESP-house man Richard Alderson (engineer of many of those jazz sessions, as well as sound-man on Dylan's '66 world tour) and, in three days, laid down the album. When it was released in October of that year, it immediately began to catch on with young people around the world with its blend of gentle and innocent, erudite and outraged. Each song was from a different genre and each track had something strange/mysterious in it, via exotic instruments, electronic oscillation or pure, simple intent. There was proto-punk in the mix, rife with humor, aloft with the pastoral acoustics of the banjo; music of the people of the world, all in the service of Tom Rapp's visceral, unblinking lyrics. For music like this, radio play wasn't dictated by pluggers pushing a single up the charts -- the jockeys at free-form stations played it because it spoke to them, and they loved it. One Nation Underground indeed!..."
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LP
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DC 710LP
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Last copies of this soon-deleted LP reissue. "Released in late 1968, the second Pearls Before Swine record continued to deliver music with a preternatural sense of what the youth of America wanted to hear. One Nation Underground had been a surprise hit when released in 1967 by the hipster free-jazz indie label ESP, receiving an incredible organic response, with continuous underground radio play and sales. Coming from obscurity in Florida into a position of speaking to people everywhere, Tom Rapp and his bandmates felt emboldened to embark upon an evolved piece of record making. The music of Balaklava strips away the manic, post-garage band diversity of the first album, instead grounding the production around Tom Rapp's guitar and singing, with the touches of instrumental color all the more dramatic and striking. Producer Richard Alderson utilized breathy sweeps of reverb, sound effects, tape manipulation and spoken word recordings along with an array of instrumental overdubs including banjo, marimba, organ, clavinet, flute, English horn and strings (played by the band along with New York jazz session players Bill Salter and Al Schackman, plus The Fugs' Lee Crabree and legendary saxophonist Joe Farrell, with Selwart Clarke and Warren Smith contributing string arrangements) to reach for the universal space sought in Tom Rapp's meditative, existential songs. The message writ between the leaves of Balaklava -- WAR NO MORE -- is elegantly written . . . Musically, the message is conveyed with one or two passing lyrical references, letting Tom Rapp's use of literary reference and allegory dwell on the transcendence of love and pastoral beauty in life, achieving a stinging impact, as much by what isn't said as what is. This sets Balaklava apart from much of other protest music from the Vietnam era -- and it has allowed it to age gracefully into the 21st century. Like One Nation Underground before it, Balaklava celebrates 50 years of life in stunning fashion. Original producer Richard Alderson has remastered the album, restoring the precision of the original mix -- and in the process, revealing fantastically dynamic performances and dispersing the haze of the years that had gathered over latter-day editions of Balaklava. The music and message it intended to deliver to the world are still needed, the peace still sought. The fight to understand and to change is still ongoing. And so, Balaklava has fresh purpose, after all this time..."
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LP
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4M 234LP
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2021 restock. "The fourth album from this psychedelic folk group (second for Warner/Reprise) was released in 1970 and features songs written by Tom Rapp while living in Holland. The Use of Ashes was recorded in Nashville with the top session musicians of the time including Charlie McCoy, Kenny Buttrey, and Neil Young producer David Briggs. A subversive, tender, moving, goofy, maddening, and profound record. Pressed on 180 gram vinyl."
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