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CD
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CDBRED 882CD
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"Pere Ubu unveil their new album, Trouble On Big Beat Street, nearly four years after their previous record for Cherry Red, The Long Goodbye. The Modern Dance (1978) marked the end of rock 'n' roll. Trouble On Big Beat Street marks the end of the song. Pere Ubu ended with The Long Goodbye (their last album, also on Cherry Red, from 2019). Pere Ubu begins again with Trouble On Big Beat Street. If you missed the last 48 years then imagine a bad attitude. Imagine Electric Light Orchestra -- the version with Roy Wood -- then add Muddy Waters playing guitar and Nina Simone singing. Trouble On Big Beat Street, the 19th Pere Ubu studio album. David Thomas produced, mixed, and engineered it. The vinyl release is ten tracks. The CD release includes all 17 tracks recorded during the sessions. Those extra seven tracks were too good to lose but took up too much time to fit on a vinyl release. Pere Ubu is David Thomas, Keith Moliné, Gagarin, Alex Ward, Andy Diagram, Michele Temple and Jack Jones. Keith Moliné and Andy Diagram are the two pale boys. They have played with David more than 28 years. Electronica artist Gagarin was soundman for the two pale boys. Michele Temple has been in Pere Ubu 30 years. Improviser and life-long fan Alex Ward submitted a cover version of a David Thomas song to the band's live-streaming show. David invited him to join the band. David met Jack Jones in the pub."
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LP
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BRED 882LP
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LP version. "Pere Ubu unveil their new album, Trouble On Big Beat Street, nearly four years after their previous record for Cherry Red, The Long Goodbye. The Modern Dance (1978) marked the end of rock 'n' roll. Trouble On Big Beat Street marks the end of the song. Pere Ubu ended with The Long Goodbye (their last album, also on Cherry Red, from 2019). Pere Ubu begins again with Trouble On Big Beat Street. If you missed the last 48 years then imagine a bad attitude. Imagine Electric Light Orchestra -- the version with Roy Wood -- then add Muddy Waters playing guitar and Nina Simone singing. Trouble On Big Beat Street, the 19th Pere Ubu studio album. David Thomas produced, mixed, and engineered it. The vinyl release is ten tracks. The CD release includes all 17 tracks recorded during the sessions. Those extra seven tracks were too good to lose but took up too much time to fit on a vinyl release. Pere Ubu is David Thomas, Keith Moliné, Gagarin, Alex Ward, Andy Diagram, Michele Temple and Jack Jones. Keith Moliné and Andy Diagram are the two pale boys. They have played with David more than 28 years. Electronica artist Gagarin was soundman for the two pale boys. Michele Temple has been in Pere Ubu 30 years. Improviser and life-long fan Alex Ward submitted a cover version of a David Thomas song to the band's live-streaming show. David invited him to join the band. David met Jack Jones in the pub."
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2CD
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CDBRED 747CD
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"Pere Ubu unveil their new album, The Long Goodbye, nearly two years after their previous record for Cherry Red, 20 Years In A Montana Missile Silo. Named after Raymond Chandler's novel, The Long Goodbye is the end of a road. Front man David Thomas has long talked of their journey to Satisfied City: 'This wraps up every song and story that Pere Ubu has been telling in different ways for the past forty plus years.' This Pere Ubu album sounds like no other. It boasts a large expanse of synths due to Thomas writing and arranging the songs alone with his collection of drum machines, synthesizers and a melodeon before sending to the other musicians to complete this unique fusion of techno meets trad rock meets... the avant garage. The CD edition boasts a live bonus disc, recorded in December 2018. Former member Chris Cutler rejoined David Thomas, Gagarin and Keith Moliné to play the entire album to a packed theatre in Montreuil, Paris. The show also included the seminal Pere Ubu classic 'Heart Of Darkness' and Neil Young's 'Running Dry'."
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BRED 708CD
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"A three-guitar revision sees Keith Moliné, Gary Siperko and Kristof Hahn (Swans) expand the established orchestra of analog and digital synths (Wheeler, Gagarin), clarinet (Boon), drums (Mehlman) and Thomas' unique vocals. 20 Years In A Montana Missile Silo follows their 2015 release Carnival Of Souls, which was widely praised by the media and used by cult series American Horror Story in Season 4. David Thomas: 'The new album is The James Gang teaming up with Tangerine Dream. The Chinese Whispers methodology we worked on the last two albums has been replaced by the Dark Room. Put musicians in a lightless room and by feeling one small section of an unknown object have them figure what it must be.' The album was recorded and mixed at Suma, Painesville Ohio. Engineer Paul Hamann, and his father before him, have been part of almost every Pere Ubu album since 1976."
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LP
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BRED 708LP
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LP version. "A three-guitar revision sees Keith Moliné, Gary Siperko and Kristof Hahn (Swans) expand the established orchestra of analog and digital synths (Wheeler, Gagarin), clarinet (Boon), drums (Mehlman) and Thomas' unique vocals. 20 Years In A Montana Missile Silo follows their 2015 release Carnival Of Souls, which was widely praised by the media and used by cult series American Horror Story in Season 4. David Thomas: 'The new album is The James Gang teaming up with Tangerine Dream. The Chinese Whispers methodology we worked on the last two albums has been replaced by the Dark Room. Put musicians in a lightless room and by feeling one small section of an unknown object have them figure what it must be.' The album was recorded and mixed at Suma, Painesville Ohio. Engineer Paul Hamann, and his father before him, have been part of almost every Pere Ubu album since 1976."
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CD
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NN 008CD
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Sold out. The three vinyl sides of Pere Ubu Live at the Longhorn are as much an indispensable live rock album as Modern Dance is an indispensable studio album. The show consists mainly of material from the Modern Dance album, only rocked out and swinging, more raw-nerved yet seasoned than their studio counterparts. What becomes apparent, especially on repeated listens, is how well-made this music is, how the drama and comedy flows within the modules of each song, how the songs fit together to give an audience an experience that -- while sharpened to paranoia and sensitive to harsh realities -- is as ineffable as it is concrete.
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2LP
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NN 008LP
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Warehouse find, last copies. ouble LP version. The three vinyl sides of Pere Ubu Live at the Longhorn are as much an indispensable live rock album as Modern Dance is an indispensable studio album. The show consists mainly of material from the Modern Dance album, only rocked out and swinging, more raw-nerved yet seasoned than their studio counterparts. What becomes apparent, especially on repeated listens, is how well-made this music is, how the drama and comedy flows within the modules of each song, how the songs fit together to give an audience an experience that -- while sharpened to paranoia and sensitive to harsh realities -- is as ineffable as it is concrete.
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2LP
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FIRE 290LP
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Double LP version. "Smash the hegemony of dance. Stand still. Pere Ubu return with their first new studio album in over three years. The album ushers in a new era in the history of Pere Ubu, with David Thomas and band continuing to provoke and shock listeners, further establishing them as one of the most innovative, progressive, and important bands of all time. Lady from Shanghai is an album of dance music -- it is the Ubu dance party."
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CD
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RER U01
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"A missing piece of the Ubu jigsaw, and a fine memento of a great band, London Texas is a satisfyingly hi-fi live recording of the sadly short-lived line-up that toured briefly between the arrival of Eric Drew Feldman and the departure of Chris Cutler. Certainly it's the best recording of the Scott, Cutler, Maimone rhythm section - though the whole band is on lean-back-intense concert form. Coming back to it, this was the end of a particular era, of a certain kind of band: the songs are economical and tightly arranged but harmonically elaborated -- with strongly performative and musical underpinning (there's a new aesthetic in place now); it's an approach that takes no prisoners. Then there's the bonus of that scary live energy. Studio recordings just can't do this. London Texas stings like a bee -- in a beret. Play it loud. Special mention -- guitarist Jim Jones; mind-bogglingly great. Recorded 1989; transcription and file mastering by David Thomas; edited by Chris Cutler; CD re-mastering by Bob Drake."
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CD
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HR 149CD
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With Sarah Jane Morris. "Released by Hearthan, and exclusively marketed in North America by Smog Veil, Long Live Père Ubu! is the album of songs that was the genesis of the entire mess. It is a great leap forward in our pursuit of hyper-naturalistic recording techniques by which we replace microphones in the studio with wooden boxes, junked radio speakers, metal horns, and electrically charged window panes. Sound itself becomes the narrative. Everyone is going to hate it. We know that. The story, though satiric and comedic, is utterly bleak, lacking charm (the usual counter-weight to the band's noire tendencies) and devoid of redemption. Few people have ever read Ubu Roi, fewer heard of it. Wonderful. Altogether two years of work. Père Ubu, the character, ruined Jarry's life. And now he's ruined our career. This thing is our Waterloo, our Bridge Too Far, our Pickett's Charge. Well, somebody had to do it."
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CD
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SMOG 059CD
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"Pere Ubu have really come out fighting with Why I Hate Women, racing towards all horizons at full tilt, pushing the experimental envelope further than ever, but also tightening up their trademark avant-punk attack. If St Arkansas saw them rooting around furtively in rock's darkest, dankest corners, on Why I Hate Women Ubu seem to illuminate these secret spaces with firework displays and thousand-watt searchlights. The rhythm section (Ubu's longest serving) of bassist Michele Temple and drummer Steve Mehlman is tauter and leaner than ever before. Robert Wheeler's bravura performance on vintage electronics has him coming over as rural Ohio's answer to Sun Ra, splattering analog synth and theremin all over the music with wild, visionary abandon. Guitarist (and newest recruit) Keith Moliné veers between wayward sonic expressionism and disciplined garage thrust. At the eye of the storm is singer David Thomas, a true rock maverick at the height of his powers. His vocal approach shows a startling new melodicism, a plaintive purity of expression that cuts through his familiar repertoire of radical voicings and techniques. Lyrically he manages to balance stormy obsessiveness with flashes of playful wit, refracting standard rock themes (love and obsession) through the looking glass of his boundless imagination."
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CD
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HR 117CD
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"If there is a narrative thread to the eclectic art/punk mosaic that constitutes Pere Ubu, it is the vocal musings of legendary front man David Thomas. Throughout the long history of the band from it's proto-rise out of the back water industrial malaise of Cleveland Ohio in the mid seventies to later incarnations that included avant garde luminaries like Chris Cutler and Captain Beefheart refuge Eric Drew Feldman, Thomas has formed a synaptic core that drives the band's creative peregrinations. Originally released on Rough Trade records in 1989, the disc features high quality live recordings spanning the band's most prodigious period from 1978 through 1981. Burning through Ubu classics like 'Dub Housing' and 'Codex', Thomas adds spontaneously sweeping arrangements to now classic material as the band sticks to the loose but aggregate teleology that characterizes Pere Ubu at it's best."
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