|
|
|
|
|
|
|
|
|
CD
|
|
RCD 2101CD
|
Phonophani is multi-instrumentalist, digital electronics expert, programmer and instrument builder Espen Sommer Eide. Born in 1972 in Oslo, Sommer Eide has been playing music in one form or another since childhood; for over a decade his priority has been computer music and combinations of digital and organic elements. In 1998 he released his first album Phonophani on the Biophon label run by Geir Jenssen (aka Biosphere). Genetic Engineering (RCD 2016CD), Oak Or Rock (RCD 2038CD) and a reissue of his debut album have all been released by Rune Grammofon to critical acclaim. It´s difficult to place Phonophani in today's musical landscape, Espen himself said about Oak Or Rock that it was all about rediscovering the great mystery of music through dissecting the sound of ordinary or "real" instruments such as cello, vibraphone, guitars and the human voice and dissolving melodies into their elementary particles. While he has previously been turning his attention to other cultures and traditions, with Kreken he has now tuned his ears to Norway's own traditional folk music and instruments, its melodic content and special tuning systems, all treated electronically in one way or another. This is also reflected in the titles, all being names of places in Norway, quite exotic even to Norwegian ears. This release also comes as a limited (250 copies) and numbered package including the CD and a 10" vinyl record with two longer tracks not available elsewhere. Artists featured on this album include: Espen Sommer Eide (instruments, samples, programming), Jenny Hval, Haco and Agnethe Christensen (vocals), David Grubbs (guitar), and Sigbjørn Apeland (harmonium).
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
CD + 10"
|
|
RLP 3101LP
|
Limited edition version. Phonophani is multi-instrumentalist, digital electronics expert, programmer and instrument builder Espen Sommer Eide. Born in 1972 in Oslo, Sommer Eide has been playing music in one form or another since childhood; for over a decade his priority has been computer music and combinations of digital and organic elements. In 1998 he released his first album Phonophani on the Biophon label run by Geir Jenssen (aka Biosphere). Genetic Engineering (RCD 2016CD), Oak Or Rock (RCD 2038CD) and a reissue of his debut album have all been released by Rune Grammofon to critical acclaim. It´s difficult to place Phonophani in today's musical landscape, Espen himself said about Oak Or Rock that it was all about rediscovering the great mystery of music through dissecting the sound of ordinary or "real" instruments such as cello, vibraphone, guitars and the human voice and dissolving melodies into their elementary particles. While he has previously been turning his attention to other cultures and traditions, with Kreken he has now tuned his ears to Norway's own traditional folk music and instruments, its melodic content and special tuning systems, all treated electronically in one way or another. This is also reflected in the titles, all being names of places in Norway, quite exotic even to Norwegian ears. This special collector's edition comes as a limited (250 copies) and numbered package including the CD and a 10" vinyl record with two longer tracks not available elsewhere. Artists featured on this album include: Espen Sommer Eide (instruments, samples, programming), Jenny Hval, Haco and Agnethe Christensen (vocals), David Grubbs (guitar), and Sigbjørn Apeland (harmonium).
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
CD
|
|
RCD 2054CD
|
Phonophani is Bergen-based multi-instrumentalist and digital electronics expert Espen Sommer Eide. Originally released in 1998 as a limited edition (500 only) on Biosphere's Biophon label, and a true breath of fresh air at the time, this excellent debut from Phonophani still stands as one of the very best electronica albums ever released in Norway. Well-crafted and full of ideas and original turns, it has a rare timeless quality that makes it sound as fresh today as it did back then. It's difficult to come up with comparisons, but certain aspects of Alog and Boards Of Canada can serve as references. This issue includes three bonus tracks from the same period. As Phonophani Eide has released two albums on Rune Grammofon, Genetic Engineering (2001) and Oak Or Rock (2004), and as one half of Alog the albums Red Shift Swing (1999), Duck-Rabitt (2001) and Miniatures (2005), the last one being awarded the first Norwegian Grammy for the Rune Grammofon label. Espen Sommer Eide: all instruments, programming, sampling.
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
CD
|
|
RCD 2038CD
|
"Phonophani is multi-instrumentalist and digital electronics expert Espen Sommer Eide. Born in 1972 in Oslo, Sommer Eide has been playing music in one form or another since childhood; for the last decade his priority has been computer music. In 1998 he released his first, now deleted, album Phonophani on the Biophon label run by Geir Jenssen (aka Biosphere). His second album, Genetic Engineering (RCD 2016) was released by Rune Grammofon in 2001 to critical acclaim. He is also a member of Alog, the duo with two albums on Rune Grammofon (Red Shift Swing from 1999 and Duck-Rabbit from 2001). It´s difficult to place Phonophani in todays musical landscape, Espen himself says that Oak or Rock is all about rediscovering the great mystery of music. Through dissecting the sound of ordinary or 'real' instruments and dissolving melodies into their elementary particles, he seeks to excavate the 'ur' music itself. These sounds are often sampled and manipulated using software designed and made by himself, a keen programmer who prefers this to the so-called industry standards. The title itself refers to mysterious connections between material things."
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
CD
|
|
RCD 2016CD
|
"The second album from Phonophani, aka Espen Sommer Eide (Alog), his first from 1998 so far being the only release on Biosphere's Biophon label. Phonophani's work is characterized by various manipulated 'live instruments' seamlessly integrated with pure electronic sounds. Espen will not admit to this being a concept album, but says of the title that 'sampling is a form of gene manipulation where you arrange and rearrange soundparts from your own playing and the works of others to create new organisms of sound'."
|