|
|
|
|
|
|
|
|
|
|
|
LP
|
|
BSR 842LP
|
"This album was issued in 1980 in a limited edition of 300 copies on a blank label in a plain sleeve with no credits. It has never been repressed since then and has become a seriously in-demand collectors' item with copies changing hands for between £100 and £200... Now available on LP and CD with bonus tracks Dub mixed at: TMC (Tooting Music Centre) Recording Studio, 118 Mitcham Road, Tooting, London by Chris Lane We probably did it in all in about two hours and ten minutes, despite not having a lot of time, or perhaps precisely because of not having a lot of time, the resulting album, God Sent Dub proved to be a masterclass in dub mixing aimed directly at the roots market... it went back to the roots of dub and echoed the stark style of some of the very first dub albums from the mid-seventies."
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
CD
|
|
BSR 842CD
|
"Extremely rare dub album from 1980 now available on CD. This album was issued in 1980 in a limited edition of 300 copies on a blank label in a plain sleeve with no credits. It has never been repressed since then and has become a seriously in-demand collectors' item with copies changing hands for between £100 and £200... Now available on LP and CD with bonus tracks Dub mixed at: TMC (Tooting Music Centre) Recording Studio, 118 Mitcham Road, Tooting, London by Chris Lane We probably did it in all in about two hours and ten minutes, despite not having a lot of time, or perhaps precisely because of not having a lot of time, the resulting album, God Sent Dub proved to be a masterclass in dub mixing aimed directly at the roots market... it went back to the roots of dub and echoed the stark style of some of the very first dub albums from the mid-seventies."
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
BSR 851LP
|
"1979 reggae album pressed on yellow vinyl."
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
BSR 853LP
|
"1983 roots reggae album pressed on red vinyl. Ride With The Rasses was an unequivocal statement of Prince Lincoln's Rastafarian faith and a discernible demonstration that his 'determination (was) inexhaustible'. The LP found favor with listeners worldwide, but, without the extensive, expensive promotion and publicity a major label could provide the album went relatively unheard outside of those who had kept the faith with conscious music making. This Burning Sounds re-release will, hopefully, secure a long overdue measure of re-appraisal and positive reassessment."
|