|
|
|
|
|
|
|
|
|
DVD
|
|
LIV 001DVD
|
"The true story of Radio Birdman, the pre-punk band that changed Australian music forever. This critically acclaimed documentary, shows the uncompromising attitude and high energy rock'n'roll ethos of the band that was the prototype for independent music in Australia. The film features interviews with all surviving members of the original band, along with rare archival footage and photos. The DVD contains 60 minutes worth of bonus material including live footage and interviews. In 1974 Deniz Tek and Rob Younger form Radio Birdman with a strict rule of no compromise and a raucous Detroit-style rock'n'roll. But Radio Birdman are shut down and kicked out of pubs in Sydney. Too confronting for the music industry, they started their own venue, The Funhouse and brought a new music to the 'New Race' of inner-city kids, looking for a soundtrack to rebellion. The 'bookish' band, including two medical students, became outlaws to the record industry, doing things their own way and releasing their own records before being spotted by Seymour Stein of Sire Records. But Radio Birdman's intensity turned inwards, and cracks started to appear in the band. During the 1978 tour of the UK the original band broke up acrimoniously. By that stage they had created a scene. Like the Velvet Underground or The Sex Pistols, everyone who saw them started their own band. Years later Radio Birdman reform, but internal conflict remains and they struggle to find peace with each other. Descent Into The Maelstrom is an uncompromising story, sometimes brutal, always honest. It's the story of any band, with intensity to the nth degree. Called 'effing brilliant!' and 'the best rock documentary ever made', it's a must for anyone interest in music, in bands and in high energy rock'n'roll." PAL/NTSC region 0.
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
CD
|
|
IF 055CD
|
2013 release. "Deniz Tek moved from Ann Arbor, MI, to Australia and founded Radio Birdman in 1974 with Rob Younger and the rest of The Rats' rhythm section. By the time Radios Appear was recorded in 1977, the group was already legendary with a cult-like following and an ascetic devotion to the fierce 1960s rock 'n' roll Tek assimilated as a Michigan resident. Homage to these influences is one aspect of Radios Appear. It boasts a fiery cover of 13th Floor Elevators' 'You're Gonna Miss Me,' the lyrics to 'Do the Pop' wax nostalgic for The Stooges and MC5, and 'Radio Birdman' was, of course, taken from a misheard lyric in The Stooges' '1970.' However, Radio Birdman's maverick performances and songwriting on this debut elevate them far beyond pure pastiche. Opener 'What Gives?' kicks the record off at an alarmingly fast pace inspired by punk's new up-tempo glee, but the trotting bass lines and savage guitar solos that follow reveal a staunch rejection of punk's then-hip ineptitude. Hyperactive riffs underpin vocalist Younger's assertive, clear delivery, and Pip Hoyle takes a brilliant keyboard solo. Each instrument is separate in the mix--the production highlights Birdman's technical proficiency honed for years in Sydney's few rock clubs with open doors to the uniformed sect of elitist rockers."
|