|
|
viewing 1 To 11 of 11 items
|
|
|
|
|
|
|
|
|
|
|
|
12"
|
|
HOME 039EP
|
Frankfurt hero Reboot returns to the Hommage family. "Renzo" gets the release off to a delicious start -- a deep groove carries this one forward as the beats massage your body and mind. "Astrid" blends tribal influences with a cosmic atmosphere. The result is a mysterious, captivating cut with seriously contagious rhythms. "Memoria" is a driving cut with a disco aesthetic. The bassline is hypnotic, the beats snappy, and the overall production is very crisp. "Brothers On The Slide" has a seriously groovy bassline. An interstellar organ takes you up to the mothership, creating strangely alluring melodies.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
2LP
|
|
GPM 152LP
|
Adding on to his extensive discography, Reboot has curated a fresh journey through his world with the aLIVE double LP on Get Physical Music. A diverse selection worthy of the international dancefloor, the album contains the culmination of the artist's long career and the many experiences, stories, and inspirations that come with that. The double LP includes a free download code for the full digital album with remixes from Ricardo Villalobos, Kölsch, ANNA, and Nakadia.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
12"
|
|
GPM 371EP
|
Reboot takes another slice from his recent album Alive (2015) out for a walk. This time it's "Are You Loosing My Mind". First we're treated to the vinyl version - a stripped down tech house beat sprinkled with a vocal hymn and plenty of groove. Then Ricardo Villalobos takes over with two distinct versions. With "Hauswiedermischung", Villalobos creates a kind of chaos in which the track lives without losing the groove. Ricardo's twenty-four minute "Loosing My Miles" remix is where he really loosens the grip on the track and lets it wander in and out of coherence.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
2LP
|
|
DVR 023LP
|
Double LP version. Deep Vibes Recordings returns to the fore with none other than the notorious Frank Heinrich aka Reboot, purveyor of masterfully-crafted rhythm études and a highly-respected member of Frankfurt's vibrant house scene. With Deep_V, the Offenbach-bred producer brings his seething second album to Sascha Dive's imprint, bursting at the seams with intricate percussive bliss and nimble-footed grooves for the enthused dancer. The Reboot project certainly hasn't lost its flair for fine-grained, impressively bendy tracks since the very first full-length offering Shunyata (CADENZA 006CD/051LP) on Luciano's legendary Cadenza outlet, presenting a new set of underground cuts deeply ingrained in dance music's rich history of kinetic hypnotism. Honed to perfection, opening jam "Tortoise" sets the tone with a pleasantly relaxed jog in the company of seemingly scattered drum fragments, nevertheless revealing a deliberate focus and polymorphic confidence at every turn. Following microbangers "Harsh Time for Kids" and "Che Meloni" occupy themselves with slowly raising the stakes, growing bolder with each sequence and populating the dancefloor with snazzy moves. The build-up leads to neotribal workout "Banging Ear Drums," captivating the senses with a fine assortment of airy samples and driving drum patterns.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
CD
|
|
DVR 023CD
|
Deep Vibes Recordings returns to the fore with none other than the notorious Frank Heinrich aka Reboot, purveyor of masterfully-crafted rhythm études and a highly-respected member of Frankfurt's vibrant house scene. With Deep_V, the Offenbach-bred producer brings his seething second album to Sascha Dive's imprint, bursting at the seams with intricate percussive bliss and nimble-footed grooves for the enthused dancer. The Reboot project certainly hasn't lost its flair for fine-grained, impressively bendy tracks since the very first full-length offering Shunyata (CADENZA 006CD/051LP) on Luciano's legendary Cadenza outlet, presenting a new set of underground cuts deeply ingrained in dance music's rich history of kinetic hypnotism. Honed to perfection, opening jam "Tortoise" sets the tone with a pleasantly relaxed jog in the company of seemingly scattered drum fragments, nevertheless revealing a deliberate focus and polymorphic confidence at every turn. Following microbangers "Harsh Time for Kids" and "Che Meloni" occupy themselves with slowly raising the stakes, growing bolder with each sequence and populating the dancefloor with snazzy moves. The build-up leads to neotribal workout "Banging Ear Drums," captivating the senses with a fine assortment of airy samples and driving drum patterns. Together with CD bonus tracks "Tantric Behaviours" and "How Province Saved the Funk" -- both every bit as oscillatory as their vinyl relatives -- this makes for a rather complete package from an artist who already excels at the art of living, breathing beats, but keeps on getting better before our very ears.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
12"
|
|
CADENZA 076EP
|
Reboot is back on Cadenza with the Beautiful Parasite EP, including two remixes from Robert Dietz and Cesar Merveille. "Beautiful Parasite" plays with glitches, sparks and tight wooden percussion patterns, switching its identity to take on a sultry persona with a warm and melodic mainline. Dietz warps "Beautiful Parasite" into a dance killer, enhancing the percussive flow of the original and integrating a rapid bass line. Merveille shifts the gear up another notch with a gloriously rapid attack for his remix.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
12"
|
|
CADENZA 050EP
|
Reboot's "Rambon" is crafted with a DJ in mind, with a perfect groove assembling itself almost magically, with every percussive line snapping right into place. But for all the naturalism of the rhythm, there's a strangeness, a kind of ambient undertow, as sounds from the real world color the background. It feels less like a composition than a DJ mix, the kind where the parts combine to create something far greater than their sum. Also includes Luciano's remix of "Uruana."
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
2x12"
|
|
CADENZA 051LP
|
2x12" version. This is the debut album from Frankfurt's Reboot aka Frank Heinrich. The term shunyata comes from Buddhism and translates loosely as "emptiness." But not just in the negative sense: it speaks also to impermanence, a state of constant flux. It's a great description of Reboot's music, where everything is in constant and kaleidoscopic motion. From the sound designs to the grooves to the way the tracks evolve, they all interconnect; intricate polyrhythms wind through the music like ivy, binding the album together. It's those rhythms you're likely to notice first: dazzling arrays of congas, bells, cymbals, shakers, woodblocks; sounds like tuned water-drops or aluminum barrels; steely drum machines slicing the air like knives. But behind the layers of percussion there are stranger, shadowier elements at work: chimes, pings, electronic gurgles, scraps of faraway voices, field recordings, and beneath it all, a spongy, squishy bed of bass, comforting and all-encompassing. Heinrich's modular synthesizer system plays a key role in fashioning the music's unusual contours. It's an open-ended collection of devices -- oscillators, filters, sequencers and esoteric functions -- wired together and able to be re-routed in infinite ways. There are no presets. Shunyata's long, undulating lines and morphological structures reward deep, repeated listening. There's the headlong tumble of the Detroit-inspired "Hermano" for joyous peaktime moments, the liquid spiral of "Down Pantha" for the hours where time stands still. Tracks like "We Only Just," and "Save Me" offer darker vibes, heads-down and hypnotic. "Dreilach" goes even deeper, with a rippling bass melody that gets deep inside your chest, your brain, your veins. The title track seems to spin at two velocities at once, balancing a driving, linear groove with half-speed voices to create a sense of suspended animation -- the perfect encapsulation of the album's central theme.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
CD
|
|
CADENZA 006CD
|
This is the debut album from Frankfurt's Reboot aka Frank Heinrich. The term shunyata comes from Buddhism and translates loosely as "emptiness." But not just in the negative sense: it speaks also to impermanence, a state of constant flux. It's a great description of Reboot's music, where everything is in constant and kaleidoscopic motion. From the sound designs to the grooves to the way the tracks evolve, they all interconnect; intricate polyrhythms wind through the music like ivy, binding the album together. It's those rhythms you're likely to notice first: dazzling arrays of congas, bells, cymbals, shakers, woodblocks; sounds like tuned water-drops or aluminum barrels; steely drum machines slicing the air like knives. But behind the layers of percussion there are stranger, shadowier elements at work: chimes, pings, electronic gurgles, scraps of faraway voices, field recordings, and beneath it all, a spongy, squishy bed of bass, comforting and all-encompassing. Heinrich's modular synthesizer system plays a key role in fashioning the music's unusual contours. It's an open-ended collection of devices -- oscillators, filters, sequencers and esoteric functions -- wired together and able to be re-routed in infinite ways. There are no presets. Shunyata's long, undulating lines and morphological structures reward deep, repeated listening. There's the headlong tumble of the Detroit-inspired "Hermano" for joyous peaktime moments, the liquid spiral of "Down Pantha" for the hours where time stands still. "Rambon," with its easy skip and glimmering melody, is like springtime on wax. Tracks like "We Only Just," "Me Show" and "Save Me" offer darker vibes, heads-down and hypnotic. "Dreilach" goes even deeper, with a rippling bass melody that gets deep inside your chest, your brain, your veins. The title track seems to spin at two velocities at once, balancing a driving, linear groove with half-speed voices to create a sense of suspended animation -- the perfect encapsulation of the album's central theme. And "Uruana" and "Sanchez Says" bracket the album with percussive forays into far-out terrain, with trace elements of global folk sounds. It's tribal music, no doubt, influenced by, and made for, a worldwide family of listeners and fellow creators.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
12"
|
|
COR 058EP
|
Reboot has been playing an outstanding role at Cocoon. Now, Frankfurt-based producer Frank Heinrich brings you Ronson, which will rapidly make clear where the journey leads. With sirens and discharges of compressed air, on the title track Heinrich appears uncompromisingly energetic and always sexy. The polyrhythmic, percussive "Mirasierra" gives the tired dancers a short break, even if the dub-ornamented bass line sometimes creates discoid moments. Both tracks are suitable for tropical moments on cold winter nights. On blue-colored vinyl.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
12"
|
|
CADENZA 024EP
|
Reboot aka Frank Heinrich is dedicated to grooves both darkly emphatic and dazzlingly polyrhythmic. Reboot released the well-received Charlotte for Frankfurt's Below label as well as a remix for Greek duo Lemos & Kreon, on Be-Chosen. Where Charlotte was suffused with sweetness and light and tentative time-keeping, Reboot's debut EP for Cadenza Records is considerably darker. 2nd pressing in generic sleeve, unfortunately.
|
viewing 1 To 11 of 11 items
|
|