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LP
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PE 023LP
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On Interior, Swiss composer Samuel Reinhard excavates intricate resonances at the periphery of our attention. Across four movements, Reinhard follows a process whereby he layers and loops fragments of piano improvisations. Yet, Interior complicates its own systematicity by using samples that are not only recognizable as piano notes, but as live recordings of a piano being played. Reinhard composes from traces both analog and digital: you can hear static hiss and clicks, but also the soft trace of a finger pressing a key or the shuffle of a body shifting position. Interior asks you to think about where you are, and how close you are willing to look, feel, and listen. Over the course of the four movements sounds return, familiar but transformed. What sounds like repetition is something more like accumulation, a thickening of space. Whether regarded at intimate range or from a distance, these compositions reveal more the longer we linger in the presence of each. Artwork photography by Jeff Ross. Edition of 200.
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LP
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PE 020LP
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On Miniatures, Swiss composer and producer Samuel Reinhard looks to indeterminate techniques of mid-century experimental composers to produce a sonic path forward that's as refined as it is evocative. While Miniatures is built from recordings of short piano gestures decaying towards silence, amid the four movements that comprise the suite, something else grows. Notes cycle, collide, and wash away within boundaries the artist has set, but in their wake new processual textures develop. A hiss blankets the harmonic material, and clicks that once marked sharp cuts between repetitions become a percussive undercurrent. Working with digital tools, Reinhard conjures the interior of an animate environment and extends an invitation to notice the small stuff that swells when you settle in with duration. Cover photography by Samuel Reinhard; design by Kaj Lehmann. Edition of 200.
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