|
|
|
|
|
|
|
|
|
LP
|
|
SUB 030LP
|
On Sutarti, Joshua Sabin draws influence from the compositional structures and psychoacoustic properties that exist within early Lithuanian folk music, exploring the emotional potency of the human voice through the manipulation of elements of archival recordings. Obtaining access to the folk music archives of the Lithuanian Academy of Music and Theatre Ethnomusicology Archive from the outset of this project, Sabin felt a particular resonance with the extensive library of vocal recordings and specifically the song forms of the Sutartinė. Derived from the Lithuanian verb "Sutarti" -- to be "in agreement", "to attune" -- Sutartinės are a Lithuanian form of Schwebungsdiaphonie, a distinct canonic song style consisting of two or more voices that purposefully clash creating extremely precise dissonances and the phenomena of aural "beating". Inspired by the psychoacoustic research of Rytis Ambrazevičius, whose computer analyses reveal the unique acoustic and harmonic complexities in these archival songs, and transfixed by what Sabin describes as their "arresting and often almost plaintive and minimalistic beauty", he sought to compose directly with the recordings them-selves as a raw material. Sutarti exists fundamentally as an emotional "response", presenting archival voices through radical recontextualizations that Sabin hopes simultaneously express both his personal perspective and experience, and also speak universally to the power and versatility of the voice as a communicator of meaning and emotion. Produced with archival recordings, instrumentation including skudučiai and fiddle, and field recordings of Lithuanian forest ambiences. Joshua Sabin is an Edinburgh based composer and sound designer, who's first LP Terminus Drift was released on Subtext in 2017 (SUB 010CD/020LP).
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
CD
|
|
SUB 010CD
|
Subtext's latest signing is Joshua Sabin, a Scottish musician and artist based in Leith, Edinburgh. Joshua's debut album Terminus Drift explores humans' relationship with environment and space, and how this experience is augmenting us as we further embrace a digital age. Our structures of communication, exploration, and discovery are mediated by technological shifts and we exist in simultaneity between our physical environment and emerging cyberspaces with a blended perception of embodiment and orientation within both - sirens reverberating through station tunnels, fluctuating harmonics of subway engines, echoing tannoy systems, piercing screams of electromagnetic fields. The sonic material of this album is composed exclusively of field-recordings captured in transit through Kyoto, Tokyo, and Berlin, in addition to electromagnetic field recordings captured in Glasgow and Edinburgh. By interrogating the sonic properties of our physical environment, Terminus Drift imagines the sonic landscapes of these dualistically navigable "cyberspaces" we transiently create and move through interacting with our world.
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
SUB 020LP
|
LP version. Subtext's latest signing is Joshua Sabin, a Scottish musician and artist based in Leith, Edinburgh. Joshua's debut album Terminus Drift explores humans' relationship with environment and space, and how this experience is augmenting us as we further embrace a digital age. Our structures of communication, exploration, and discovery are mediated by technological shifts and we exist in simultaneity between our physical environment and emerging cyberspaces with a blended perception of embodiment and orientation within both - sirens reverberating through station tunnels, fluctuating harmonics of subway engines, echoing tannoy systems, piercing screams of electromagnetic fields. The sonic material of this album is composed exclusively of field-recordings captured in transit through Kyoto, Tokyo, and Berlin, in addition to electromagnetic field recordings captured in Glasgow and Edinburgh. By interrogating the sonic properties of our physical environment, Terminus Drift imagines the sonic landscapes of these dualistically navigable "cyberspaces" we transiently create and move through interacting with our world.
|