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LP
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ET 933-07LP
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After Spontaneous Music in 2018 (ET 864-01LP), Edition Telemark presents Space Music by Japanese Fluxus artist Takako Saito (b. 1929) who has been living in Düsseldorf, Germany, since 1979. Similarly to the previous LP, the recordings featured here deal with everyday things and actions which Saito transforms through unique and deliberately crafted artistic interventions. For Space Music, pieces were selected whose acoustic outcomes involve the characteristics of the spaces in which they were recorded. Side A features two performances from 2020 in the church Kunst-Station Sankt Peter in Cologne: In "Klangkleid", Saito and co-performers Bei Li Zhou and Thomas Rhiemeier move and dance in Saito's sound dresses -- jumpsuits onto which she sewed empty plastic and metal packagings to produce sounds while moving. For "Kugelmusik" ("ball music"), she chose balls made from various materials and asked audience members to roll them across the floor towards each other. Side B contains a selection of 1980s recordings that had been left out on Spontaneous Music and are arranged here as a sound walk: After "Chewing" ("Kauen") at her kitchen table, Saito steps outside onto the construction site "Böhlerweg" near her home to record her voice in a former factory building. Finally, she walks on the street ("Auf der Straße") towards the Oberkassel district of Düsseldorf to buy her daily needs. Includes one insert with liner notes and three postcards; the sleeve and the postcards feature a series of drawings by Takako Saito from 1985; edition of 300.
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2LP
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ET 864-01LP
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Takako Saito (born 1929) is a Japanese artist closely related with Fluxus. In the 1950s, she participated in the "Creative Art Education" movement where she met later Fluxus fellow Ay-O. In 1963, she moved to New York where she was introduced to George Maciunas and became an important member of the Fluxus movement. Much of her work revolves around everyday life and everyday things, to which she adds her unique artistic gesture through small but deliberate and carefully crafted interventions. Many of her pieces involve the participation of viewers and only become complete when the audience fills a co-designing role. A sense of playfulness is evident throughout her work, seen in many of her performances and particularly in her various "free" chess games. In line with her general artistic approach, Saito recorded a number of musical pieces between 1982 and 1992. Retrospectively, she called these recordings "Spontaneous Music" because they involved very simple actions with voice and everyday objects that happened spontaneously. Some recordings have become part of sound pieces in her exhibition "Games" at Emily Harvey Gallery in New York in 1990, but none of them have been released so far. A selection from the recordings is published here for the first time. This double LP includes two solo vocal pieces: "Tarori Po Po Po" and "Isokono Pasokono"; two more vocal pieces in which Saito's voice interacts with the sounds of an everyday event: "Toro Während Des Naturreiskochens" (Toro While Cooking Brown Rice) and "Mit Elektrohammer" (With Electric Hammer); and two non-vocal sound pieces: "Kugeln" (Balls) and "Am Rhein Mit Hammer" (At The Rhine With Hammer). All recordings have been carefully digitized and mastered by Dirk Specht. Housed in a full-color sleeve; includes one insert with liner notes by Saito, a poster, and four postcards all designed by Takako Saito specifically for this release and relate to the notion of the music having been created simply with one's mouth and hands. Edition of 300.
From Takako Saito's liner notes: "Around me, there are many things that make beautiful sounds. When I look outside through the window in front of my desk, I see a big Platanus tree whose leaves are shaking. When you stick a microphone into the leaves, it should made beautiful sounds. Then sometimes a dog passes by and barks. [...] That is music to me. No matter if one notices it or not: it's different but it's there."
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