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2LP
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WRWTFWW 065LP
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Limited 2024 repress; double LP version. WRWTFWW Records announce the first official worldwide reissue of Satsuki Shibano's Wave Notation 3: Erik Satie 1984, the final album from the sound-defining Wave Notation environmental music series curated by Satoshi Ashikawa. Originally released in 1984 on the Sound Process label, Wave Notation 3 followed Ashikawa's own Still Way (1982) and Hiroshi Yoshimura's Music For Nine Postcards (1982). The highly sought-after album is sourced from the original master tape. Wave Notation 3 is a splendid tribute to seminal French composer and pianist Erik Satie, himself one of the main influences behind kankyō ongaku/environmental music (alongside Brian Eno, John Cage, to name a few). The alphabetically-sequenced album features 26 pieces showcasing Shibano's unique piano interpretation of Satie's works. The artist explains: "For this album, I sequenced the compositions in alphabetical order of each title, irrespective of the period of each composition or style. By doing this, I attempted to effectively create 'Music as an environment' and at the same time, allow the listener to genuinely experience Satie's music." Satsuko Shibano's minimalistic approach to ambient classical is simply perfect and offers a beautiful and tranquil listening experience, furniture music with extra comfort and soothing simplicity, relaxing to the mind and to the soul. This Wave Notation deserves a spot among the pillars of Japanese environmental music, next to Midori Takada's Through The Looking Glass, Hiroshi Yoshimura's Green, and Satoshi Ashikawa's Still Way. For fans of furniture music, environmental music, music as an environment for furniture, ambient, Midori Takada, Satoshi Ashikawa, Hiroshi Yoshimura, Erik Satie, Brian Eno, minimalism. Includes English and Japanese liner notes by the artist, was supervised by Japanese ambient legend Yoshio Ojima.
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CD
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WRWTFWW 065CD
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WRWTFWW Records announce the first official worldwide reissue of Satsuki Shibano's Wave Notation 3: Erik Satie 1984, the final album from the sound-defining Wave Notation environmental music series curated by Satoshi Ashikawa. Originally released in 1984 on the Sound Process label, Wave Notation 3 followed Ashikawa's own Still Way (1982) and Hiroshi Yoshimura's Music For Nine Postcards (1982). The highly sought-after album is sourced from the original master tape. Wave Notation 3 is a splendid tribute to seminal French composer and pianist Erik Satie, himself one of the main influences behind kankyō ongaku/environmental music (alongside Brian Eno, John Cage, to name a few). The alphabetically-sequenced album features 26 pieces showcasing Shibano's unique piano interpretation of Satie's works. The artist explains: "For this album, I sequenced the compositions in alphabetical order of each title, irrespective of the period of each composition or style. By doing this, I attempted to effectively create 'Music as an environment' and at the same time, allow the listener to genuinely experience Satie's music." Satsuko Shibano's minimalistic approach to ambient classical is simply perfect and offers a beautiful and tranquil listening experience, furniture music with extra comfort and soothing simplicity, relaxing to the mind and to the soul. This Wave Notation deserves a spot among the pillars of Japanese environmental music, next to Midori Takada's Through The Looking Glass, Hiroshi Yoshimura's Green, and Satoshi Ashikawa's Still Way. For fans of furniture music, environmental music, music as an environment for furniture, ambient, Midori Takada, Satoshi Ashikawa, Hiroshi Yoshimura, Erik Satie, Brian Eno, minimalism. Includes English and Japanese liner notes by the artist, was supervised by Japanese ambient legend Yoshio Ojima.
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