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LP/7"
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SBR 5108LP
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Sunbeam Records present the first official reissue of Don Shinn's second and final album, Departures, originally released in 1969. Departureswas made in London's Lansdowne Studios only a few months after his classic debut. Featuring a more jazzy and experimental side to his remarkable organ playing (a clear influence on the young Keith Emerson) and a band including jazz legend Stan Tracey, it's presented here fifty years after its first release. It comes complete with detailed background notes, rare images and three newly recorded bonus tracks that make it clear that the maestro has lost none of his touch. 180 gram black vinyl; hand-numbered flipback sleeve with 12pp full-colour booklet; 7" record in picture sleeve.
"Don Shinn got a fantastic sound from the L-100... He and Jimi Hendrix were controlling influences over the way I developed..." --Keith Emerson
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CD
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SBDP 1094CD
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Sunbeam Records present the first official reissue of Don Shinn's second and final album, Departures, originally released in 1969. Departureswas made in London's Lansdowne Studios only a few months after his classic debut. Featuring a more jazzy and experimental side to his remarkable organ playing (a clear influence on the young Keith Emerson) and a band including jazz legend Stan Tracey, it's presented here fifty years after its first release. Includes a 12-page booklet with detailed background notes and rare images. Includes three newly recorded bonus tracks that make it clear that the maestro has lost none of his touch.
"Don Shinn got a fantastic sound from the L-100... He and Jimi Hendrix were controlling influences over the way I developed..." --Keith Emerson
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Artist |
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Format |
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Catalog # |
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CD
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SBDP 1093CD
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Sunbeam Records present the first official reissue of Don Shinn's Temples With Prophets, originally released in 1969. Having made several classic 45 with The Soul Agents (whose singer was briefly Rod Stewart), Don Shinn taped his remarkable debut album in London's Lansdowne Studios in December 1967. Featuring his explosive organ (a clear influence on the young Keith Emerson) and outstanding guitar from Paul Hodgeson, it's one of the first progressive albums ever recorded. Includes a 12-page booklet with detailed background notes and rare images. Includes two jaw-dropping bonus tracks from 1966.
"Don Shinn got a fantastic sound from the L-100... He and Jimi Hendrix were controlling influences over the way I developed..." --Keith Emerson
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