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LP
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PRTL 015LP
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A classic and highly influential dub set from 1989, regarded by some as the one of the album's that kick-started the UK dub scene revival along with the likes of Jah Shaka and Mad Professor. Produced by Sound Iration (Nick Manasseh and Scruff) and originally released on Youth's Mr Modo label. Eight pieces of bass-heavy dub cuts with melodica, flute and vocals floating in and out of the mix. This is the dub companion album to Tena Stelin's Wicked Invention (PRTL 013LP). Color vinyl; edition of 500.
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12"
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PRTL 12008EP
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Seventh Seal, originally released in 1988, was the blueprint for what would become the UK dub/roots scene, inspiring many others make bass-heavy dub music with a lean towards Jah Shaka sound system and the likes of Augustus Pablo and King Tubby. Still sounding fresh, this mid-paced stepper (mostly instrumental, apart from an intro from Tena Stelin) features a hypnotic repetitive rhythm features melodica and hints of flute. The original on the Mystic Red Corporation label and has been fetching up to £100 plus on the collectors' market. Sound Iration were made up of Scruff Gilder and Nick Manasseh.
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2LP
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YZDV 003LP
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Originally released in 1989, Sound Iration In Dub (YZDD 003CD) spearheaded a new age in homegrown British reggae, continuing a mission started by Nick Manasseh and Scruff which pioneered what became UK steppers. This second vinyl format brings together the seven tracks originally intended for the follow-up plus demos and unreleased mixes from the In Dub album, plus extra cuts not featured on the CD issue -- "King Of Kings" & "King Version" and the highly sought-after original instrumental version of "Seventh Seal," originally released on the Mystic Red label in 1988. Mastered at Master & Servant in Germany and pressed on 180 gram deluxe double vinyl.
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2CD
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YZDD 003CD
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Released in 1989, Sound Iration In Dub spear-headed a new age in homegrown British reggae, continuing a mission started by Nick Manasseh and Scruff" which pioneered what became "UK steppers." They were among the first producers to pioneer what's now known as '80s digi-dub, which has become so sought-after by today's dubstep producers. Swapping drum machines and synths for real instruments, they created an awesome sound. This is exemplified on this important debut release. First in a series of reissues drawn from both WAU!'s roots reggae and house archives, the original album presents eight beautiful excursions into deepest roots in embroidered skeleton dub form, which has lost none of its magic. Tracks like "New Style" turned the London take on pure reggae rhythm into a different kind of art form with the new technology coming in, but the album is also a reminder of reggae before it lost much of its richness and spiritual current through digitalization. The second CD will be of particular interest, featuring seven tracks originally intended for the follow-up, plus demos and one-off dub plates including the much sought-after "7th Seal" and unreleased mixes. With reggae still progressing and often in danger of ignoring its spiritual heritage, new generations still continue to discover the unique, timeless quality of roots music. The reissue of this long-feted but much sought-after milestone is timely indeed. With the previously-unreleased material, it stands as a vital document of a crucial time in the music's evolution. Extensive sleeve notes written by Kris Needs.
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