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LP
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WQJL 127LP
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"Released in 1971. After the dissolution of Food Brain, a trio rock band consisting of former members Shinki Chen (guitar), Masayoshi Kabe (bass), and Joey Smith (drums, vocals). The band was named by Mickey Curtis. Its bluesy guitar, undulating bass, and heavy drums are reminiscent of Led Zeppelin, reigning as Japan's first and foremost heavy rock album. This analog version uses a 96khz24bit sound source mastered in 2017. The jacket is a single jacket, Rock Age OBI and others. It reproduces the original as much as possible."
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2LP
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WQJL 128LP
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"Repress! Speed, Glue & Shinki's last album is a luxurious specification that faithfully reproduces the original, including the full band! Released in 1972. The second, which became the last album, is a two-disc set. Famous for tiger jacket. This work has many songs that are thought to be centered on Joey Smith, but like the previous work, it is full of bluesy rock. There are some lyrical songs, but the D-side medley makes extensive use of the Moog synthesizer, which was still rare at the time. Michael Hanopol, Shigeki Watanabe, Hiroshi Oguchi, participated as guests. This analog version uses a 96khz24bit sound source mastered in 2017. The jacket is a single jacket x two, a full-length Obi, a lyric card, etc. It reproduces the original as much as possible."
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CD
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ASH 3026CD
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2nd edition, now in jewel case packaging. Phoenix Records reissues on CD Speed, Glue & Shinki's 1971 debut album, Eve. Ex-Food Brain guitarist Shinki Chen, bass player Masayoshi Kabe (also known as M Glue) and Filipino Vietnam war veteran Joey "Pepe" Smith, who doubled as both the trio's drummer and vocalist, released two legendary albums in the early '70s. Eve, the earlier of the band's two efforts, was probably the band's only "real" recording, as the self-titled second release in 1972 was put together by Smith from studio outtakes of Chen's guitar playing and tracks omitted from Eve. This is a bluesy, psychedelic album, with Chen's Hendrix-style guitar playing firmly underpinned by Smith's insistent percussion style modeled on the style and technique of his idol, Ginger Baker. The band dissolved immediately after the release of Eve, as the other two members found Smith's drug-fuelled lifestyle decidedly unappealing (he was a huge fan of amphetamines and diligently applied himself to establishing a prodigious habit). Chen decided he didn't want to record again, and became a successful live artist, Joey went back to the Philippines and started the immensely successful power trio Juan de la Cruz Band, and Masayoshi Kabe would win fame with the band Pink Cloud. In spite of their short-lived activity, Speed, Glue & Shinki were important first and foremost as pioneers of the Japanese psychedelic rock scene.
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2LP
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ASH 3022LP
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Gatefold 2LP version. Following on from the gutsy blues-rock groove of the band's first and probably only genuine studio release, 1971's Eve, Speed, Glue & Shinki's second release, originally released in 1972 on Atlantic and often referred to as Tiger, brought together a number of tracks not included on Eve, as well as some new recordings that took a very different musical slant. Joey Smith decided that since he could he handle himself admirably on drums, it was time to challenge a new instrument, so he bought a synthesizer. Drafting in friend Mike Hanopol to take over the bass-playing duties from the departed Masayoshi "Glue" Kabe, Smith managed to produce an album of two halves, the first being some of the strongest SGS-esque material ever, the second being some fine electronic instrumentals in the Tangerine Dream mode. Following the release of the album, Smith and Hanopol flew back to Manila to become Filipino superstars, while Shinki Chen eschewed the recording of his music in preference to live recordings and Kabe found alternative employment in the highly popular band, Pink Cloud. However, the band's legacy lives on in Tiger, a compendium of the sound of Eve and a taste of where the band might have gone had time, personalities and huge amounts of illicit drugs not exerted their influences.
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CD
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ASH 3022CD
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2015 jewel case repress coming soon... Following on from the gutsy blues-rock groove of the band's first and probably only genuine studio release, 1971's Eve, Speed, Glue & Shinki's second release, originally released in 1972 on Atlantic and often referred to as Tiger, brought together a number of tracks not included on Eve, as well as some new recordings that took a very different musical slant. Joey Smith decided that since he could he handle himself admirably on drums, it was time to challenge a new instrument, so he bought a synthesizer. Drafting in friend Mike Hanopol to take over the bass-playing duties from the departed Masayoshi "Glue" Kabe, Smith managed to produce an album of two halves, the first being some of the strongest SGS-esque material ever, the second being some fine electronic instrumentals in the Tangerine Dream mode. Following the release of the album, Smith and Hanopol flew back to Manila to become Filipino superstars, while Shinki Chen eschewed the recording of his music in preference to live recordings and Kabe found alternative employment in the highly popular band, Pink Cloud. However, the band's legacy lives on in Tiger, a compendium of the sound of Eve and a taste of where the band might have gone had time, personalities and huge amounts of illicit drugs not exerted their influences.
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LP
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ASH 3026LP
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2012 repress. Phoenix Records presents the first 180 gram virgin vinyl release of Speed, Glue & Shinki's 1971 debut album, Eve. Ex-Food Brain guitarist Shinki Chen, bass player Masayoshi Kabe (also known as M Glue) and Filipino Vietnam war veteran Joey "Pepe" Smith, who doubled as both the trio's drummer and vocalist, released two legendary albums in the early '70s. Eve, the earlier of the band's two efforts, was probably the band's only "real" recording, as the self-titled second release in 1972 was put together by Smith from studio outtakes of Chen's guitar playing and tracks omitted from Eve. This is a bluesy, psychedelic album, with Chen's Hendrix-style guitar playing firmly underpinned by Smith's insistent percussion style modeled on the style and technique of his idol, Ginger Baker. The band dissolved immediately after the release of Eve, as the other two members found Smith's drug-fuelled lifestyle decidedly unappealing (he was a huge fan of amphetamines and diligently applied himself to establishing a prodigious habit). Chen decided he didn't want to record again, and became a successful live artist, Joey went back to the Philippines and started the immensely successful power trio Juan de la Cruz Band, and Masayoshi Kabe would win fame with the band Pink Cloud. In spite of their short-lived activity, Speed, Glue & Shinki were important first and foremost as pioneers of the Japanese psychedelic rock scene. Gatefold sleeve.
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