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LP
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SV 143C-LP
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"To understand the significance of the word 'featuring' on Featuring Pharoah Sanders And Black Harold, consider how infrequently Sun Ra used it and the exact way it had been used. The October Revolution in Jazz, organized by Bill Dixon in the West Village in 1964, presented a vivid cross section of approaches to the new music, including a sextet led by Ra. For the October Revolution's continuation, titled Four Days in December, held at nearby Judson Hall on the last days of 1964, the Arkestra performance presented Pharoah Sanders as well as a flautist (who was and remained obscure thereafter) named Harold Murray, nicknamed Black Harold. It wasn't until long after Sanders had achieved worldwide acclaim with John Coltrane that Ra and manager Alton Abraham decided to issue the music they'd recorded at Judson Hall. After its first release in plain or hand-decorated covers in 1976, Featuring Pharoah Sanders And Black Harold remained an exceptionally rare item in the El Saturn discography, known to a few lucky collectors. Now on limited green vinyl."
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2CD
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CMR 007CD
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"Sun Ra's Jazz in Silhouette was enshrined in the Penguin Jazz Guide's 'Core Collection' as an album that 'will someday be recognized as one of the most important post-war jazz records.' Jazz in Silhouette is the quintessential record of Sun Ra's late 1950s Chicago period. Recorded and issued in 1959, it marks a coda for the bandleader's bebop/hardbop stage, as his interstellar traveler persona began to transform the band (and the music). It also charts the future, showcasing the brilliant tenor sax stylings of John Gilmore, and introduces the iconic playing of Arkestra mainstays Marshall Allen, Pat Patrick, and Ronnie Boykins. Many of the early works on these recordings would remain staples in Arkestra set lists for the rest of Sun Ra's life. This expanded edition includes the complete, contemporaneous "Sound Sun Pleasure," rare stereo mixes, and bonus tracks."
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2LP
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CMR 007LP
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LP version. "Sun Ra's Jazz in Silhouette was enshrined in the Penguin Jazz Guide's 'Core Collection' as an album that 'will someday be recognized as one of the most important post-war jazz records.' Jazz in Silhouette is the quintessential record of Sun Ra's late 1950s Chicago period. Recorded and issued in 1959, it marks a coda for the bandleader's bebop/hardbop stage, as his interstellar traveler persona began to transform the band (and the music). It also charts the future, showcasing the brilliant tenor sax stylings of John Gilmore, and introduces the iconic playing of Arkestra mainstays Marshall Allen, Pat Patrick, and Ronnie Boykins. Many of the early works on these recordings would remain staples in Arkestra set lists for the rest of Sun Ra's life. This expanded edition includes the complete, contemporaneous "Sound Sun Pleasure," rare stereo mixes, and bonus tracks."
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7"
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CVSDS 003EP
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In 1961 Sun Ra took off from Chicago -- where he had established the Arkestra, his dedicated ensemble and the vehicle for his mission to better the planet -- and with a scaled-down version of the band he landed in New York. Their first recording session was in Newark in October of that year. The Futuristic Sounds of Sun Ra, recorded for the Savoy label, is a beautiful document of the material they'd honed during a long residency at the Wonder Inn at the end of the Chicago period. Among tracks left in the vault from that day in the studio were these two great ballads sung by Ricky Murray, both of them redolent of the bright popcraft that had long been part of Ra's repertoire, with classic Afrofuturist themes of navigating outer space and altered destiny cloaked in sweet songs with tart arrangements. This 7-inch vinyl single is limited to 1000 copies, with full-color cover including a rare photo of the band with Ricky Murray. Ricky Murray remembers: "We did that at the Wonder Inn, just before going to Montreal. When we played the Wonder Inn didn't have too big a crowd but we were playing like it was a concert! In Montreal, though, we packed them in! College kids from McGill. They thought we were going to play rock 'n' roll, but Sunny said we didn't drive all this was to do that. Sunny said: 'We're going to New York.' So that was it. We had bass fiddle, drums, and about four guys in one vehicle, very tight. Ronnie Boykins' father's car broke down on the bridge on the way into Manhattan. We had an audition at The Five Spot when we first hit New York, another place called the African Room. We stayed at the Hotel Scott, a floor above Chubby Checker's room. Kinda rough when we hit New York, boy! Mean days. We were doing those songs, 'I Struck a Match' and 'Dreamsville,' also 'China Gate' and a few others that Sunny had. We had an audition also at the Village Gate I think. Marshall Allen especially liked playing 'I Struck a Match on the Moon' because he got a chance to light up a cigarette while we were singing."
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LP
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SV 143LP
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"'To understand the significance of the word 'featuring' on Featuring Pharoah Sanders And Black Harold, consider how infrequently Sun Ra used it and the exact way it had been used. The October Revolution in Jazz, organized by Bill Dixon in the West Village in 1964, presented a vivid cross section of approaches to the new music, including a sextet led by Ra. For the October Revolution's continuation, titled Four Days in December, held at nearby Judson Hall on the last days of 1964, the Arkestra performance presented Pharoah Sanders as well as a flautist (who was and remained obscure thereafter) named Harold Murray, nicknamed Black Harold. It wasn't until long after Sanders had achieved worldwide acclaim with John Coltrane that Ra and manager Alton Abraham decided to issue the music they'd recorded at Judson Hall. After its first release in plain or hand-decorated covers in 1976, Featuring Pharoah Sanders And Black Harold remained an exceptionally rare item in the El Saturn discography, known to a few lucky collectors. We're lucky to have this glimpse of what Sanders sounded like in such a different context, galvanizing the large group and in turn being inspired to make his first significant contribution on record.' --John Corbett (excerpt from the liner notes)"
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LP
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RUM 2011115LP
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Recorded and released in 1959, Jazz in Silhouette is considered by many to be one of interplanetary traveler and jazz legend Sun Ra's best records from his Chicago period. Featuring long-time collaborators Marshall Allen, James Spaulding, and John Gilmore, Jazz in Silhouette has an exotic soundtrack vibe; it's dark, smoky, and absolutely stunning. An essential piece of American jazz history from one of the most unique artists of the 20th century.
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2CD
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PCD 22032/3
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First CD issue of this classic mid-70s double album, recorded at the Montreux Festival in Switzerland, 7/9/76. Packaged in a beautiful mini-LP styled gatefold jacket, featuring 24-bit digital remastering. Originally issued on Saturn, later reissued to a much wider distribution on Inner City in 1978.
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2CD
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ECD 22217
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"This 2-CD box is comprised of two albums originally intended for release on ABC's Impulse Records but never issued. After Impulse abruptly ended a licensing agreement with Sun Ra's El Saturn label, the two unreleased album masters were boxed up and returned to Saturn, where they languished in obscurity for the next 27 years. Evidence has remixed the original four-track tapes down to two-track stereo. Former Impulse Records head Ed Michel wrote the notes, which chronicle the short, strange history of Sun Ra's major label tenure."
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