|
|
|
|
|
|
|
|
|
|
|
|
|
LP
|
|
STR 079VB-LP
|
$37.50
PREORDER
RELEASE DATE: 6/12/2026
The vinyl version of this release compiles the tracks from Super Furry Animals' two earliest EPs originally released by Ankst. Holding the world record for the longest ever EP title the first EP --Llanfairpwllgwyngyllgogerychwyndrobwllantysiliogogogochynygofod (In Space), was released in 1995, followed in the same year by Moog Droog, with both EPs making up the eight-song track listing of the vinyl version of Precreation Percolation. Later that year, with a record deal on the table and future classics such as God! Show Me Magic and Hangin' With Howard Marks already making up the SFA's set list, the band's path following "two years of chaos" (including a legendary 1993 debut 'gig' at Bangor University's Banana Lounge, lasting all of five minutes due to technical and chemical misadventure) was set. In the album's liner notes, singer, Gruff Rhys writes: "It would have been the best gig ever, had we not daisy chained so many synthesizers together, that it resulted in a terminal systems failure." By summer they'd joined Oasis, Primal Scream, and The Jesus and Mary Chain in the Creation Records family, leading to a huge London signing party that saw members of the band famously thrown out of. The term of intriguing genre experimentation, spanning long-form electro, blissed out instrumentals and expansive prog-influenced rock, heard across much of Precreation Percolation was subsequently refined and channeled into their thrilling, 1996 debut album, Fuzzy Logic and their untamed live performances. While consciously and frequently referring to the unheard, untold and unforeseen as a naturally nostalgia-resistant band, Super Furry Animals look ahead to reconvening with fans to celebrate their shared history.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
CD
|
|
STR 079CD
|
$15.50
PREORDER
RELEASE DATE: 5/15/2026
Holding the world record for the longest ever EP title the first EP -Llanfairpwllgwyngyllgogerychwyndrobwllantysiliogogogochynygofod (In Space), was released in 1995, followed in the same year by Moog Droog, with both EPs making up the eight-song track listing of the vinyl version of Precreation Percolation. Later that year, with a record deal on the table and future classics such as "God! Show Me Magic" and "Hangin' With Howard Marks" already making up the SFA's set list, the band's path following "two years of chaos" was set. In the album's liner notes, singer, Gruff Rhys writes: "It would have been the best gig ever, had we not daisy chained so many synthesizers together, that it resulted in a terminal systems failure." By summer they'd joined Oasis, Primal Scream, and The Jesus and Mary Chain in the Creation Records family, leading to a huge London signing party that saw members of the band famously thrown out of. The term of intriguing genre experimentation, spanning long-form electro, blissed out instrumentals and expansive prog-influenced rock, heard across much of Precreation Percolation was subsequently refined and channeled into their thrilling, 1996 debut album, Fuzzy Logic and their untamed live performances. The vinyl version of this release (STR 079LP) compiles the tracks from their two earliest EPs originally released by Ankst, whilst the 22 track CD features further unreleased and unheard bonus tracks from this early era. The vinyl release comes with a copy of the CD in a slim card wallet. CD includes booklet.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
STR 079LP
|
$37.50
PREORDER
RELEASE DATE: 5/15/2026
LP version. Holding the world record for the longest ever EP title the first EP -Llanfairpwllgwyngyllgogerychwyndrobwllantysiliogogogochynygofod (In Space), was released in 1995, followed in the same year by Moog Droog, with both EPs making up the eight-song track listing of the vinyl version of Precreation Percolation. Later that year, with a record deal on the table and future classics such as "God! Show Me Magic" and "Hangin' With Howard Marks" already making up the SFA's set list, the band's path following "two years of chaos" was set. In the album's liner notes, singer, Gruff Rhys writes: "It would have been the best gig ever, had we not daisy chained so many synthesizers together, that it resulted in a terminal systems failure." By summer they'd joined Oasis, Primal Scream, and The Jesus and Mary Chain in the Creation Records family, leading to a huge London signing party that saw members of the band famously thrown out of. The term of intriguing genre experimentation, spanning long-form electro, blissed out instrumentals and expansive prog-influenced rock, heard across much of Precreation Percolation was subsequently refined and channeled into their thrilling, 1996 debut album, Fuzzy Logic and their untamed live performances. The vinyl version of this release compiles the tracks from their two earliest EPs originally released by Ankst, whilst the 22 track CD (STR 079CD) features further unreleased and unheard bonus tracks from this early era. The vinyl release comes with a copy of the CD in a slim card wallet. CD includes booklet.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
2CD
|
|
STR 075CD
|
Originally released in 2005, the Furries' third and final album to be recorded by Epic Records, Love Kraft, is now reissued. Four previously unheard tracks are drawn from the vaults, including the squidgy ELO-stomp of drummer, Daf Ieuan-led "Rock 'N' Roll Flu," plus the distorted space-jam of Cae Marw, the band's deep-bass sketch of Palo Alto and ghostly, percussive morsel of Bedw Arian. The album followed six previous albums by the band, including their statement debut album, Fuzzy Logic in 1996, melding an attention-demanding mix of literary, narcotic and musical influences. Maintaining a shape that was ill-fitting in the jigsaw of other '90s guitar bands, their follow-up, UK Top Ten album, Radiator brought the hooky squelch of the bona fide indie dancefloor classic, "The International Language of Screaming." Love Kraft's sense of cohesion, collaboration and free-flow of rich harmony has been credited to the five-piece escaping Wales to record in the shimmering heat of Figueres, Catalunya. Bringing famed Beastie Boys producer, Mario Caldato Jr along with them for the ride, the travelling band's stay in the Catalonian hometown of Salvador Dali included found sounds, boozy petrol stations, gastronomic revelations and, finally, a rich album of strings, synths and opulent vocal harmonies. While eventually finding their way to Baha, near to Rio di Janeiro to mix the album Love Kraft's story began in Wales and Pleasure Foxxx Studios, where the band began to craft the album's songs. Embracing the landmark of a seventh album, notably coming after the 2004 release of their first "best of" package, Songbook: The Singles, Vol. 1, Super Furry Animals pooled ideas and affected further democracy in their songwriting, taking a load off traditional lead-writer and front man, Gruff Rhys, and sharing in lead vocal duties (aside from the microphone-averse bassist, Guto Pryce). Love Kraft was the first Super Furry Animals album recorded to hard disc instead of multi-track tape, and found the band typically explorative and open to happenstance. "Zoom"'s opening splash into the recording studio's swimming pool is accompanied by the on-location, pool table samples found elsewhere on the album. Updated packaging features the original, meticulously built diorama design by long-time collaborator Pete Fowler. Constructed by hand in his studio, complete with bulb-lit illumination, then photographed, the sleeve's depiction of a monolith-rich desert landscape reflects the sense of other space and time depicted by Love Kraft's woozy songs. The final sleeve design again comes courtesy of Mark James.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
2LP
|
|
STR 075LP
|
Double LP version. Originally released in 2005, the Furries' third and final album to be recorded by Epic Records, Love Kraft, is now reissued. Four previously unheard tracks are drawn from the vaults, including the squidgy ELO-stomp of drummer, Daf Ieuan-led "Rock 'N' Roll Flu," plus the distorted space-jam of Cae Marw, the band's deep-bass sketch of Palo Alto and ghostly, percussive morsel of Bedw Arian. The album followed six previous albums by the band, including their statement debut album, Fuzzy Logic in 1996, melding an attention-demanding mix of literary, narcotic and musical influences. Maintaining a shape that was ill-fitting in the jigsaw of other '90s guitar bands, their follow-up, UK Top Ten album, Radiator brought the hooky squelch of the bona fide indie dancefloor classic, "The International Language of Screaming." Love Kraft's sense of cohesion, collaboration and free-flow of rich harmony has been credited to the five-piece escaping Wales to record in the shimmering heat of Figueres, Catalunya. Bringing famed Beastie Boys producer, Mario Caldato Jr along with them for the ride, the travelling band's stay in the Catalonian hometown of Salvador Dali included found sounds, boozy petrol stations, gastronomic revelations and, finally, a rich album of strings, synths and opulent vocal harmonies. While eventually finding their way to Baha, near to Rio di Janeiro to mix the album Love Kraft's story began in Wales and Pleasure Foxxx Studios, where the band began to craft the album's songs. Embracing the landmark of a seventh album, notably coming after the 2004 release of their first "best of" package, Songbook: The Singles, Vol. 1, Super Furry Animals pooled ideas and affected further democracy in their songwriting, taking a load off traditional lead-writer and front man, Gruff Rhys, and sharing in lead vocal duties (aside from the microphone-averse bassist, Guto Pryce). Love Kraft was the first Super Furry Animals album recorded to hard disc instead of multi-track tape, and found the band typically explorative and open to happenstance. "Zoom"'s opening splash into the recording studio's swimming pool is accompanied by the on-location, pool table samples found elsewhere on the album. Updated packaging features the original, meticulously built diorama design by long-time collaborator Pete Fowler. Constructed by hand in his studio, complete with bulb-lit illumination, then photographed, the sleeve's depiction of a monolith-rich desert landscape reflects the sense of other space and time depicted by Love Kraft's woozy songs. The final sleeve design again comes courtesy of Mark James.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
2CD
|
|
STR 044CD
|
Super Furry Animals release Super Furry Animals At The BBC, a compilation of their radio sessions for the BBC, via Strangetown. This includes the eight sessions recorded for the BBC including those for John Peel and Mark Radcliffe. This follows the remastered re-issues of their top twenty albums, Mwng (1999), Fuzzy Logic (1996), and Radiator (1997). In a press release the band had this to say about Super Furry Animals at the BBC: "The five, excitable kids of the Super Furry Animals saw many wonders of the modern world through our innocent eyes, but finding ourselves playing songs in John Peel's home, or in the carpeted muffle of Maida Vale, elevated the experience to new levels. Our thanks go to those rescuing the recordings from our dusty lofts -- Kliph Scurlock and Donal Whelan -- and the surgical attention to detail by the great artistic minds of Mark James and Pete Fowler. Also, long live public broadcasting." Features Mark James' "yeti" artwork throughout plus two new illustrations by Pete Fowler.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
4LP
|
|
STR 044LP
|
4LP version, 180 gram vinyl. Super Furry Animals release Super Furry Animals At The BBC, a compilation of their radio sessions for the BBC, via Strangetown. This includes the eight sessions recorded for the BBC including those for John Peel and Mark Radcliffe. This follows the remastered re-issues of their top twenty albums, Mwng (1999), Fuzzy Logic (1996), and Radiator (1997). In a press release the band had this to say about Super Furry Animals at the BBC: "The five, excitable kids of the Super Furry Animals saw many wonders of the modern world through our innocent eyes, but finding ourselves playing songs in John Peel's home, or in the carpeted muffle of Maida Vale, elevated the experience to new levels. Our thanks go to those rescuing the recordings from our dusty lofts -- Kliph Scurlock and Donal Whelan -- and the surgical attention to detail by the great artistic minds of Mark James and Pete Fowler. Also, long live public broadcasting." Features Mark James' "yeti" artwork throughout plus two new illustrations by Pete Fowler. Last copies...
|
|
|
|