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3LP
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LPS PS013LP
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Reissue, originally released in 1998. "Dance music has always been grounded in a sense of place . . . But beyond the nuts and bolts of the here and now lies a netherzone where some of the best electronic music floats, impossible to pin down. Swayzak's Snowboarding in Argentina is one such record. The title hints at its uncanny placelessness. The music has nothing outwardly to do with Argentina, for one thing. The work of UK producers David Nicholas Brown and James S. Taylor, it was recorded in a number of locations -- mostly bedrooms -- around London. Yet there is little that is quintessentially British about the music. Instead, Brown and Taylor drew much of their inspiration from, on the one hand, the luminous chords and silky heft of Detroit techno, and on the other, the staccato drums and clipped textures that were then beginning to bubble out of Berlin and Cologne . . . On a practical level, the music took shape in the mid to late 1990s, although it took nearly 10 years for it to come to fruition. Brown and Taylor began jamming on instruments, then machines, in the late 1980s. Then, after Brown suffered a serious car accident, the two musicians began working together more seriously. Trial and error yielded a promising single with a downtempo vibe that a hired-gun studio producer promptly ruined; Swayzak retreated to their bedrooms. They learned about Chain Reaction from a radio show, found new ways to burrow into the circuitry of their machines, and by 1996 they had hit upon their sound. The core of Snowboarding in Argentina appeared on a series of three two-track singles in 1997. The album itself appeared in 1998 on London's Pagan label and quickly built a cult following. It was clear that the music was in conversation with its contemporaries: Heard from the right angle, it was possible to imagine it as a halfway point between the proto progressive house of Underworld and the monochromatic minimalism of Kompakt. But it also didn't quite sound like anything else around; it was a dispatch from an unknown territory that needed no special understanding to decipher. A quarter century later, Snowboarding in Argentina sounds simply eternal. Certain hallmarks of '90s production are available -- the music's almost murky warmth is a reminder of what electronic music sounded like before software swallowed everything into its digital maw -- but there's nothing dated about it . . . Long since been deemed a classic, Snowboarding in Argentina remains an underdog in the annals of electronic music. Its semi-obscurity was surely not helped by the decision to publish nine of its original 12 tracks on the CD, and seven on the vinyl, with only four appearing on both formats. Twenty-five years after its original release, Lapsus's Perennial Series edition unites, for the first time, all the album's tracks as a single triple-vinyl package, rounding out the 12 original songs with previously unreleased material..." --Philip Sherburne
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12"
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CURLE 057EP
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Swayzak is a name that needs little introduction, with albums on Studio !K7 and releases on Force Tracks, M¦nus, Tresor and Logistic since the late nineties. Here they present In Flanders Field EP. Curle are proud to have Swayzak on board with two brand new killer tracks. Pressed on marbled vinyl.
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12"
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VOLT 015EP
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Sometime around 1999, Swayzak released a 50 copies-only white label of tracks "Easy " and "Hof Ter Lo" as a taster of their 2000 album Himawari. Sadly, neither of these tracks made the album in the end, but are now remixed and re-edited by Rennie Foster and Shane Berry. The originals are brought back to life, and given a twist in a new direction. Ten years on, 240 Volts plough through their archives and give a new feeling to these old tunes.
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CD
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K7 166CD
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"David 'Brun' Brown and James Taylor, as the British duo Swayzak, created the definition of minimal dub-techno with a penchant for vocals. What began with 'Snowboarding in Argentina', developed further with 'Himawari' and reached a climax with 'Dirty Dancing' now receives the fourth much-expected title, 'Loops from The Bergerie'. This marks the first time that Swayzak have taken the step of bringing live vocals to the stage and underlines even more the importance of vocals in their songs. Loops From the Bergerie points the way forward for Swayzak. What may look like a retro step backwards technically proves to be a musical step forward. This sign of maturity, with a deep-rooted sound, raises the Brits from laptop heroes to real producers. Swayzak has finally come of age."
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