|
|
|
|
|
|
|
|
|
|
|
LP
|
|
KSLP 019LP
|
2024 repress; originally released in 2009. The mighty U Roy is the originator, the man who put the DJ phenomenon on the map and made it an artform. U Roy moved into the recording arena firstly cutting two discs for producer Lee Perry: Earths Rightful Ruler and OK Corral, and then following this with Dynamic Fashion Way and Riot for producer Keith Hudson. Producer Duke Reid, seeing the potential in this new found form, brought U Roy to his Treasure Isle Studios to voice over his back catalog of rocksteady hits. His first three releases for Duke Reid Wake the Town, Rule the Nation and Wear You to the Ball held the top three positions for 12 weeks in early 1970s. Here, Kingston Sounds have compiled some of U Roy's best-loved cuts from his mid-'70s period, when all were still looking at him for guidance. The opening cut "Call on Me" sees him working over Delroy Wilson's "Got to Be There." "You Never Get Away" gets U Roy answering Delroy Wilson's "Keep on Rocking." Johnny Clarke's "Time Gonna Tell" with a roots-y bass line turns into "Every Knee Shall Bow." A fine collection of the Daddy of all DJs, who said, "I Originate, so you must appreciate, while the others got to imitate." That says it all, really.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
CT 588LP
|
2022 restock. U-Roy was the only artist to hold simultaneously the top three positions in the Jamaican charts with three consecutive singles. This collection features "Gorgon," "Hold On Rasta," "Deck Of Cards," "War," "Come On Deh," "I Shall Not Remove," "Joyful Locks" and "Dub Of Locks." Presented on a rich, "brown"-colored vinyl.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
RR 322LP
|
LP version. Radiation Roots present a reissue of U Roy's The Originator, originally released in 1990. Ewart Beckford, aka Daddy U Roy, changed the focus of Jamaican popular music by turning the sound system deejay from an incidental figure that told jokes in between records and made announcements about where the next dance would be held, to a major star whose rhyming toasts were as important as the lyrics for any singer. U Roy's command on the microphone on sets like Dickies Dynamic and Sir George the Atomic paved the way for his influential residency on King Tubby's Hi Fi. Keith Hudson, Lee "Scratch" Perry, and Bunny "Striker" Lee were some of the first producers to bring him into the studio, but the breakthrough hits came for Duke Reid in 1970, with Roy toasting over old rock steady rhythms. Work for Prince Tony subsequently brought him international fame through a contract with Virgin, but he continued to record grassroots efforts at home. The Originator gathers some of the greatest tracks U Roy cut for Striker, voiced as usual at King Tubby's studio over hot hits by Johnny Clarke, Cornell Campbell, Gregory Isaacs, and others; "King Tubby's Skank" celebrates Tubby himself.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
CD
|
|
RR 322CD
|
Radiation Roots present a reissue of U Roy's The Originator, originally released in 1990. Ewart Beckford, aka Daddy U Roy, changed the focus of Jamaican popular music by turning the sound system deejay from an incidental figure that told jokes in between records and made announcements about where the next dance would be held, to a major star whose rhyming toasts were as important as the lyrics for any singer. U Roy's command on the microphone on sets like Dickies Dynamic and Sir George the Atomic paved the way for his influential residency on King Tubby's Hi Fi. Keith Hudson, Lee "Scratch" Perry, and Bunny "Striker" Lee were some of the first producers to bring him into the studio, but the breakthrough hits came for Duke Reid in 1970, with Roy toasting over old rock steady rhythms. Work for Prince Tony subsequently brought him international fame through a contract with Virgin, but he continued to record grassroots efforts at home. The Originator gathers some of the greatest tracks U Roy cut for Striker, voiced as usual at King Tubby's studio over hot hits by Johnny Clarke, Cornell Campbell, Gregory Isaacs, and others; "King Tubby's Skank" celebrates Tubby himself.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
7"
|
|
JR 7022EP
|
From the very successful Jamaican Recordings 7'' singles club, here is U Roy's 1970 chart-topper, "Wake the Nation," released with its original dub, "Non Violence."
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
CD
|
|
KSCD 019CD
|
2009 release. The mighty U Roy is the originator, the man who put the DJ phenomenon on the map and made it an artform. U Roy moved into the recording arena firstly cutting two discs for producer Lee Perry: Earths Rightful Ruler and OK Corral, and then following this with Dynamic Fashion Way and Riot for producer Keith Hudson. Producer Duke Reid, seeing the potential in this new found form, brought U Roy to his Treasure Isle Studios to voice over his back catalog of rocksteady hits. His first three releases for Duke Reid Wake the Town, Rule the Nation and Wear You to the Ball held the top three positions for 12 weeks in early 1970s. Here, Kingston Sounds have compiled some of U Roy's best-loved cuts from his mid-'70s period, when all were still looking at him for guidance. The opening cut "Call on Me" sees him working over Delroy Wilson's "Got to Be There." "You Never Get Away" gets U Roy answering Delroy Wilson's "Keep on Rocking." Johnny Clarke's "Time Gonna Tell" with a roots-y bass line turns into "Every Knee Shall Bow." Two extra tracks for the CD release of this album sees the great voice of Slim Smith, and his "Let's Stick Together" becomes "Ain't to Proud to Beg," and Cornell Campbell's "Stand Firm" works with U Roy to sign us off with "I Shall Not Remove." A fine collection of the Daddy of all DJs, who said, "I Originate, so you must appreciate, while the others got to imitate." That says it all, really.
|