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7"
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DRUNKEN 101EP
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Ain'cha just sick of being promised a horrible, gnarly noise and getting a whole load of polished, whiny pop-rock instead? Fear not, there are no such concerns with Urochromes. These guys know their Touch & Go from their SST; their Scratch Acid from their Flipper; their mutilated guitar rifferama from their serrated musical bludgeoning. The Beat Sessions crams the sounds of your favorite, pig-fuck bands into a winningly ostentatious collision of pre-programmed drums and manic rawkundrol lunacy.
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LP
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FTR 277LP
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"An overview of the vector, thus far anyway, of this bracing post-core duo/trio/whatever who were once based in western Mass., and are now scattered between Mass., L.A. and Montreal. The hub of the band is vocalist, Jackieboy, and guitarist, Dick Riddick. According to Jackie, the initial idea was to do 'a knuckle-dragging hardcore Chrome kinda mash up with drum machine. My concept as vocalist was to front the band as a Jewish New Yorker stand-up comedian whose found himself fronting a punk band and is trying to roll with the punches. Originally I wanted the live performances to be half stand-up and half music but dropped this and just put occasional zingers in between songs.' Initially, they were based in a farmhouse in Hadley, MA and decided to use a drum-box, both because it was a Chrome-like thing to do, and also since they couldn't find a drummer who shared their twisted vision. This album includes portions of their debut show, at Florence MA's 13th Floor, in December 2014. Still a duo, they then recorded the eight tracks that comprise the Get In Line With Mental Decline EP in February 2015 at Dead Air Studios. The demo version of Confront Ya/Dickies was recorded in March 2016. The live NY show from January 2016 was recorded at Betaville, and features special guest drummer Denny McDermott. The last bit is from Greenfield's John Doe Jr., recorded in March 2016. And there's no way a mere recording can convey the very special brand of chaos these menches conjure up. But if close your eyes and crank this up, you'll get close enough for jazz." --Byron Coley, 2016. Edition of 413.
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