|
|
|
|
|
|
|
|
|
|
2x12"
|
|
RB 061LP
|
2020 repress. Double 12" version. Leon Vynehall has established himself as a genuine artist, creating proper songs that are as layered with musicality and craftsmanship as they are in tune with the dancefloor. Drawing influence from house, techno, disco, funk, hip hop, and soul, Vynehall's music incorporates many elements from his musical past as well; his journey, like most, began with playing drums and piano in bands as a teenager, which manifests itself in the raw, live sound he strives for in his productions. His work has seen him dabble in various tempos, palettes, and styles while always remaining unmistakably his own, reflecting his wide-ranging listening habits, which span everything from classical and orchestral compositions to post-punk. Vynehall describes the inspiration for Rojus (Designed To Dance): "Two years ago I played at Studio 9 in Vilnius, Lithuania. The following day I missed my flight home and ended up spending an extra day, which gave me a chance to explore the city with my friend Linus, who took me to the Contemporary Art Centre. It was there I spotted a book named Rojus, that Linus told me translated as 'Paradise'. The word and striking cover of the book stuck in my mind. A few days after returning home, I turned on a National Geographic documentary named Designed To Dance, explaining the courtship rituals of Birds Of Paradise." Rojus (Designed To Dance), Vynehall goes on to explain, is a "record of functional club music, sequenced as if it were a club night, from doors to closing, using samples of these Birds Of Paradise and their habitat."
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
CD
|
|
RB 061CD
|
Leon Vynehall has established himself as a genuine artist, creating proper songs that are as layered with musicality and craftsmanship as they are in tune with the dancefloor. Drawing influence from house, techno, disco, funk, hip hop, and soul, Vynehall's music incorporates many elements from his musical past as well; his journey, like most, began with playing drums and piano in bands as a teenager, which manifests itself in the raw, live sound he strives for in his productions. His work has seen him dabble in various tempos, palettes, and styles while always remaining unmistakably his own, reflecting his wide-ranging listening habits, which span everything from classical and orchestral compositions to post-punk. Vynehall describes the inspiration for Rojus (Designed To Dance): "Two years ago I played at Studio 9 in Vilnius, Lithuania. The following day I missed my flight home and ended up spending an extra day, which gave me a chance to explore the city with my friend Linus, who took me to the Contemporary Art Centre. It was there I spotted a book named Rojus, that Linus told me translated as 'Paradise'. The word and striking cover of the book stuck in my mind. A few days after returning home, I turned on a National Geographic documentary named Designed To Dance, explaining the courtship rituals of Birds Of Paradise." Rojus (Designed To Dance), Vynehall goes on to explain, is a "record of functional club music, sequenced as if it were a club night, from doors to closing, using samples of these Birds Of Paradise and their habitat."
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
12"
|
|
AUS 1348EP
|
2014 repress. Leon Vynehall has established himself as more than just your average dance producer: he's established himself as a genuine artist, whose approach to production carves its own unique path. The Brother/Sister EP is a master class in rough and ready house music -- the A-side is a brutal, hook-fuelled rhythm that has already been destroying clubs in Saul's own sets, while the flipside is balanced with an undeniable beauty and melodic character that many contemporaries would struggle to pull off.
|
|
|