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CD
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ASH 15-0CD
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Written and performed by Ian Wellman. The Night the Stars Fell is a journey that begins in a fire-scarred forest. The fourth album by Ian Wellman, and his Ash International debut, The Night the Stars Fell is built from field recordings from the forests and deserts of Southern California, shortwave radio static, and cassette tape loops layered in distortion. The eleven tracks across the album are carried by the physicality of wind which drove the fires that burned the forests where the sounds were recorded. The Night the Stars Fell explores a time of rebuilding, of searching for a new path. Ian Wellman is a sound artist currently residing in Los Angeles, CA. His recordings have been published by Room40, Dragon's Eye Recordings, Luminous Drift, and Industrial Coast. Ian is an IATSE Y-1 journeyman, and a member of the LA-based sound collective VOLUME. Recorded, composed, and mixed in Los Angeles between 2021-2023. Field recordings recorded in the forests and deserts of Southern California.
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CD
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RM 4163CD
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If this past couple of years has taught us anything, it is that to hold someone closely is not something you may take for granted. The bonds of friends and of family are tenuous, as tenuous as the world that you find ourselves in. With this firmly in mind, Ian Wellman extends his hand to you and ushers you to join him leaning into the reductive sound fields of Los Angeles. Amidst swelling cascades of harmony and distortion, he shares delicate field recordings of places and events often too quiet to be appreciated. Wild fire ash falling on powerlines, the quiet thump of oil wells pumping and the gentle percussion of rusted hulks in the breeze, Ian Wellman captures a devolving diary of unsteady moments and the assurance of change as the one constant in our collective times.
A note from Ian Wellman: "On The Darkest Day, You Took My Hand And Swore It Will Be Okay spawns out of reflections and realizations from the past year. The musical pieces themselves teeter between anger, anxiety, and hope, usually turning to distortion and noise. These were often an attempt to make sense of the happenings around the world. At times this process was a way to soothe my own frustrations with life at a standstill. A big influence on this album was watching events unfold online. Technology made it incredibly easy to 'experience' something without having actually been there via live streaming and second-to-second updates on social media. You can now watch the world burn without leaving your home, and I did. With work on hiatus, I would obsessively watch how the world was fairing with the crises on our hands. For an escape, I would often venture out for field recording. Unlike the reports I had heard about the silent cities, human-generated noise in Los Angeles never ceased . . . During the height of the fire season, I had recorded several areas to see how the air pollution had affected the soundscape. In North Hollywood, the electrical wires felt particularly loud as ash fell from the sky. Even as our forests burned, we continued to pump oil behind public parks and across the street from homes, only to speed up our own decline. Through the year's ups and downs, and navigating lots of unknowns, friends and family reassured me that it will be ok. This period was a constant reminder of how important it was to keep the folks you love close, physically or otherwise. Please hold on to each other."
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