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CD
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NEOS 11825CD
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Contemporary music is a central component of conservatory training today and is practiced at the University of the Arts Bern at the highest level, as this recording attests. When they were written (between 1983 and 1995), these three pieces would have been neither technically nor logistically possible to play at a music conservatory. Each work poses its own challenges. In "Ryoanji" by John Cage it is the unusual structure, which is based partially on chance and requires the interpreters to go beyond merely executing the notation. In his "Two men meet, each presuming the other to be from a distant planet", James Wood employs electronics in a way that exhausted the capabilities of the equipment in the 1980s such that it is necessary to perform the work using these "historical" electronic devices to get the proper sound today. In terms of its instrumental technique, Brian Ferneyhough's "La Chute d'Icare" is music of an almost absurd difficulty.
"Two men meet, each presuming the other to be from a distant planet (1995)" performed by: Brian Archinal - percussion; Ensemble VERTIGO der Hochschule der Künste Bern; Lennart Dohms - conductor. "Ryoanji (1983-1985)" performed by Livia Schönbächler - flute; Ensemble VERTIGO der Hochschule der Künste Bern; Lennart Dohms, conductor. "La Chute d'Icare (1988)" performed by Shuyue Zhao - clarinet; Nouvel Ensemble Contemporain; Lennart Dohms - conductor.
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