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CD
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GZH 099CD
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Groundswells is the third chapter in Wren's seasonal lore exploration, and their first through Gizeh Records. These six melancholy-shrouded sonic ruminations swell between intimate performances devoid of adornment, and evolving soundscapes of auditory ruin. Tracing an elemental arch, Groundswells captures Wren delving into earthen awakenings. Launching into a monochromatic dirge, "Chromed" announces the LPs stylistic intentions, forgoing the trappings of traditional harmony with deliberate pendulums of pitch and tone. Swarms of percussion drag the track to its conclusion in a collage of insidious feedback, with oscillations sculpted by the record's producer, Scott Evans of Kowloon Walled City. Elsewhere, swift variance is displayed in Wrens' deft handling of genre and form, refusing to be solely one of either. The record courses between rigid post-punk, broad waves of dreaded sludge, and austere choral reverberations. Pulsating krautrock themes present in their previous work are revisited, with a focus on embracing archetypal motorik technique, as the album stretches compositions to their furthest tensions through profuse repetition, straining the cracks between. Inviting physical, elemental surrounds into "Subterranean Messiah", Wren allow space for the sudden cloudburst of Middle Farm Studios in the introductory passage via location recording, embracing the interplay between source and locality. Combined with the painterly fretwork and ghostly chants of Fvnerals, the collaboration seeks an emotive new path of melodic vulnerability. In contrast, the closing elegy is layered with disharmonious cycles of agonized cello from Jo Quail. As with other conclusions on the album, the track's commitment to strained repetition is rewarded with sonic climaxes of blackened psychedelia, led by stalagmitic spirals of atonalism. Throughout the album, Wren draws from their long-standing apologue, with a partnership of vocalists showcasing a lyrical and vocal interplay thick with a dense lore new to their compositions. Groundswells brings Wren to an equinox in their earthly contemplations. Ruminating on the decaying inanition that engenders renewal, this record is a revelry in the cyclical, repetitious infinity of planetary. For fans of: Godflesh, ISIS, Kowloon Walled City, Neurosis. CD comes in silkscreened, recycled card sleeve.
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LP
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GZH 099LP
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LP version. Includes download code. Groundswells is the third chapter in Wren's seasonal lore exploration, and their first through Gizeh Records. These six melancholy-shrouded sonic ruminations swell between intimate performances devoid of adornment, and evolving soundscapes of auditory ruin. Tracing an elemental arch, Groundswells captures Wren delving into earthen awakenings. Launching into a monochromatic dirge, "Chromed" announces the LPs stylistic intentions, forgoing the trappings of traditional harmony with deliberate pendulums of pitch and tone. Swarms of percussion drag the track to its conclusion in a collage of insidious feedback, with oscillations sculpted by the record's producer, Scott Evans of Kowloon Walled City. Elsewhere, swift variance is displayed in Wrens' deft handling of genre and form, refusing to be solely one of either. The record courses between rigid post-punk, broad waves of dreaded sludge, and austere choral reverberations. Pulsating krautrock themes present in their previous work are revisited, with a focus on embracing archetypal motorik technique, as the album stretches compositions to their furthest tensions through profuse repetition, straining the cracks between. Inviting physical, elemental surrounds into "Subterranean Messiah", Wren allow space for the sudden cloudburst of Middle Farm Studios in the introductory passage via location recording, embracing the interplay between source and locality. Combined with the painterly fretwork and ghostly chants of Fvnerals, the collaboration seeks an emotive new path of melodic vulnerability. In contrast, the closing elegy is layered with disharmonious cycles of agonized cello from Jo Quail. As with other conclusions on the album, the track's commitment to strained repetition is rewarded with sonic climaxes of blackened psychedelia, led by stalagmitic spirals of atonalism. Throughout the album, Wren draws from their long-standing apologue, with a partnership of vocalists showcasing a lyrical and vocal interplay thick with a dense lore new to their compositions. Groundswells brings Wren to an equinox in their earthly contemplations. Ruminating on the decaying inanition that engenders renewal, this record is a revelry in the cyclical, repetitious infinity of planetary. For fans of: Godflesh, ISIS, Kowloon Walled City, Neurosis.
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7"
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MELO 024EP
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"Introducing Wren. A brand new Melodic signing bringing England's second city into the fold. Wren is Nick Peill who grew up on the south coast but turned his back on countryside and fresh air to study a fine art degree in Birmingham where he currently resides. We think it sounds part classic shoe-gazer (Ride, Pale Saints, MBV) but with a kind of up-to-date progressive feel like Papa M or Manitoba. Drive Down Lines is a precursor to the album The Egg & The Tree to be released this Autumn. The album is 50/50 instrumentals and vocal tracks so this single sums things up quite nicely for now with the vocal on the A side and an instrumental on the B side."
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