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LP
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LTNC 037LP
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R&B outsider Zsela joins forces with Daniel Aged and film composer Taul Katz on 4 Dreams, a billowing ambient-neoclassical hallucination that'll tickle fans of Mary Lattimore, Malibu, Nala Sinephro, and Gigi Masin. If you only know Zsela thanks to her dramatic 2024 debut album Big For You, the mostly beatless, fully reflective 4 Dreams might come as a surprise. But look a little further back in her catalogue and things will fall into place; remember "Angels Pharmacy" and "Remembrance" from Actress's Karma & Desire? That was Zsela on vocals, so she's got priors. 4 Dreams started life as the soundtrack to Seven Heavenly Senses, an art exhibition at Paris's Hôtel de la Marine, but has since taken on a life of its own. Zsela's breaths are stretched and sculpted into warm, washing biomechanical pads on the opening dream, left to weather tinny arpeggiated FM synths and muggy bass drones. So far, so predictable. But Zsela muddles proceedings with her confident delivery, layering her voice into jazzy, R&B inflected key changes that keep you guessing. Imagine an astral plane answer to Dawn Richard's ambient-inflected pop and you'll have some idea of where this is headed. Then "Dream 2" takes an unexpected diversion, the vocals replaced by swirling harp flourishes and the kind of floating synth stabs that draw a core logic from classic ambient -- Harold Budd, Laraaji et al -- then adding extra colors just where necessary. And on "Dream 3," faint, almost folk-y strings enter the frame, calling out from beyond the horizon, almost blotted out by a synth part that's in the thrall of Gigi Masin's legendary "Clouds" -- the track that ended up being repurposed by Björk on It's In Our Hands. Zsela, Katz and Aged keep that momentum for the final track, too, letting cinematic strings echo around subtle synths and vanishing rhythms, hitting those hypnagogic, tranquil notes that so much contemporary ambient music seems to avoid. 'Cause at its heart, 4 Dreams is deeper than that, a record that's entrenched in jazz, soul and classical minimalism rather than throwaway numbing music, of the contemporary variety.
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