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viewing 1 To 18 of 18 items
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7"
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JR 7007EP
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Tappa's classic Pick Up The Rockers cut at Channel One by the Revolutionaries, alongside its King Tubby dub cut.
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LP
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LANR 027LP
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Limited restock. "Perfect 10 record...Music of the most high." -- Thurston Moore. Reissue for the epic Tapper Zukie's first album, originally released in 1973. Supervised by the original producer Clement Bushay! Zukie never expected these cuts to turn into an album, and was quite startled to discover this record in the London shops when he came to town in the spring of 1975. After 50 years Man Ah Warrior is still a lively and unique collection. The bassline and trademark guitar sound from The Temptations' "Papa Was a Rolling Stone" is instantly recognizable in the title track with the riddim featuring just drum, bass, and riffing guitar. "I King Zukie" is a big tune, an interplay between the soulful vocal of "I Dont Know Why I Love You" (originally done by Stevie Wonder) and Tapper Zukie's toasting. All in all, a series of remarkable tunes such as the wicked "Viego", the hypnotic "Cally Dolly" and "Zukie Fashionwear" with a big trombone and at the beginning Willie Williams (although Delroy Wilson is mentioned in the song) singing lines from the Temptations song "Get Ready".
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CD
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KSCD 089CD
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Tapper Zukie after taking a little time out of the musical arena has come back with an album full of great material and has called in an A list of fellow Jamaican artists to add flavor to this great set. As Tapper named the album himself Bunker Buster, it shows Mr Zukie busting back out of the studio and back in the arena in fine style. The opening track finds his long-standing working partner Horace Andy adding his distinctive vocal style to "Aquarius". "Nuh Fraid A Dem" features the great Luciano, "The Blessings" the mighty Michael Rose, and Little Roy adds some magical rhymes to "Wicked". The soulful voice of Beres Hammond sweetens the effects of "Stress". The killer title track "Buster Bunker" is backed up by the Musical Intimidators and Tapper has reworked his "Good Luck My Friend" track to "Lucky Friend" which features the timeless backing vocals by the legendary Jamaican vocal group The Tamlins. Digging even deeper into his back catalog he has also pulled up some classic rhythms and more existing vocals to rework over. For example, "The Light In Me" features the greatly missed Ronnie Davis. Junior Rass adds his mighty roar to "Humble Lion" and Junior Reid leads the charge on "Warrior". Half Pint adds a musical layer to "Flesh and Blood". All in all, a great selection of musical ideas that also features the cream of Jamaica's musicians, Sly Dunbar and Robbie Shakespeare, Flabba Holt, Chinna Smith to name but a few. Tapper's son Noel Barnes (AKA Brand New) alongside Pam Hall adds some gloss. Such is his standing in the reggae community that a call out to Jamaica's finest set of singers and their eager reply to add their talents has made this an album not to be missed and can sit proudly alongside and find a place in his already prodigious catalog. CD version includes four bonus tracks.
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LP
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KSLP 089LP
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LP version. Tapper Zukie after taking a little time out of the musical arena has come back with an album full of great material and has called in an A list of fellow Jamaican artists to add flavor to this great set. As Tapper named the album himself Bunker Buster, it shows Mr Zukie busting back out of the studio and back in the arena in fine style. The opening track finds his long-standing working partner Horace Andy adding his distinctive vocal style to "Aquarius". "Nuh Fraid A Dem" features the great Luciano, "The Blessings" the mighty Michael Rose, and Little Roy adds some magical rhymes to "Wicked". The soulful voice of Beres Hammond sweetens the effects of "Stress". The killer title track "Buster Bunker" is backed up by the Musical Intimidators and Tapper has reworked his "Good Luck My Friend" track to "Lucky Friend" which features the timeless backing vocals by the legendary Jamaican vocal group The Tamlins. Digging even deeper into his back catalog he has also pulled up some classic rhythms and more existing vocals to rework over. For example, "The Light In Me" features the greatly missed Ronnie Davis. Junior Rass adds his mighty roar to "Humble Lion" and Junior Reid leads the charge on "Warrior". Half Pint adds a musical layer to "Flesh and Blood". All in all, a great selection of musical ideas that also features the cream of Jamaica's musicians, Sly Dunbar and Robbie Shakespeare, Flabba Holt, Chinna Smith to name but a few. Tapper's son Noel Barnes (AKA Brand New) alongside Pam Hall adds some gloss. Such is his standing in the reggae community that a call out to Jamaica's finest set of singers and their eager reply to add their talents has made this an album not to be missed and can sit proudly alongside and find a place in his already prodigious catalog.
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CD
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KSCD 085CD
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Tapper Zukie still asks the questions and stating the facts that few artists of his caliber would attain to. His classic Dee-Jay style has been copied by many but bettered by few. Over some of his killer rhythms that he previously worked up while producing fellow roots groups such as Prince Allah, Knowledge, and Junior Ross and the Spears. Alongside some fresh rhythms, he has taken these as a backbone to some further questions and biblical reasoning that needed answering. Tapper tells it as it is on this mighty collection of tunes under the name X Is Wrong. This is the first time this set has seen a proper release only previously being available as a download from Tapper's website. A remarkably great set of songs that finally get the release they deserve. CD version includes two bonus tracks.
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LP
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KSLP 085LP
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2021 restock; LP version. Tapper Zukie still asks the questions and stating the facts that few artists of his caliber would attain to. His classic Dee-Jay style has been copied by many but bettered by few. Over some of his killer rhythms that he previously worked up while producing fellow roots groups such as Prince Allah, Knowledge, and Junior Ross and the Spears. Alongside some fresh rhythms, he has taken these as a backbone to some further questions and biblical reasoning that needed answering. Tapper tells it as it is on this mighty collection of tunes under the name X Is Wrong. This is the first time this set has seen a proper release only previously being available as a download from Tapper's website. A remarkably great set of songs that finally get the release they deserve.
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CD
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KSCD 078CD
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Kingston Sounds present a reissue of Tapper Zukie's Black Man, originally released in 1978 as a Jamaican-only release on Tapper's Stars imprint. Long deleted, it has become a classic in Mr. Zukie's vast canon of musical biscuits and is well overdue this worldwide release for the first time. Tapper Zukie (b 1956. David Sinclair, Kingston, Jamaica) was raised in the rough and tough West Kingston area of Jamaica, between the districts of Trench Town and Greenwich Farm. Living pretty much on the streets from an early age, the youths including the young Tapper had no choice but to fall into the hands of the political parties that controlled various ghetto areas of the town. Music seemed like the only way out of a life of crime and gang culture. A path that Tapper Zukie found by the mid-1970s was establishing himself as a named star on the DJ Roots circuit. Back home in Jamaica he was also getting a name for his production work for other local singers such as Prince Allah and the group Knowledge. To release these productions and his own material in Jamaica, Tapper started up his own label called Stars. It's this label that saw the initial release of this album Black Man. A great collection of Tapper tunes such as his biblical cut "My God Is Real", "Revolution", the title track, and some work overs of some of his fellow Jamaican artists like "Poor Man Problem", a work over of Johnny Clarke's "Blood Dunza" and also Mr Clarke's "Leggo Violence". "Yaga Yaga" is a re-working Horace Andy and Tapper's big hit "Natty Dread Ah She Want", and "Gather Them" is a reworking of Knowledge's tune of the same name with the help from bands like Jah Wisdom and Delroy Fielding. A great collection of tunes and reworkings that will hopefully find a wider audience with this reissue. CD version includes four bonus tracks, tracks from Tapper Zukie's back catalog that sit well and follow the theme and meanings of Black Man: "Liberation Struggle", "Get Ready", "Prophecy", and "Fire Bun".
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KSLP 078LP
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LP version. Kingston Sounds present a reissue of Tapper Zukie's Black Man, originally released in 1978 as a Jamaican-only release on Tapper's Stars imprint. Long deleted, it has become a classic in Mr. Zukie's vast canon of musical biscuits and is well overdue this worldwide release for the first time. Tapper Zukie (b 1956. David Sinclair, Kingston, Jamaica) was raised in the rough and tough West Kingston area of Jamaica, between the districts of Trench Town and Greenwich Farm. Living pretty much on the streets from an early age, the youths including the young Tapper had no choice but to fall into the hands of the political parties that controlled various ghetto areas of the town. Music seemed like the only way out of a life of crime and gang culture. A path that Tapper Zukie found by the mid-1970s was establishing himself as a named star on the DJ Roots circuit. Back home in Jamaica he was also getting a name for his production work for other local singers such as Prince Allah and the group Knowledge. To release these productions and his own material in Jamaica, Tapper started up his own label called Stars. It's this label that saw the initial release of this album Black Man. A great collection of Tapper tunes such as his biblical cut "My God Is Real", "Revolution", the title track, and some work overs of some of his fellow Jamaican artists like "Poor Man Problem", a work over of Johnny Clarke's "Blood Dunza" and also Mr Clarke's "Leggo Violence". "Yaga Yaga" is a re-working Horace Andy and Tapper's big hit "Natty Dread Ah She Want", and "Gather Them" is a reworking of Knowledge's tune of the same name with the help from bands like Jah Wisdom and Delroy Fielding. A great collection of tunes and reworkings that will hopefully find a wider audience with this reissue.
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CD
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JRCD 064CD
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Jamaican Recordings reissue Tapper Zukie's legendary Escape From Hell album, originally released in 1977 as a dub follow up to Tapper's exceptional 1976 release, In Dub (JRCD 044CD/JRLP 044LP). The In Dub album was cut using the great talents of engineer Philip Smart, but when the tracks were pulled together for its follow up Escape To Hell, Philip Smart had left Jamaica for New York and his replacement at the controls was Prince Jammy, who had just returned from Canada at the request of King Tubby himself. The purpose was to fill Mr. Smart's position. Tapper was definitely in good hands and at the time he could tell that Prince Jammy was soon to become King Jammy due to his outstanding studio work. The Escape From Hell set was initially overlooked more to the fact of the small numbers of its original pressing. The album makes great use of Tapper's extraordinary Channel One rhythms cut with Sly and Robbie's The Revolutionaries. Great rhythms matched the magic from King Tubby's studio at the hands of Prince Jammy. The CD version includes alternative dubs and tracks that seem to compliment this set.
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JRLP 064LP
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LP version. Jamaican Recordings reissue Tapper Zukie's legendary Escape From Hell album, originally released in 1977 as a dub follow up to Tapper's exceptional 1976 release, In Dub (JRCD 044CD/JRLP 044LP). The In Dub album was cut using the great talents of engineer Philip Smart, but when the tracks were pulled together for its follow up Escape To Hell, Philip Smart had left Jamaica for New York and his replacement at the controls was Prince Jammy, who had just returned from Canada at the request of King Tubby himself. The purpose was to fill Mr. Smart's position. Tapper was definitely in good hands and at the time he could tell that Prince Jammy was soon to become King Jammy due to his outstanding studio work. The Escape From Hell set was initially overlooked more to the fact of the small numbers of its original pressing. The album makes great use of Tapper's extraordinary Channel One rhythms cut with Sly and Robbie's The Revolutionaries. Great rhythms matched the magic from King Tubby's studio at the hands of Prince Jammy.
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CD
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KSCD 058CD
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Tapper Zuki's debut album Man Ah Warrior was originally released in 1973. Its classic deejay style has been copied by many but bettered by few. Man Ah Warrior is proof that raw talent can more than make up for scarce resources. Tapper Zukie (born David Sinclair in 1956, Kingston, Jamaica) was raised in the rough and tough West Kingston area of Jamaica between the districts of Trench Town and Greenwich Farm. Living pretty much on the streets from an early age, Tapper and his peers had no choice but to fall into the hands of the political parties that controlled the various ghetto areas of the town. To prevent him from landing in even more trouble, Tapper's mother, brother, reggae producer Blackbeard, and family friend Bunny "Striker" Lee devised a plan to send the wayward Tapper to England to set him straight. A UK tour with the number-one reggae deejay U-Roy was already arranged upon Tapper's arrival; Bunny Lee got the young Tapper to toast over a Slim Smith rhythm and the London crowd loved it. He also caught the eye of producer Larry Lawrence, who took Tapper on and cut his first single, "Jump and Twist." Nine further tracks were recorded for producer Clement Bushay, and the result was Man Ah Warrior. An artist ahead of his time, whose music has influenced many -- as Patti Smith said, "Music of the Most High." CD includes five bonus tracks.
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KSLP 058LP
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LP version. Tapper Zuki's debut album Man Ah Warrior was originally released in 1973. Its classic deejay style has been copied by many but bettered by few. Man Ah Warrior is proof that raw talent can more than make up for scarce resources. Tapper Zukie (born David Sinclair in 1956, Kingston, Jamaica) was raised in the rough and tough West Kingston area of Jamaica between the districts of Trench Town and Greenwich Farm. Living pretty much on the streets from an early age, Tapper and his peers had no choice but to fall into the hands of the political parties that controlled the various ghetto areas of the town. To prevent him from landing in even more trouble, Tapper's mother, brother, reggae producer Blackbeard, and family friend Bunny "Striker" Lee devised a plan to send the wayward Tapper to England to set him straight. A UK tour with the number-one reggae deejay U-Roy was already arranged upon Tapper's arrival; Bunny Lee got the young Tapper to toast over a Slim Smith rhythm and the London crowd loved it. He also caught the eye of producer Larry Lawrence, who took Tapper on and cut his first single, "Jump and Twist." Nine further tracks were recorded for producer Clement Bushay, and the result was Man Ah Warrior. An artist ahead of his time, whose music has influenced many -- as Patti Smith said, "Music of the Most High."
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CD
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KSCD 055CD
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Tapper Zukie was high on a list of artists that Richard Branson in 1978 had in mind to sign to his new reggae label Front Line. The mission was to sign the cream of the reggae crop when the Virgin record boss went down to Jamaica with a group of reggae-minded people, included in that group was one Johnny Rotten, singer of the very recently disbanded group The Sex Pistols. The result of which would be a two album deal between Tapper and the label. The first release also in 1978 was the album Peace in the Ghetto (KSCD 052CD/KSLP 052LP) and this release, Tapper Roots. For the CD issue of this release, Tapper has picked two tracks that he feels happy to put alongside the album -- "Make Faith" cut with the band Knowledge and "New Star." This is a very important album from the Tapper Zukie catalog.
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LP
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KSLP 055LP
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CD
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KSCD 052CD
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Tapper Zukie's 1978 Peace in the Ghetto album would be the first release as part of his new deal with Virgin Records. This came about through a trip organized by the label to Jamaica in 1978 to sign up the cream of the crop of reggae artists for the new Virgin Front Line label. Personnel on this trip included John Lydon (Rotten) of the Sex Pistols, whose band had just split up. The Peace in the Ghetto album deals with the political situation in Jamaica at the time, and the peace initiative between the gangs and political parties. The album also pays tribute to some of the gang leaders, Claudie Massop, Buckie Thompson and Tony Welsh, who helped make this process happen. But whatever the subject matter Tapper Zukie chose to hang his songs on, you know he always did it in fine style.
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LP
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KSLP 052LP
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CD
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KSCD 049CD
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Tapper Zukie's Man from Bozrah (1978) album still stands up today many years after its initial release, as only great music seems to do. Tapper was one of the few Jamaican artists in the late 1970s that crossed over with the emerging punk/new wave audience. Punk poet Patti Smith had practiced her poetry over the rhythms from Tapper Zukie's Man Ah Warrior album before reworking them as songs with her band. Acknowledging this influence, she brought Tapper on stage with her at the Hammersmith Odeon, October 23, 1976 and introduced Tapper to a whole new audience -- an audience that accepted reggae as a music that also dealt with struggle and oppression. The great cover shot shows Tapper standing at the back gates of the school yard in Trench Town, which was opposite his own yard, so sit back and hear what was happening back then that made this such a time-defining album. CD version includes two bonus tracks.
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LP
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KSLP 049LP
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LP version. Tapper Zukie's Man from Bozrah (1978) album still stands up today many years after its initial release, as only great music seems to do. Tapper was one of the few Jamaican artists in the late 1970s that crossed over with the emerging punk/new wave audience. Punk poet Patti Smith had practiced her poetry over the rhythms from Tapper Zukie's Man Ah Warrior album before reworking them as songs with her band. Acknowledging this influence, she brought Tapper on stage with her at the Hammersmith Odeon, October 23, 1976 and introduced Tapper to a whole new audience -- an audience that accepted reggae as a music that also dealt with struggle and oppression. The great cover shot shows Tapper standing at the back gates of the school yard in Trench Town, which was opposite his own yard, so sit back and hear what was happening back then that made this such a time-defining album.
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viewing 1 To 18 of 18 items
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