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01. LILY CHAO - Whose Blooming Rose
02. LILY CHAO - Mountain Girl
03. LILY CHAO - Rainbow Girl
04. LILY CHAO - The Nostalgic Song
05. LILY CHAO - A Carrying Pole
06. LILY CHAO - Shepherd Girl
07. LILY CHAO - In that Distant Land
08. LILY CHAO - Lift Your Veil
09. LILY CHAO - Little Cowherd
10. LILY CHAO - Feeling Grieved
11. LILY CHAO - Tea-plucking and Catching Butterflies
12. LILY CHAO - Youthful Dance Song
13. LILY CHAO - Kangding Love Song
14. LILY CHAO - Who Can Know My Heart
15. LILY CHAO - I Smile Whenever I See You
16. LILY CHAO - It's Vexed to Talk About Love
17. LILY CHAO - My Heart Is All for You
ARTIST
TITLE
Chinese Folk Songs
FORMAT
CD

LABEL
CATALOG #
AKU 1001CD AKU 1001CD
GENRE
RELEASE DATE
9/18/2015

As the first entry in its catalog, French label Akuphone presents a reissue of Lily Chao's Chinese Folk Songs, originally released by Four Seas Records in 1968. This edition includes four previously unheard titles and exclusive liner notes containing Lily Chao's biography and lyric translations. Chao Xiao-Jun aka Lily Chao was born in Taiwan in 1948, while mainland China was rapidly undergoing major changes immediately following the end of the Chinese Civil War. After experiencing hard times in her girlhood, she ventured out into singing quite unwillingly. Indeed, at age 19, Lily Chao was compelled to give up her studies to support her family and start a career as a singer, after passing an audition at the Taipei Cabaret in Taiwan. The cabaret industry was in full swing at the time, offering destinations for popular entertainment, and Lily Chao's efforts to launch her singing career immediately attracted producers' attention. Her appearances at the Taipei Cabaret as part of its shows, which combined music in Mandarin, poetry, drama, magic, and other fine arts, soon earned her a reputation. Despite the immediate success that her numerous stage performances and appearances on the national television channel won her, Lily Chao led a chaotic and painful private life. As she smiled very little and tended to appear distant, the audience dubbed her the "Ice Queen," a nickname that she would keep for the rest of her career. This barely-concealed melancholy can be felt throughout Chinese Folk Songs, as well as in her very particular way of singing, which is both jerky and perfectly fluid. The album stands halfway between Mandarin folk songs and rock singing inspired by The Shadows, all surf guitar and garage sounds recorded with pinpoint precision and enhanced by saxophone and organ touches, while Lily Chao's intoxicating vibratos bring a pinch of soul to the music. An outstanding achievement of timeless pop music from the 1960s.