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01. MUSLIMGAUZE - Aquamareez
02. MUSLIMGAUZE - Zaramic Gaze
03. MUSLIMGAUZE - Baieh Na Khair
04. MUSLIMGAUZE - Shortwave Iranian
05. MUSLIMGAUZE - Rezinz
06. MUSLIMGAUZE - Obalisq
07. MUSLIMGAUZE - Apricot Zoom Buddha
08. MUSLIMGAUZE - Chaikhana
09. MUSLIMGAUZE - Mezes
10. MUSLIMGAUZE - Izfahan
11. MUSLIMGAUZE - Zaman
12. MUSLIMGAUZE - Return to Kuwait City
13. MUSLIMGAUZE - Chott El Djerid
14. MUSLIMGAUZE - Degla Ennour
15. MUSLIMGAUZE - Cayenne Dupatta
16. MUSLIMGAUZE - Pulicharki Marastoon
17. MUSLIMGAUZE - Karakum Burqa
ARTIST
TITLE
Lazhareem Ul Leper
FORMAT
CD

LABEL
CATALOG #
ARCHIVE 015CD ARCHIVE 015CD
GENRE
RELEASE DATE
10/1/2013

2010 release. "An attribute of a good work of art, besides craftsmanship and beauty, are revelations of new details with each experience. Lazhareem Ul Leper by Muslimgauze certainly qualifies for its range of percussion instruments, atypical electronics, and skillful de-construction of ethno-traditional music. In turn, said music is re-assembled with urban styling and a technical deftness akin to the way a Shao-Lin monk wields weapons. The Staalplaat crew think this among the more unusual of Muslimgauze works, and fans undoubtedly will think it both refreshing and as striking now as when first committed to DAT. Muslimgauze enthusiasts may recognize sounds from Izlamaphobia (1995) on the odd track as they were made roughly at the same time, only Lazhareem is arranged differently and with more unique elements to form a stand-alone album. Stylistically, Lazhareem straddles the line between ethno-electro releases like Silknoose for its pervasive use of Indo-Pak music melded with Persian and Mid-East; along with more industrial releases like Izlamaphobia and Blue Mosque for its occasionally tight, near-mechanical loops. Fans will be pleased to notice never-before-heard (to this listener, at least) percussive textures layered into lush, rhythmic harmonies punctuated by chimes on track five. Track ten is also singular for the way it opens with a clamor, not unlike a knocked-over box of tin cans one moment, the next, this seemingly dissonant noise is harnessed and re-edited into a well-crafted rhythm track. Track six flaunts music production standards by rolling three or four tracks into one continuous 20-minute piece, vintage Bryn Jones. Yet another stand-out work is track seven, a piece that is more than its assemblage of rhythms and counter-rhythms and fused together, an underlying pulse takes possession of the track and ultimately the listener. Since 1995, masters for Lazhareem Ul Leper languished in Staalplaat vaults when it should have been put out for immediate appreciation by fans. This work of art is now available on CD, and not a moment too soon." --Ibrahim Khider, author of Muslimgauze: Chasing the Shadow of Bryn Jones