|
Search Result for Genre ELECTRONIC
viewing 1 To 25 of 34987 items
Next >>
|
|
|
|
|
|
|
|
|
|
|
|
LP
|
|
BB 453LP
|
$26.00
PREORDER
RELEASE DATE: 5/2/2025
LP version. Fluoreszent is the new solo album by Cologne based artist Hans Nieswandt and his third for Hamburg's Bureau B label. Hans Nieswandt is a long standing and highly respected key figure in the music scene of Cologne, of Germany and beyond. As a pioneering DJ since the mid-eighties, as writer and editor for the mighty Spex magazine in the early nineties, and as a music producer, solo and with his group Whirlpool Productions, he helped shape the Sound Of Cologne from the mid-nineties onward. A lot of his musical work at that time took place in the studio owned by legendary band CAN. With his 12-year-running, weekly radio mix show 'Elektronische Melodien' on WDR (the Cologne radio station that built the first studio for electronic music in the 1950s) he suffused generations of listeners with cutting edge electronic music both old and new. Having left Germany to live in Seoul in late 2019, Hans Nieswandt suddenly found a lot of time to check back and immerse himself in all the forms of music that shaped him ever since he was a little glam rock kid in the early seventies -- before becoming a hippie boy, then a punk, then a house head. Now he is all these things rolled into one and the time has come for a proper, new solo album having released mainly collections of remixes, edits and cover versions over the last 20 years. Recorded in 2024 in Seoul, you will find on Fluoreszent ten shiny, fresh, joyous songs taking you to many wonderful places; from Kraut to goth, synth wave to art pop, cosmic to comic -- and all the way to the end of the rainbow. Important contributions came from unexpected sides: legendary German krautrock drummer Wolfgang Seidel gave him permission to use a lot of his beat recordings, a connection was made by Seoul-based German free music pioneer Alfred Harth, (who also took the album cover photo), more drums came from Philipp Janzen of the band Von Spar (who also did the final mix of the album) and the mastering is by Jörg Burger, another living legend of the Cologne electronic music scene. Housed in a cover designed by top illustrator Felix Reidenbach, Fluoreszent marks the happy return of one of Cologne's finest to the international stage.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
CD
|
|
BB 453CD
|
$16.50
PREORDER
RELEASE DATE: 5/2/2025
Fluoreszent is the new solo album by Cologne based artist Hans Nieswandt and his third for Hamburg's Bureau B label. Hans Nieswandt is a long standing and highly respected key figure in the music scene of Cologne, of Germany and beyond. As a pioneering DJ since the mid-eighties, as writer and editor for the mighty Spex magazine in the early nineties, and as a music producer, solo and with his group Whirlpool Productions, he helped shape the Sound Of Cologne from the mid-nineties onward. A lot of his musical work at that time took place in the studio owned by legendary band CAN. With his 12-year-running, weekly radio mix show 'Elektronische Melodien' on WDR (the Cologne radio station that built the first studio for electronic music in the 1950s) he suffused generations of listeners with cutting edge electronic music both old and new. Having left Germany to live in Seoul in late 2019, Hans Nieswandt suddenly found a lot of time to check back and immerse himself in all the forms of music that shaped him ever since he was a little glam rock kid in the early seventies -- before becoming a hippie boy, then a punk, then a house head. Now he is all these things rolled into one and the time has come for a proper, new solo album having released mainly collections of remixes, edits and cover versions over the last 20 years. Recorded in 2024 in Seoul, you will find on Fluoreszent ten shiny, fresh, joyous songs taking you to many wonderful places; from Kraut to goth, synth wave to art pop, cosmic to comic -- and all the way to the end of the rainbow. Important contributions came from unexpected sides: legendary German krautrock drummer Wolfgang Seidel gave him permission to use a lot of his beat recordings, a connection was made by Seoul-based German free music pioneer Alfred Harth, (who also took the album cover photo), more drums came from Philipp Janzen of the band Von Spar (who also did the final mix of the album) and the mastering is by Jörg Burger, another living legend of the Cologne electronic music scene. Housed in a cover designed by top illustrator Felix Reidenbach, Fluoreszent marks the happy return of one of Cologne's finest to the international stage.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
BB 481LP
|
$26.00
PREORDER
RELEASE DATE: 5/2/2025
LP version. With his first full-length album Ruinenkampf, released via Hamburg based label Bureau B, Das Kinn embarks on a musical tour de force through the ruins of time. An electronic armada and kickbox phonetics lead listeners through haunting soundscapes somewhere between DAF, Kosmische Kuriere, and Frankfurt Bahnhofsviertel. Beats on full blast. Bones rattle. Warm synthlines played by cold hands. A saxophone ponders the after. Hymns for the demolition. Sonic meditations on decay. Music for the solemn decline.
"Toben Piel likes to visit cemeteries. In those places of peace and idyll he finds the distance to contemplate transience and consider the hereafter as a concrete location. His debut album Ruinenkampf comes from the same mindset -- distancing himself just enough to get straight to the point with a running start. It certainly doesn't sound anything like peace and idyll. It has more to do with the cassette scene, the 1980s, with staccato vocals, and synths somewhere between DAF and Kosmische Kuriere. Underground aesthetics. Torrents of melody, sophistication, constantly oscillating between anthem and demolition. And the crass power of that voice! These are eight pieces of intensive listening, always right on the mark. So how does it work? How can anybody create something like that? Well, this man in his forties from Frankfurt, still young at heart and ever hungry, has substantial experience: first with Antitainment (2005-2010), then together with the magnificent Charlotte Simon in Les Trucs, through his cassette label MMODEMM, and also as a musician on various theatre stages. Yet with Das Kinn he feels that he has now finally created music with a true sense of self-liberation." --Hendrik Otremba
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
CD
|
|
BB 481CD
|
$16.50
PREORDER
RELEASE DATE: 5/2/2025
With his first full-length album Ruinenkampf, released via Hamburg based label Bureau B, Das Kinn embarks on a musical tour de force through the ruins of time. An electronic armada and kickbox phonetics lead listeners through haunting soundscapes somewhere between DAF, Kosmische Kuriere, and Frankfurt Bahnhofsviertel. Beats on full blast. Bones rattle. Warm synthlines played by cold hands. A saxophone ponders the after. Hymns for the demolition. Sonic meditations on decay. Music for the solemn decline.
"Toben Piel likes to visit cemeteries. In those places of peace and idyll he finds the distance to contemplate transience and consider the hereafter as a concrete location. His debut album Ruinenkampf comes from the same mindset -- distancing himself just enough to get straight to the point with a running start. It certainly doesn't sound anything like peace and idyll. It has more to do with the cassette scene, the 1980s, with staccato vocals, and synths somewhere between DAF and Kosmische Kuriere. Underground aesthetics. Torrents of melody, sophistication, constantly oscillating between anthem and demolition. And the crass power of that voice! These are eight pieces of intensive listening, always right on the mark. So how does it work? How can anybody create something like that? Well, this man in his forties from Frankfurt, still young at heart and ever hungry, has substantial experience: first with Antitainment (2005-2010), then together with the magnificent Charlotte Simon in Les Trucs, through his cassette label MMODEMM, and also as a musician on various theatre stages. Yet with Das Kinn he feels that he has now finally created music with a true sense of self-liberation." --Hendrik Otremba
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
2LP
|
|
UNSURE 004LP
|
$32.00
PREORDER
RELEASE DATE: 4/25/2025
Madteo is one of the great eccentric visionaries of electronic music and his new album Misto Atmosferico E Ad Azione Diretta on Unsure once more happens to be a mind-bending piece of art. Misto Atmosferico E Ad Azione Diretta shifts between focused gritty grooves and the long freeform associative adventures that you haven't heard before, never static, sometimes overwhelming, always on edge. The opener "Cans People" is an archaic rave monster, "To Know Those Who" is non-linear dub techno, "Nocturnal Palates" expands the "Filter House" universe and "Rave Nite Itz All Right" hits you hard and strange (yet subtle, in a way). The last two tracks then let loose; Madteo manipulates time, space and sounds to create the psychedelic secrets of "Luglio Ottantotto." And "Emo G (Sticky Wicket)" explores the outskirts not only of house or techno or whatever but music in general, a 15-min-trip through the low frequencies, the rumble, the dark hearts and the enchantment. Breathtaking. Bring The Voodoo Down.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
BTR 119LP
|
$28.00
PREORDER
RELEASE DATE: 4/25/2025
Romano, synthesizer wizard and a hidden creative force behind much of Tel Aviv's vibrant musical scene, unveils his debut solo album, Güle Güle, for Batov Records. A cinematic journey through groove, nostalgia, and diverse cultural soundscapes, the album showcases Romano's rich musical heritage and cutting-edge creativity, building a unique sound worldwide from influences as vast as funk, disco, reggae, to Latin America, the Balkans and particularly the Middle East. Lior Romano grew up in a Turkish-Egyptian heritage household, surrounded by music. Turkish and Egyptian, naturally, but also Greek, and the unique fusion of Greek and Arabic sounds common to the culturally diverse neighborhood he grew up in. At the same time, he gravitated towards global legends such as Stevie Wonder, Jackie Mittoo, Omar Souleyman, and Aris San, in love with sounds, increasingly the sounds of synthesizers. He eventually went on to tour with internationally renowned artists such as Ester Rada and Yossi Fine (David Bowie). These experiences saw him perform at iconic venues and festivals around the globe, opening for superstars like Alicia Keys and Sting. He also recorded with like-minds, such as Sababa 5 before launching his own group, Baharat, known for their distinctive take on Middle Eastern surf music. Romano's upbringing in a multicultural family certainly shaped Güle Güle into a crossroads of sound. From Turkish flatbreads to Ethiopian border rhythms, each track draws deeply from personal and global traditions. "Sandman," a collaboration with Tal Sandman of Sandman Project, herself a huge exponent of Ethio-inspired grooves, begins with a melody Romano playfully "stole" from her, resulting in an electric guitar-driven funk jam with a strong hint of Moroccan Gnawa, reflecting their deep camaraderie and shared artistic vision. "Hai Hai," a spirited reinterpretation of an Israeli Eurovision hit, featuring vocals by Rotem Bahar of the Şatellites, interweaves Hebrew, Turkish, and disco influences, revitalizing the original arrangement with a vibrant, modern feel. Güle Güle was never planned as an album, but as they worked together across various projects, Batov Records' DJ Kobayashi realized Lior was a "genius," who had perfectly captured the Middle Eastern groove sound he was searching for across the tracks he was sharing. Having adopted a much more personal approach to creating music, Romano created a special world of sound that moves the body, warms the heart, and takes the mind on an incredible journey.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
2LP
|
|
BEC 5614293
|
$39.50
PREORDER
RELEASE DATE: 4/4/2025
1999 DJ Tool: "Cassius 1999," "La Mouche," "Feeling For You" and other classics tracks as never heard before. Unreleased double vinyl album featuring eight exclusive extended versions of the most iconic tracks from the album 1999, and a short story-liner notes by Boombass. 1999 DJ Tool has never been released before ? it was only sent to some VIPs years ago as a promo vinyl boxset while the 1999 album was released. "Daft Punk's groundbreaking album Homework had just opened the door for French electronic music to reach global audiences. For artists rooted in DJ culture, this was a turning point. French acts were finally being invited to play at burgeoning festivals and iconic clubs. The British audience was the first to embrace us, and weekend after weekend, we toured the UK. Inspired by those nights behind the decks, we suggested releasing a vinyl featuring extended versions of tracks from 1999. Designed as a promotional DJ Tool, it celebrated expansive, long-form tracks reminiscent of the ones we loved to play, an homage to our early experiments with endless loops, like Dinapoly from 1996. The vinyl was pressed in an extremely promo limited series, echoing our early maxi-singles and the rare records we used to hunt for as collectors. For fans, it was a chance to own something truly unique; for us, it was a final opportunity to re-explore the album's music. Produced in the style of La Funk Mob's EP, with the two of us in a recording booth surrounded by floppy-disk machines and two or three synths, the album's songs were structured and mixed directly in stereo on a DAT (digital audio tape). "Most tracks, originally very long, were edited into a coherent, hour-long listening experience. The DJ Tool was assembled from those original mixes, as a final, free-wheeling variation of our three weeks of fun in the studio. Holding that vinyl today brings back vivid memories of those early travels, the nightclubs at the cusp of transformation, the crowds getting younger at new parties, and the vinyl records that were just starting to fade from DJ booths."
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
12"
|
|
PP 046EP
|
$17.50
PREORDER
RELEASE DATE: 4/4/2025
Join the tribe. Help spreading the message of the Big Beat! Beat moves feet. Feet do dance. Dance brings joy. Joy is life. Life is special. Transmission activated!
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
12"
|
|
PP 048EP
|
$17.50
PREORDER
RELEASE DATE: 4/4/2025
Big Beat Manifesto is echoing across the globe, gaining followers by the minute. Join the tribe and help spread the message of the Big Beat! Beat moves feet. Feet do dance. Dance brings joy. Joy is life. Life is special. Transmission activated!
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
2LP
|
|
NOIRE 016LP
|
$36.50
PREORDER
RELEASE DATE: 4/4/2025
Pacific Coliseum (aka Jamison Isaak) also known as Teen Daze releases his new album, Voice Wave, his first release since 2020's How's Life. The winner of the Juno Awards for Electronic Album of the Year 2023 presents a new work even more immersive than before. Across 12 tracks, the album weaves through a kaleidoscope of different genres and sounds, all with Isaak's characteristic warm production. The album features collaborations with balearic legend Ruf Dug and Italian party starters Eternal Love. Influenced by his love of All Things Balearic, the theme of the album is succinctly summed up in the repeated phrase of the track, "Understanding": "Let go of what you're feeling." Let go, and let the sounds of Voice Wave crash over you.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
BEC 5615472
|
$29.50
PREORDER
RELEASE DATE: 3/28/2025
New 2025 repress edition as orange vinyl. The very first reissue of the cult 11-track EP from year 2000 by DJ Mehdi collecting his Espionnage adventures. DJ Mehdi was the one building bridges between French hip hop and electro, and becoming a key composer, producer and DJ. He was a game changer in himself, helping both French rap and electro scenes to rise in the late '90s and early 2000s. 13 years after DJ Mehdi's sudden death, his long-time friend and director Thibaut de Longeville imagined and directed the series, with archives materials and exclusive interviews and words from big names from rap and electro about their collaborations and relationships with DJ Mehdi. Featuring Feadz, The Cambridge Circus, Rocé, Dany Dan, Zdar, Karlito, Manu Key, and Rohff.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
AVM 078LP
|
$29.50
PREORDER
RELEASE DATE: 3/28/2025
Re:Polyism is a track-by-track reinterpretation of Friedrich "Fritz" Brückner's 2022 debut solo album as Modus Pitch, Polyism (AVM 074LP, 2023), through artists affiliated with Altin Village & Mine and/or former collaborators of the prolific Leipzig-based musician and producer. Each track from Polyism has been remixed or reworked by different artists such as Modeselektor, Angel Bat Dawid, Maya Shenfield, or Mouse on Mars member and HJirok producer Andi Toma, but the album -- mastered by Tim Roth a.k.a. Sin Maldita and released as a strictly limited vinyl LP with reimagined artwork by Carmen Orschinski -- follows the original record's tracklist. This makes Re:Polyism a veritable musical prism, refracting the creativity inherent to Brückner's genre-transcending original works through other people's artistic lenses to create an even more colorful end result. First off are the Gebrüder Teichmann with their take on opener "Drive," carefully adding more depth and uncanny sounds to the jazzy, drum-focused piece. Unsurprisingly, Modeselektor go a lot further with their remix "Rainbow," turning the two-minute track into a dubstep-adjacent banger with infectious synth work that is twice as long and comes with a mind-melting breakdown. With their take on "Hilltop Jacuzzi," Peaking Lights turn the blissful original into a piece that calls to mind experiments at the intersection of dub, ambient, and industrial music in the mid-1990s. Cloud Management radically transform the eerie "Compound Eye Dialogue" into a rhythmically charged mid-tempo post-krautrock epic, while the Seekers International's "Jelly Roll Dub" of "Gelée Royale" uses the original's lush textures to turn up the intensity even further. On the flipside, Andi Thoma gives the intricate synth pop/breakcore fusion of "Suspender" a similarly dubwise treatment before venturing into gqom territory. Maya Shenfeld then brings her trademark modular synth work to "Outer Veil," accentuating the focus on Hendrik Otremba's uncanny spoken word performance even further. This sets the mood perfectly for vocal experimentalist Agnese Menguzzato working her singular magic. Under her hands and with her voice, the multi-layered ambient soundscapes of "Lava Fans" become even larger-than-life-like than before. When Angel Bat Dawid takes the menacing drones of "Iridescent Path" as a template for a trap-inspired beat over which she lets loose on the clarinet, that serves as both the ultimate counterpoint and perfect coda to Re:Polyism. These nine reinterpretations of the highly diverse source material underline Brückner's singular approach to music-making while also emphasizing their makers' idiosyncratic talents.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
VIERNULV 010LP
|
$27.00
PREORDER
RELEASE DATE: 3/28/2025
Gatefold, LP, black vinyl. A politically charged record questioning the status quo, État Coupable merges stories of war-torn Iraq with disruptive synth sequences and heavy Arabic percussion. Belgian-Iraqi band Use Knife present their new album État Coupable. The record revolves around the raw synergy between Iraqi vocalist and percussionist Saif Al-Qaissy, who fled war-torn Iraq, and the analogue synths and instrumental bursts of Belgian musicians Kwinten Mordijck and Stef Heeren. Following their acclaimed debut album The Shedding of Skin (2022), the formation has deepened their relationship through numerous live jams, intense touring and story sharing, pushing both their skills and the boundaries of the project. For its successor, État Coupable, this growth has been enriched by various collaborations, including one with Lebanese-Canadian producer Radwan Ghazi Moumneh (Jerusalem in My Heart). The first single, "Freedom, Asshole," features live drums by Spooky-J from Nihiloxica. With lead vocalist Saif singing, "I envy you because you can close your eyes, you can choose," the track addresses those who need to be addressed in the Western world, resulting in a gut-wrenching piece of raw electronica that delves into the very definition of freedom.
"Music For A New Society" --The Quietus
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
2LP
|
|
BR 191LP
|
$41.00
PREORDER
RELEASE DATE: 3/28/2025
For the first time, a representative anthology of Eduardo Polonio's early electroacoustic works is available in vinyl format. This compilation also serves as a review of the history of Spanish electroacoustic music, featuring works created at the Phonos Laboratory in Barcelona, the Alea Electronic Music Laboratory in Madrid, the Electroacoustic Music Cabinet in Cuenca, and the composer's private studio in Barcelona. The anthology Eduardo Polonio: Obra electroacústica 1969-1981 revives the early stages of the innovative composer with a curated selection of eight restored pieces. A limited edition celebrating his profound impact on Spanish experimental music. Eduardo Polonio (1941?2024) was one of the foundational figures in the emergence and development of electroacoustic music in Spain. From the raw electronic textures of "Para una pequeña margarita ronca" (1969) to the timbral subtleties of "Flautas, voces, animales, pájaros" (1981), this collection showcases Polonio's artistic evolution and highlights different facets of his work as a composer and musician. The included works reflect this multifaceted aesthetic. "Oficio" (1969) is a real-time improvisation recorded using two low-frequency generators and a modified electric guitar amplifier for sound modulation. Rabelaisiennes (1969), for prepared guitar, explores minimalism and instrumental experimentation. "Continuo" (1970), a piece for electric guitar and bass, anticipates ambient music while engaging with free jazz and psychedelia. "Me voy a tomar el Orient Express" (1976) stands out for its rhythmic and harmonic interplay between the lines forming the sonic texture. "Valverde" (1981) offers a microscopic study of a distinctive way flamenco guitar concludes bulerías phrases. "El reclinatorio en el tejado de la lejana abadía" (1971) is structured as an imaginary soundscape in the form of a suite. Polonio's life and work parallel the history of electroacoustic music in Spain. From his beginnings at Alea, Spain's first electronic music laboratory, to his collaborations with figures like Horacio Vaggione and Josep Maria Mestres Quadreny at Phonos, Polonio carved a unique path in the history of Spanish experimental music. Eduardo Polonio: Obra electroacústica 1969?1981 is presented by Buh Records as a limited double LP edition and in digital format, in collaboration with the Asociación de Música Electroacústica de España (AMEE). The audio in this edition has been restored and mastered directly from the master tapes by Víctor Aguado. The album includes extensive liner notes written by Víctor Aguado and Ramón del Buey, with artwork and design by Gonzalo de Montreuil.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
BR 183LP
|
$32.00
PREORDER
RELEASE DATE: 3/28/2025
A new album by composer Oksana Linde presents new electronic pieces, composed between 1986 and 1994, that have remained unreleased. This set of electronic pieces explores more ambient and meditative sounds. Travesías, her second album released by Buh Records, features pieces created in her private studio in San Antonio de Los Altos, Venezuela. These works belong to the same creative period as the pieces included in her acclaimed debut album, Aquatic and Other Worlds (BR 160LP, 2022). Born in 1948 in Caracas to Ukrainian immigrant parents, Oksana Linde's journey is an example of resilience and innovation. After abandoning her career as a chemist due to health problems, Linde devoted herself to music, experimenting with synthesizers to create a deeply evocative sonic universe. She produced a vast number of recordings during the 1980s, many of which remained unreleased until the publication of Aquatic and Other Worlds. This new collection of pieces, taken from the extensive archive of cassette tapes preserved by Linde, unveils yet another perspective of her work. The pieces "Mundos Flotantes" (Floating Worlds), "Horizontes Lejanos" (Distant Horizons), and "Arrecifes en el espacio" (Reefs in Space) were specifically composed for the show Travesía Acuastral (Aqua-Astral Journey), presented by Linde in February 1991 at Casa Rómulo Gallegos as part of the 3rd Encounter of New Electronic Music. This event, produced by Maite Galán in collaboration with the Musikautomatika group, was a milestone in shaping an experimental electronic music scene in Venezuela, one of the most active in Latin America at that time. Linde composed a series of pieces for use in meditation sessions, four of which are included in this compilation: "Luciérnagas en los manglares" (Fireflies in the Mangroves), "Estrellas I" and "II" (Stars I and II), and "Kerepakupai Vena." The latter refers to two words from the Pemón Indigenous community in southeastern Venezuela, meaning Angel Falls, the name of the world's tallest waterfall. Travesías solidifies Oksana Linde's position as an essential figure in electronic music and furthers the effort to bring to light one of the most fascinating archives of electronic music produced in Latin America. This compilation is released through Buh Records in a limited edition of 500 copies. Compilation and liner notes by Luis Alvarado. Mastered by Alberto Cendra at Garden Lab Audio. Cover photo by Elisa Ochoa Linde. Art and design by Gonzalo de Montreuil. This album was made possible thanks to the Ibermusicas fund.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
2LP
|
|
TOYT 175LP
|
$28.00
PREORDER
RELEASE DATE: 3/28/2025
Toy Tonics Music Berlin presents Para Mytho Disco, the second Kapote album of label founder and creative director Mathias Modica, keyboarder, DJ, producer, music nerd, graphic designer, multi-instrumentalist, sub-culture impressario and artist (formerly known as Munk of Gomma records.) The 12 tracks have a very own style. Based on dance music, but going much further. Para Mytho Disco is a futuristic mix of sounds. It's far away from the dark monotone techno and trance music from Kapote's hometown Berlin. Instead, he creates warm friendly atmospheres full of sonic colors and little musical surprises. Kapote's knowledge of music history and his background as a jazz piano student and son of classic music composer is clearly inside this music. Before turning into a DJ and electronic music producer he has been playing in bands since he was 13 years old. The album is full of emotional chord progressions played by Kapote on various keyboards. Sometimes reminding music from the past, without being retro at all. The basslines and melodies are inspired by jazz fusion from the 1970s. And he programmed syncopated grooves that come from Afro-American dance music. There are influences from Japanese electronic music (Yellow Magic Orchestra), from 1980s synthwave and from 1990s electronica (like Squarepusher and Luke Vibert). Kapote plays keys, bass, flutes and percussions, he plays synth solos and sings on a few tracks. The complexity of the arrangements makes this music never boring. Lot of melodies and solos that catch the listener. Colorful soundscapes that make you want to listen or dance to this album more, and discover details also after you heard it several times.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
12"
|
|
BNS 090EP
|
$16.00
PREORDER
RELEASE DATE: 3/21/2025
Break New Soil are beyond excited to release new remixes of an absolute classic tune by none other than Aural Float, the legendary collaboration between Pascal FEOS, Gabriel Le Mar, and Alex Azary. Originally released on their debut album Introspectives on the mighty Elektrolux records back in 1995, South Of The Clouds Pt. 2 quickly became the standout track of the longplayer and an absolute fan favorite as it encapsuled the very essence of the no nonsense hypnotic sound of Frankfurt at the time. On the A-Side, label head honcho Gregor Tresher presents an epic 11-minute journey that pays homage to the timeless original while updating it for the modern-day dancefloor. Through layers and layers of subtle percussion lines, Gregor´s remix builds up over time, with bold breakdowns that gives the distinctive melody line time to breathe, only to eventually culminate in bringing the massive beat back to take things to the next sonic level. On the flip, our good friends Extrawelt deliver another outstanding production once again, that has their signature sound written all over it. The boys respectfully incorporate the original melody line, while perfecting their remix by adding their unmistakable trademark sound and sophisticated beat structures.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
SDBANU 043LP
|
$26.00
PREORDER
RELEASE DATE: 3/21/2025
Born from a childhood friendship, the five members of Ciao Kennedy have crafted their own sound and feeling after exploring a variety of different musical horizons. Following the release of EPs Keldercave (2021) and the problem is (2022), as well as being featured on the compilation Lefto presents Jazz Cats Vol. 3 in the spring of 2024, it was only a matter of time for the Brussels-based band to reappear on the music circuit. As part of the Magma collective, alongside groups like TUKAN and ECHT!, they started to stand out with their instrumental music merging the playfulness of jazz, the repetitive facets of post-rock, and the overtly grand electronic sound evident in what is nowadays described through the grapevine as the "Brussels sound." With Solarium, their debut album set to be released under the Sdban Ultra label, they have found a course and common denominator in guitars drenched with post-rock effects, steered by hypnotic electronic beats, creating an atmosphere of rare, dense melancholy, peppered with a sound that belongs in a blockbuster sci-fi movie. Ciao Kennedy and its debut album are a tangy candy bursting in your mouth, the thrill of an afternoon at the fair, modernity meeting up with the nostalgia of childhood. Or standing beneath the shimmering neon lights of a rainy night, like colorful poetry, blending tenderness with electric intensity. Many of these musical descriptions would be completely off the mark, but after a few listens, they don't seem to miss the mark either. There's something for everyone to discover on this album, oscillating between the familiar and the unexpected, melancholy and cheer, and while everyone keeps on talking about something being a "vibe," listeners can only conclude that Ciao Kennedy is the only one putting this into action.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
ODA 005LP
|
$28.50
PREORDER
RELEASE DATE: 3/21/2025
Written, recorded and produced by Kirk Barley in Yorkshire in early 2024, Lux picks up where 2023 LP Marionette leaves off, conjuring a mystical, reflective space between formal minimalism and sonic imaginaries of northern landscapes. And yet, where Marionette relied at times on more recognizable field recordings, Lux leans into Barley's skill as an instrumentalist and sound designer, working from a palette of short samples and utilizing a variety of alternate tuning systems to build, layer and coax his compositions into being. Most evident on tracks "Vita," "Sprite" and "Descendent," these tunings create an otherworldly harmonic language that is easier to perceive than describe. Alongside more familiar instruments of guitar, bass, drums, organ and clarinet, here Barley draws on plastic saxophones and bells, and recordings of glass, wood and metal sound objects to provide the organic matter. Rather than directly representative of the natural world, Lux enters into a dialogue with it which, like the grasses and flowers of the album's cover, exists somewhere between reality and artifice. On album opener "Cache," Barley constructs his own sense of time from a recording of an umbrella crank, a sparse and spectral piece which hints at memories embedded in the track's title. Introspection blossoms into new life on "Vita," crumpling again into the percussive ambience of "Verre." A track that takes its harmonic lead from the clinks of glass, it features Barley's long-time collaborator Matt Davies on drums, whose nuanced, tonally sensitive playing gives "Verre" a fizzing, ice-like quality. There are several moments where Lux picks up on themes Barley explored under electronic moniker Church Andrews on recent works with Davies, stretching and distorting temporalities most explicitly on "Descendent," whose ritualistic air unfurls around a pattern in exponential decline. Embracing the surrealism Barley absorbed over years watching classic film noir and the works of David Lynch and Federico Fellini, Lux wends its way through the enchanted sound worlds of "Sprite" and "Balanced" before arriving at the album's title track. An expression of his recent experiments in live, prepared guitar, "Lux" brings the album back to earth, returning us to the room where the rain has stopped, the clouds have parted, and the soft warmth of the spring sun is pouring in through the open window.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
BB 476LP
|
$26.00
PREORDER
RELEASE DATE: 3/21/2025
LP version. Die Wilde Jagd collaborates with Grammy Award-winning Metropole Orkest, conducted by Simon Dobson, for majestic new album Lux Tenera: A Rite To Joy, commissioned by Roadburn Festival. In an extraordinary convergence of sonic innovation and orchestral mastery, Sebastian Lee Philipp, the visionary behind Die Wilde Jagd, presents his most ambitious project to date. This work emerges from a rare collaboration with the three-time Grammy Award-winning Metropole Orkest. Lux Tenera invites listeners into a meditative exploration of life, joy, and the beauty of existence. The composition premiered on April 21, 2024, in Tilburg, Netherlands, following an intense three-day rehearsal and recording period at Metropole Orkest's studio in Hilversum. This performance -- now captured in the album -- also marks a unique collaboration with British arranger and conductor Simon Dobson, whose sensitive transcription and arrangement of Philipp's music for orchestra elevates the work to an auditory spectacle. Lux Tenera -- translated from Latin as "tender light" -- is an odyssey of sound and thought. Philipp's poetic lyrics -- delivered in both English and German -- weave a tapestry of vivid imagery and allusion, guiding the listener through a world where life, memory, and transcendence coalesce. This intellectual and emotional alchemy is heightened by the orchestral elements at play: a 50-piece ensemble, the primal resonance of two large-scale Taiko drums, and the ancient, raw timbre of the Carnyx, performed by Patrick Kenny. The result is a sonic structure that marries the primal with the avant-garde, the physical with the metaphysical. At its heart, Lux Tenera presents a bold reimagining of Die Wilde Jagd's distinctive sound. Known for hypnotic, slow-building compositions that evoke a sense of ritual and timelessness, Philipp, in this latest work, is granted new sonic breadth by the orchestral textures of the Metropole Orkest. The symphonic scope enhances and magnifies his compositions, creating what can only be described as a sonic architecture that is both monumental and intimate, where each crescendo, each subtle melodic turn, guided by Simon Dobson's conducting skills, speaks to Philipp's understanding of music as an emotional language.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
EMEGO 317LP
|
$30.50
PREORDER
RELEASE DATE: 3/21/2025
Rivet's new album for Editions Mego is an uplifting and joyous affair coming in the wake of tragedy and disenchantment. It is yet another rebirth from an artist willing to take a step back and reprise the current situation he is in. Mika Hallbäck has a long credible history in the Swedish underground. First recognized for his industrial techno works under the Grovskopa moniker he worked privately on more experimental works that eventually came out as On Feather and Wire, an album released on Editions Mego in 2020. After much acclaim for this bold new direction that blended electronic abstraction, pop and industrial forms into a heavy synthetic trip two tragedies struck. One was the passing of label boss Peter Rehberg and then the passing of his dog Lilo, who was as close as a companion one could have. Peck Glamour sees Rivet return to the reawakened Editions Mego with an album of optimism inspired by reconciliation with loss and further explorations of new mental/sonic realms. Hallbäck defines his approach as not being married to any particular machine, instrument, process or genre. However, he holds a particular affinity to sampling, of which, he says, provides the dirt and grit amongst what would otherwise be pristine, generic machine music. Peck Glamour is an album full of tracks brimming with the excitement of exploration. It's the results of a mind informed by punk, industrial, techno, dancefloor, disappointment, trauma and rebirth. Here the synthetic and authentic is viewed simply as the same means of human rationale and expression. The entire trip of Peck Glamour is sewn up with "We left before we came" whereby extraneous recordings of double bass player Gregory Vartian-Foss (tuning/strumming/moving the bass) are superimposed with local field recordings to create a gorgeous bed of sounds acting as an exciting exit music to this sharp collection of cinematic ear excursions.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
CREP 110LP
|
$27.00
PREORDER
RELEASE DATE: 3/14/2025
Recorded during a residency in Tenerife powered by Keroxen Festival and Discrepant back in 2020 -- amidst the Pandemic, no less -- the duo of Carlos Godinho and Mestre André return after their Mãe D'Água debut on Sucata Tapes and an entry on Keroxen's Aquapelago Series through a split with tropical druids Lagoss. Mostly captured in performance through a quadraphonic system placed inside a huge disused fuel tank, with a few tracks recorded out in the open throughout the island, Lava Love evokes the tectonic shifts and motions inherent in their title in 13 tracks. Based around Godinho's percussive arsenal, from found objects to instruments from all sorts of cartographies, and André's electronic processing, each of these expositions is a point in a map that is created between the island's concrete and fictional existence, discarding any superficial overdubs and crescendos, to focus on the balming and transporting properties of sound itself. From stripped down vignettes like "Bajamar I" and "II", "Chacho" or "Tangana I" to hypnotic tapestries that confuse the real and imagined like "Haha No!" or "La Gomera," Banha da Cobra conjure a collective dream of the island. All tracks performed and recorded by Banha da Cobra in a quadraphonic system inside an enormous fuel tank, except "Bajamar I and II" (recorded outdoors at cantonera de Bajamar, with Lagoss), "Taganana I and II" (recorded outdoors at Playa de Almáciga) and "El Guachinche de Los Realejos" (recorded outdoors at Playa de Castro, with Lagoss). Banha da Cobra are Mestre André and Carlos Godinho. Recorded by Jorge Lozano. Mixed by Mestre André. Mastered by Dani Tupper. Cover photography by Nestor Torrens. Cover design by Óscar Silva.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
HH 011LP
|
$26.00
PREORDER
RELEASE DATE: 3/14/2025
Bárbara Salazar aka Barbarelle is an experimental multidisciplinary artist from Buenos Aires, known for her conceptual work as a DJ, creative director, and curator. In addition to her work as an artist, Barbarelle is the founder of Atlas, a platform dedicated to active listening through radio, live performances, listening sessions and more. She is also known for her radio show of the same name on Dublab, where she shares her unique approach to sound with eclectic selections and interviews with the likes of Air, BADBADNOTGOOD, Lucrecia Dalt, Juana Molina, and more. Celesta marks her first foray into composing and producing her own music; a debut that reveals the intimate, heartfelt territories of her creative universe. The culmination of years of composing for herself -- "behind closed doors" -- Celesta is a deeply personal, self-guided masterstroke of beguiling, free-flowing ambient soundscapes and DIY electronics. With Celesta, Barbarelle artfully transitions from ardent music aficionado to fully-fledged artist, unveiling an enchanting sonic world that has quietly matured over time. Celesta is an exquisite odyssey of sound, assembled from fifteen tracks recorded between 2022 and 2024 in Buenos Aires and Los Angeles. Conceived as spontaneous and intuitive explorations, many of these tracks were recorded in one take without technically-minded premeditation. The product of organic experimentation rather than concrete intention, Celesta is an authentic, candid record of emotions, memories, and profound interiorities. Over time, the pieces in this tapestry found a common thread: a conversation with the ethereal, defined by expressive, softly spoken eloquence. Celesta is an invitation to immerse yourself in soundscapes that merge to the point of dissolution, evoking the transparency of water and the lightness of a dreamlike world that transcends matter. Like the song of a siren, the voice becomes just another instrument, beyond language yet full of significance. A collection of songs that feels like opening a secret diary; a direct pathway to the center of the heart.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
2LP
|
|
VMR 018LP
|
$33.00
PREORDER
RELEASE DATE: 3/14/2025
Double LP version. Since his early days at Chain Reaction, K. Soublis (Fluxion) has carved his own unique style, combining elements of dub, ambient, techno, score, textural, and even jazz elements, all glued together with his distinct production aesthetic. Haze is a broad selection of pieces that was recorded between 2023 and 2024. The music moves from more slow cyclic compositional pieces on
"Life Motif," "Nexus," and "Desiderium," to ambient dub pieces, on "Magenta" and "Touch," on to more euphoric and uplifting ones on "Footsteps," "Berlin," and "What Tommorow Brings," reflecting on the artist's need to tell stories. As a whole Haze showcases the artist's versatility on moving and combining different genres with his own distinct crafted sound, bringing a bold, fresh, unique view, making the album an indulging and intriguing listening experience. Fluxion has managed to constantly add to his sound through the years always evolving and Haze is a testament of his restless nature and his need to move towards more uncharted territories without alienating the listener.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
FM 12063LP
|
$29.50
PREORDER
RELEASE DATE: 3/14/2025
Iron Curtis and Johannes Albert return to orbit with their highly anticipated Moon IV, the next chapter in their acclaimed lunar album series. Building on over a decade of collaboration and the cosmic groundwork in Moon I, II, and III, this fourth instalment is a testament to their ever-evolving artistry and expansive vision. Released on their beloved Frank Music imprint, Moon IV sees the duo starring an 11-track journey that once again defies genres, challenges conventions, and charts a vivid course through the electronic cosmos. From the warm opener "Void Gathering" and wistful melodies of "Silverclub" to the driving rhythms of "Sounds (The Feels)," which echoes the relentless pulse of NYC Post-Disco, Moon IV encapsulates the duo's signature blend of moods and eras. "Club L'Avenir" and "Daso" serve up euphoric moments with a nod to the French Touch, while the ambient vignette "Into Somethin' (Interlude)" calms you down again. Electro cuts like "Pipeline" are reminiscent of earlier works in the Moon album series, and new paths are forged when the two are exploring Balearic Pop Music (BPM) territory in "Ohne Dich." Returning from space with the elegant deepness of "Bliss (The Short Finale)", the duo gets you home safe and sound. Their unique studio alchemy shines brighter on this moonlit, flaring long-player than ever.
|
viewing 1 To 25 of 34987 items
Next >>
|
|