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Search Result for Genre ELECTRONIC
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12"
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PKR 049EP
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$23.50
PREORDER
RELEASE DATE: 11/20/2026
Kosmische Advice EP is the first collaborative release from Roman Flügel and Phil Kieran. Recorded between Belfast and Berlin, the EP brings together two long-established figures in European electronic music whose paths have run in parallel for many years. The title track was written in a single evening session in Belfast during Flügel's visit for Kieran's Leatherette club night, capturing an immediate and largely unaltered performance that sets the tone for the release.
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LP
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TO 132LP
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$20.50
PREORDER
RELEASE DATE: 11/13/2026
LP version. Almost Starlight is the extraordinary new album by Jem Finer (hurdy-gurdy) and John Matthias (violin). Produced by Jay Auborn and recorded in a medieval church, deep in the Devon countryside, in the Summer of 2025, the music is suffused with light, heat and the natural acoustics of the space. The album defies categorization; forced to pigeonhole it the nearest approximation would be "modern-classical" but this ignores its myriad influences and explorations which encompass inspiration from Arvo Pärt through Terry Riley to Can via Delius, Alice Coltrane, and a subtle reimagining of electronic music played purely with acoustic instruments, bending and shaping their possibilities in surprising and unexpected directions. Produced by Jay Auborn, who also plays cello on a number of the compositions, his production opens up and expands the music through a skilled and imaginative use of space, paying homage to the atmosphere of the church.
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12"
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MM 138X-EP
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$23.50
PREORDER
RELEASE DATE: 11/13/2026
Repress of this classic Robert Hood record from 2007!
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CD
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TO 132CD
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$15.50
PREORDER
RELEASE DATE: 11/13/2026
Almost Starlight is the extraordinary new album by Jem Finer (hurdy-gurdy) and John Matthias (violin). Produced by Jay Auborn and recorded in a medieval church, deep in the Devon countryside, in the Summer of 2025, the music is suffused with light, heat and the natural acoustics of the space. The album defies categorization; forced to pigeonhole it the nearest approximation would be "modern-classical" but this ignores its myriad influences and explorations which encompass inspiration from Arvo Pärt through Terry Riley to Can via Delius, Alice Coltrane, and a subtle reimagining of electronic music played purely with acoustic instruments, bending and shaping their possibilities in surprising and unexpected directions. Produced by Jay Auborn, who also plays cello on a number of the compositions, his production opens up and expands the music through a skilled and imaginative use of space, paying homage to the atmosphere of the church.
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2LP
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MPD 055LP
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$41.00
PREORDER
RELEASE DATE: 11/6/2026
Ramjac Corporation, aka Paul Chivers, emerged from the UK's late-'80s rave underground, performing live at parties like Sunrise, Energy, Back to the Future, Fun-da-Mental and Synergy. Building tracks with an Atari computer and an E-MU 12-bit sampler, turning severe technical limitations into raw, elastic club music, 88-92: It is What it Was gathers music born in bedrooms then tested in front of crowds at warehouse raves, while the culture was still inventing itself without boundaries, completely free. Ramjac was the original artist on Irdial Discs, following label founder Akin Fernandez's Aqua Regia, and introduced Lee Purkis' In Sync and Neuropolitique to the label, shaping the singular catalogue of that extraordinary imprint alongside Luke Slater's Morganistic, Thee J Johanz and Anthony Manning. That legacy is now revisited by Musique Pour La Danse, with the release of a limited edition vinyl and digital edition featuring extended liner notes by Nick Halkes of XL Recordings, Positiva and Kicks Like A Mule fame, who witnessed the early Ramjac period first-hand. The release is illustrated by Grant Fulton, who created the visual identity for The Shamen's Synergy events and Orbital albums. This album presents music written exclusively between 1988-92 and forms the foundation of Ramjac Corporation's ongoing live performances. Restored from the original floppy discs, the recordings preserve the unique relationship between early digital technology, sampling culture and live improvisation that defines the Ramjac approach. Mixed for release for the first time by Trevor Lancaster-Smith, whose '90s engineering work encompassed Leftfield, Faithless, and Roni Size, the album brings these compositions into sharp focus while preserving the character of the original instruments and performances. Not just a historical document, 88-92: It is What it Was is a living body of work: music created then, realized now, and continuing to surprise and evolve.
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LP
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GGST 10032LP
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$28.50
PREORDER
RELEASE DATE: 10/30/2026
Fully licensed! Originally released in 1974 this is a must-have for any library DJ collector. I Gres were a studio group founded by Silvano Chimenti. The band name brings members signs: G for organist Giorgio Carnini, R for maestro Roberto Pregadio, E for drummer Enzo Restuccia and finally S for leading composer Chimenti. Rare grooves and funky breaks are leading the way for killer tunes like "Restless" (a B-boy favorite also used as the main theme for 1975 Dibattito Politico TV broadcast), movie-theme soundslike "Nonchalant" and cinematic wonder "Grumblings." Also available on clear vinyl (GGST 10032CB-LP).
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12"
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TENA 130EP
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$21.50
PREORDER
RELEASE DATE: 10/30/2026
Tenampa now turns to French sonic storyteller YokoO, who makes his debut on the Mexican imprint with a three-track workout that perfectly captures his signature sound: deep, refined and effortlessly effective. Rich in groove, subtle textures and immersive atmospheres, the release unfolds with the unmistakable sense of depth and emotional detail that has become synonymous with YokoO's productions. Strictly limited to 300 copies worldwide and available exclusively on vinyl, this release further cements its status as a true collector's piece. The artwork once again comes courtesy of the ever-outstanding Manuel Cetina, aka El_Stitch, whose distinctive visual language adds another layer of identity and lasting value to the release.
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LP
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GGST 10032CB-LP
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$31.50
PREORDER
RELEASE DATE: 10/30/2026
Clear vinyl version. Fully licensed! Originally released in 1974 this is a must-have for any library DJ collector. I Gres were a studio group founded by Silvano Chimenti. The band name brings members signs: G for organist Giorgio Carnini, R for maestro Roberto Pregadio, E for drummer Enzo Restuccia and finally S for leading composer Chimenti. Rare grooves and funky breaks are leading the way for killer tunes like "Restless" (a B-boy favorite also used as the main theme for 1975 Dibattito Politico TV broadcast), movie-theme soundslike "Nonchalant" and cinematic wonder "Grumblings."
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12"
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MM 077EP
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$19.00
PREORDER
RELEASE DATE: 10/30/2026
Long awaited repress of this Steve Rachmad classic, including Chris Liebing remix, both remastered.
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2LP
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PNC 010LP
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$44.50
PREORDER
RELEASE DATE: 10/23/2026
Pont Neuf mark 10 years with an all-star cast and a masterclass in club music -- timeless, tasteful, and built for the dance floor. Featuring Black Loops, Tour-Maubourg, Demuja, Marina Trench, Mad Rey, Maison Blanche, THEOS, Mira Ló, KX9000, Naajet, Dylan Dylan, and Goldie B.
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2LP
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OOS 005LP
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$43.00
PREORDER
RELEASE DATE: 10/23/2026
XAMAN is the collaborative project of Dino Sabatini and Luigi Tozzi, where two distinct artistic paths converge into a shared musical language shaped through years of independent research and mutual exchange. Across eight compositions, XAMAN takes shape through gradual transformation. Every element is introduced with intention, allowing subtle shifts in density, tension and space to shape the music over time, revealing its full form through uninterrupted listening. Released as a double vinyl on Outis Opera Series, the curated imprint of Outis Music, XAMAN reflects a process shaped through listening, exchange and time.
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LP
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SPECIAL 001LP
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$34.00
PREORDER
RELEASE DATE: 10/16/2026
LP version. Kaitlyn Aurelia Smith returns with Ruin: It's Not Just Music, a new studio album that marks one of the most decisive statements in her creative trajectory. Across the past decade, KAS has established herself as a unique voice in experimental electronic music, a composer and synthesist whose work dissolves the boundaries between ambient electronica, contemporary classical, composition, and immersive sound design. Her new album arrives with a distinctive gravitational pull. The record moves with greater physical force, placing rhythm and impact at the center of its architecture, revealing a more confrontational and embodied dimension of KAS's musical language. Where much of KAS's earlier work explored harmonic environments, the forthcoming album is built around tension and release. Inspired by the sound of drum and bass, breakbeats fracture through dense fields of synthesis, percussive patterns and her signature melodic fragments -- motions that feel closer to the kinetic language of club music than the meditative spaces often associated with her past catalogue. The result is a body of work that feels both recognizably hers and newly charged, music that moves through the body as insistently as it engages the mind. KAS's practice has steadily expanded beyond the expectations placed upon experimental electronic artists, moving between orchestral composition, audiovisual installations, film scoring, and large-scale commissions while retaining the unmistakable sonic signature that defines her work. Her prolific collaborators and creative partners have ranged from Patti Smith and Suzanne Ciani to Danny Elfman, Tycho, Glass Beams, RY X, Caribou, Four Tet, Reggie Watts, and Max Richter, while her compositions have appeared in projects with Apple, Chanel, Meow Wolf, the BBC Orchestra, and major film and television productions. On Ruin: It's Not Just Music, that vocabulary becomes more kinetic than ever before. The record draws energy from jungle, drum and bass, and dance-floor focused electronic music while retaining the intricate synthesis and tonal curiosity that have defined KAS's work from the beginning. The result is a record that feels equally at home within club culture, contemporary composition, and the experimental spaces that have long championed her artistry.
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12"
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MM 117EP
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$19.00
PREORDER
RELEASE DATE: 10/16/2026
2026 remastered versions. Highly sought after Steve Rachmad classic finally gets a repress.
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CD
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SPECIAL 001CD
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$13.50
PREORDER
RELEASE DATE: 10/16/2026
Kaitlyn Aurelia Smith returns with Ruin: It's Not Just Music, a new studio album that marks one of the most decisive statements in her creative trajectory. Across the past decade, KAS has established herself as a unique voice in experimental electronic music, a composer and synthesist whose work dissolves the boundaries between ambient electronica, contemporary classical, composition, and immersive sound design. Her new album arrives with a distinctive gravitational pull. The record moves with greater physical force, placing rhythm and impact at the center of its architecture, revealing a more confrontational and embodied dimension of KAS's musical language. Where much of KAS's earlier work explored harmonic environments, the forthcoming album is built around tension and release. Inspired by the sound of drum and bass, breakbeats fracture through dense fields of synthesis, percussive patterns and her signature melodic fragments -- motions that feel closer to the kinetic language of club music than the meditative spaces often associated with her past catalogue. The result is a body of work that feels both recognizably hers and newly charged, music that moves through the body as insistently as it engages the mind. KAS's practice has steadily expanded beyond the expectations placed upon experimental electronic artists, moving between orchestral composition, audiovisual installations, film scoring, and large-scale commissions while retaining the unmistakable sonic signature that defines her work. Her prolific collaborators and creative partners have ranged from Patti Smith and Suzanne Ciani to Danny Elfman, Tycho, Glass Beams, RY X, Caribou, Four Tet, Reggie Watts, and Max Richter, while her compositions have appeared in projects with Apple, Chanel, Meow Wolf, the BBC Orchestra, and major film and television productions. On Ruin: It's Not Just Music, that vocabulary becomes more kinetic than ever before. The record draws energy from jungle, drum and bass, and dance-floor focused electronic music while retaining the intricate synthesis and tonal curiosity that have defined KAS's work from the beginning. The result is a record that feels equally at home within club culture, contemporary composition, and the experimental spaces that have long championed her artistry.
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LP
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BJR 126LP
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$28.00
PREORDER
RELEASE DATE: 10/9/2026
LP version. viragezero was born on a cold Sunday evening in December, on the way home from a Chris Cohen concert at Geneva's Face Z festival. In the winter night emerged the desire to create a new collective space, nourished by the long drifting journeys of kosmische musik. Initially conceived as a parallel playground bringing together the duo Citron Citron, former members of L'Éclair and musicians from Magic & Naked, the project quickly developed its own gravity. This self-titled debut album sketches a world both familiar and distorted, where everyday landscapes slowly slip into stranger territories. Driven by nervous synths, hazy guitars, shifting electronic textures and rhythms drawing from 1990s trip hop and abstract hip hop, viragezero builds a suspended and immersive music. A music guided as much by sensation as by structure, where repetition becomes a moving force and tensions evolve without ever fully resolving. At the center of the album are Zoé Sjollema's lyrics, drawn from fragments of dreams collected over several years. Her instinctive writing blurs the boundaries between reality and imagination, tracing recurring themes of solitude, wandering, exhaustion and disconnection. Rather than telling stories, the songs unfold as emotional states, inhabited by shifting landscapes, distorted memories and fleeting impressions. Somewhere between dream pop, electronica, IDM and spectral songwriting, viragezero delivers a dense and instinctive debut album. A nocturnal and hypnotic record that transforms fragments of reality into constantly shifting sonic matter.
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LP
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LEC 001LP
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$43.00
PREORDER
RELEASE DATE: 10/9/2026
Circling a mountain until disappearing into the dance: this is the starting point of 10LEC6's new album. Several years after Bone Bame, released on Ed Banger, 10LEC6 returns with an album that is both digital and organic, conceived as a euphoric journey where language is manipulated, repeated, stretched like a sentence that spins on itself until it becomes rhythm. The title, Ako Akas, is the name of a peak in southern Cameroon, whose legend tells of those who attempt to circle it disappearing in an endless dance. A perfect image for this immersive, fluid music where each loop propels the next. Featuring Superpitcher.
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CD
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BJR 126CD
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$14.50
PREORDER
RELEASE DATE: 10/9/2026
viragezero was born on a cold Sunday evening in December, on the way home from a Chris Cohen concert at Geneva's Face Z festival. In the winter night emerged the desire to create a new collective space, nourished by the long drifting journeys of kosmische musik. Initially conceived as a parallel playground bringing together the duo Citron Citron, former members of L'Éclair and musicians from Magic & Naked, the project quickly developed its own gravity. This self-titled debut album sketches a world both familiar and distorted, where everyday landscapes slowly slip into stranger territories. Driven by nervous synths, hazy guitars, shifting electronic textures and rhythms drawing from 1990s trip hop and abstract hip hop, viragezero builds a suspended and immersive music. A music guided as much by sensation as by structure, where repetition becomes a moving force and tensions evolve without ever fully resolving. At the center of the album are Zoé Sjollema's lyrics, drawn from fragments of dreams collected over several years. Her instinctive writing blurs the boundaries between reality and imagination, tracing recurring themes of solitude, wandering, exhaustion and disconnection. Rather than telling stories, the songs unfold as emotional states, inhabited by shifting landscapes, distorted memories and fleeting impressions. Somewhere between dream pop, electronica, IDM and spectral songwriting, viragezero delivers a dense and instinctive debut album. A nocturnal and hypnotic record that transforms fragments of reality into constantly shifting sonic matter.
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LP
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TW W-LP
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$29.50
PREORDER
RELEASE DATE: 10/9/2026
Rachel Shearer's Te Oro o te Ao ("The Resounding Of The World") is a bold work of sonic dreaming and remembrance. As a sound artist and composer from Aotearoa, New Zealand, Shearer has long explored the Māori concept of whakapapa; embracing the belief that the whole of creation, past/present/future is a dynamic interconnected movement. With field recordings, electronics, and voice, Shearer creates immersive analogs of earthly processes that move like tumbling avalanches and crashing waves. Subterranean volcanic activity transmutes into super-heated air rising into frequencies beyond human hearing. Shearer posits that consciousness, like the environment, is not a closed system; that the mind is an ecosystem where our thoughts are the "flora" and "fauna" and the perception of sound vibrations in the material world is a gateway to metaphysical realms. Te Oro o Te Ao was first realized as an immersive eight-channel sound installation made in response to a close listening to the earth. It was also released as a limited artist's acetate edition of 10. Thin Wrist presents Te Oro o Te Ao in a vinyl and digital edition mastered by Rashad Becker, Clunk Berlin. Housed in a tip-on gatefold jacket with embossed black paper stock, ink pigment foil stamping, with a mounted booklet in the inner gatefold and printed inner sleeves. Pressed at Optimal, Germany. For over three decades Rachel Shearer has investigated sound as a medium through a wide range of sonic practices -- installations, composing, recording, writing, as well as collaborating as a sound designer and composer for moving image and live performance events. Shearer's work builds on her research which explores practices related to a listening to the earth through Māori and Western frameworks. She has received numerous public commissions for sound art including the permanent nine-channel sound installation The Flooded Mirror on the Auckland waterfront. She has been active as an experimental musician since the late 1980s and has released material with labels Xpressway (NZ), Flying Nun (NZ), Ecstatic Peace (US), Corpus Hermeticum (NZ), Family Vineyard (US) among others. Waha voice performed by Cathy Livermore (Kāi Tahu, Kāti Māmoe, Waitaha).
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CD
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MH 001CD
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$18.00
PREORDER
RELEASE DATE: 10/2/2026
Marina Herlop's Dja Dja opens like a held breath finally released: a violent celebration of life, though not the hedonist's easy yes. The exultation here is hard-won, arrived at rather than assumed, an affirmation drawn up from reflection and a long inward descent, stripped of every naïveté. What animates it is a kind of undirected anger, rage reimagined as a creative force that spends itself in catharsis, and a gratitude so overwhelming it can no longer be contained by the body. This is a music of struggle, but the struggle is not for conquest or ruin; it is for self-affirmation, for the quiet authority of someone defending her principles without ever needing to name them. Conceived as a single, unbroken body of work in which every track answers to the others, Dja Dja is the most architecturally ambitious thing Herlop has made, a giant sudoku built out of smaller sudokus, where the whole had to cohere even as each piece kept its own internal logic. Beneath that design lies a borrowed scaffolding, a structure used at first for purely architectural reasons and then, once the music had taken its shape, allowed to fall away. The frame is gone; the music stands without it. Across these movements the Catalan composer -- classically trained, equally at home in the avant-garde -- sets herself a double standard she refused to relax: more open and intelligible than her earlier records, yet venturing onto ground she had never walked before. Voice and bass, so central to her past work, are held deliberately in reserve, withheld until their arrival some ten minutes in lands with real force. For the first time she lets orchestral brass into her palette, scored not by formal training but by intuition, feeling her way toward timbres that conjure whole worlds without ever tipping into excess. Almost everything was made by hand, at home, in a process that could take exactly as long as the music demanded. Throughout, Herlop describes subordinating herself to the music rather than commanding it, following its instructions for as long as it needed her. It is fitting, then, that Dja Dja is her first self-released album, a record made with this much autonomy seemed to ask for it, and the slow pace of its making left no room for a label's calendar. The release is austere by design, almost without imagery.
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LP
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MH 001LP
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$31.50
PREORDER
RELEASE DATE: 10/2/2026
LP version. Marina Herlop's Dja Dja opens like a held breath finally released: a violent celebration of life, though not the hedonist's easy yes. The exultation here is hard-won, arrived at rather than assumed, an affirmation drawn up from reflection and a long inward descent, stripped of every naïveté. What animates it is a kind of undirected anger, rage reimagined as a creative force that spends itself in catharsis, and a gratitude so overwhelming it can no longer be contained by the body. This is a music of struggle, but the struggle is not for conquest or ruin; it is for self-affirmation, for the quiet authority of someone defending her principles without ever needing to name them. Conceived as a single, unbroken body of work in which every track answers to the others, Dja Dja is the most architecturally ambitious thing Herlop has made, a giant sudoku built out of smaller sudokus, where the whole had to cohere even as each piece kept its own internal logic. Beneath that design lies a borrowed scaffolding, a structure used at first for purely architectural reasons and then, once the music had taken its shape, allowed to fall away. The frame is gone; the music stands without it. Across these movements the Catalan composer -- classically trained, equally at home in the avant-garde -- sets herself a double standard she refused to relax: more open and intelligible than her earlier records, yet venturing onto ground she had never walked before. Voice and bass, so central to her past work, are held deliberately in reserve, withheld until their arrival some ten minutes in lands with real force. For the first time she lets orchestral brass into her palette, scored not by formal training but by intuition, feeling her way toward timbres that conjure whole worlds without ever tipping into excess. Almost everything was made by hand, at home, in a process that could take exactly as long as the music demanded. Throughout, Herlop describes subordinating herself to the music rather than commanding it, following its instructions for as long as it needed her. It is fitting, then, that Dja Dja is her first self-released album, a record made with this much autonomy seemed to ask for it, and the slow pace of its making left no room for a label's calendar. The release is austere by design, almost without imagery.
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LP
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SW 015X-LP
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$27.00
PREORDER
RELEASE DATE: 10/2/2026
Teal return with Love Comes Thru, the trio's nine-track debut album. Expanding their emotionally resonant blend of downtempo trip-pop, the record reaches into street soul, dub, and experimental grooves, marking a confident new chapter for the group. At its core, Love Comes Thru is a reflection on the quiet strength of love -- not through grand gestures, but through the steady presence that carries listeners through uncertainty, change, and connection. Written over the course of a year of bi-coastal collaboration, the album became a testament to the bond Teal share as artists, friends, and family. From the lush synth landscapes of "Aries Moon" to the footwork-inspired pulse of "Time Is Blind," the album explores themes of patience, vulnerability, longing, and intimacy. Standout singles "Kissing in a Dream" and the title track lean into left-field street soul, while stripped-back, 808-driven tracks like "Change Your Mind" and "Anomaly" demonstrate the power of restraint without sacrificing momentum. Building on the group's love of ambient improvisation, Love Comes Thru also features instrumental pieces with percussion by Brandon Valdivia (Mas Aya/Lido Pimienta). The album closes with the sensual "Bubbling," bringing the journey full circle with a reminder that love ultimately comes through in its most embodied, physical form. Love Comes Thru is presented in a deluxe, limited-edition matte-finish, double-embossed jacket with a printed inner sleeve.
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LP
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MPD 046LP
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$31.50
PREORDER
RELEASE DATE: 10/2/2026
Musique Pour La Danse presents a raw, euphoric, and totally essential document of British rave history. Live In Manchester captures like nothing else the pure energy and essence of an era. Featuring the unstoppable duo Mark Franklin and Nigel Champion, and vocalist Saffron, this legendary 1992 live set delivers iconic tracks like "Anthem," "Adrenaline," and "Malfunction" in their most ecstatic form and many exclusive tracks. Often copied and sampled, never surpassed, because it simply can't be. If you're only owning one rave record, this is the one. Includes liner notes by Matt Anniss, re-designed in Büro Destruct with an historical collectible flyers poster 12"x36", with the help of Phatmedia. Newly mastered and cut at Transition Studios for maximum impact. Simply the best thing for your warehouse soundsystem.
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12"
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YORE 063EP
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$24.00
PREORDER
RELEASE DATE: 9/25/2026
Yore Records welcomes back DJ Alone Again from NYC for a second journey into timeless house aesthetics. Across four cuts, DJ Alone Again moves effortlessly between raw, uplifting New York energy and deeper late-night moods. From classic swinging drums, dusty stabs and peak-time pressure to warm chords and smoother hypnotic grooves, this EP captures different shades of the unmistakable '90s house spirit. A sincere nod to classic underground house music and another statement by Yore Records. Strictly limited to 200 copies worldwide.
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12"
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KOM EX140EP
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$20.00
PREORDER
RELEASE DATE: 9/25/2026
The man with the hat returns to where it all began. A lot of water has flowed down the Rhine since Rune Reilly Kölsch set out 16 years ago to conquer the raving planet with "Loreley." But just as that rock stands firm against the floodwaters, so too is Kölsch's instinct for great tracks, great emotions, and great moments. "Anti Promi Energie" is yet another track that generates incredible energy with astonishing ease. The B-side isn't just a true standout within the Kölsch canon; it also opens a remarkable new chapter in the label's history: "Verschwinden" can best be described as techno-folk-or simply as the ideal final track after a night of partying, before the dawn swallows up the happy souls.
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LP
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TRILPFR 070LP
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$28.00
PREORDER
RELEASE DATE: 9/25/2026
LP version. After releasing two EPs, Charles Dollé reveals an ambitious and cinematographic album with his label Tricatel. He reinvents his musical language, undulating across ethereal sound landscapes in a style bordering film music. The self-titled "singing composer" lets his dreamy lyricism lead his creations: at the crossroads between indie pop, soft rock, electronic music, and ambient, Charles bends music genres with subtlety and contrast.
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