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Search Result for Genre ELECTRONIC
viewing 1 To 25 of 36038 items
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12"
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MM 077EP
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$19.00
PREORDER
RELEASE DATE: 10/30/2026
Long awaited repress of this Steve Rachmad classic, including Chris Liebing remix, both remastered.
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12"
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TENA 130EP
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$21.50
PREORDER
RELEASE DATE: 10/30/2026
Tenampa now turns to French sonic storyteller YokoO, who makes his debut on the Mexican imprint with a three-track workout that perfectly captures his signature sound: deep, refined and effortlessly effective. Rich in groove, subtle textures and immersive atmospheres, the release unfolds with the unmistakable sense of depth and emotional detail that has become synonymous with YokoO's productions. Strictly limited to 300 copies worldwide and available exclusively on vinyl, this release further cements its status as a true collector's piece. The artwork once again comes courtesy of the ever-outstanding Manuel Cetina, aka El_Stitch, whose distinctive visual language adds another layer of identity and lasting value to the release.
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2LP
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OOS 005LP
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$43.00
PREORDER
RELEASE DATE: 10/23/2026
XAMAN is the collaborative project of Dino Sabatini and Luigi Tozzi, where two distinct artistic paths converge into a shared musical language shaped through years of independent research and mutual exchange. Across eight compositions, XAMAN takes shape through gradual transformation. Every element is introduced with intention, allowing subtle shifts in density, tension and space to shape the music over time, revealing its full form through uninterrupted listening. Released as a double vinyl on Outis Opera Series, the curated imprint of Outis Music, XAMAN reflects a process shaped through listening, exchange and time.
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2LP
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PNC 010LP
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$44.50
PREORDER
RELEASE DATE: 10/23/2026
Pont Neuf mark 10 years with an all-star cast and a masterclass in club music -- timeless, tasteful, and built for the dance floor. Featuring Black Loops, Tour-Maubourg, Demuja, Marina Trench, Mad Rey, Maison Blanche, THEOS, Mira Ló, KX9000, Naajet, Dylan Dylan, and Goldie B.
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LP
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SPECIAL 001LP
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$34.00
PREORDER
RELEASE DATE: 10/16/2026
LP version. Kaitlyn Aurelia Smith returns with Ruin: It's Not Just Music, a new studio album that marks one of the most decisive statements in her creative trajectory. Across the past decade, KAS has established herself as a unique voice in experimental electronic music, a composer and synthesist whose work dissolves the boundaries between ambient electronica, contemporary classical, composition, and immersive sound design. Her new album arrives with a distinctive gravitational pull. The record moves with greater physical force, placing rhythm and impact at the center of its architecture, revealing a more confrontational and embodied dimension of KAS's musical language. Where much of KAS's earlier work explored harmonic environments, the forthcoming album is built around tension and release. Inspired by the sound of drum and bass, breakbeats fracture through dense fields of synthesis, percussive patterns and her signature melodic fragments -- motions that feel closer to the kinetic language of club music than the meditative spaces often associated with her past catalogue. The result is a body of work that feels both recognizably hers and newly charged, music that moves through the body as insistently as it engages the mind. KAS's practice has steadily expanded beyond the expectations placed upon experimental electronic artists, moving between orchestral composition, audiovisual installations, film scoring, and large-scale commissions while retaining the unmistakable sonic signature that defines her work. Her prolific collaborators and creative partners have ranged from Patti Smith and Suzanne Ciani to Danny Elfman, Tycho, Glass Beams, RY X, Caribou, Four Tet, Reggie Watts, and Max Richter, while her compositions have appeared in projects with Apple, Chanel, Meow Wolf, the BBC Orchestra, and major film and television productions. On Ruin: It's Not Just Music, that vocabulary becomes more kinetic than ever before. The record draws energy from jungle, drum and bass, and dance-floor focused electronic music while retaining the intricate synthesis and tonal curiosity that have defined KAS's work from the beginning. The result is a record that feels equally at home within club culture, contemporary composition, and the experimental spaces that have long championed her artistry.
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12"
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MM 117EP
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$19.00
PREORDER
RELEASE DATE: 10/16/2026
2026 remastered versions. Highly sought after Steve Rachmad classic finally gets a repress.
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CD
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SPECIAL 001CD
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$13.50
PREORDER
RELEASE DATE: 10/16/2026
Kaitlyn Aurelia Smith returns with Ruin: It's Not Just Music, a new studio album that marks one of the most decisive statements in her creative trajectory. Across the past decade, KAS has established herself as a unique voice in experimental electronic music, a composer and synthesist whose work dissolves the boundaries between ambient electronica, contemporary classical, composition, and immersive sound design. Her new album arrives with a distinctive gravitational pull. The record moves with greater physical force, placing rhythm and impact at the center of its architecture, revealing a more confrontational and embodied dimension of KAS's musical language. Where much of KAS's earlier work explored harmonic environments, the forthcoming album is built around tension and release. Inspired by the sound of drum and bass, breakbeats fracture through dense fields of synthesis, percussive patterns and her signature melodic fragments -- motions that feel closer to the kinetic language of club music than the meditative spaces often associated with her past catalogue. The result is a body of work that feels both recognizably hers and newly charged, music that moves through the body as insistently as it engages the mind. KAS's practice has steadily expanded beyond the expectations placed upon experimental electronic artists, moving between orchestral composition, audiovisual installations, film scoring, and large-scale commissions while retaining the unmistakable sonic signature that defines her work. Her prolific collaborators and creative partners have ranged from Patti Smith and Suzanne Ciani to Danny Elfman, Tycho, Glass Beams, RY X, Caribou, Four Tet, Reggie Watts, and Max Richter, while her compositions have appeared in projects with Apple, Chanel, Meow Wolf, the BBC Orchestra, and major film and television productions. On Ruin: It's Not Just Music, that vocabulary becomes more kinetic than ever before. The record draws energy from jungle, drum and bass, and dance-floor focused electronic music while retaining the intricate synthesis and tonal curiosity that have defined KAS's work from the beginning. The result is a record that feels equally at home within club culture, contemporary composition, and the experimental spaces that have long championed her artistry.
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LP
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BJR 126LP
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$28.00
PREORDER
RELEASE DATE: 10/9/2026
LP version. viragezero was born on a cold Sunday evening in December, on the way home from a Chris Cohen concert at Geneva's Face Z festival. In the winter night emerged the desire to create a new collective space, nourished by the long drifting journeys of kosmische musik. Initially conceived as a parallel playground bringing together the duo Citron Citron, former members of L'Éclair and musicians from Magic & Naked, the project quickly developed its own gravity. This self-titled debut album sketches a world both familiar and distorted, where everyday landscapes slowly slip into stranger territories. Driven by nervous synths, hazy guitars, shifting electronic textures and rhythms drawing from 1990s trip hop and abstract hip hop, viragezero builds a suspended and immersive music. A music guided as much by sensation as by structure, where repetition becomes a moving force and tensions evolve without ever fully resolving. At the center of the album are Zoé Sjollema's lyrics, drawn from fragments of dreams collected over several years. Her instinctive writing blurs the boundaries between reality and imagination, tracing recurring themes of solitude, wandering, exhaustion and disconnection. Rather than telling stories, the songs unfold as emotional states, inhabited by shifting landscapes, distorted memories and fleeting impressions. Somewhere between dream pop, electronica, IDM and spectral songwriting, viragezero delivers a dense and instinctive debut album. A nocturnal and hypnotic record that transforms fragments of reality into constantly shifting sonic matter.
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LP
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LEC 001LP
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$43.00
PREORDER
RELEASE DATE: 10/9/2026
Circling a mountain until disappearing into the dance: this is the starting point of 10LEC6's new album. Several years after Bone Bame, released on Ed Banger, 10LEC6 returns with an album that is both digital and organic, conceived as a euphoric journey where language is manipulated, repeated, stretched like a sentence that spins on itself until it becomes rhythm. The title, Ako Akas, is the name of a peak in southern Cameroon, whose legend tells of those who attempt to circle it disappearing in an endless dance. A perfect image for this immersive, fluid music where each loop propels the next. Featuring Superpitcher.
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CD
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BJR 126CD
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$14.50
PREORDER
RELEASE DATE: 10/9/2026
viragezero was born on a cold Sunday evening in December, on the way home from a Chris Cohen concert at Geneva's Face Z festival. In the winter night emerged the desire to create a new collective space, nourished by the long drifting journeys of kosmische musik. Initially conceived as a parallel playground bringing together the duo Citron Citron, former members of L'Éclair and musicians from Magic & Naked, the project quickly developed its own gravity. This self-titled debut album sketches a world both familiar and distorted, where everyday landscapes slowly slip into stranger territories. Driven by nervous synths, hazy guitars, shifting electronic textures and rhythms drawing from 1990s trip hop and abstract hip hop, viragezero builds a suspended and immersive music. A music guided as much by sensation as by structure, where repetition becomes a moving force and tensions evolve without ever fully resolving. At the center of the album are Zoé Sjollema's lyrics, drawn from fragments of dreams collected over several years. Her instinctive writing blurs the boundaries between reality and imagination, tracing recurring themes of solitude, wandering, exhaustion and disconnection. Rather than telling stories, the songs unfold as emotional states, inhabited by shifting landscapes, distorted memories and fleeting impressions. Somewhere between dream pop, electronica, IDM and spectral songwriting, viragezero delivers a dense and instinctive debut album. A nocturnal and hypnotic record that transforms fragments of reality into constantly shifting sonic matter.
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LP
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TW W-LP
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$29.50
PREORDER
RELEASE DATE: 10/3/2026
Rachel Shearer's Te Oro o te Ao ("The Resounding Of The World") is a bold work of sonic dreaming and remembrance. As a sound artist and composer from Aotearoa, New Zealand, Shearer has long explored the Māori concept of whakapapa; embracing the belief that the whole of creation, past/present/future is a dynamic interconnected movement. With field recordings, electronics, and voice, Shearer creates immersive analogs of earthly processes that move like tumbling avalanches and crashing waves. Subterranean volcanic activity transmutes into super-heated air rising into frequencies beyond human hearing. Shearer posits that consciousness, like the environment, is not a closed system; that the mind is an ecosystem where our thoughts are the "flora" and "fauna" and the perception of sound vibrations in the material world is a gateway to metaphysical realms. Te Oro o Te Ao was first realized as an immersive eight-channel sound installation made in response to a close listening to the earth. It was also released as a limited artist's acetate edition of 10. Thin Wrist presents Te Oro o Te Ao in a vinyl and digital edition mastered by Rashad Becker, Clunk Berlin. Housed in a tip-on gatefold jacket with embossed black paper stock, ink pigment foil stamping, with a mounted booklet in the inner gatefold and printed inner sleeves. Pressed at Optimal, Germany. For over three decades Rachel Shearer has investigated sound as a medium through a wide range of sonic practices -- installations, composing, recording, writing, as well as collaborating as a sound designer and composer for moving image and live performance events. Shearer's work builds on her research which explores practices related to a listening to the earth through Māori and Western frameworks. She has received numerous public commissions for sound art including the permanent nine-channel sound installation The Flooded Mirror on the Auckland waterfront. She has been active as an experimental musician since the late 1980s and has released material with labels Xpressway (NZ), Flying Nun (NZ), Ecstatic Peace (US), Corpus Hermeticum (NZ), Family Vineyard (US) among others. Waha voice performed by Cathy Livermore (Kāi Tahu, Kāti Māmoe, Waitaha).
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LP
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SW 015X-LP
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$27.00
PREORDER
RELEASE DATE: 10/2/2026
Teal return with Love Comes Thru, the trio's nine-track debut album. Expanding their emotionally resonant blend of downtempo trip-pop, the record reaches into street soul, dub, and experimental grooves, marking a confident new chapter for the group. At its core, Love Comes Thru is a reflection on the quiet strength of love -- not through grand gestures, but through the steady presence that carries listeners through uncertainty, change, and connection. Written over the course of a year of bi-coastal collaboration, the album became a testament to the bond Teal share as artists, friends, and family. From the lush synth landscapes of "Aries Moon" to the footwork-inspired pulse of "Time Is Blind," the album explores themes of patience, vulnerability, longing, and intimacy. Standout singles "Kissing in a Dream" and the title track lean into left-field street soul, while stripped-back, 808-driven tracks like "Change Your Mind" and "Anomaly" demonstrate the power of restraint without sacrificing momentum. Building on the group's love of ambient improvisation, Love Comes Thru also features instrumental pieces with percussion by Brandon Valdivia (Mas Aya/Lido Pimienta). The album closes with the sensual "Bubbling," bringing the journey full circle with a reminder that love ultimately comes through in its most embodied, physical form. Love Comes Thru is presented in a deluxe, limited-edition matte-finish, double-embossed jacket with a printed inner sleeve.
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CD
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MH 001CD
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$18.00
PREORDER
RELEASE DATE: 10/2/2026
Marina Herlop's Dja Dja opens like a held breath finally released: a violent celebration of life, though not the hedonist's easy yes. The exultation here is hard-won, arrived at rather than assumed, an affirmation drawn up from reflection and a long inward descent, stripped of every naïveté. What animates it is a kind of undirected anger, rage reimagined as a creative force that spends itself in catharsis, and a gratitude so overwhelming it can no longer be contained by the body. This is a music of struggle, but the struggle is not for conquest or ruin; it is for self-affirmation, for the quiet authority of someone defending her principles without ever needing to name them. Conceived as a single, unbroken body of work in which every track answers to the others, Dja Dja is the most architecturally ambitious thing Herlop has made, a giant sudoku built out of smaller sudokus, where the whole had to cohere even as each piece kept its own internal logic. Beneath that design lies a borrowed scaffolding, a structure used at first for purely architectural reasons and then, once the music had taken its shape, allowed to fall away. The frame is gone; the music stands without it. Across these movements the Catalan composer -- classically trained, equally at home in the avant-garde -- sets herself a double standard she refused to relax: more open and intelligible than her earlier records, yet venturing onto ground she had never walked before. Voice and bass, so central to her past work, are held deliberately in reserve, withheld until their arrival some ten minutes in lands with real force. For the first time she lets orchestral brass into her palette, scored not by formal training but by intuition, feeling her way toward timbres that conjure whole worlds without ever tipping into excess. Almost everything was made by hand, at home, in a process that could take exactly as long as the music demanded. Throughout, Herlop describes subordinating herself to the music rather than commanding it, following its instructions for as long as it needed her. It is fitting, then, that Dja Dja is her first self-released album, a record made with this much autonomy seemed to ask for it, and the slow pace of its making left no room for a label's calendar. The release is austere by design, almost without imagery.
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LP
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MH 001LP
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$31.50
PREORDER
RELEASE DATE: 10/2/2026
LP version. Marina Herlop's Dja Dja opens like a held breath finally released: a violent celebration of life, though not the hedonist's easy yes. The exultation here is hard-won, arrived at rather than assumed, an affirmation drawn up from reflection and a long inward descent, stripped of every naïveté. What animates it is a kind of undirected anger, rage reimagined as a creative force that spends itself in catharsis, and a gratitude so overwhelming it can no longer be contained by the body. This is a music of struggle, but the struggle is not for conquest or ruin; it is for self-affirmation, for the quiet authority of someone defending her principles without ever needing to name them. Conceived as a single, unbroken body of work in which every track answers to the others, Dja Dja is the most architecturally ambitious thing Herlop has made, a giant sudoku built out of smaller sudokus, where the whole had to cohere even as each piece kept its own internal logic. Beneath that design lies a borrowed scaffolding, a structure used at first for purely architectural reasons and then, once the music had taken its shape, allowed to fall away. The frame is gone; the music stands without it. Across these movements the Catalan composer -- classically trained, equally at home in the avant-garde -- sets herself a double standard she refused to relax: more open and intelligible than her earlier records, yet venturing onto ground she had never walked before. Voice and bass, so central to her past work, are held deliberately in reserve, withheld until their arrival some ten minutes in lands with real force. For the first time she lets orchestral brass into her palette, scored not by formal training but by intuition, feeling her way toward timbres that conjure whole worlds without ever tipping into excess. Almost everything was made by hand, at home, in a process that could take exactly as long as the music demanded. Throughout, Herlop describes subordinating herself to the music rather than commanding it, following its instructions for as long as it needed her. It is fitting, then, that Dja Dja is her first self-released album, a record made with this much autonomy seemed to ask for it, and the slow pace of its making left no room for a label's calendar. The release is austere by design, almost without imagery.
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LP
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IF 1105LP
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$41.00
PREORDER
RELEASE DATE: 9/25/2026
LP version. Following the sensory adventure of Tancade, in which Gaspar Claus led his listeners to a secret beach, somewhere between friends' parties and summer sun, a new territory opens up. With Cells, he offers an even more expansive journey: an inner journey as much as a cosmic shift, a plunge to the point of origin, where life is invented. True to his sole instrument, the cello, Gaspar multiplies its sound to the point of abstraction. This new work seeks to reach the primordial moment of the first cell division: a tiny, infinite moment when everything was still possible. On stage, he has built a shelter, a refuge-cell, a porous space where the visible and the invisible respond to one another. Lights, electronic breath, uncertain presences -- everything conspires to confront the audience with its own dizzying presence in the world. On the album, this architecture unfolds across ten "musical cells." Each piece observes the same phenomenon: the cello allows itself to be absorbed, dissolved, stretched, or replicated by the machines. Sometimes preserved, often transformed, the instrument becomes living matter, an unstable organism, capable of emitting both electronic landscapes and archaic beats. A rich, luminous album, imbued with an almost healing energy, Cells might seem more electronic than Tancade. Yet every sound that makes it up comes from the cello -- transformed, filtered, and reworked through a series of successive transformations. This is music that doesn't merely describe life: it re-enacts it, cell by cell.
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7"
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SME 094EP
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$18.00
PREORDER
RELEASE DATE: 9/25/2026
Parbleu returns with the new single "Elegua," backed by "Peut-être Fous," offering a first glimpse into the music that the Naples-based five-piece collective, with Andres Balbucea and Andrea De Fazio at the creative helm, has been crafting over the past several years. Together, the two tracks distill the band's distinctive blend of Mediterranean futurism and equatorial groove into irresistible dancefloor excursions.
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CD
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IF 1105CD
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$20.50
PREORDER
RELEASE DATE: 9/25/2026
Following the sensory adventure of Tancade, in which Gaspar Claus led his listeners to a secret beach, somewhere between friends' parties and summer sun, a new territory opens up. With Cells, he offers an even more expansive journey: an inner journey as much as a cosmic shift, a plunge to the point of origin, where life is invented. True to his sole instrument, the cello, Gaspar multiplies its sound to the point of abstraction. This new work seeks to reach the primordial moment of the first cell division: a tiny, infinite moment when everything was still possible. On stage, he has built a shelter, a refuge-cell, a porous space where the visible and the invisible respond to one another. Lights, electronic breath, uncertain presences -- everything conspires to confront the audience with its own dizzying presence in the world. On the album, this architecture unfolds across ten "musical cells." Each piece observes the same phenomenon: the cello allows itself to be absorbed, dissolved, stretched, or replicated by the machines. Sometimes preserved, often transformed, the instrument becomes living matter, an unstable organism, capable of emitting both electronic landscapes and archaic beats. A rich, luminous album, imbued with an almost healing energy, Cells might seem more electronic than Tancade. Yet every sound that makes it up comes from the cello -- transformed, filtered, and reworked through a series of successive transformations. This is music that doesn't merely describe life: it re-enacts it, cell by cell.
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12"
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YORE 063EP
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$24.00
PREORDER
RELEASE DATE: 9/25/2026
Yore Records welcomes back DJ Alone Again from NYC for a second journey into timeless house aesthetics. Across four cuts, DJ Alone Again moves effortlessly between raw, uplifting New York energy and deeper late-night moods. From classic swinging drums, dusty stabs and peak-time pressure to warm chords and smoother hypnotic grooves, this EP captures different shades of the unmistakable '90s house spirit. A sincere nod to classic underground house music and another statement by Yore Records. Strictly limited to 200 copies worldwide.
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LP
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HOLY 001X-LP
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$29.50
PREORDER
RELEASE DATE: 9/18/2026
Re-release of Holy Fuck's fifth album originally released in 2020, now on clear vinyl limited to 500 copies. This record features collaborations with Alexis Taylor (Hot Chip) Angus Andrew (Liars) and Nicholas Allbrook (Pond). Polyrhythmic and pleasure-focused, Deleter sees Brian Borcherdt, Graham Walsh, Matt Schulz, and Matt "Punchy" McQuaid utilizes their signature sound -- seamlessly fusing the gauzy drive of krautrock and deep house's dreamy ineffability, expertly blending purring motorik percussion with the sort of fuggy synthetic fizz and tang they are renowned for. From the thrusting minimalism of opener "Luxe" through to the triumphant chug of closing track "Ruby," via club-ready rollocker "Free Gloss" and the cosmic clatter of "San Sebastian," Deleter is a record that joins the Holy Fuck dots within their widescreen, technicolor, crescendo- heavy sound. The first single was A listed on Radio 6 and since then their streaming audience has grown by 1 million.
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CD
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CDZ 026CD
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$20.00
PREORDER
RELEASE DATE: 9/18/2026
Flashmob is Vitalic's second studio album, released in 2009. This album confirms Vitalic as a major figure in the electronic music scene, proving his ability to reinvent himself while maintaining his signature power. The rock energy of his first album gives way to a more disco-influenced sound, featuring the now-iconic track "Poison Lips."
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2LP
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CTZ 043LTD-LP
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$53.50
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RELEASE DATE: 9/18/2026
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CD
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CDZ 036CD
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$20.00
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RELEASE DATE: 9/18/2026
Released in 2012, Rave Age is Vitalic's third studio album. With this album, the French producer returns to a more direct, club-oriented sound with some pop influences. Among the standout tracks are "Stamina" and "La Mort sur le Dancefloor," featuring Rebeka Warrior. Rave Age is an album that pays homage to rave culture while retaining Vitalic's powerful signature sound. Also features Mickaël Karkousse, Joe Reeves, and Owlle.
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LP
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MORR 209LP
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$34.00
PREORDER
RELEASE DATE: 9/18/2026
Anushka Chkheidze and Robert Lippok continue their collaboration with The Sky Was Out of Tune. Its eight movements form a long-form ambient piece in constant flux: soundscapes emerge from electronic synthesis and layered textures, while small melodies, rhythmic patterns, metallic noises, or distortions drift through like clouds across the sky. But a sky that is out of tune is still a sky. What shifts is the register in which it speaks. The Sky Was Out of Tune emerges from a live performance for Festival of Future Nows at Berlin's Neue Nationalgalerie. Its organically tangled sounds mirror the artists' attention to nature as a system that is never quite in equilibrium. Ecosystems lean, compensate, tip, and recover -- balance, in the natural world, is not a fixed state but a perpetual negotiation. Chkheidze and Lippok take this as both subject and method. Their sounds shift weight between one another, approach resolution and then withdraw from it, hold tension without release -- they find form in the unstable.
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12"
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SPORTIV 006EP
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$20.50
PREORDER
RELEASE DATE: 9/18/2026
Ten years after defining the early sound of his own label, Berlin-based electronic explorer Cosmin TRG revisits a cornerstone of his discography. In Your Body (Twentysix Mix) sees the Romanian-born producer breathe new life into the 2016 underground anthem that helped cement the Sportiv label's reputation for high-end, functional techno. This updated iteration retains the propulsive, hypnotic spirit of the original while sharpening the edges for a contemporary club environment. The package is rounded out by the driving, industrial-tinged cuts "Erodat" and "Iradiat." Delivered as a classic hand-stamped white label.
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2LP
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CDZ 001LTD-LP
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$53.50
PREORDER
RELEASE DATE: 9/18/2026
Released in 2005, OK Cowboy is the debut studio album by Vitalic, a major figure in the French electronic music scene. It made a significant impact on the European electronic music scene and laid the foundations for Vitalic's distinctive style. Highly acclaimed by both national and international press, this album has become a classic of French electro and techno from the 2000s. Among its cult tracks are "La Rock 01," "My Friend Dario," and "Poney Part 1," played by some of the biggest names in electronic music. It was certified gold in France.
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