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Search Result for Genre ELECTRONIC
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CD
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SPECIAL 001CD
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$13.50
PREORDER
RELEASE DATE: 10/16/2026
Kaitlyn Aurelia Smith returns with Ruin: It's Not Just Music, a new studio album that marks one of the most decisive statements in her creative trajectory. Across the past decade, KAS has established herself as a unique voice in experimental electronic music, a composer and synthesist whose work dissolves the boundaries between ambient electronica, contemporary classical, composition, and immersive sound design. Her new album arrives with a distinctive gravitational pull. The record moves with greater physical force, placing rhythm and impact at the center of its architecture, revealing a more confrontational and embodied dimension of KAS's musical language. Where much of KAS's earlier work explored harmonic environments, the forthcoming album is built around tension and release. Inspired by the sound of drum and bass, breakbeats fracture through dense fields of synthesis, percussive patterns and her signature melodic fragments -- motions that feel closer to the kinetic language of club music than the meditative spaces often associated with her past catalogue. The result is a body of work that feels both recognizably hers and newly charged, music that moves through the body as insistently as it engages the mind. KAS's practice has steadily expanded beyond the expectations placed upon experimental electronic artists, moving between orchestral composition, audiovisual installations, film scoring, and large-scale commissions while retaining the unmistakable sonic signature that defines her work. Her prolific collaborators and creative partners have ranged from Patti Smith and Suzanne Ciani to Danny Elfman, Tycho, Glass Beams, RY X, Caribou, Four Tet, Reggie Watts, and Max Richter, while her compositions have appeared in projects with Apple, Chanel, Meow Wolf, the BBC Orchestra, and major film and television productions. On Ruin: It's Not Just Music, that vocabulary becomes more kinetic than ever before. The record draws energy from jungle, drum and bass, and dance-floor focused electronic music while retaining the intricate synthesis and tonal curiosity that have defined KAS's work from the beginning. The result is a record that feels equally at home within club culture, contemporary composition, and the experimental spaces that have long championed her artistry.
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LP
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SPECIAL 001LP
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$34.00
PREORDER
RELEASE DATE: 10/16/2026
LP version. Kaitlyn Aurelia Smith returns with Ruin: It's Not Just Music, a new studio album that marks one of the most decisive statements in her creative trajectory. Across the past decade, KAS has established herself as a unique voice in experimental electronic music, a composer and synthesist whose work dissolves the boundaries between ambient electronica, contemporary classical, composition, and immersive sound design. Her new album arrives with a distinctive gravitational pull. The record moves with greater physical force, placing rhythm and impact at the center of its architecture, revealing a more confrontational and embodied dimension of KAS's musical language. Where much of KAS's earlier work explored harmonic environments, the forthcoming album is built around tension and release. Inspired by the sound of drum and bass, breakbeats fracture through dense fields of synthesis, percussive patterns and her signature melodic fragments -- motions that feel closer to the kinetic language of club music than the meditative spaces often associated with her past catalogue. The result is a body of work that feels both recognizably hers and newly charged, music that moves through the body as insistently as it engages the mind. KAS's practice has steadily expanded beyond the expectations placed upon experimental electronic artists, moving between orchestral composition, audiovisual installations, film scoring, and large-scale commissions while retaining the unmistakable sonic signature that defines her work. Her prolific collaborators and creative partners have ranged from Patti Smith and Suzanne Ciani to Danny Elfman, Tycho, Glass Beams, RY X, Caribou, Four Tet, Reggie Watts, and Max Richter, while her compositions have appeared in projects with Apple, Chanel, Meow Wolf, the BBC Orchestra, and major film and television productions. On Ruin: It's Not Just Music, that vocabulary becomes more kinetic than ever before. The record draws energy from jungle, drum and bass, and dance-floor focused electronic music while retaining the intricate synthesis and tonal curiosity that have defined KAS's work from the beginning. The result is a record that feels equally at home within club culture, contemporary composition, and the experimental spaces that have long championed her artistry.
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LP
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IMPREC 125LP
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$18.50
PREORDER
RELEASE DATE: 7/31/2026
When Eleh's debut Floating Frequencies/Intuitive Synthesis I was originally released it was praised as a powerful piece of new electronic minimalism. Twenty years later the artist's legacy has grown while Eleh continues to hypnotize new listeners with time stopping music. Critics, fans and neurologists have praised the music of Eleh as aiding attention and focus while seeming to slow time. Eleh's slow change drones are a state of flow hypnotizing listeners into meditative focus. From the original packaging: "Pure Sound. Pure Volume. Pure Analog. Dedicated To La Monte Young." Eleh began in 1999 as an exploration of analog synthesis, emphasizing low frequency difference tones and other resonant acoustic phenomena. Eleh highlights the physical presence of sound as it has been inspired by the physical world. There is also something "cathedral-like" and cosmos-inducing in the sound constructed by Eleh. This audiophile quality presentation of Eleh's debut album was mastered by Tom Eaton at Sounds And Substance and manufactured at Optimal in Germany for the lowest possible noise floor and the highest analog resolution. Packaged using a 5th color metallic shimmer ink on solid black board stock.
"Nuances of sound turn symphonic." --New York Times
"Eleh's sounds move by stealth and are sculpted from the world rather than from ego. Eleh is not a personality; Eleh is an idea about sound. Eleh forces you to contemplate the cosmos and your place in it." --Gramophone
"Eleh demonstrates how a single amplified gesture delivered just so can reveal the inner workings of an entire cosmos." --Tony Herrington/Wire
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FRAGILE 017EP
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$20.50
PREORDER
RELEASE DATE: 7/24/2026
Fragile presents the release of Juan Pablo Echeverri and Wolfgang Tillmans' unreleased 2016 composition, "Warm Star," alongside a new remix of the song by TR/ST, celebrating the 10th anniversary of Tillmans and Echeverri's first recording sessions together.
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12"
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MPM 053EP
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$19.00
PREORDER
RELEASE DATE: 7/17/2026
The next release in M-Plant's Perpetual Masters series is Robert Hood's Invincible EP, freshly remastered for 2026 by Thomas Heckmann. Originally released in 2001, Invincible stands as another defining example of his stripped-back, approach to techno while still radiating tough funk and groove. Released during a period when Hood was refining the minimalist aesthetic he helped pioneer, the record balances mechanical precision with emotional intensity. The tracks unfold through subtle shifts in percussion, looping synth patterns and driving basslines, to create a meditative momentum that sounds just as fresh today.
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2LP
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WRWTFWW 078LTD
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$45.50
PREORDER
RELEASE DATE: 7/10/2026
[this is oversold and additional copies not going to be available] Special limited edition of 500. 180g coke bottle green transparent vinyl in heavyweight sleeve with Obi. WRWTFWW Records presents the deluxe vinyl release for Pizza Hotline's brilliant 2022 full-length Level Select. The liquid drum and bass meets Y2K era video gaming aesthetics game changer is now available in a limited-edition coke bottle green transparent 180g vinyl double LP with a glorious 45rpm cut, packaged in a heavyweight 350gsm sleeve with obi. Entirely written and composed by UK producer Pizza Hotline (apart from "GLACIER ZONE," a collaboration between Pizza Hotline and DJ Total 90), the stellar 8-song album was initially released as a limited cassette in January 2022 and quickly gained cult status -- making a full-on vinyl release quite the necessity. It's here now with the previously unreleased track "POLYGON DREAMSCAPE" (which sounds as magical as its title) and 45rpm cut for louder, bigger, deeper bass rumbling. Spellbinding, atmospheric, and beautifully melodic, Level Select is a large scope dreamy adventure of liquid DnB filled with ambient escapades, ethereal jungle, high vibe breaks, and a heavy loving dose of late '90s/early 2000s video game influences. Hypnotic late-night hype and pensive chill moods mesh with ease in a cinematic soundscape that re-contextualizes and gives a new life to a beloved music genre -- LTJ Bukem, Peshay, the Wipeout OST or Soichi Terada's Ape Escape come to mind, and sounds and soundtracks from the Sony Playstation, the Nintendo 64, and the Sega Saturn resonate from the speakers. It's all fresh with a subtle nostalgia and so much heart. An instant classic. Press start.
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12"
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APP 012EP
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$17.50
PREORDER
RELEASE DATE: 7/10/2026
Reissue of two classic Losoul tracks from the artist's '90s phase. Abstract minimal funk meets archaic tribal grooves reeling out that trippy tension and off-balance energy. Get yourself some slow-burning sweaty vibes for your house, minimal or techno sets.
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LP
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MOM 073LP
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$34.00
PREORDER
RELEASE DATE: 7/10/2026
In their third collaboration, the shared project between Merzbow and Pedro Vian shifts towards less confrontational and more introspective terrain. Bardo Thödol, released as an LP, draws on The Tibetan Book of the Dead not so much as an explicit narrative framework but as a conceptual resonance: a passage, a suspension between states. Where Inside Richard Serra Sculptures and The Wheel of Mani foregrounded a relatively defined dialectic between Vian's environmental restraint and Masami Akita's impulsive, textural excess, that friction here appears to dissolve in favor of a more homogeneous mass. Noise, far from its most abrasive edge, is reconfigured as a continuous field -- dense yet permeable. Within this flow, melodic structures emerge without assertion, surfacing almost incidentally as by-products of the accumulation of frequencies itself. The result is less a reconciliation of languages than a blurring of their boundaries: a space in which intensity is internalized and the radical gesture folds into a more sustained, contemplative mode of listening.
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2LP
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VSR 002LP
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$53.50
PREORDER
RELEASE DATE: 7/10/2026
After the success of Made in the Emirates: Volume 1, which documented a wide spectrum of the UAE's independent music scene, the series returns with its second instalment. Made in the Emirates: Volume 2 shifts focus to the country's electronic underground, bringing together eight original tracks spanning deep house, breaks, techno, and experimental club sounds -- a snapshot of a thriving scene shaped by artists working on their own terms. The compilation brings together a cross-section of artists defining this landscape today: Tarik Omar opens the record with "Sample Sunday," reflecting a deep-rooted approach to rhythm and sampling. Adam Rahman's "K Lock," is a tightly wound club tool driven by percussive precision. Sons Of Rhythm revisit their catalogue through a Rhythm Plate Italo 90 Remix, bridging classic house influences with a forward-facing Italo touch. Megadon Betamax, co-founder of Voyeurhythm Records, contributes "Maha Monastery," an atmospheric, funk-infused cut leaning into experimental yet groove-led electronics. Curator Shadi Megallaa adds "Word Jazz," reflecting his long-standing role in shaping Dubai's underground through Ark to Ashes and The Flip Side. OHFFF, a project rooted in spontaneity and sonic exploration, presents "Dwelling," balancing mood with club sensibility. Tacit's The "Lakritze Suite" moves between abstraction and industrial structure through a multi-layered, hard-edged composition. Closing the record, Nasrawi's "Intention Dub" channels deep, dub-driven textures, grounding the compilation in a reflective, low-end finale. Curated and compiled by Shadi Megallaa. Artwork by Rami Afifi. Mastered by Manmade Mastering (Germany). Gatefold 2LP, 45 RPM.
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12"
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PP 122EP
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$18.00
PREORDER
RELEASE DATE: 7/10/2026
Very impressively Eden Burns lands at Big Beat Manifesto Vol. XII. The prophet of the Big Beat is restless in the most positive way one can think off.
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LP
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GN 079LP
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$24.00
PREORDER
RELEASE DATE: 7/10/2026
"High Cube is the beat-focused brainchild of Brian Foote (Peak Oil, Leech) and Paul Dickow (Strategy, Community Library), two legends of the US experimental underground. After some 30-odd years of making music separately and together, Foote and Dickow are collaborating in earnest for the first time as a duo. For this debut the pair enforced a simple, stringent set of rules: five instruments, a one-hour timer, and a total ban on overthinking. The result is the sound of two old friends unplugging the usual levers and letting the 'accident' of their chemistry take the wheel. It is drier, sparser, and decidedly 'chunky' -- a fictional band stepping into a suit to drive around for a while. It is neither dance nor chill-out, but a moody, complex trajectory defined not by the gear used to make it but by the narrative mood it compels. 'Volcano Snail' starts things off in a disheveled shuffle, locking into gear with blurred and bubbling effluence. The shimmering dimness is lit low, with a woozy gait that recalls the headiest highs and luminescent lows of Jan Jelinek. 'Underwater Welder' is a foggy, neon-lit cruise of skittering low-ends suspended in a permanent fall of color, while 'A Dragon's Treasure is its Soul' offers blown-apart, low-end city pop fragmented into an array of rhythmic detritus. Chordal textures hover in the air as a percussive loop takes its beguiling and frolicking shape. B-side opener 'Yonaguni' shapeshifts in real time, drifting with the grace of a glacier before bobbing in a frigid pool of vibrating clatter, static, and synth stabs. 'Ofid+wor' offers a tried and true blitz of braindance, nodding to an endless list of 20th and 21st-century electronic body music. Buoyant closer 'Mother of Thousands' holds a gravity-defying tenderness, pirouetting on a breeze with the elegance of effervescent longing. The six extended tracks of High Cube are tethered to nothing but the ether -- a giant sonic leap of peripheral absurdity from two artists with a lifetime of shared rhythm."
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CD
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FRVR 002CD
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$20.00
PREORDER
RELEASE DATE: 7/3/2026
Gold disc CD housed in a digi-pack. Music springs eternal. Recognizing the enduring power of timeless albums to guide the world through life, Forever Records is a reissue series dedicated to rediscovering lost musical treasures from across the spectrum of head-feeding, heart-rending electronic music. Established by Rush Hour co-founder Christiaan Macdonald and Delsin founder Marsel van der Wielen, Forever Records places heartfelt faith in a carefully curated sequence of seminal, largely forgotten records from disparate eras, scenes and spaces within electronic music history. Tipped towards the mellow and introspective, these are albums that stop time when the needle hits the groove, stirring only when it's time to flip over before you sink back into the experience. That's what albums were always meant to be about, back then, right now, always and forever. Striking the sweet spot between sampledelic downtempo and Earth-rooted deep house, Fila Brazillia's Old Codes New Chaos is a maverick patchwork of grooves and soundscapes. Crafted in North East England in the vibrant period before chill-out was co-opted by advertising, Steve Cobby and Dave McSherry's sharp-eared funk formula remains a cult classic suite of exquisite productions spanning deep house, broken beat and ambient shot through with wry humor. Last physically released in limited quantities in 2002, Forever Records are revisiting this 1994 gem with an extensive reissue led by a triple vinyl pressing, newly mastered from the original mixdowns. Also available as a limited edition, 4LP edition (FRVR 002LTD-LP) including bonus tracks plus an exclusive print of Catherine Brennand's watercolor painting that graces the front of the album. All editions also feature liner notes by veteran music journalist John McCready.
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CD
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DS93 012CD
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$16.00
PREORDER
RELEASE DATE: 7/3/2026
"Feral Grace was written around old childhood places reclaimed by nature, or replaced by new housing estates. Places long forgotten, their purpose discarded as the world moved on. Yet the memories stay there, caught in the undergrowth, thought of once in a while. We remember gathering leaf moss from the woods for our tomato plants. Building dams in shallow streams. Filling our wellies with frog spawn and carrying it home like treasure. Small acts that felt large at the time. Fishing banks where we spent hours. Not talking, just sharing food. Two cans of shandy bass and egg sandwiches. The water long drained and the people gone, but if you look hard enough you can still see the faint outline of where it once was. Some places still hold the paths where people once walked to work. The tracks remain cut into the land, but the work itself has gone. Trades smashed during the years of Thatcher, ripping communities apart. That memory still lives on. You see it when a scab walks into the pub. Some things are never forgotten. The music on Feral Grace sits between then and now. A bridge between memory and the present day. A last spell cast before those memories fade and the fingerprints disappear. Who will know we were here at all? Perhaps only a distant echo left behind in our Feral Grace." --The Black Dog
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CD
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TU 020CD
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$20.00
PREORDER
RELEASE DATE: 7/3/2026
"Cartographers and US multinational technology corporations might think they've mapped out most of the planet, and yet there's always more to discover if you know where to look. French-born, London-based composer and musician Pascal Bideau takes this as his central premise on a new album of intrepid sonic exploration that delights in the sensation of being somewhere you've never been before. Terra Incognita invites listeners to seven faraway sonic imaginariums fusing global and spiritual jazz with life affirming minimalism into a hypnotic, polyrhythmic odyssey. This time, the albums' sound palette is more vibrant, earthy and abundant, drawing inspiration from the radiating optimism and high-energy sources heard in Afrobeat, highlife and electronic Afro-pop music, sounding looser, free and primarily interested in raw sensations. Terra Incognita is a hybrid blend of traditional music and modern electronics, a trip into the unknown that ambulates freely, taking pleasure in its repetitions and never staying still. Bideau suggests this unmarked territory could be as much a fantasyland as it is a transportive journey into the inner self. In an era where the concept of nation states and their need to be protected has come to dominate the political discourse, Terra Incognita embraces adventure without borders, seeking out the unexplored territory of the title, breathlessly beholding vistas and pirouetting to take in boundless panoramas. Bideau is not the only musician on Terra Incognita. There's the Indian-born tabla virtuoso Sarathy Korwar who adds an almost drum and bass-like kineticism to 'Rain Dance', Dudú Kouate, the celebrated Senegalese musician adds an array of percussions, ngoni, flutes throughout with a spirited multi-octave vocal to give a climatic end to the album on 'Dawning Dusk'. Levitation Orchestra's Marysia Osu alongside Lluís Domènech Plana respectively bring harp and flutes whilst pulsing electronics are provided on 'Anima' by longtime collaborator Daniel Brandt. Ecstatic improvisations were overlaid with an array of instruments at his disposal, many from around the world, from Africa to South East Asia, Latin America, Eastern Europe, gathered from his own travels or brought back by family and friends. Pascal plays flutes, clarinet, guitars, bass, mbira, balafon, dutars, marimbas, zither, adungu and many other percussions."
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LP
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TU 020LP
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$34.00
PREORDER
RELEASE DATE: 7/3/2026
LP version. "Cartographers and US multinational technology corporations might think they've mapped out most of the planet, and yet there's always more to discover if you know where to look. French-born, London-based composer and musician Pascal Bideau takes this as his central premise on a new album of intrepid sonic exploration that delights in the sensation of being somewhere you've never been before. Terra Incognita invites listeners to seven faraway sonic imaginariums fusing global and spiritual jazz with life affirming minimalism into a hypnotic, polyrhythmic odyssey. This time, the albums' sound palette is more vibrant, earthy and abundant, drawing inspiration from the radiating optimism and high-energy sources heard in Afrobeat, highlife and electronic Afro-pop music, sounding looser, free and primarily interested in raw sensations. Terra Incognita is a hybrid blend of traditional music and modern electronics, a trip into the unknown that ambulates freely, taking pleasure in its repetitions and never staying still. Bideau suggests this unmarked territory could be as much a fantasyland as it is a transportive journey into the inner self. In an era where the concept of nation states and their need to be protected has come to dominate the political discourse, Terra Incognita embraces adventure without borders, seeking out the unexplored territory of the title, breathlessly beholding vistas and pirouetting to take in boundless panoramas. Bideau is not the only musician on Terra Incognita. There's the Indian-born tabla virtuoso Sarathy Korwar who adds an almost drum and bass-like kineticism to 'Rain Dance', Dudú Kouate, the celebrated Senegalese musician adds an array of percussions, ngoni, flutes throughout with a spirited multi-octave vocal to give a climatic end to the album on 'Dawning Dusk'. Levitation Orchestra's Marysia Osu alongside Lluís Domènech Plana respectively bring harp and flutes whilst pulsing electronics are provided on 'Anima' by longtime collaborator Daniel Brandt. Ecstatic improvisations were overlaid with an array of instruments at his disposal, many from around the world, from Africa to South East Asia, Latin America, Eastern Europe, gathered from his own travels or brought back by family and friends. Pascal plays flutes, clarinet, guitars, bass, mbira, balafon, dutars, marimbas, zither, adungu and many other percussions."
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12"
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YORE 062EP
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$27.00
PREORDER
RELEASE DATE: 7/3/2026
Following his recent appearance on the label, Craig Alexander returns to Yore Records with a carefully curated reissue of two standout house workouts: "Phenomenal Woman" and "Across My Mind." Originally released on earlier records, these tracks are now brought together on one 12" -- each presented in two distinct mixes -- capturing the raw, emotional depth of Chicago house in its purest form. Stripped down, honest and deeply rooted, this is Chicago house in its most original and authentic form -- a sound that continues to resonate far beyond the dancefloor.
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4LP
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FRVR 002LTD-LP
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$63.50
PREORDER
RELEASE DATE: 7/3/2026
Packaging issues, delayed to July or later...4LP version. Music springs eternal. Recognizing the enduring power of timeless albums to guide the world through life, Forever Records is a reissue series dedicated to rediscovering lost musical treasures from across the spectrum of head-feeding, heart-rending electronic music. Established by Rush Hour co-founder Christiaan Macdonald and Delsin founder Marsel van der Wielen, Forever Records places heartfelt faith in a carefully curated sequence of seminal, largely forgotten records from disparate eras, scenes and spaces within electronic music history. Tipped towards the mellow and introspective, these are albums that stop time when the needle hits the groove, stirring only when it's time to flip over before you sink back into the experience. That's what albums were always meant to be about, back then, right now, always and forever. Striking the sweet spot between sampledelic downtempo and Earth-rooted deep house, Fila Brazillia's Old Codes New Chaos is a maverick patchwork of grooves and soundscapes. Crafted in North East England in the vibrant period before chill-out was co-opted by advertising, Steve Cobby and Dave McSherry's sharp-eared funk formula remains a cult classic suite of exquisite productions spanning deep house, broken beat and ambient shot through with wry humor. Last physically released in limited quantities in 2002, Forever Records are revisiting this 1994 gem with an extensive reissue led by a triple vinyl pressing, newly mastered from the original mixdowns. Also available as a limited edition, 4LP edition including bonus tracks plus an exclusive print of Catherine Brennand's watercolor painting that graces the front of the album. All editions also feature liner notes by veteran music journalist John McCready.
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2LP
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RAUM 009LP
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$37.50
PREORDER
RELEASE DATE: 7/3/2026
Berlin's Kuboraum Editions celebrates another round of its ongoing Kuboraum Sound Residency with a bumper 19-track volume of exclusive tracks from its vibrant creative community, music that challenges contemporary logic and prioritizes what really matters: experimentation, exchange and evolution. Like its predecessor, Kuboraum Sound Residency Vol. 2 is assembled like a proper album in the classic sense, something that's supposed to be absorbed from start to finish. And although there are no constraints placed on artists, there's a similar radical philosophy that surges through each and every contribution. From beginning to end, it's music that rewards curious ears and open minds. South Korean artist bela opens the compilation with "Mouton and Blade," shaping their powerful voice into an orchestra of growls alongside a wheezing, instrumental ensemble. And Rome's Cosimo Damiano, who's been a part of the Kuboraum family since day one, turns in an unsettling solo experiment, juxtaposing Irma Ticozzelli's pitch shifted voices with scratchy, psychedelic electronics. Catalan pianist, vocalist and producer Marina Herlop traverses her verdant sonic landscape on "alas," matching her singular voice with birdsong to provide a hopeful interspecies dawn chorus. Kenyan vanguard Lord Spikeheart meanwhile links hands with Italian producer Talpah to dream up "SILENCE IN THE C-DRAL," a gruesome trap hybrid that airlifts itself from the basement to the stadium. All of that noise makes Mexican duo Estrella del Sol and Luisa Almaguer's peaceful "Deseo" a necessary palate cleanser. On "TLC," versatile French producer Low Jack reconvenes with Le Diouck, complimenting the Franco-Senegalese artist's throaty rhymes with serpentine synths and jerky rhythms. Colombian sound artist Lucrecia Dalt teams up with percussionist Alex Lázaro, whose flexible electroacoustic rhythms are the perfect foil for her sultry lounge shakes on "Synonym Mask." Bristol's Mun Sing continues his journey towards the club's quirkiest corners with his aptly titled loosie "Fluffy," a bass-heavy, lurching banger. Working again alongside the great Annie Hogan, EROS turn in the moody "Burnt Crossing," a slithering, moonlit addendum to 2024's "Your Truth is a Lie." As the compilation moves into its final act it ventures to the UK once more, stopping in Birmingham for a track from Lee Gamble and in Preston to pick up Rainy Miller's widescreen "My Wings, Never Clipped." Then, fittingly, it's back to Italy for the noisy "Fury," a punky and curiously romantic solo experiment from acclaimed visual artist and musician Emiliano Maggi. The curtains finally close on Julija Castellucci's operatic "Lullaby," a perfectly evocative conclusion to a project that exists between disciplines.
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12"
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KYANT 022EP
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$16.00
PREORDER
RELEASE DATE: 7/3/2026
Originally released in 2006, Rendezvous is a rare, dub techno track released by Nao AKA DJ Compufunk from Compufunk Records in Osaka. Working under the name Lovegod for the first and only time, he created a timeless epic for a live set at the legendary, short-lived underground club "United Underground (Tsurunoma)." Now revived 20 years later by Richard Akingbehin's Kynant Records, Priori contributes a dreamy rework and Janeret slows it down into a crisp dub version to complete the EP.
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LP
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BALMAT 022LP
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$29.50
PREORDER
RELEASE DATE: 7/3/2026
This is not a Ben Vida, Booker Stardrum, and Will Epstein record; it's a Play Time record. That's a subtle but important distinction, for a couple reasons. One, the sound of Magic Object -- a polymetric blend of improv and pulse minimalism for saxophone, drums, and Moog -- doesn't really sound anything like any of their many other ensembles or respective solo projects. And two, it was only while making Magic Object, their debut album, that Play Time realized they were a band at all. The roots of the trio date to 2020-21, when Will and then Booker moved to the Hudson Valley, where Ben was already living. The three got into the habit of playing together at Ben's house, and they soon realized that their hang sessions felt fundamentally different from making music in some falling-down studio in Bushwick. Where those experiences were rushed and cramped, a new sense of time and space now suggested itself. Early gigs yielded similar revelations. A booking at Tubby's, the beloved Kingston venue, evolved into a kind of residency. Gradually, they discovered a newfound "elasticity" that reshaped the music from inside. They were jamming, but it wasn't just a free-for-all; they found themselves listening to each other in new ways. Play Time is all about being in the moment. That spontaneity was key to the process of recording the album. They booked two days in their friend Joey's studio, a converted wooden barn. For two days, they just jammed, for seven or eight hours each day. When it was over, they went through, edited down the portions they liked, and added very judicious overdubs designed to enhance the original recordings without fundamentally altering them, staying true to the spirit of the sessions. The result is something like a snapshot and a mission statement all rolled into one.
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2LP
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FLRSV 014LP
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$35.50
PREORDER
RELEASE DATE: 7/3/2026
Budakid releases Dreams Stretched Beyond, his debut album. The Dutch, Berlin based producer, DJ, singer, and multi-instrumentalist continues to construct his music from the ground up. With Flores, he has established a platform to fully realize that vision. Following releases on labels associated with Guy J, Solomun, and Sasha, he has built a strong reputation in the industry over the years. This LP consolidates that trajectory into a lush, vivid body of work, balancing his roots in dance music with his own voice and signature productions.
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3LP
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FRVR 002LP
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$51.00
PREORDER
RELEASE DATE: 7/3/2026
Triple LP version. Music springs eternal. Recognizing the enduring power of timeless albums to guide the world through life, Forever Records is a reissue series dedicated to rediscovering lost musical treasures from across the spectrum of head-feeding, heart-rending electronic music. Established by Rush Hour co-founder Christiaan Macdonald and Delsin founder Marsel van der Wielen, Forever Records places heartfelt faith in a carefully curated sequence of seminal, largely forgotten records from disparate eras, scenes and spaces within electronic music history. Tipped towards the mellow and introspective, these are albums that stop time when the needle hits the groove, stirring only when it's time to flip over before you sink back into the experience. That's what albums were always meant to be about, back then, right now, always and forever. Striking the sweet spot between sampledelic downtempo and Earth-rooted deep house, Fila Brazillia's Old Codes New Chaos is a maverick patchwork of grooves and soundscapes. Crafted in North East England in the vibrant period before chill-out was co-opted by advertising, Steve Cobby and Dave McSherry's sharp-eared funk formula remains a cult classic suite of exquisite productions spanning deep house, broken beat and ambient shot through with wry humor. Last physically released in limited quantities in 2002, Forever Records are revisiting this 1994 gem with an extensive reissue led by a triple vinyl pressing, newly mastered from the original mixdowns. Also available as a limited edition, 4LP edition including bonus tracks plus an exclusive print of Catherine Brennand's watercolor painting that graces the front of the album. All editions also feature liner notes by veteran music journalist John McCready.
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LP
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WRWTFWW 110LP
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$39.50
PREORDER
RELEASE DATE: 7/3/2026
WRWTFWW Records presents the first ever vinyl release for the Startled Insects' 1984-1985 abstract/synth-pop/post-punk/electronic run compiled into one album: The Antenna Years. The Bristol music must-have comes as a limited-edition LP with astonishing artwork, liner notes and a heavyweight sleeve. The Antenna Years compiles the independent EPs/mini-LPs the Startled Insects released in 1984 (self-titled) and 1985 (Underworld/Black Spring), with two bonus unreleased tracks that were only ever played in their live shows ("W.W.W" and "What A Waste," both amazing). Astonishingly futuristic when they landed in 1984, the Startled Insects sounded like they came from another planet while staying rooted in Bristol's underground. Abstract electronic, leftfield synth-pop, dub science, gamelan heat, post-punk edge, cinematic atmosphere: The Antenna Years delivers one beautifully odd voyage into the sonic unknown. In the '90s, the band released two albums, including the classic Curse Of The Pheromones via Antilles New Directions (Island Records), then evolved into The Insects: film composers for BBC/National Geographic, Emmy winners, and key architects of the '90s Bristol orbit, working with Massive Attack, Goldfrapp, Tricky, and members of Portishead. Four decades on, The Antenna Years still hits like a transmission from the future. Dive in with no fear.
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LP
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TU 020LE-LP
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$36.00
PREORDER
RELEASE DATE: 7/3/2026
LP version. Color vinyl version. "Cartographers and US multinational technology corporations might think they've mapped out most of the planet, and yet there's always more to discover if you know where to look. French-born, London-based composer and musician Pascal Bideau takes this as his central premise on a new album of intrepid sonic exploration that delights in the sensation of being somewhere you've never been before. Terra Incognita invites listeners to seven faraway sonic imaginariums fusing global and spiritual jazz with life affirming minimalism into a hypnotic, polyrhythmic odyssey. This time, the albums' sound palette is more vibrant, earthy and abundant, drawing inspiration from the radiating optimism and high-energy sources heard in Afrobeat, highlife and electronic Afro-pop music, sounding looser, free and primarily interested in raw sensations. Terra Incognita is a hybrid blend of traditional music and modern electronics, a trip into the unknown that ambulates freely, taking pleasure in its repetitions and never staying still. Bideau suggests this unmarked territory could be as much a fantasyland as it is a transportive journey into the inner self. In an era where the concept of nation states and their need to be protected has come to dominate the political discourse, Terra Incognita embraces adventure without borders, seeking out the unexplored territory of the title, breathlessly beholding vistas and pirouetting to take in boundless panoramas. Bideau is not the only musician on Terra Incognita. There's the Indian-born tabla virtuoso Sarathy Korwar who adds an almost drum and bass-like kineticism to 'Rain Dance', Dudú Kouate, the celebrated Senegalese musician adds an array of percussions, ngoni, flutes throughout with a spirited multi-octave vocal to give a climatic end to the album on 'Dawning Dusk'. Levitation Orchestra's Marysia Osu alongside Lluís Domènech Plana respectively bring harp and flutes whilst pulsing electronics are provided on 'Anima' by longtime collaborator Daniel Brandt. Ecstatic improvisations were overlaid with an array of instruments at his disposal, many from around the world, from Africa to South East Asia, Latin America, Eastern Europe, gathered from his own travels or brought back by family and friends. Pascal plays flutes, clarinet, guitars, bass, mbira, balafon, dutars, marimbas, zither, adungu and many other percussions."
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CD
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BM 012CD
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$18.00
PREORDER
RELEASE DATE: 6/26/2026
Laid Back in top form. After 47 years together, the iconic Danish duo continues to defy expectations, entering a new and remarkably productive creative phase. Born to Fly captures their unmistakable sound while showcasing a renewed sense of energy and inspiration. Long known for their unhurried approach to releasing music, Laid Back now find themselves in unfamiliar territory. John Guldberg describes a surge in creativity that has turned their process on its head. "It's kind of funny -- Laid Back has always taken its time making records. We've been behind schedule for most of our career. Now it's the opposite: I'm actually starting to worry about whether I'll have time to release everything I've got in me," he says. Their current workflow reflects this momentum. Guldberg develops initial ideas, which he shares with Tim Stahl, who then brings them to life with vocals and instrumentation. The duo's creative output has accelerated to such an extent that even ahead of the release of Born to Fly, they already have enough material prepared for more than a double album for their next project. "It's about making the most of the time you have left. I used to feel there was plenty of time and no need to rush. Now time feels much more valuable," Guldberg adds. Alongside their creative resurgence, Laid Back are also seeing a shift in their audience demographics. Streaming data and live performances indicate a growing younger fanbase -- a development that has taken the duo by surprise.
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