Search Result for Genre ELECTRONIC
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2LP
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PALAZZO 012LP
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$33.00
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RELEASE DATE: 10/24/2025
Elektro Guzzi return with their 11th studio album, Liquid Center -- more focused than ever, yet more sonically open. The album presents the trio on a new level: their sense of precision and structure meets an unexpected depth and warmth. The sound is more restrained, more subtle -- and in this way, it gains even more presence. What stands out: this album sounds different. And it feels different too. Over the course of a year, the band developed a recording technique that translates their analog live energy into a sonic image that captures both the physicality of a band in space and the cool abstraction of techno. The result is a sound that doesn't seek loudness, but detail -- clear, warm, deep, and with an almost artificial precision. Liquid Center is not a loose collection of tracks but a coherent album experience. With every listen, it opens up a little more: a new texture, a shifted perspective, another layer emerging from the space between groove and sound. Maybe it's the music that's changing. Or maybe it's just the way you hear it.
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DELI 032LP
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$36.50
PREORDER
RELEASE DATE: 10/10/2025
London-based producer Tar Blanche, also known as a member of the dreampop band Yumi Zouma, unveils How to Dance Freely Without Social Anxiety, a seven-track journey through jazz-house, deep house, and chill-out lounge. With a sound that resonates alongside artists like dublon, Table, and Berlioz, the English producer blends ambient textures, refined guitar riffs, and emotive productions, crafting an intimate yet hypnotic atmosphere. Signed to Délicieuse Records, Tar Blanche continues to push boundaries, cementing his place as one of the most exciting producers in modern electronic music.
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LP
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BB 489LP
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$26.00
PREORDER
RELEASE DATE: 10/3/2025
LP version. Schnitzler's collaborations with Wolf Sequenza aka Wolfgang Seidel occupy a special place in his vast musical output. They brought him closer to pop music than ever before or since, with the possible exception of Berlin Express and Auf dem schwarzen Kanal. Following Consequenz and Con 3, Consequenz III is now the third album to be released from this phase of his work.
"Consequenz III follows on directly from the two previous albums. Once again, the pieces sound almost like pop music, once again they are rhythmically and harmoniously structured, once again they are between three and four minutes long. And once again, they are not 100% pop music, but rather a balancing act between strict, abstract seriality and contemporary electronics: no melodies, no vocals, and it's up to each listener to decide whether the pieces are danceable. Rather, the eleven pieces are rhythmic études or finger exercises, especially for Seidel, who once again plays with incredible precision, as if he were a sequencer himself. It is not for nothing that Schnitzler gave him the pseudonym Wolf Sequenza for their joint productions. Musicians such as Wolfgang Seidel continue to lend Schnitzler's sonic universe additional radiance. The fact that the pieces on Consequenz III have already been released in 2006 by the Japanese label Captain Trip under the title Consequenz 2 + was probably only noticed by very few Schnitzler fans outside Japan. Only a small number of the limited edition ever reached Europe, and sold out in no time. Consequenz III therefore reissues material that was previously known only to a few. And there's no end to it: Schnitzler left behind music that was either only released in very small editions (e.g. on cassettes or CDRs) or has never been released at all. There is still plenty to discover in the various archives. Will we ever get to know the 'whole Schnitzler'? I don't think so." --Asmus Tietchens, 2025
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CD
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BB 489CD
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$16.50
PREORDER
RELEASE DATE: 10/3/2025
Schnitzler's collaborations with Wolf Sequenza aka Wolfgang Seidel occupy a special place in his vast musical output. They brought him closer to pop music than ever before or since, with the possible exception of Berlin Express and Auf dem schwarzen Kanal. Following Consequenz and Con 3, Consequenz III is now the third album to be released from this phase of his work.
"Consequenz III follows on directly from the two previous albums. Once again, the pieces sound almost like pop music, once again they are rhythmically and harmoniously structured, once again they are between three and four minutes long. And once again, they are not 100% pop music, but rather a balancing act between strict, abstract seriality and contemporary electronics: no melodies, no vocals, and it's up to each listener to decide whether the pieces are danceable. Rather, the eleven pieces are rhythmic études or finger exercises, especially for Seidel, who once again plays with incredible precision, as if he were a sequencer himself. It is not for nothing that Schnitzler gave him the pseudonym Wolf Sequenza for their joint productions. Musicians such as Wolfgang Seidel continue to lend Schnitzler's sonic universe additional radiance. The fact that the pieces on Consequenz III have already been released in 2006 by the Japanese label Captain Trip under the title Consequenz 2 + was probably only noticed by very few Schnitzler fans outside Japan. Only a small number of the limited edition ever reached Europe, and sold out in no time. Consequenz III therefore reissues material that was previously known only to a few. And there's no end to it: Schnitzler left behind music that was either only released in very small editions (e.g. on cassettes or CDRs) or has never been released at all. There is still plenty to discover in the various archives. Will we ever get to know the 'whole Schnitzler'? I don't think so." --Asmus Tietchens, 2025
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2LP
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THRILL 639X-LP
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$32.00
PREORDER
RELEASE DATE: 9/26/2025
Double LP version. Clear color vinyl. "Nobukazu Takemura's music is singular in its ability to create a musical sense of childlike wonder and curiosity, with gracefully executed yet complex compositions. His pieces embody an innocence and the intricacies of self-discovery that every human is faced with as their worlds become more complex. An acclaimed producer and composer, Takemura is known for his idiosyncratic music and video artistry as well as his prolific collaborations including those with Tortoise, Yo La Tengo, DJ Spooky, and Steve Reich. knot of meanings, Takemura's first proper album in a decade, finds the Japanese artist wrestling with the rise of technological influence on art and culture in the modern era, in tandem with his own relationship to religion, and where those struggles meet. Like the colorful, irregularly shaped glasses on the cover, the album is a mosaic of technicolor elements that come together to form a complete picture, a dense portrait of interconnected struggles and triumphs. Throughout the album, Takemura exudes an unpredictability that builds surprise from unlikely combinations of instruments, tonalities and harmonic motions that embody bewildering knots to untangle, held together with a youthful sense of wonder. 'I attended a Catholic kindergarten as a child and cherished those early years, which laid the foundations for my future. This is in part why I have always used the keyword 'child' in my work as an adult,' notes Takemura. knot of meanings culminates his use of that child's perspective, or as Takemura has used extensively, that 'Child's View' to explore deeper life philosophies to ecstatic ends. The meanings and mysteries contained within make for an enchanting excavation for those attuned to deep listening, a journey that rewards the kind of inquiring open-mindedness of the listener."
"Japanese composer Nobukazu Takemura, who turned in a brilliant set of electronica...At points the music turned radiant, glowing with major harmonies, the pulse of the music driving. The music makes you concentrate, it promotes ecstasy." --NY Times
"Takemura has an uncanny understanding of [a child's] perspective, and even more amazing, realizes how to turn it into music." --Pitchfork
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LP
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THRILL 640X-LP
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$27.00
PREORDER
RELEASE DATE: 9/26/2025
LP version. Clear color vinyl. "Sam Prekop's work over the last 30 years, whether created primarily on his guitar or on his modular synth, is consistent in its powerful melodicism, delicate arrangements and subtle evolution. Prekop's singular blend of melody, impressionistic lyricism and quietly intricate rhythms are the core of the singular sound of The Sea and Cake. Since 2010's Old Punch Card, Prekop's exploration of modular synthesis and electronic atmospheres, has come into its own. Highly skilled at manipulating the sonic interplay, Prekop has established a style all his own, his pieces are complex expressing real movement. Harmonies bloom with granular detail and contrary to their machine sources are able to convey emotion. Open Close is an album that captures the flow and energy of a live performance through the lens of a deft craftsman, an equilibrium of intuitive composition and the excitement of possibility. The music of Sam Prekop is defined by his signature curiosity and his ability to mold and refine that curiosity into a wholly unique sound. His process in naming album Open Close mirrors his creative practice and the worlds he builds across the album: 'I like simple words that become complicated if you think of them more than a second or two, beyond face value. And Open Close could be: close as in 'close to you' or close as in 'close the door.' If it gives everything away too quickly, then I'm not interested.' Each movement across Open Close is replete with simple gestures that suggest new complexities with Prekop's careful arrangements. Open Close unearths new, soulfully human sounds from synthetic textures precisely juxtaposed, its subtle contrasts in texture and rhythm are a free-flowing celebration of sonics as stunning as they are ephemeral."
"Every track is awash in sumptuous, eminently hummable melodies; the album swells with a newfound sense of joy." --Pitchfork, Best New Music
"The best improvisation transforms music into a living thing." --NPR, Best Albums of 2022
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ANDOTHERS 001CD
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$18.00
PREORDER
RELEASE DATE: 9/26/2025
With Elsewhere, Grandbrothers open a bold new chapter. Known for crafting all their music from a single grand piano, the duo now expand their sonic palette with analog synths, drum machines, and a new sense of rhythm and physicality. It's their most transformative album to date -- a reinvention that ventures into unfamiliar territory while staying rooted in emotional depth and detail. Released via their own newly founded label __and__others.
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LP
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ANDOTHERS 001LP
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$37.50
PREORDER
RELEASE DATE: 9/26/2025
LP version. With Elsewhere, Grandbrothers open a bold new chapter. Known for crafting all their music from a single grand piano, the duo now expand their sonic palette with analog synths, drum machines, and a new sense of rhythm and physicality. It's their most transformative album to date -- a reinvention that ventures into unfamiliar territory while staying rooted in emotional depth and detail. Released via their own newly founded label __and__others.
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CD
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THRILL 640CD
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$14.50
PREORDER
RELEASE DATE: 9/26/2025
"Sam Prekop's work over the last 30 years, whether created primarily on his guitar or on his modular synth, is consistent in its powerful melodicism, delicate arrangements and subtle evolution. Prekop's singular blend of melody, impressionistic lyricism and quietly intricate rhythms are the core of the singular sound of The Sea and Cake. Since 2010's Old Punch Card, Prekop's exploration of modular synthesis and electronic atmospheres, has come into its own. Highly skilled at manipulating the sonic interplay, Prekop has established a style all his own, his pieces are complex expressing real movement. Harmonies bloom with granular detail and contrary to their machine sources are able to convey emotion. Open Close is an album that captures the flow and energy of a live performance through the lens of a deft craftsman, an equilibrium of intuitive composition and the excitement of possibility. The music of Sam Prekop is defined by his signature curiosity and his ability to mold and refine that curiosity into a wholly unique sound. His process in naming album Open Close mirrors his creative practice and the worlds he builds across the album: 'I like simple words that become complicated if you think of them more than a second or two, beyond face value. And Open Close could be: close as in 'close to you' or close as in 'close the door.' If it gives everything away too quickly, then I'm not interested.' Each movement across Open Close is replete with simple gestures that suggest new complexities with Prekop's careful arrangements. Open Close unearths new, soulfully human sounds from synthetic textures precisely juxtaposed, its subtle contrasts in texture and rhythm are a free-flowing celebration of sonics as stunning as they are ephemeral."
"Every track is awash in sumptuous, eminently hummable melodies; the album swells with a newfound sense of joy." --Pitchfork, Best New Music
"The best improvisation transforms music into a living thing." --NPR, Best Albums of 2022
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RBL 098LP
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$24.00
PREORDER
RELEASE DATE: 9/26/2025
"Damascus Knives is the latest project from David Christian (Cervello Elettronico), delivering a raw fusion of old-school EBM and dark, minimal industrial atmospheres. Driven by vintage synths, relentless arpeggiators, distorted kick drums, and abrasive noise samples, this release is a relentless dive into the underground dancefloor. For fans of Ministry's Twitch era and the most electronic side of Clock DVA, Damascus Knives brings a stripped-down, mechanical energy that captures the spirit of alternative and minimal dance music. Limited transparent red marble vinyl."
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CD
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THRILL 639CD
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$14.50
PREORDER
RELEASE DATE: 9/26/2025
"Nobukazu Takemura's music is singular in its ability to create a musical sense of childlike wonder and curiosity, with gracefully executed yet complex compositions. His pieces embody an innocence and the intricacies of self-discovery that every human is faced with as their worlds become more complex. An acclaimed producer and composer, Takemura is known for his idiosyncratic music and video artistry as well as his prolific collaborations including those with Tortoise, Yo La Tengo, DJ Spooky, and Steve Reich. knot of meanings, Takemura's first proper album in a decade, finds the Japanese artist wrestling with the rise of technological influence on art and culture in the modern era, in tandem with his own relationship to religion, and where those struggles meet. Like the colorful, irregularly shaped glasses on the cover, the album is a mosaic of technicolor elements that come together to form a complete picture, a dense portrait of interconnected struggles and triumphs. Throughout the album, Takemura exudes an unpredictability that builds surprise from unlikely combinations of instruments, tonalities and harmonic motions that embody bewildering knots to untangle, held together with a youthful sense of wonder. 'I attended a Catholic kindergarten as a child and cherished those early years, which laid the foundations for my future. This is in part why I have always used the keyword 'child' in my work as an adult,' notes Takemura. knot of meanings culminates his use of that child's perspective, or as Takemura has used extensively, that 'Child's View' to explore deeper life philosophies to ecstatic ends. The meanings and mysteries contained within make for an enchanting excavation for those attuned to deep listening, a journey that rewards the kind of inquiring open-mindedness of the listener."
"Japanese composer Nobukazu Takemura, who turned in a brilliant set of electronica...At points the music turned radiant, glowing with major harmonies, the pulse of the music driving. The music makes you concentrate, it promotes ecstasy." --NY Times
"Takemura has an uncanny understanding of [a child's] perspective, and even more amazing, realizes how to turn it into music." --Pitchfork
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LP
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THRILL 640LP
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$25.00
PREORDER
RELEASE DATE: 9/26/2025
LP version. "Sam Prekop's work over the last 30 years, whether created primarily on his guitar or on his modular synth, is consistent in its powerful melodicism, delicate arrangements and subtle evolution. Prekop's singular blend of melody, impressionistic lyricism and quietly intricate rhythms are the core of the singular sound of The Sea and Cake. Since 2010's Old Punch Card, Prekop's exploration of modular synthesis and electronic atmospheres, has come into its own. Highly skilled at manipulating the sonic interplay, Prekop has established a style all his own, his pieces are complex expressing real movement. Harmonies bloom with granular detail and contrary to their machine sources are able to convey emotion. Open Close is an album that captures the flow and energy of a live performance through the lens of a deft craftsman, an equilibrium of intuitive composition and the excitement of possibility. The music of Sam Prekop is defined by his signature curiosity and his ability to mold and refine that curiosity into a wholly unique sound. His process in naming album Open Close mirrors his creative practice and the worlds he builds across the album: 'I like simple words that become complicated if you think of them more than a second or two, beyond face value. And Open Close could be: close as in 'close to you' or close as in 'close the door.' If it gives everything away too quickly, then I'm not interested.' Each movement across Open Close is replete with simple gestures that suggest new complexities with Prekop's careful arrangements. Open Close unearths new, soulfully human sounds from synthetic textures precisely juxtaposed, its subtle contrasts in texture and rhythm are a free-flowing celebration of sonics as stunning as they are ephemeral."
"Every track is awash in sumptuous, eminently hummable melodies; the album swells with a newfound sense of joy." --Pitchfork, Best New Music
"The best improvisation transforms music into a living thing." --NPR, Best Albums of 2022
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AWOS 001LP
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$26.00
PREORDER
RELEASE DATE: 9/19/2025
Spanish-born, Berlin-based artist JASSS, presents her third LP, Eager Buyers. It's the inaugural release on her own new platform called AWOS, which also encompasses musical, AV and art collaborations, live events, and a radio show. Eager Buyers is an observation of longing, of memory, of attempted connection, of lost innocence, and irreconcilable dreams. It's the sound of broken promises for a bright future, where rose-tinted glasses have lost their clarity, dirtied with disaffection over time. Across this sultry, smoky, cinematic epic, JASSS attempts to process mixed feelings amidst the modern malaise. Alluringly atmospheric and cerebral, but bold and direct, with high-spec sound design, JASSS spaces each element with expert definition. Searing swathes of noise nestle with crisp breakbeats, billowing bass, dark ambience, prepared piano, phosphorescent electronics and calibrated percussion. A sort of anti-nostalgia, the record lives in a contemporary purgatory of oblique moods which hover in the psyche, somewhere between uncertainty, foreboding, and guarded anticipation. The raw metal of bass guitar strings plays a key part too, ranging from ornate melodic phrases, shoegazy drones, and attitude-riven hard twangs. Vocals come from JASSS herself, plus James K and Alias Error on the track "It's A Hole." The heavy, hauntological atmospherics are in part due to the addition of field recordings -- the discreet, but spiritually-loaded incidental sounds of a place which can capture its history, with the acoustics somehow retaining an emotional imprint of lives long gone. If pressed for descriptive reference points, "masterfully-produced-post-punk-post-rockbaroque-gothy-dubby-trip-hop" might be a starting point, but that doesn't do it justice. Equally spectral in their dream-like quality are the musical signposts, where genre elements are familiar, but somehow also unplaceable, untethered from context, and beautifully strange in their new composite. At points there's an air of strangely dazed calm too -- a kind of frazzled cool in the face of desolation, and even tender, lighter moments, which glint through the cracks.
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LP
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LTR 053LP
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$34.00
PREORDER
RELEASE DATE: 9/19/2025
A luminous new chapter in a singular collaboration Handling, Nils Frahm and F.S. Blumm present their fifth collaborative album-an immersive, 40-minute journey across just three tracks that radiate intimacy, invention, and sonic depth. Building on the dub-inflected textures of 2X1=4, the duo now ventures into more delicate, exploratory terrain, where every sound feels intentional and alive. Recorded at Frahm's LEITER studio in Berlin's Funkhaus, Handling is a masterclass in subtlety and sonic storytelling. Each of the three compositions-titled Leuchter-glows with quiet energy, evoking miniature worlds through a rich palette of instruments: pianos, celestas, cristal baschets, glockenspiels, guitars, and a wide array of percussive textures. Blumm and Frahm's long-standing friendship and mutual trust allow for a rare creative freedom. Their contrasting approaches-Blumm's playful chaos and Frahm's structured intuition-merge into a sound that is neither one nor the other, but something entirely new. Handling is not just music-it's a living, breathing sound sculpture, full of warmth, wonder, and the joy of discovery. A must for fans of ambient, experimental, and genre-defying music.
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WEILO 002LP
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$26.00
PREORDER
RELEASE DATE: 9/19/2025
Arriving two years after the first chapter, Absurd Matter 2 isn't just a sequel, it's an evolution, redrawing the boundaries established by its acclaimed predecessor. The Berlin-based Italian producer tempers his confrontational sonics with rare moments of introspection, shifting seamlessly between blown-out noise, warped hip-hop, mutant club experimentation, and weightless ambience. It's a poetic, layered response to Nino Pedone's changing physical reality: the gradual hearing loss and perceptual renegotiation triggered by Ménière's disease, which struck him in 2022. At first, the experience felt like betrayal, a brutal disconnection from the very sense that had shaped his life. But over time, the disorientation turned into a strange kind of focus. The silence between sounds became as expressive as the sounds themselves. The first Absurd Matter (WEILO 001LP) was a visceral reaction to trauma; the second is more reflective -- an ambiguous chronicle of sensory recalibration. Pedone doesn't represent his altered inner reality through extremes, but through depth, zooming in on illusory distortions, tense rhythmic fluctuations, and fragmented sonics. Dense, immersive, and mystical, the album mirrors Pedone's evolving relationship with perception itself. Tinnitus-like feedback wails and noir-ish strings introduce "Repeater," making it immediately clear that Pedone is painting a more delicately finessed image this time around. Fleshed out by raps from cult MCs billy woods and E L U C I D, the track is marked by subtle, sophisticated contrasts: the blurred, inverted rhythms that couch Armand Hammer's haunted back-and-forth, and the glitchy interference that offsets the lavish orchestral phrases. Backwoodz associate Fatboi Sharif lends his Lynchian drawl to "Bandage Chipped Wings," grounding Pedone's lysergic rhythmic distortions with syrupy, horror-inspired couplets. Pedone also invites discomfort into "Crash Landing", with droning, metallic tones that contradict South Central rapper ICECOLDBISHOP's elastic flow. Working alongside London's Loraine James on production, Pedone reunites with Moor Mother on "I Saw The Light," blending James' soft-focus atmospherics with soundsystem-damaging, overdriven bass hits and rusted percussive snips. On "Splintered", he reunites with Kenyan prodigy Slikback, mangling neon-lit trance arpeggios with dissociated trap rhythms. Perhaps the album's most surprising moment arrives with "Viel", which features vocals from Los Angeles-based composer Kaitlyn Aurelia Smith. Together, Pedone and Smith chance upon their notion of dub techno, fogging synth stabs and ghostly vocal traces into eerie harmonic distortions. Absurd Matter 2 doesn't simply document a process; it enacts one. It doesn't offer clarity; it invites disorientation. It's not a map of the labyrinth, but a foghorn piercing the darkness.
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BKE 021YE-LP
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$33.00
PREORDER
RELEASE DATE: 9/19/2025
Yellow color vinyl version. Rafael Anton Irisarri's landmark work reimagined. Marking the tenth anniversary of the American composer's critically acclaimed album A Fragile Geography, this new edition arrives renewed, both sonically and visually. First released in 2015 during a period of personal upheaval and creative reinvention, it endures as a testament to resilience, transformation, and the connection we hold with the places that shape us. Written in the aftermath of a devastating theft, A Fragile Geography was born out of loss. Just days before a cross-country move to New York, Irisarri's entire Seattle-based studio was wiped out. Instruments. Recordings. Archives. Gone without a trace. He arrived on the East Coast to an empty room and the daunting task of starting over. Composed and recorded in the rural woods of the Hudson Valley, the album took shape in seclusion, surrounded by nature, and through a process guided by improvisation. Embracing limitations, Irisarri wove textural layers of field recordings with half-remembered melodies from his Seattle years, piecing them together like fragments of memory. Among its defining sounds is "Empire Systems," a monumental centerpiece built around a simple four-chord progression, organ textures, and guitar drones. Gradually, the track expands into layers of immersive loops and thick, enveloping distortion that wash over the listener like a rolling wave. More than a career highlight, A Fragile Geography has laid the foundation for Black Knoll studio, which Irisarri rebuilt from the ground up. The studio has since grown into a creative hub for countless projects, with Irisarri engineering records for iconic music figures like Terry Riley, Ryuichi Sakamoto, William Basinski, MONO, Devendra Banhart, Grouper, Emeralds, Steve Hauschildt, Julianna Barwick, and many others. Mastered by Stephan Mathieu with exceptional attention to detail, this anniversary edition uncovers every nuance in the sound design, enhancing clarity and presence. With each listen, new elements emerge, inviting discovery and reconnection.
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RWRR 002LP
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$30.50
PREORDER
RELEASE DATE: 9/19/2025
Just. Life. is FDC's second endeavor after their 2022 debut Some Kind Of Wisdom. The A-side draws inspiration from everyday life. Things that are often overlooked. Birds whistling. Just being somewhere spending time together. Whereas the first four tracks open up a can of playful jazz the B-side explores more heavy conceptualizations. Birth and love for a child and the passing of a friend. Life and death. The cyclicity of it all. Fruit Distro Collective is a project by long-time friends Boris van der Hoff and Tristan Coco. Raised on boombap beats, schooled through jazz composition and inspired by Afro and Latin styles. Pour some reel-to-reel tape sauce over it et voilá.
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CD
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BB 482CD
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$16.50
PREORDER
RELEASE DATE: 9/19/2025
Electronic pioneers Propaganda follow up their acclaimed 2024 comeback with Remix Encounters, a broad and brilliant remix album featuring Moby, Tangerine Dream, Rhys Fulber, Schiller, and more. Released on Bureau B, this remix collection reflects the enthusiasm Propaganda's return after three decades of silence has ignited among contemporary artists, who approached the project with fresh energy and creative freedom.
"Since breaking new ground with their seminal 1985 debut A Secret Wish and its pioneering remix companion Wishful Thinking, Propaganda have thrived on transformation. Yet rather than revisiting the past, Remix Encounters looks forward, building on the vitality of last year's album and celebrating its widespread critical and fan acclaim. What began as a remix request from Finnish electronic maestro Jori Hulkkonen, returning the favor after Ralf Dörper's contribution to his last album, quickly blossomed into an international collaboration, drawing in luminaries such as Moby, Tangerine Dream, Rhys Fulber (Front Line Assembly, Delerium), and Schiller. Embracing openness, Propaganda spent the fourth quarter of 2024 encouraging the wide range of musicians inspired by their triumphant return to offer their own interpretations. Each brought their distinctive voice to the material, resulting in a thrilling journey through electronic subgenres, from EBM and industrial to rave, ambient, house, and beyond. Rhys Fulber opens the album with a brooding, machine-funk reinvention of 'They Call Me Nocebo,' evolving from a sleek, sinuous introduction into a relentless pneumatic stomp. Next, Schiller offers a powerful remix of 'Distant' that balances raw electro-house and techno energy with the emotional depth of EBM, before Moby transforms 'Purveyor of Pleasure' into a furious early-'90s rave anthem, fusing breakbeats and rolling basslines that pulse with nostalgic urgency yet feel unmistakably modern. Elsewhere, Finnish polymath Jimi Tenor infuses 'Vicious Circle' with cosmic jazz and dub textures, while Pyrolator, a key figure in Düsseldorf's avant-garde scene, delivers a shadowy reinterpretation of 'LoveCraft.' Cult With No Name also contribute a brooding electro-ballad version of the same track. Propaganda's own Michael Mertens teams up with longtime collaborator Hans Steingen to re-envision 'Dystopian Waltz,' shifting its time signature to a gripping 4/4 and intensifying its ominous mood for darker dance floors. The range of remixers speaks volumes: from industrial punks Gewalt and synth purists Metroland to ambient pioneers Tangerine Dream, Remix Encounters unites an eclectic group of electronic artists bound by a shared reverence for innovation and Propaganda's distinctive voice." --Patrick Ryder
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LP
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BKE 021OR-LP
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$33.00
PREORDER
RELEASE DATE: 9/19/2025
Orange color vinyl version. Rafael Anton Irisarri's landmark work reimagined. Marking the tenth anniversary of the American composer's critically acclaimed album A Fragile Geography, this new edition arrives renewed, both sonically and visually. First released in 2015 during a period of personal upheaval and creative reinvention, it endures as a testament to resilience, transformation, and the connection we hold with the places that shape us. Written in the aftermath of a devastating theft, A Fragile Geography was born out of loss. Just days before a cross-country move to New York, Irisarri's entire Seattle-based studio was wiped out. Instruments. Recordings. Archives. Gone without a trace. He arrived on the East Coast to an empty room and the daunting task of starting over. Composed and recorded in the rural woods of the Hudson Valley, the album took shape in seclusion, surrounded by nature, and through a process guided by improvisation. Embracing limitations, Irisarri wove textural layers of field recordings with half-remembered melodies from his Seattle years, piecing them together like fragments of memory. Among its defining sounds is "Empire Systems," a monumental centerpiece built around a simple four-chord progression, organ textures, and guitar drones. Gradually, the track expands into layers of immersive loops and thick, enveloping distortion that wash over the listener like a rolling wave. More than a career highlight, A Fragile Geography has laid the foundation for Black Knoll studio, which Irisarri rebuilt from the ground up. The studio has since grown into a creative hub for countless projects, with Irisarri engineering records for iconic music figures like Terry Riley, Ryuichi Sakamoto, William Basinski, MONO, Devendra Banhart, Grouper, Emeralds, Steve Hauschildt, Julianna Barwick, and many others. Mastered by Stephan Mathieu with exceptional attention to detail, this anniversary edition uncovers every nuance in the sound design, enhancing clarity and presence. With each listen, new elements emerge, inviting discovery and reconnection.
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2LP
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BB 482LP
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$35.00
PREORDER
RELEASE DATE: 9/19/2025
Double LP version. Electronic pioneers Propaganda follow up their acclaimed 2024 comeback with Remix Encounters, a broad and brilliant remix album featuring Moby, Tangerine Dream, Rhys Fulber, Schiller, and more. Released on Bureau B, this remix collection reflects the enthusiasm Propaganda's return after three decades of silence has ignited among contemporary artists, who approached the project with fresh energy and creative freedom.
"Since breaking new ground with their seminal 1985 debut A Secret Wish and its pioneering remix companion Wishful Thinking, Propaganda have thrived on transformation. Yet rather than revisiting the past, Remix Encounters looks forward, building on the vitality of last year's album and celebrating its widespread critical and fan acclaim. What began as a remix request from Finnish electronic maestro Jori Hulkkonen, returning the favor after Ralf Dörper's contribution to his last album, quickly blossomed into an international collaboration, drawing in luminaries such as Moby, Tangerine Dream, Rhys Fulber (Front Line Assembly, Delerium), and Schiller. Embracing openness, Propaganda spent the fourth quarter of 2024 encouraging the wide range of musicians inspired by their triumphant return to offer their own interpretations. Each brought their distinctive voice to the material, resulting in a thrilling journey through electronic subgenres, from EBM and industrial to rave, ambient, house, and beyond. Rhys Fulber opens the album with a brooding, machine-funk reinvention of 'They Call Me Nocebo,' evolving from a sleek, sinuous introduction into a relentless pneumatic stomp. Next, Schiller offers a powerful remix of 'Distant' that balances raw electro-house and techno energy with the emotional depth of EBM, before Moby transforms 'Purveyor of Pleasure' into a furious early-'90s rave anthem, fusing breakbeats and rolling basslines that pulse with nostalgic urgency yet feel unmistakably modern. Elsewhere, Finnish polymath Jimi Tenor infuses 'Vicious Circle' with cosmic jazz and dub textures, while Pyrolator, a key figure in Düsseldorf's avant-garde scene, delivers a shadowy reinterpretation of 'LoveCraft.' Cult With No Name also contribute a brooding electro-ballad version of the same track. Propaganda's own Michael Mertens teams up with longtime collaborator Hans Steingen to re-envision 'Dystopian Waltz,' shifting its time signature to a gripping 4/4 and intensifying its ominous mood for darker dance floors. The range of remixers speaks volumes: from industrial punks Gewalt and synth purists Metroland to ambient pioneers Tangerine Dream, Remix Encounters unites an eclectic group of electronic artists bound by a shared reverence for innovation and Propaganda's distinctive voice." --Patrick Ryder
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LP
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SPITTLEDD 013LP
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$28.50
PREORDER
RELEASE DATE: 9/19/2025
A rich and varied selection of tracks from veterans of the Italo disco scene and talents who have established themselves in recent years, with one common goal: the dancefloor. Each track follows a distinctive path, reflecting the broad developments of the electronic scene over the last 45 years. An authentic and original snapshot of a genre in continuous evolution. Featuring Italoconnection, Alessandra Contini, Hey Cabrera!, Livio Fogli, Deep Field, Rimini Metafisica, Mono Han, Fred Ventura, Castelli, Milano 84, and LAISON.
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2LP
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ILG 007LP
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$45.50
PREORDER
RELEASE DATE: 9/19/2025
Infoline presents a compilation of tracks by Deo Cadaver on double 12" inch vinyl. Active from 1987 to 1993, Geneva-based trio Deo Cadaver stood at the vanguard of Switzerland's electronic body music scene. Formed at just 17 years old, the group drew early influence from the visceral intensity of acts like The Young Gods, Front 242, Laibach, and Skinny Puppy -- but quickly forged a sound and performative presence entirely their own. Their live shows became infamous: loud, theatrical, and uncompromising. Covered in grey-green clay and fake blood, suspended from chains, or locked in cages wired with sensors, projections, and video monitors, Deo Cadaver unleashed chaotic storms of samples, distorted drum machines, live percussion, and seismic basslines. At the center stood a vocalist whose voice and energy pushed the limits of physical endurance. Despite their undeniable force, Deo Cadaver remained largely unknown beyond their immediate circles. "There was no support structure -- barely any venues, press, or labels for what we were doing," they reflect. "Apart from our parents and a few community associations, we were completely on our own." The internet, still confined, offered no relief. Connections were built face-to-face, and tapes were copied by hand. Still, the band found kinship in the Swiss experimental collective MXP, alongside other likeminded outliers pushing electronics beyond the dancefloor. Their spirit was one of invention, defiance, and independence. While Belgium reveled in its New Beat wave and the UK fell into euphoric ecstasy, Deo Cadaver raged in the shadows -- loud, isolated, and ahead of their time. This compilation finally brings their work into the light: a long- overdue snapshot of an uncompromising force from the margins of EBM history.
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LP
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BKE 021LP
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$31.50
PREORDER
RELEASE DATE: 9/19/2025
Rafael Anton Irisarri's landmark work reimagined. Marking the tenth anniversary of the American composer's critically acclaimed album A Fragile Geography, this new edition arrives renewed, both sonically and visually. First released in 2015 during a period of personal upheaval and creative reinvention, it endures as a testament to resilience, transformation, and the connection we hold with the places that shape us. Written in the aftermath of a devastating theft, A Fragile Geography was born out of loss. Just days before a cross-country move to New York, Irisarri's entire Seattle-based studio was wiped out. Instruments. Recordings. Archives. Gone without a trace. He arrived on the East Coast to an empty room and the daunting task of starting over. Composed and recorded in the rural woods of the Hudson Valley, the album took shape in seclusion, surrounded by nature, and through a process guided by improvisation. Embracing limitations, Irisarri wove textural layers of field recordings with half-remembered melodies from his Seattle years, piecing them together like fragments of memory. Among its defining sounds is "Empire Systems," a monumental centerpiece built around a simple four-chord progression, organ textures, and guitar drones. Gradually, the track expands into layers of immersive loops and thick, enveloping distortion that wash over the listener like a rolling wave. More than a career highlight, A Fragile Geography has laid the foundation for Black Knoll studio, which Irisarri rebuilt from the ground up. The studio has since grown into a creative hub for countless projects, with Irisarri engineering records for iconic music figures like Terry Riley, Ryuichi Sakamoto, William Basinski, MONO, Devendra Banhart, Grouper, Emeralds, Steve Hauschildt, Julianna Barwick, and many others. Mastered by Stephan Mathieu with exceptional attention to detail, this anniversary edition uncovers every nuance in the sound design, enhancing clarity and presence. With each listen, new elements emerge, inviting discovery and reconnection.
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CD
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DP 148CD
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$18.00
PREORDER
RELEASE DATE: 9/12/2025
Noble jewelcase edition. Ltd. 200, hand-numbered. "Attention lovers of audial art, sophisticated noise and musique concrete! Dunkelheit Produktionen presents two full-length CDs by Hands To in an ambitious campaign to make these amazing compositions available to a wider audience. Although Hands to and its mastermind Jeph Jerman may not be quite as known within die hard Power Electronics or Harsh Noise circles, the legacy of this unique musician speaks for itself. Having released music under the moniquer of Hands To as well as his own name, this visionary has been an unsung hero of his craft, creating genre-shaping classics and pushing boundaries, extending his sounds into realms unknown. There have even been extensive visual documentations of mastermind Jerman sitting in front of peculiar utensils like bowls filled with metal balls conjuring up tasty and refined sounds like the sonic alchemist he is. Klangfigurenn is the perfect showcase for the talents of Hands To. Rusty scraping dance over waves of crumbling oscillations as wonderful symphonies are formed out of a seeming nothingness. Although the elements can always be traced to a concrete source (hence: musique concrete), there is a certain level of skill in the arrangement and treatment that presents aspects of dark drones and piercing highs that may resemble the more brutish sides of harsh noise. Like some kind of audial storyteller, Jerman mixes the beauty of nature with a noiseman's handywork to form Klangfiguren -- a true work of art."
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LP
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FP 007A-LP
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$20.00
PREORDER
RELEASE DATE: 9/12/2025
"Jennifer Touch presents Aging at Airports on Fabrika Records. The idea for the record title came before the music even existed as Touch was spending an increasing amount of time in airports while touring. In her own words: 'It felt like I waste a large part of my life waiting for the next show to come, to entertain and perform my music and build timeless moments with others. This waiting, the slowly ticking time at the gate, was in complete contrast to what I want to do as an artist: to be in flux, to create things that will last forever. The airport, as a busy hub, was like a symbol of this ambivalence. And a reminder: every second, whether waiting or on the move, I have to accept that I am fading, that my creative power, my face, and my body are fading. As a (performing) artist, everything feels like a strange contrast. While you want to stay true to yourself and speak authentically from the soul, you are also expected to appear forever young, and powerful. Artists are often wanted to distract people, but creating this art forces me to confront my own transience. I feel the struggle to fit into this powerful artificial framework that the world has set and the desire to break free from it.'"
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