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01. MUSLIMGAUZE - Zilver Track 1
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02. MUSLIMGAUZE - Zilver Track 2
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03. MUSLIMGAUZE - Zilver Track 3
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04. MUSLIMGAUZE - Zilver Track 4
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05. MUSLIMGAUZE - Zilver Track 5
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06. MUSLIMGAUZE - Zilver Track 6
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07. MUSLIMGAUZE - Zilver Track 7
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08. MUSLIMGAUZE - Zilver Track 8
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09. MUSLIMGAUZE - Zilver Track 9
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ARTIST
MUSLIMGAUZE
TITLE
Zilver/Feel the Hiss
FORMAT
CD
LABEL
STAALPLAAT
CATALOG #
ARCHIVE 030CD
ARCHIVE 030CD
GENRE
ELECTRONIC
RELEASE DATE
2/17/2015
Some of the tracks on
Feel the Hiss
, a release
Bryn Jones
recorded live to cassette in early 1995 but never had the chance to remix and polish before he died, use the same kinds of devotional voices found on much of
Minaret Speaker
(ARCHIVE 029CD), but here other voices are present too. Conversational or angry, male or female, English or French or Arabic, almost inaudible or forcing their way to the front of the music, these "Zilver Tracks" (the name based on a note Jones wrote on the tape) engage more directly with the world Jones was so fascinated with and tried to represent over and over again in his work as
Muslimgauze
. If, like most listeners, you only speak one or two languages, the content on
Feel the Hiss
can be just as inscrutable as anything Jones has put out. But the music, luckily, is also just as wonderful; for a set of demos recorded live to tape, the
Feel the Hiss
material certainly comes across as fully-formed, if a bit more reflective and synthesizer-heavy than much of his oeuvre. The lengthy "Zilver Track 4," especially, seems at times like a tour around the embattled regions of the world Jones was so passionate about, complete with echoing percussion, voices in various languages, even train sounds. Not that this is Muslimgauze's answer to
The KLF
's
Chill Out
, by any stretch of the imagination; the dark, shimmering "Zilver Track 1" is as compellingly propulsive as any of his songs. It's possible that if Jones had gone back to this tape his changes would have brought it more in line with other Muslimgauze releases, but as it is
Feel the Hiss
is a chance to experience the more contemplative side of his work.
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