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01. Butzmann/Kapielski - Freebeer
02. Butzmann/Kapielski - Damit Des Ergetzens Auf Erden Kein Ende Seyn Möge
03. Butzmann/Kapielski - Die Luftmatratze
04. Butzmann/Kapielski - Der Garagenschlager
05. Butzmann/Kapielski - Pavel From Prague
06. Butzmann/Kapielski - Incendio (Versione Per Danza)
07. Butzmann/Kapielski - Do The Vopo
08. Butzmann/Kapielski - Zweitstimme
09. Butzmann/Kapielski - Wunderbar
10. Butzmann/Kapielski - Wurmberg
11. Butzmann/Kapielski - Rolle Der Frau
12. Butzmann/Kapielski - Qua Pur Qua
13. Butzmann/Kapielski - Con Fermezza
14. Butzmann/Kapielski - Haacke & Gross
15. Butzmann/Kapielski - Kurzstück
16. Butzmann/Kapielski - Ein Beglockendes Rauschen
17. Butzmann/Kapielski - Akron, Ohio
18. Butzmann/Kapielski - Kojote
ARTIST
TITLE
War Pur War
FORMAT
CD

LABEL
CATALOG #
BB 339CD BB 339CD
GENRE
RELEASE DATE
3/27/2020

Frieder Butzmann and Thomas Kapielski's War Pur War was originally released in 1987 on Zensor and is here reissued by Bureau B. Composer, radio dramatist and performance artist Butzmann began exploring experimental music in the late 1960s. One of the pioneers of German industrial music and a member of the Geniale Dilettanten movement, Butzmann has collaborated with artists such as Genesis P-Orridge, Blixa Bargeld, and Santrra Oxyd, as well as releasing numerous solo works. Butzmann joined forces with author and artist Kapielski in the early 1980s. Most of their compositions are minimalist tracks interspersed with everyday noises and fragments of speech, as can be heard on War Pur War. This utterly unique work is an idiosyncratic mix of eccentric electro-pop and bizarre sonic collages and has gone on to become a sought-after collector's item. Remastered, includes new artwork, two bonus tracks, unpublished photos and liner notes by Butzmann.

"War Pur War was created in my small studio at 11-13 Erkelenzdamm, on the same floor as the Institut Unzeit, where the Freunde Guter Musik were also based. The record gathers together an incredibly diverse assortment of short pieces with different backstories. When we had finished recording, Thomas Kapielski and I headed for Hamburg with the two ¼- inch tapes to master the A and B sides of the LP. The engineer was a really friendly guy. He spotted a phase shift between the channels and I'm eternally grateful to him for correcting it! He wasn't quite so meticulous when it came to calibrating volume levels for the record. The three of us -- Kapielski, the engineer, and I -- had a lot of laughs together, but our man didn't take the music particularly seriously and perhaps lacked a little bit of focus. Distribution difficulties meant that only a few copies of the disc made it into the shops when it was released in 1987, ultimately increasing its collectability as a rare item. The album illuminates the spectrum of differing, even contradictory Butzmann/Kapielski productions, whilst also marking the conclusion of a short epoch which began with punk, post-punk, the Zensor record shop and Genialen Dilletanten in Berlin. It continued through a period of "high cultural relations" before ending in the late 1980s which, by no means coincidentally, is when the duo broke up." --Frieder Butzmann, November 2019