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LOW STOCK LEVEL
01. Johanna Beyer - Music Of The Spheres
02. Annea Lockwood - World Rhythms
03. Pauline Oliveros - Bye Bye Butterfly
04. Laurie Spiegel - Appalachian Grove I
05. Megan Roberts - I Could Sit Here All Day
06. Ruth Anderson - Points
07. Laurie Anderson - New York Social Life
08. Laurie Anderson - Time To Go
ARTIST
TITLE
New Music for Electronic and Recorded Media
FORMAT
LP

LABEL
CATALOG #
BLUME 023LP BLUME 023LP
GENRE
RELEASE DATE
1/24/2025

Marking its first decade of activity, Blume returns with the first ever vinyl reissue of the seminal New Music for Electronic and Recorded Media, from 1977, the third and final instalment in a suite of releases that includes James Tenney's Postal Pieces (BLUME 022LP) and Ben Vida's Vocal Trio (BLUME 024LP). Unquestionably among the most important collections of experimental music to emerge during the 20th Century, New Music for Electronic and Recorded Media is the original feminist presentation in its context, releasing the work of Johanna M. Beyer, Annea Lockwood, Pauline Oliveros, Laurie Spiegel, Megan Roberts, Ruth Anderson, and Laurie Anderson under its collective banner. Includes newly commissioned liner notes by Jennifer Lucy Allen and Bradford Bailey. New Music for Electronic and Recorded Media can be understood within two simple frameworks. On one hand, it is an astounding document of the landscape of experimental music toward the end of the 1970s. On the other, it is a historically significant feminist statement, being the first collection of experimental music entirely dedicated to female composers, a number of whom were grossly under-celebrated at the time, but have since gone on to be regarded as among the most important composers of their generation. The eight pieces gathered by New Music for Electronic and Recorded Media might be regarded as the first cohesive vision of alternate proximity or expression of experimental music to what has always been a frustratingly male dominated environment, and to the tropes, temperaments, and sensibilities that have been historically perceived to define it. It is an expanded vision of truth. While its historical significance and groundbreaking nature cannot be debated in its totality, nearly half a century on New Music for Electronic and Recorded Media remains compelling in both its musicality and the palpable sense of its lasting influence. Every composition across the album's two sides is not only engrossing and deeply compelling -- feeling as fresh and relevant as the day it was laid to tape -- but clearly tangible in their lasting influence. Absolutely seminal and not to be missed.