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IN STOCK
01. DON GERE - Werewolves on Wheels (Main Theme)
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02. DON GERE - Mount Shasta Home
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03. DON GERE - Ritual
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04. DON GERE - "One"
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05. DON GERE - Ritual 2
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06. DON GERE - The Devil's Advocates
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07. DON GERE - The Devil's Advocates (Reprise)
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08. DON GERE - One Foot in Heaven
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09. DON GERE - Burning Grass
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10. DON GERE - Tarot
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11. DON GERE - Tarot Trail
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12. DON GERE - Dust Bowl
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13. DON GERE - The Devil's Advocates 2
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14. DON GERE - Ritual 3
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15. DON GERE - Werewolves On Wheels (End Theme)
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16. DON GERE - Radio Record 1 (Bonus Track)
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17. DON GERE - Radio Record 2 (Bonus Track)
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ARTIST
GERE, DON
TITLE
Werewolves on Wheels
FORMAT
CD
LABEL
B-MUSIC
CATALOG #
BMS 035CD
BMS 035CD
GENRE
ROCK
RELEASE DATE
8/19/2014
2011 release. Overqualified Krautisch kommune kountry and mock-rock rituals for a cinematic cycledelic monster cocktail. Lychanthropic Z-Movie soundtrack by
Don Gere
(
Curt Boettcher
/
Kid Dynamite
/
Don & Stevie
), welding motorik redneck funk with broken Eastern promises. Imagine marrying
Amon Düül
1 to
Sandy Bull
in a phony black mass with
Skip Spence
and
The Godz
as bridesmaids. B-movie junkies, gather round and prepare yourselves for what could only be described as a cinematic speedball. Take a combined hit of two of the most potent strains of toxic cinema, dress it up in ritualistic robes and make it dance to the beat of a stoned, motorik, country commune soundtrack. Like an exploito double bill where both films merge into a single feature, this directorial debut by an ex-
Roger Corman
protégé and future
Russ Meyer
art director (another heady cocktail) is the product of one writing duo's fleeting time in the driving seat as the moviedrome marathon approached its dwindling finish line.
Werewolves on Wheels
emerged in 1971 in a climate where the B-movie genre of the previous two decades began to make way for the early glimpses of imported slasher films and video nasties. American projection booths were frantically casting the net for surefire domestic, cheaply-made hits, desperately looking for new ideas to milk their legacy of all-American biker flicks and teenage monster-movies, which led to film companies taking gambles on new screenplays from young writers and directors born out the free-wheel generation.
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