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PRICE:
$25.00
$21.25
$21.25
IN STOCK
ARTIST
FLYING SAUCER ATTACK
TITLE
Instrumentals 2015
FORMAT
2LP
LABEL
DRAG CITY
CATALOG #
DC 489LP
DC 489LP
GENRE
ELECTRONIC
RELEASE DATE
12/8/2023
2024 restock, released in 2015. "In recent years it's become clear that the Bristol-based
Flying Saucer Attack
were prescient to a considerable degree. The amplified pastoralism of the group and its various offshoots might have seemed out of step with the times during its initial emergence at the height of Britpop, but the rural has since emerged as a rich source of inspiration for numerous artists in the fields of experimental rock and electronic music. Artists such as
Alexander Tucker
,
Richard Youngs
and
Boards Of Canada
have taken similar pathways through the fields. Since FSA's last official album (
Mirror
, 2000) all that has been heard of the group's guitarist and mainstay
Dave Pearce
is his collaboration with US artist
Jessica Bailiff
as
Clear Horizon
, whose self-titled album was released by
Kranky
in 2003.
Instrumentals 2015
, comprised of 15 fresh Pearce solo performances recorded in characteristically lo-fi manner on tape and CD-R, is an album that will appeal both to FSA diehards and those wholly unfamiliar with the outfit's recorded output. The 15 tracks present an impressionistic narrative which transports the listener through the excoriating dronescapes and rueful introspection of the album's early pieces to the more redemptive cadences of its closing half. Given its sense of momentum, maintained through Pearce's thoughtful sequencing, this is an album that should be experienced in its entirety, the better to appreciate its deliberate emotional arc. The songs gathered on
Instrumentals 2015
inform and enrich each other, themes manifesting in one form to reappear, modified, elsewhere, as though impacted and altered by experience. FSA's music has always been very much alive and organic, and this is most definitely true here and now. This is music that ebbs and flows with the impermanence of mood itself, graspable on first listen yet revealing of additional overtones on each successive visit. Even at its most distressed and distorted, Pearce's playing is intuitive and expressive, communicative even, translating inner and outer landscapes simultaneously until the two are indivisible, woven into a single language. In this respect he should be considered a pioneer of the kind of elemental atmospherics recently purveyed by the likes of
Richard Skelton
and
Kemper Norton
. Yet these pieces are distinctive and characteristic of their author, exhibiting the same windblown drift and dreamlike melancholy that billowed through FSA's work from 1992?2000, filtered through a new maturity gained during Pearce's twelve-year absence."
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