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01. M. Mashabi And His Kelana Ria Orchestra - Kesunyian Jiwa (Emptiness of Soul)
02. M. Mashabi And His Kelana Ria Orchestra - Untuk Bungamu (For Your Flower)
03. M. Mashabi And His Kelana Ria Orchestra - Harapan Hampa (Empty Hope)
04. M. Mashabi And His Kelana Ria Orchestra - Ratapan Anak Tiri (Wailing of Adopted Child)
05. M. Mashabi And His Kelana Ria Orchestra - Djangan Menggoda (Don't Tease)
06. M. Mashabi And His Kelana Ria Orchestra - Hilang Tak Berkesan (Gone Without A Trace)
07. M. Mashabi And His Kelana Ria Orchestra - Pantun Nasehat (Words of Wisdom)
08. M. Mashabi And His Kelana Ria Orchestra - Renungkanlah (Think About It)
09. M. Mashabi And His Kelana Ria Orchestra - Penggoda Djiwa (Seducer of Soul)
10. M. Mashabi And His Kelana Ria Orchestra - Peristiwa Lama (Past Incidence)
11. M. Mashabi And His Kelana Ria Orchestra - Tudjuan Bersama (Common Goal)
12. M. Mashabi And His Kelana Ria Orchestra - Djangan Mengharap (Don't Hold Out Hope)
13. M. Mashabi And His Kelana Ria Orchestra - Pesta Tjahaja (Party of Light)
14. M. Mashabi And His Kelana Ria Orchestra - Seloka Gembira (Poetry of Joy)
ARTIST
TITLE
Kafilah Nights: Malay-Arabic Variations From 1960s Indonesia
FORMAT
LP

LABEL
CATALOG #
ELE 035LP ELE 035LP
GENRE
RELEASE DATE
9/27/2024

In the early 1960s, two of the best talents in the Indonesian music scene, songwriter and band leader Adi Karso, known for his hits "Papaya Cha-Cha-Cha" and "Balonku" and Gambus musician Munif Bahasuan teamed up to form Orkes Melayu (Malay Orchestra) Kelana Ria. Between 1961 and 1964, Kelana Ria recorded 48 songs that were spread over four records, Kafilah, Yam El Shamah, Ya Mahmud, and Ya Hamidah, which become the primary sources for this compilation. These four recordings changed the trajectory of Indonesian popular music. The songs and the soulful vocal performance belong to Muhamad Mashabi, who despite the popularity of the songs he created is now largely forgotten, whose history was kept alive only in the neighborhood where he grew up in central Jakarta. With only a short musical career and only nine recorded songs from almost 40 compositions, Mashabi fell by the wayside in the early 1970s, especially with the rise of pop and rock from bands like Koes Plus, Panbers, and God Bless. Yet his songs, inspired by Malay traditional songs but performed in the modern studio setting, lay the foundations for what would become the biggest musical genre in the country, dangdut, especially the kind that was popularized by the self-styled king of the genre, Rhoma Irama.