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01. Fay Victor's Soundnoisefunk - Funky Dunk
02. Fay Victor's Soundnoisefunk - A Witness in the Wilderness
03. Fay Victor's Soundnoisefunk - Information Highway
04. Fay Victor's Soundnoisefunk - Police Lights and Sirens
05. Fay Victor's Soundnoisefunk - Squeeze Bottle
06. Fay Victor's Soundnoisefunk - The Blues Are Always Free
07. Fay Victor's Soundnoisefunk - Creative Folks!
08. Fay Victor's Soundnoisefunk - Textured Pines
09. Fay Victor's Soundnoisefunk - Whistling on a Skateboard
10. Fay Victor's Soundnoisefunk - I Sing
11. Fay Victor's Soundnoisefunk - The Ha-Ha's
12. Fay Victor's Soundnoisefunk - Holding Back the Scream
ARTIST
TITLE
Wet Robots
FORMAT
CD

LABEL
CATALOG #
ESPDISK 5025CD ESPDISK 5025CD
GENRE
RELEASE DATE
7/6/2018

Wet Robots is Fay Victor's first album as a leader released on an American label other than her own Greene Street Music, but she is already a star on the New York avant-jazz scene. From Bradley Bambarger's liner notes: "Few vocalists have the sheer boldness -- the outright fearlessness -- of Fay Victor as an improviser. The New York native has long been a creative force on the avant-jazz scene, as a singer, bandleader, composer, arranger, and teacher. She has worked on both sides of the Atlantic with the likes of Misha Mengelberg, Roswell Rudd, and Anthony Braxton, along with recording several distinctive albums as a leader. Reviewing her recent disc Absinthe & Vermouth (2013), NPR declared evocatively that Fay's original songs sound 'as if Joni Mitchell wrote lyrics for a lost Betty Carter prog-rock album -- and it totally works.' Fay has also recorded edgy blues in a duo with guitarist Anders Nilsson, and she is an inspired re-animator of vintage instrumentals as vocal material, in the spirit of Carmen McRae in Monk ; to this end, Fay has performed with her In Praise of Ornette group and with her house-rocking Herbie Nichols Sung band. Now we have on record Fay's SoundNoiseFUNK quartet, featuring Joe Morris, Sam Newsome, and Reggie Nicholson -- each an exceptional maker of music in the moment. Although Fay enjoyed a rapport with each of these players in various combinations, this foursome had never played together as a unit before the single summer day last year when Wet Robots was captured in a Brooklyn studio. If jazz is the sound of surprise, this album startles -- a sonic funhouse of left turns. The band floats in its own space, untethered by a bass. Morris's guitar moves like a snake. Newhouse keens, taps, sighs on the straight horn. Nicholson makes his percussion set-up a skittering, rattling thing. Then there is Fay -- her voice primal and wild, as attuned to unfettered expression as Albert Ayler's tenor."