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Artist	Title	Format	Label	Catalog #

CALDERON, JUAN CARLOS	Bloque 6	LP	VAMPISOUL	VAMPI 374LP
$28.50 PREORDER RELEASE DATE: 9/18/2026 Bloque 6 (1968), by Juan Carlos Calderón, is a landmark recording in the history of modern jazz in Spain, markedly different from the albums Calderón would record just a few years later under the influence of funk, disco music, and even flamenco. Juan Carlos Calderón enjoyed a long and successful career, composing and arranging some of the most iconic songs by Spanish artists such as Joan Manuel Serrat, Mocedades, and Ana Belén, among many others. However, his musical beginnings were closely tied to the world of jazz. His training as a pianist and the restless, adventurous spirit he shared with his brothers -- alongside whom he opened one of Spain's first jazz clubs, a venue that welcomed many of the world's leading jazz figures -- shaped the early stages of his career and led him into the jazz scene. His recording debut came in 1968 with the release of Juan Carlos Calderón presenta a Juan Carlos Calderón, followed a few months later by Bloque 6. For the recording of this album, he assembled a group of prominent Spanish jazz musicians, including Pedro Iturralde, Vlady Bas, and Pepe Nieto. The repertoire combines original compositions, such as the outstanding "Sambando," with interpretations of works by Miles Davis, Thelonious Monk, and Oliver Nelson. The album's sound invites comparison with Nelson's celebrated "The Blues and the Abstract Truth" period, reflecting strong hard bop and modal jazz influences. In 1969, the album was awarded Best International Jazz Album of the Year in the United States, and years later it was reissued on CD by the prestigious Blue Note label. First time vinyl reissue.

Artist	Title	Format	Label	Catalog #
DOLLAR BRAND/DON CHERRY/CARLOS WARD	The Third World-Underground (1974)	CD	WEWANTSOUNDS	WWSCD 125CD
$18.00 PREORDER RELEASE DATE: 9/11/2026 Wewantsounds presents the first-ever international release of the legendary collaboration between Abdullah Ibrahim (Dollar Brand) and Don Cherry, featuring Carlos Ward. Recorded live in 1972 at Jazzhus Montmartre in Copenhagen, this highly sought-after album was originally released exclusively in Japan in 1974 on the cult jazz label Trio Records via its revered Nadja imprint. An essential chapter in the musicians' discographies, the performance masterfully blends jazz with rich South African rhythms and global influences. This long-awaited edition features fully remastered audio, the original Japanese artwork, and a four-page booklet with new bilingual liner notes (English/French) by Jacques Denis. The Third World-Underground captures a rare convergence of three singular musical voices: Don Cherry's nomadic imagination, Abdullah Ibrahim's deeply rooted South African lyricism, and Carlos Ward's muscular alto saxophone. By 1972 when this magical album was recorded, Cherry and Ibrahim had already spent a decade redefining jazz by pushing beyond its foundations and embracing a broader, global musical language. Cherry was in constant search of new musical pathways. Drawing inspiration from the traditional sounds of Turkey, India, Africa, and beyond, he cultivated a fluid, borderless approach that expanded far beyond the trumpet, incorporating voice, percussion, and communal improvisation into his work. Ibrahim brought an equally profound sensibility. A spiritual heir to Duke Ellington, shaped by Cape Town gospel, township jive, and the emotional weight of exile, he transformed the piano into an instrument capable of both celebration and lament. Having first crossed paths in the mid-1960s, the musicians shared a deep mutual affinity that culminated in this performance. Recording under a name that reflected the era's growing decolonization movements, the trio created a fearless, boundary-defying statement across seven hypnotic pieces. The music unfolds as a continuous conversation: Ibrahim's cyclical piano figures provide an emotional foundation while Cherry and Ward drift, soar, and chant in ecstatic unison, searching collectively for new ground. Originally released in Japan in 1974 on Trio Records, the album was never reissued on vinyl, gradually attaining cult status among collectors and fans of Don Cherry and Dollar Brand alike. Freed from convention, The Third World-Underground remains a restless and deeply human work of collective discovery whose resonance continues to unfold with every listen.

Artist	Title	Format	Label	Catalog #
DOLLAR BRAND/DON CHERRY/CARLOS WARD	The Third World-Underground (1974)	LP	WEWANTSOUNDS	WWSLP 125LP
$33.00 PREORDER RELEASE DATE: 9/11/2026 LP version. Wewantsounds presents the first-ever international release of the legendary collaboration between Abdullah Ibrahim (Dollar Brand) and Don Cherry, featuring Carlos Ward. Recorded live in 1972 at Jazzhus Montmartre in Copenhagen, this highly sought-after album was originally released exclusively in Japan in 1974 on the cult jazz label Trio Records via its revered Nadja imprint. An essential chapter in the musicians' discographies, the performance masterfully blends jazz with rich South African rhythms and global influences. This long-awaited edition features fully remastered audio, the original Japanese artwork, and a four-page booklet with new bilingual liner notes (English/French) by Jacques Denis. The Third World-Underground captures a rare convergence of three singular musical voices: Don Cherry's nomadic imagination, Abdullah Ibrahim's deeply rooted South African lyricism, and Carlos Ward's muscular alto saxophone. By 1972 when this magical album was recorded, Cherry and Ibrahim had already spent a decade redefining jazz by pushing beyond its foundations and embracing a broader, global musical language. Cherry was in constant search of new musical pathways. Drawing inspiration from the traditional sounds of Turkey, India, Africa, and beyond, he cultivated a fluid, borderless approach that expanded far beyond the trumpet, incorporating voice, percussion, and communal improvisation into his work. Ibrahim brought an equally profound sensibility. A spiritual heir to Duke Ellington, shaped by Cape Town gospel, township jive, and the emotional weight of exile, he transformed the piano into an instrument capable of both celebration and lament. Having first crossed paths in the mid-1960s, the musicians shared a deep mutual affinity that culminated in this performance. Recording under a name that reflected the era's growing decolonization movements, the trio created a fearless, boundary-defying statement across seven hypnotic pieces. The music unfolds as a continuous conversation: Ibrahim's cyclical piano figures provide an emotional foundation while Cherry and Ward drift, soar, and chant in ecstatic unison, searching collectively for new ground. Originally released in Japan in 1974 on Trio Records, the album was never reissued on vinyl, gradually attaining cult status among collectors and fans of Don Cherry and Dollar Brand alike. Freed from convention, The Third World-Underground remains a restless and deeply human work of collective discovery whose resonance continues to unfold with every listen.

Artist	Title	Format	Label	Catalog #
VA	Lefto Presents Jazz Cats Volume 4	2LP	SDBAN ULTRA	SDBANU 049LP
$43.00 PREORDER RELEASE DATE: 9/4/2026 The acclaimed compilation series returns with Volume 4! Fourteen tracks showcasing the most exciting emerging voices in Belgian jazz, ready to claim a permanent spot on your turntable. The latest instalment in the celebrated compilation series once again shines a spotlight on the most adventurous and forward-thinking artists emerging from Belgium's jazz scene. Curated by Belgian tastemaker, DJ and broadcaster Lefto Early Bird, the collection continues a tradition of uncovering hidden gems and introducing them to a wider audience of dedicated diggers. Over the years, the Jazz Cats series has become a trusted barometer of Belgium's ever-evolving jazz landscape. Long before many artists gained international recognition, they first appeared on these compilations, making the series both a discovery platform and a snapshot of one of Europe's most exciting musical ecosystems. Jazz Cats Volume 4 captures a scene bursting with creativity, diversity and ambition. Across fourteen carefully selected tracks, the compilation explores the many directions contemporary Belgian jazz is taking today. Jazz, hip-hop, electronic music, afrobeat, spiritual jazz and experimental sounds coexist effortlessly throughout the collection. The result is a body of work that feels remarkably cohesive despite its diversity: a portrait of a scene that continues to evolve through curiosity, collaboration and constant reinvention. Featuring Aquiles Navarro, Ola Tunji, Helena Casella, Lupo Spaccaro, KVR, GAIKO, Lucid Lucia, Kunde, Fred Gata, Foutloos, BREAD FOR PIGEONS, VLIEGWERK, Ragini Trio, SLAGADER, and Kuna Maze.

Artist	Title	Format	Label	Catalog #
FITZGERALD, ELLA	Live at Falconer Theatre, Copenhagen 6th February 1966 (Collector's Edition)	LP	GEARBOX	GB 4002ACELP
$54.00 PREORDER RELEASE DATE: 8/24/2026 LP version. Audiophile collector's edition. Transparent vinyl. Wondrously uninhibited, and liberated from the added pressure of either a studio or a planned live recording, there is true magic, sparkling energy, and no lowering of intensity in this never-before-released unearthed gem. The night before Ella Fitzgerald walked into Konserthuset in Stockholm and recorded what became The Stockholm Concert, 1966, the Pablo Records live album now considered among the essential documents of her late career, she played two concerts at Falkoner Theatre in Copenhagen. Like many other Black American jazz musicians of her era, Denmark felt like home to Ella. It was a country where they found a degree of respect that the United States too often denied them. Ella's ease in her adopted home was palpable when she walked onto the Falkoner Theatre stage that Sunday. And, now the results are released on record for the first time, and with the full blessing of Ella's estate, listeners are treated to an irrepressible, unexpectedly vital addition to her canon.

Artist	Title	Format	Label	Catalog #
GAF & THE LOVE SUPREME ARKESTRA	Retiro Espiritual	LP	KEROXEN	KRXN 053LP
$28.50 PREORDER RELEASE DATE: 8/21/2026 Following the release of Ganzfeld (KRXN 039LP, 2024), the Tenerife-based octet returns with Retiro Espiritual, their fourth full-length album and the second chapter in an ongoing improvisational document recorded inside one of Santa Cruz de Tenerife's abandoned oil tanks. Gaf & The Love Supreme Arkestra work outside conventional studio frameworks. Their music emerges from extended improvisation sessions that unfold sporadically, sometimes over several days. Built around drums, guitar, bass, modular synthesis and samplers, and expanded with vibraphone and winds (flutes, saxophone, Herreño whistle), the group continues to move between jazz, psychedelic rock and free-form experimental composition. While Ganzfeld drew from the misty northern coast of Isla Baja, Retiro Espiritual turns toward Taganana, one of Tenerife's most remote regions. Its isolation, Atlantic exposure and volcanic terrain inform the record's pace and focus. The title reflects this shift: a space for retreat, collective creation and suspended time. Sonically, Retiro Espiritual leans warmer and more reflective. Flutes drift over slow grooves, extended jams unfold patiently, and traces of '70s spiritual jazz surface throughout. The experimental core remains, now shaped by repetition, space and a calmer, sunlit atmosphere. Another autonomous transmission from a band committed to ritual, territory and long-form collective improvisation at the edge of the Atlantic. Recorded live in 2020 in Tenerife Canary Islands. Produced by Mladen Kurajica. Mixed by Jorge Lozano. Master by Daniel García. Artwork: Felipe González Cabezas.

Artist	Title	Format	Label	Catalog #
JOSEPH AND MARCELO BRATKE, JULIAN	Imaginary Line	CD	RIVETATION RECORDS	RIV 006CD
$16.00 PREORDER RELEASE DATE: 8/21/2026 This album presents four jazz composers (the classics of jazz) and four 20th Century classical composers (whose music contains a strong element of jazz) in a new and contemporary dialogue. From Thelonius Monk to Igor Stravinsky, pianists Julian Joseph and Marcelo Bratke initiate a series of imaginative exchanges be-tween the pre-established structures of classical music and the improvisation of jazz. The "imaginary line" is the line that divides these two apparently antagonistic worlds, but which in this case becomes a line of communication, bringing the worlds of jazz and classical closer together and allowing the listener to see the music as a unit. Marcelo has very bravely taken on the challenge of jazz with its many unique requirements and has put his trust in me to direct his vast training and considerable musical talent to create the feeling of Jazz. Julian performs for the Classical side of this project which was born out of a mutual admiration between the two musicians and early discussions about doing a Gershwin recording. The principles of Imaginary Line finding parallels between composers from each idiom and unifying them in a statement about 20th Century music and its commonality by revealing the expansive quality of the two musicians' musical choices and how that limitless influence spreads beyond neat categorization. Compositions by George Gershwin, Darius Milhaud, Frances Poulenc, Igor Stavinsky, Thelonius Monk, Bill Evans, Chick Corea, and Duke Ellington.

Artist	Title	Format	Label	Catalog #
FITZGERALD, ELLA	Live at Falconer Theatre, Copenhagen 6th February 1966	LP	GEARBOX	GB 4002LP
$31.50 PREORDER RELEASE DATE: 8/14/2026 LP version. Wondrously uninhibited, and liberated from the added pressure of either a studio or a planned live recording, there is true magic, sparkling energy, and no lowering of intensity in this never-before-released unearthed gem. The night before Ella Fitzgerald walked into Konserthuset in Stockholm and recorded what became The Stockholm Concert, 1966, the Pablo Records live album now considered among the essential documents of her late career, she played two concerts at Falkoner Theatre in Copenhagen. Like many other Black American jazz musicians of her era, Denmark felt like home to Ella. It was a country where they found a degree of respect that the United States too often denied them. Ella's ease in her adopted home was palpable when she walked onto the Falkoner Theatre stage that Sunday. And, now the results are released on record for the first time, and with the full blessing of Ella's estate, listeners are treated to an irrepressible, unexpectedly vital addition to her canon.

Artist	Title	Format	Label	Catalog #
FITZGERALD, ELLA	Live at Falconer Theatre, Copenhagen 6th February 1966	CD	GEARBOX	GB 4002CD
$17.50 PREORDER RELEASE DATE: 8/14/2026 Wondrously uninhibited, and liberated from the added pressure of either a studio or a planned live recording, there is true magic, sparkling energy, and no lowering of intensity in this never-before-released unearthed gem. The night before Ella Fitzgerald walked into Konserthuset in Stockholm and recorded what became The Stockholm Concert, 1966, the Pablo Records live album now considered among the essential documents of her late career, she played two concerts at Falkoner Theatre in Copenhagen. Like many other Black American jazz musicians of her era, Denmark felt like home to Ella. It was a country where they found a degree of respect that the United States too often denied them. Ella's ease in her adopted home was palpable when she walked onto the Falkoner Theatre stage that Sunday. And, now the results are released on record for the first time, and with the full blessing of Ella's estate, listeners are treated to an irrepressible, unexpectedly vital addition to her canon.

Artist	Title	Format	Label	Catalog #
STROBL/GEORG GRAEWE/MARK SANDERS, LAURA	Acutance	CD	RANDOM ACOUSTICS	RA 044CD
$16.50 PREORDER RELEASE DATE: 8/14/2026 Laura Strobl is a Viennese, classically trained violist (and violinist), who focuses on featuring the viola as a contemporary solo instrument. She is a long-time member of German pianist and composer Georg Graewe's Sonic Fiction Orchestra, which is based in Vienna. Stroble has played with such innovative improvisers as Frank Gratkowski, François Houle, Gerry Hemingway, Martin Siewert, and Günter "Baby" Sommer. She initiated the free-improvising trio with her mentor Graewe and British master drummer Mark Sanders, who has worked with many greats in the British, European, and American free jazz and free improvised music scenes. Sanders first collaborated with Graewe in his quintet in the 1990s (Concert in Berlin 1996, Wobbly Rail, 1999), and continued to work with Graewe in the Frisque Concordance band. This trio first performed live at London's Cafe OTO in March 2026 during Sanders' three-day residency in the club. Actuance was recorded in Vienna in November 2025 and offers eleven chamber pieces for the uncommon instrumentation of viola, piano, and drums. The album's title refers to the abrupt transition from light to dark in a physical, objective measure of an image at the edges of objects. It defines the steepness of the tonal gradient across boundaries, directly influencing the human eye's perception of sharpness and clarity in a photograph. It is an apt description of how spontaneous, improvised ideas, a brief and evocative melody, or just an abstract sound gravitate organically into instant, coherent, and often complex and intense compositions.

Artist	Title	Format	Label	Catalog #
CLARK, MIKE	Kuon Ganjo	LP	WIDE HIVE RECORDS	WH 394LP
$19.00 PREORDER RELEASE DATE: 8/7/2026 "Following the success of Itai Doshin is Kuon Ganjo, Mike Clark's third release for Wide Hive Records, which is simply fantastic! Featuring Patrice Rushen on Rhodes and piano, Essiet Odu Essiet on bass, Craig Handy on sax, and Eddie Henderson on trumpet. Mike really centers into the New York sound he fell in love with early on here; starting things off with a burning East Broadway Rundown. Amazing line-up with many accolades across the entire band performing a sort of up-tempo Jazz that will knock your socks off."

Artist	Title	Format	Label	Catalog #
KRUPA, KACPER	Sekwa	LP	NOPAPER RECORDS	R 144LP
$29.50 PREORDER RELEASE DATE: 8/7/2026 LP version. Kacper Krupa is one of the most distinctive saxophonists of the younger generation, a key collaborator of Skalpel and Łona x Konieczny x Krupa (whose album Taxi was certified Gold in Poland), and leader of Siema Ziemia, with whom he has performed at prestigious European festivals and concert venues such as the London Jazz Festival, Jazz Jamboree, Le Périscope, and Bimhuis. Sekwa marks another important step in Kacper Krupa's artistic journey. The album was created at the intersection of jazz, improvised music, contemporary chamber music, electronics, and ambient, forming a diverse yet coherent whole. The music on the album was recorded mainly using saxophones, flute, modular synthesizers, and drum machines. However, the sounds of acoustic instruments are largely processed electronically and sampled. The album's title refers to a skateboarding sequence of tricks -- a fluid chain of movements based on rhythm, intuition, and a willingness to take risks. The music itself operates in a similar way: structured forms meet openness, precision meets free improvisation. It is a record of movement, transition, and the search for new sonic trajectories.

Artist	Title	Format	Label	Catalog #
YOSHIHIDE/KEI MATSUMARU, OTOMO	Shutsumin	CD	TROST	TROST 249CD
$16.50 PREORDER RELEASE DATE: 8/7/2026 The debut recording from the generation spanning duo of Japanese legend Otomo Yoshihide, toggling between guitar and turntables, and rising saxophonist Kei Matsumaru, a native of Papua New Guinea, who moved to Tokyo after studying jazz at the Berkelee College of Music in Boston, where he's become a close collaborator of Eiko Ishibashi in addition to leading his own genre-defying solo projects. Both musicians casually ignore lines between jazz, experimental music, and noise, fashioning a bracing set of improvisations marked by visceral timbres, quicksilver gestural exchanges, and charged interactivity. Recorded live at Shinjuku PIT INN, Tokyo, Japan, April 13, 2024. Mixed by Otomo Yhoshihide, mastered by Lasse Marhaug. Photos by Kaoru Ashiwa. Artwork by Lasse Marhaug.

Artist	Title	Format	Label	Catalog #
GEERKEN/CHRIS TRENT, HARTMUT	Omniverse Sun Ra (Expanded And Revised 3rd Edition: 2026)	Book	ART YARD	9780993351426
$71.00 IN STOCK 304 pages. Hardcover. Omniverse - Sun Ra by Hartmut Geerken and Chris Trent. Expanded and revised hardback third edition. Published by Art Yard. Over thirty years after its first publication, Art Yard present the revised third edition of Hartmut Geerken's Omniverse - Sun Ra, a definitive hitch-hiker's guide to the Sun Ra galaxy. This new revised edition features a fully revised discography by Chris Trent, co-author of The Earthly Recordings of Sun Ra. Includes hundreds of images of Sun Ra album covers, posters, handbills and ephemera, including reproductions of rare hand drawn and colored LP sleeves. Bound in French fold cover, metallic foil blocking on blue Faimei cloth hardback. Comprehensive pictorial and annotated discography, including chronological discography and alphabetical record title, composition, personnel and record label indexes. Also features jackets and label indexes and hundreds of photographs of Sun Ra and His Arkestra in New York 1966 and Germany 1979 by Val Wilmer and Hartmut Geerken from Heliopolis Cairo Egypt 1971 an updated discography by Chris Trent, co-author of The Earthly Recordings of Sun Ra. With essays, photo documents by Hartmut Geerken, Val Wilmer, Amiri Baraka, Robert L. Campbell, Chris Cutler, Gabi Geist, Salah Ragab, Sigrid Hauff, and Karl Heinz Kessler.

Artist	Title	Format	Label	Catalog #
KRUPA, KACPER	Sekwa	CD	NOPAPER RECORDS	R 144CD
$16.00 PREORDER RELEASE DATE: 8/7/2026 Kacper Krupa is one of the most distinctive saxophonists of the younger generation, a key collaborator of Skalpel and Łona x Konieczny x Krupa (whose album Taxi was certified Gold in Poland), and leader of Siema Ziemia, with whom he has performed at prestigious European festivals and concert venues such as the London Jazz Festival, Jazz Jamboree, Le Périscope, and Bimhuis. Sekwa marks another important step in Kacper Krupa's artistic journey. The album was created at the intersection of jazz, improvised music, contemporary chamber music, electronics, and ambient, forming a diverse yet coherent whole. The music on the album was recorded mainly using saxophones, flute, modular synthesizers, and drum machines. However, the sounds of acoustic instruments are largely processed electronically and sampled. The album's title refers to a skateboarding sequence of tricks -- a fluid chain of movements based on rhythm, intuition, and a willingness to take risks. The music itself operates in a similar way: structured forms meet openness, precision meets free improvisation. It is a record of movement, transition, and the search for new sonic trajectories.

Artist	Title	Format	Label	Catalog #
PASCAUD, MATTHIS	Loup(s)	LP	SHAKE PRODUCTION	SHAKE 002LP
$29.50 PREORDER RELEASE DATE: 8/7/2026 LP version. The new album by the French jazz guitarist recorded in the legendary Abbey Road studio. A soft album with pop and cinematic influences between Khruangbin, Bombay Bicycle Club, and Bill Frisell. With wild eyes and ash-gray fur, Loup(s) is an instrumental album where jazz and pop intertwine, led by guitarist Matthis Pascaud (Ayo, Erik Truffaz, Moonlight Benjamin, Marion Rampal, Hugh Coltman) and his pack of sonic alchemists. Once again, the album features the magnetic R (Cheick Tidiane Seck, Erik Truffaz, Tété, Albin de la Simone) on drums, composition, and co-production, alongside bassist Laurent Vernerey (Didier Lockwood, MC Solaar, Henri Salvador, Jane Birkin) and saxophonist-clarinetist Christophe Panzani (Carla Bley Big Band, Hocus Pocus, Anne Paceo). Four lone wolves, fluent in swamp blues and psychedelic incantations. After Night Trippin' and Good Grief, Matthis sets off into uncharted territory, tracing the footsteps of Pink Floyd while echoing the shimmering grooves of Khruangbin, Blake Mills, and Pino Palladino. The result, Loup(s), recorded at London's legendary Abbey Road Studios, is a record where atmosphere reigns supreme. Tempos stretch and breathe, basslines rumble, and saxophones murmur through a Leslie cabinet. Landscapes emerge, sculpted by rolling toms and the feline cry of a 1967 Gretsch Astrojet. Later, singer Célia Kameni and pianist Gaël Rakotondrabe lend their own mysterious enchantments. Together, Pascaud and his band of explorers chase textures as others might chase gold, dreaming aloud of a music made of a panoramic vision stretching from the plains of Gran Sasso to the far edges of the American West, in search of forgotten legends.

Artist	Title	Format	Label	Catalog #
GUSTAFSSON/KIMMO POHJONEN, MATS	Two Balls Are Enough	CD	TROST	TROST 258CD
$16.50 PREORDER RELEASE DATE: 8/7/2026 Trost Records presents Two Balls Are Enough, the debut album from the duo of Finnish accordionist Kimmo Pohjonen and Swedish reedist Mats Gustafsson. Both musicians have routinely blown past the rules of the traditions from which first emerged -- folk and free jazz, respectively -- to explore constantly expanding worlds. It was only a matter of time before these iconoclasts collided to create something wonderfully raw and unexpected. Recorded Feb 24-25th, 2026 by Martin Siewert, Vienna. Mixed May 18-19th, 2026 by Martin Siewert, Pohjonen and Gustafsson. Mastered June 2nd, 2026 by Martin Siewert. Photos by Olof Madsen and Ziga Koritnik.

Artist	Title	Format	Label	Catalog #
PASCAUD, MATTHIS	Loup(s)	CD	SHAKE PRODUCTION	SHAKE 002X-CD
$18.00 PREORDER RELEASE DATE: 8/7/2026 The new album by the French jazz guitarist recorded in the legendary Abbey Road studio. A soft album with pop and cinematic influences between Khruangbin, Bombay Bicycle Club, and Bill Frisell. With wild eyes and ash-gray fur, Loup(s) is an instrumental album where jazz and pop intertwine, led by guitarist Matthis Pascaud (Ayo, Erik Truffaz, Moonlight Benjamin, Marion Rampal, Hugh Coltman) and his pack of sonic alchemists. Once again, the album features the magnetic R (Cheick Tidiane Seck, Erik Truffaz, Tété, Albin de la Simone) on drums, composition, and co-production, alongside bassist Laurent Vernerey (Didier Lockwood, MC Solaar, Henri Salvador, Jane Birkin) and saxophonist-clarinetist Christophe Panzani (Carla Bley Big Band, Hocus Pocus, Anne Paceo). Four lone wolves, fluent in swamp blues and psychedelic incantations. After Night Trippin' and Good Grief, Matthis sets off into uncharted territory, tracing the footsteps of Pink Floyd while echoing the shimmering grooves of Khruangbin, Blake Mills, and Pino Palladino. The result, Loup(s), recorded at London's legendary Abbey Road Studios, is a record where atmosphere reigns supreme. Tempos stretch and breathe, basslines rumble, and saxophones murmur through a Leslie cabinet. Landscapes emerge, sculpted by rolling toms and the feline cry of a 1967 Gretsch Astrojet. Later, singer Célia Kameni and pianist Gaël Rakotondrabe lend their own mysterious enchantments. Together, Pascaud and his band of explorers chase textures as others might chase gold, dreaming aloud of a music made of a panoramic vision stretching from the plains of Gran Sasso to the far edges of the American West, in search of forgotten legends.

Artist	Title	Format	Label	Catalog #
MAZZARELLA, NICK	Siena Sessions	CD	CORBETT VS. DEMPSEY	CVSD 129CD
$13.50 PREORDER RELEASE DATE: 8/7/2026 Corbett vs. Dempsey celebrates its first release featuring Nick Mazzarella. One of the critical figures in Chicago's creative music scene, alto saxophonist Nick Mazzarella has been a mainstay for over 25 years as a leader, composer, and player. This gorgeous recording was made at Shape Shoppe Paradiso, the Italian studio of former Chicagoan Griffin Rodriguez. Mazzarella was introduced to bassist Silvia Bolognesi by cellist Tomeka Reid, and he began informally playing with Silvia and drummer Christiano Calcangile in 2016. Seven years later, Bolognesi invited Mazzarella to play with her quartet at the Hyde Park Jazz Festival and to tour a bit with them; she then invited him to Italy, where they performed and recorded, and in 2025 they convened again, this time allowing time for a trio session focused on Mazzarella's original music, all of it previously unrecorded or written specifically for the occasion. Mazzarella, Bolognesi, and Calcagnile added trumpeter Emanuele Marsico for quartets on two pieces. Covering a breadth of stylistic terrain, from three open improvisations to piquant balladry and freebop heat, Siena Sessions presents Mazzarella's uncompromising vision with grace and precision. Molto bene, Mazzarella!

Artist	Title	Format	Label	Catalog #
TCHICAI QUINTET/PETER KOWALD DUO, JOHN	I.C.P./Jutto-Ku Kyoto	LP	FORMALIBERA	5JT185
$28.50 PREORDER RELEASE DATE: 7/31/2026 In late September and early October 1969, John Tchicai toured throughout Denmark with a special quintet. The international band was a notable one, bringing together musicians from Denmark and Holland whose conceptual differences were as important as the musical values they held in common. Tchicai and two of his closest Danish collaborators -- trumpeter Hugh Steinmetz and guitarist Pierre Dørge -- embraced an international perspective that incorporated far flung influences from African music, contemporary classical, and jazz into a cool, yet playful and joyous, modernity. In this quintet they worked with two pillars of the Dutch Instant Composer's Pool, pianist Misha Mengelberg and Han Bennink. Ironic and subversive, they displayed a willingness, you might even say an eagerness, to disrupt accepted conventions of any kind. The music on this LP, recorded on October 9, 1969, at Danish Radio Studio 11 in Copenhagen, consists of compositions they'd played on the recently concluded tour plus a group improvisation. Of course, Tchicai's international collaborations extended beyond neighboring Holland. He was a most cosmopolitan musician, performing and recording with musicians in the U.S., Asia, Africa, and Europe. Perhaps surprisingly, one of his most sympathetic European partners was German bassist Peter Kowald. Tchicai did share some musical affinities with the German improvising scene. As Kowald and his compatriots, such as Peter Brötzmann and Alexander von Schlippenbach, took inspiration from the cathartic energy and the collective improvisation of free jazz, especially Albert Ayler. His appearance on John Coltrane's Ascension, would have also earned him respect among the hard-blowing Germans. Tchicai and Kowald mutual openness to the sounds of other cultures and free improvisation made them quite compatible, so it's something of a shock that this is the only documentation of their work together. The two improvisors found themselves in Japan in 1983, when they recorded the astonishing duet contained on the second side of this LP. Their improvisation in Kyoto is an amazingly resourceful conversation a kind of improvisation which remains far from "world music," and with new textures expanding their musical vocabularies and allowing them to develop new ideas; qualities that allowed Tchicai to flourish in so many different settings. Includes an insert with beautiful photos from the John Tchicai Quintet sessions with portraits of Tchicai, Bennink, Mengelberg, Steinmetz and Dørge as well as liner notes by Ed Hazell.

Artist	Title	Format	Label	Catalog #
TCHICAI/CADENTIA NOVA DANICA, JOHN	Wigmore Hall 1968	LP	FORMALIBERA	6FFCND186
$28.50 PREORDER RELEASE DATE: 7/31/2026 To the best of anyone's knowledge this performance by John Tchicai and Cadentia Nova Danica was the first ever jazz- or improvisation-type concert held at London's hallowed recital room Wigmore Hall. 1968 was a year of Denmark's extensive cultural program in Britain, which included a poorly attended CND concert, not recorded, on 2nd October at Manchester's Free Trade Hall. That this was to be the sole concert by Tchicai -- of New York Contemporary Five, New York Art Quartet, Coltrane's Ascension fame -- was stupefyingly ridiculous so Anthony Barnett set about trying to organize a London concert. He traipsed the capital in search of an available venue without luck until, with no thought of a positive outcome, he entered Wigmore Hall. To his astonishment, with few questions asked, they said yes. Following that, there was the matter of work permits. Barnett visited the relevant office and they too said yes, probably because of the involvement of The Royal Danish Embassy and the Danish Cultural Ministry with the Manchester concert. Danmarks Radio asked the BBC to record the concert on its behalf. The arrangement was that Barnett would receive a small fee and a complete set of the tapes. Afterwards, it turned out that the BBC had edited the tapes down to what it sent to Danmarks Radio, as broadcast and now heard here for the first time since. Sadly, and quite true to form, the BBC had wiped the rest. And it was a struggle for Anthony Barnett to get back the tape that did remain. Possibly it shows how difficult things can be when one acts independently. Featuring Cadentia Nova Danica at the absolute peak of their powers; furious, rich and dense, moving between freeform improvisation and African touchstones before erupting into incandescent free improvisation. Includes an insert with the reproduction of both Wigmore Hall and Manchester's Free Trade Hall original press releases. Liner notes by Anthony Barnett.

Artist	Title	Format	Label	Catalog #
CONTEMPORARY JAZZ QUARTET FEAT. SONNY MURRAY & GARY PEACOCK, THE	Predetermination	LP	FORMALIBERA	7FFTCJQ190
$28.50 PREORDER RELEASE DATE: 7/31/2026 Includes four-page insert. "TCJQ together with Gary Peacock and Sunny Murray! This is THE sunken treasure. This is music I have only heard about. And yet, here it is. Unbelievable. Intact. Preserved. Beaming of energy and JOY! This is a sensational find. My favorite Danes exploding together with my favorite double bass player all time. Gary Peacock. The engine. The power engine. I can hardly breathe when he plays, and when he starts soloing and creating beautiful duo bass action with his colleague Steffen Andersen in this very first recording of 'Predetermination,' 10 minutes in -- my heart expands, and the world suddenly looks and sounds entirely different. Add Sunny Murray on top of it all? The master of unreal flow and accents. Sunny was a beast to deal with at the time. But what he adds to the music is pure poetry. No other drummer did anything even close to this back in the mid-'60s. To have Steinmetz and Beckerlee playing alongside Peacock and Murray in 1964 is as good as it gets. The absolute point-zero of free jazz, Spiritual Unity, was just released. It changed everything. This is the mother of it all. The birth. You would think Steinmetz and Beckerlee would have had a little anxiety joining the American duo. There is nothing of uncertainty or vague playing here. This is for real. Right-on-take-no-prisoners-do-not-look-back. Added to the A-side of this mythical recording with creative Danes and the rhythm section of Spiritual Unity is a little improvised miniature. 'In the Name of Beauty.' The title very accurately describes what is going on. TCJQ creating pure communal beauty. Steinmetz, Beckerlee and Andersen getting very real! Dig the harmonics of the last note. The B-side´s 'Spontaneity,' 'Action' and 'Collusion' are just wild. Raw. And utterly beautiful. The group is doing real sharing on a level unheard of before. While listening through this music numerous times and trying to write something simultaneously of intellectual or emotional content something happens? I lose the sense of time. The emerging free jazz scene of Denmark of the early '60s, is something spectacular and WILD. Years before the other Scandinavian countries even got a grip of the new jazz, the Danes were doing it already. Fueled by very important guest visits by Cecil Taylor, Sunny Murray and Albert Ayler at both clubs and radio or TV appearances. Those were the times when public service actually noticed new developments in art, music and literature." Mats Gustafsson, April 2026

Artist	Title	Format	Label	Catalog #
SANDERS/BILL LASWELL, PHAROAH	With a Heartbeat	LP	GLOSSY MISTAKES	GLOSSY 024LP
$35.50 LOW STOCK LEVEL Originally released in 2003, With A Heartbeat brings together Pharoah Sanders, Bill Laswell, and Graham Haynes in a collaboration that remains as elusive as it is forward-thinking. Now reissued by Glossy Mistakes, the album receives its first official vinyl remastered edition. At the core of the record lies an unusual but striking element: the steady pulse of a human heartbeat. Rather than a conceptual gesture, it becomes the foundation of the music itself -- treated as a deep, bass-like rhythm that anchors the entire album. Around it, Laswell builds his unmistakable sonic world, drawing from dub techniques where basslines expand, dissolve, and re-emerge, and where space becomes as important as sound. Across its extended compositions, the album unfolds slowly and deliberately. Layers of electric sitar, guitar, keyboards and subtle percussion drift in and out, creating a fluid, almost tidal movement. The heartbeat remains present throughout, grounding even the most abstract passages in something physical and immediate. At the center stands Sanders' saxophone-searching, expansive, and deeply spiritual. His playing moves freely across the structures, at times echoing the lineage of John Coltrane, while also reaching beyond it. Alongside him, Haynes adds a complementary voice, weaving through the shifting textures. The result is a work that resists easy definition: part spiritual jazz, part future-facing experiment, shaped by dub's sense of space and transformation. Meditative, immersive, and deeply rhythmic, With A Heartbeat unfolds like a living organism-guided not by fixed tempo, but by the pulse of life itself. With this release, Glossy Mistakes continues its work of bringing essential and forward-thinking recordings into new formats, preserving their depth while opening them to new listeners.

Artist	Title	Format	Label	Catalog #
BAKER, CHET	Sings Again (Gold Vinyl)	LP	MUSIC ON VINYL	MOV 3119GOLD-LP
$43.00 PREORDER RELEASE DATE: 7/24/2026 "American trumpeter Chet Baker was a major innovator in cool jazz, leading him to be nicknamed 'the prince of cool.' He earned much attention and praise through the '50s, particularly for albums featuring his vocals. This included his 1954 album Chet Baker Sings and its follow-up Chet Baker Sings Again in 1985. The latter he released on the Dutch jazz label Timeless Records. He recorded the album with bassist Ricardo Del Fra, drummer John Engels and pianist Michel Graillier. Chet Baker Sings Again is available as a limited edition on gold colored vinyl and affixed on the protective sleeve is the 50th Anniversary Timeless Jazz sticker."

Artist	Title	Format	Label	Catalog #
PASTORIUS & RASHIED ALI, JACO	Blackbird (Green Vinyl)	LP	MUSIC ON VINYL	MOV 3271GREENLP
$41.00 PREORDER RELEASE DATE: 7/24/2026 "Blackbird contains the live recordings of the same-titled album by bass player Jaco Pastorius and drummer Rashied Ali. This live recording was broadcast on French Radio, December 19th, 1984 and features their duet performances of John Coltrane's 'Naima,' Jimi Hendrix's 'Purple Haze,' and Ornette Coleman's 'Broadway Blues,' amongst others. Student bassists Michel Hatzigeorgiou, Reno Steba, Alan Brennan, and Angel Vicens joined the duo at various times during the performance. Blackbird is available as a limited edition on translucent green colored vinyl and affixed on the protective sleeve is the 50th Anniversary Timeless Jazz sticker."

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