Search Result for Genre JAZZ
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ACRSLP 1673LP
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$26.00
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RELEASE DATE: 12/31/2025
Delayed... "Duke Ellington was one of the most important and influential figures in the entire history of jazz, as pianist, bandleader, composer and innovator, his career spanned the evolution from the early days of electric recording. However, while critics and commentators focus on his over-arching significance as a giant of the medium, it's easy to forget that he was a genius at composing tune and songs for the medium of the three-minute, 78rpm single, and during the first three decades of his career before rock 'n' roll changed the pop landscape irrevocably, he had more than 70 records that were credited as chart hits. The Duke himself preferred not to have his work referred to as 'jazz' but liked people to see it as he himself saw it, as being 'beyond category,' simply 'American music.' In a career lasting six decades, he attracted the very best musicians to his orchestras, and gifted to the world many of the jazz standards we know and love today This LP brings together some of his most iconic compositions, including timeless classics such as the Billboard R&B No.1 'Don't Get Around Much Anymore,' alongside stalwarts of the jazz canon 'Mood Indigo,' 'Sophisticated Lady,' 'Solitude,' 'Caravan,' 'Take The 'A' Train,' and 'It Don't Mean A Thing (If You Ain't Got That Swing).' It's a fantastic insight into his most successful output during a primary era of his career, and a great showcase for the artistry which made the Duke such a revered and iconic personality."
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ACTLP 8018LP
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$21.00
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RELEASE DATE: 10/31/2025
"British saxophonist, composer, and bandleader Emma Rawicz unveils Inkyra, her most personal and ambitious work to date. A rising star of the European jazz scene, Rawicz combines emotional depth with dazzling compositional craft. What began as a spark during a lesson at the Royal Academy of Music has grown into a full-fledged ensemble project -- the result of years of collaboration, growth, and shared musical vision. With her longstanding band of trusted collaborators, Inkyra captures the raw energy of live performance and the intimacy of close creative bonds."
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ACTLP 8020LP
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$21.00
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RELEASE DATE: 10/31/2025
"Forget the boxes. Forget the rules. Just play. Two of the most compelling voices in modern jazz -- trumpeter Theo Croker and pianist Sullivan Fortner -- come together for a fearless duo album that strips everything down to pure, in-the-moment expression. No rehearsals. No pre-written compositions. No expectations. Just two master improvisers in total conversation, creating music that's alive, unfiltered, and utterly free. This is raw, boundary-breaking jazz at its most honest."
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WWSLP 113LP
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$33.00
PREORDER
RELEASE DATE: 10/31/2025
Wewantsounds collaborates with cult musician Yusuf Mumin of the Black Unity Trio to unveil previously unreleased music from his personal archive. Following 2024's acclaimed Black Artist Group release, this new instalment continues to unearth hidden treasures from the Great Black Music tradition. Although the exact recording dates remain unknown, the music here is a powerful blend of serene spiritual jazz and fiery sonic intensity. All tracks have been remastered for vinyl by Colorsound Studio and the release also includes a two-page insert featuring new liner notes by Mumin and Pierre Crépon. In 1968, Yusuf Mumin was the blistering alto saxophone voice of the Black Unity Trio, who recorded the cult privately pressed album Al-Fatihah, one of the most sought-after albums in the genre. After extensive but unsuccessful searches for additional material by the group, Journey to the Ancient finally offers more unheard music from Yusuf Mumin. The album presented here draws from a selection of recordings preserved in Mumin's private collection, revealing previously unheard layers of his experimental vision. Mumin performs under both his own name and, when multitracking revelatory double bass parts, the pseudonym Dan Nuby. Born Joseph W. Phillips in 1944, Mumin became a key figure in Cleveland's radical free jazz underground of the 1960s. Deeply influenced by spiritual and esoteric traditions, Mumin was originally drawn to "outside" playing by the sonic explorations of Yusef Lateef. Shortly after Albert Ayler's U.S. recording debut with trumpeter Norman Howard, Howard and Mumin were co-leading a group in Cleveland. Mumin's legacy was cemented through his collaborations with Abdul Wadud and Hasan Shahid as the Black Unity Trio. The release includes a two-page insert featuring interview-based liner notes by Mumin and Crépon, offering fresh insight into the great history of the Cleveland scene. Journey to the Ancient continues Wewantsounds' mission to unearth the hidden treasures of such visionary jazz musicians, and it's an honor to finally present Yusuf Mumin's cutting-edge work for the first time after it remained unheard in the vault for decades.
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DC 948CD
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$13.50
PREORDER
RELEASE DATE: 10/24/2025
"From out of the dark, the crackle of feedback birdsong signals a return to the land of sound environments exclusive to the music of Rafael Toral. A year and a half after his epochal electric guitar album, Spectral Evolution, Traveling Light finds him sharpening his focus, moving boldly from abstract forms to concrete compositions in the form of a set of jazz standards. Based on Toral's discography, this may seem an unlikely endeavor, but happily, Traveling Light transpires to be one of the major accomplishments in his long history, expressing these songs on their own terms through the unique listening lens of his music. Toral sidesteps the traditional logic of how to play a song, moving outside the framework with which one would expect a standard to be treated. Three decades ago, in the early years of his practice, Toral used the guitar as a generator, to create discreet texture and droning tones. Later, he abandoned the guitar entirely, focusing on self-made electronics to render his music, and the silence from which it came, with a post-free jazz perspective. For the music of Spectral Evolution and Traveling Light, Toral has combined his methodologies, radically expanding the space within their harmonies with his self-made machines, while engaging directly with his instrument and the chords of the material. The result is a listening experience of these standards, that remains 'in the tradition,' even as the elongated harmonies seem to alter time such that, as Toral notes, 'the chords become events on their own.' At points, the long tones animate the sacred ennui of liturgic music, the choir or the organ standing in for silent contemplation while rumbling the ground beneath our feet. Another echo of the concentric circling of music in time. In addition to Toral's proxy orchestra of guitars, sine wave, feedback and bass guitar, Traveling Light features the sounds of clarinetist José Bruno Parrinha, tenor saxophonist Rodrigo Amado, flügelhorn player Yaw Tembe, and flautist Clara Saleiro, who each guest on one song. One of Toral's self-made devices incorporates a theremin -- another near-century old innovation in electronics conceived for use in classical music -- to modulate feedback melodies here. In every contour of Traveling Light's path -- arrangement, improvisation and production -- the spring of the old pours through the new in an unstoppable flow."
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REBREC 005LP
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$28.00
PREORDER
RELEASE DATE: 10/24/2025
Berlin-based Swedish singer-songwriter Nadya Albertsson returns with her most personal work to date. Half Silk Half Blade blends diaristic storytelling with lush, layered instrumentation, the capturing a fleeting, transformative moment of queer self-discovery. A Scottish Young Jazz Musician finalist in 2018, her sound has been described as evoking Alice Coltrane, with a blend of Ella Fitzgerald, Esperanza Spalding, and Erykah Badu. Her versatile and expansive vocal range has already been showcased on Rebecca Vasmant's Blessed and Broken Biscuits and Amanda Whiting's After Dark -- projects championed by the likes of Gilles Peterson, Jamie Cullum, Jamz Supernova, BBC Radio 6 Music, BBC Radio 1, and BBC Radio Scotland. For fans of Olivia Dean and Cleo Soul.
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DC 948LP
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$33.00
PREORDER
RELEASE DATE: 10/24/2025
LP version. "From out of the dark, the crackle of feedback birdsong signals a return to the land of sound environments exclusive to the music of Rafael Toral. A year and a half after his epochal electric guitar album, Spectral Evolution, Traveling Light finds him sharpening his focus, moving boldly from abstract forms to concrete compositions in the form of a set of jazz standards. Based on Toral's discography, this may seem an unlikely endeavor, but happily, Traveling Light transpires to be one of the major accomplishments in his long history, expressing these songs on their own terms through the unique listening lens of his music. Toral sidesteps the traditional logic of how to play a song, moving outside the framework with which one would expect a standard to be treated. Three decades ago, in the early years of his practice, Toral used the guitar as a generator, to create discreet texture and droning tones. Later, he abandoned the guitar entirely, focusing on self-made electronics to render his music, and the silence from which it came, with a post-free jazz perspective. For the music of Spectral Evolution and Traveling Light, Toral has combined his methodologies, radically expanding the space within their harmonies with his self-made machines, while engaging directly with his instrument and the chords of the material. The result is a listening experience of these standards, that remains 'in the tradition,' even as the elongated harmonies seem to alter time such that, as Toral notes, 'the chords become events on their own.' At points, the long tones animate the sacred ennui of liturgic music, the choir or the organ standing in for silent contemplation while rumbling the ground beneath our feet. Another echo of the concentric circling of music in time. In addition to Toral's proxy orchestra of guitars, sine wave, feedback and bass guitar, Traveling Light features the sounds of clarinetist José Bruno Parrinha, tenor saxophonist Rodrigo Amado, flügelhorn player Yaw Tembe, and flautist Clara Saleiro, who each guest on one song. One of Toral's self-made devices incorporates a theremin -- another near-century old innovation in electronics conceived for use in classical music -- to modulate feedback melodies here. In every contour of Traveling Light's path -- arrangement, improvisation and production -- the spring of the old pours through the new in an unstoppable flow."
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LTR 029LP
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$28.00
PREORDER
RELEASE DATE: 10/17/2025
Having built an impressive following on the back of live performances and social media, Berlin's Moses Yoofee Trio shared their impatiently awaited debut mini-album Ocean in November 2023. Released by Nils Frahm's LEITER label, it contains five tracks and was praised by the press and audiences alike. The trio -- awarded the German Jazz Prize for Live Act of the Year in 2024 -- responded to constant demand by releasing their acclaimed debut as a limited-edition vinyl. After the first pressing sold out in no time, the three are now following up: Ocean is once again available on vinyl. The trio -- pianist/keyboardist/producer Moses Yoofee, bassist Roman Klobe-Baranga and drummer Noah Fürbringer -- has lit up Europe's clubs and venues over recent years with astonishing, almost obscenely tight live shows. Turning as much to RnB, hip hop and soul as more traditional jazz sources, the tunes on Ocean reflect the spontaneity, inspiration and instinctive refinement of their performances. The deliciously frantic title track and increasingly ecstatic "Minor Issues" stand in stark contrast to "At Ease's" restrained complexity, while "Fragile's" hypnotic rhythm betrays their love of hip-hop and the lush "Richmond" is driven by a deliciously low-strung groove before shifting up a gear for its climax. "Everybody loves fusion," the band agree, "even if they don't admit it," but that's only one element of the trio's sophisticated style, with Moses' exceptional keyboard skills illuminated by Roman's fluid bass lines and Noah's eloquent drum patterns.
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GG 520CD
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$19.00
PREORDER
RELEASE DATE: 10/10/2025
"By inevitable coincidence, a street vendor in Buenos Aires became an instrument of providence, when he compelled attention of Christof Kurzmann, sitting outside a coffeehouse. His merchandise were small books of Hispanic writers, and the chosen one that ended up in the buyer's pocket some eighteen years ago was a collection of poems by Argentinean poet Alejandra Pizarnik. Her works abound with music and sounds or absence of it, appreciating silence. For Kurzmann, this served as a sufficient reason to dive into her writings, which resulted in releasing El Infierno Musical: a tribute to Alejandra Pizarnik in the fall of 2011. El Infierno Musical was a quintet started back in 2008 thanks to a wild card given to Kurzmann as a birthday present by the organizers of Music Unlimited festival in Wels, Austria, which hosted its official premiere. For the 50th day of death of Alejandra Pizarnik Kurzmann brought El Infierno Musical back to life again, worked on new material and changed the line-up of the band in which only he himself and Ken Vandermark are left from the founding formation. Dave Rempis -- long-time friend on saxophone, as well as Chicago Symphony Orchestra member Katinka Kleijn who together with another great Chicago-Scene musician Lia Kohl share the role of the cellists in the band. And to round the fresh line-up off, young drummer, percussionist Lily Finnegan completes the newly created Sextet. The music brings a clear structure filled with improvised parts, masterly played by perfectly coordinated musicians, who take advantage of their miscellaneous musical histories and styles."
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WH 389CD
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$15.00
PREORDER
RELEASE DATE: 10/10/2025
"Mike Clark returns to Wide Hive with an amazing ensemble. Eddie Henderson on trumpet, Henry Franklin on bass, Craig Handy on saxophone, and esteemed artist and educator Patrice Rushen on piano. On nine new recording Mike again shows his versatility easily leading compositions that span straight ahead to funk and beyond."
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2LP
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EDNLP 1281LP
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$36.00
PREORDER
RELEASE DATE: 10/10/2025
"Norwegian trumpeter and sonic architect Nils Petter Molvaer presents Khmer Live in Bergen -- a charged reinvention of his era-defining 1997 ECM release Khmer -- recorded in concert in 2023. Fused with live trip-hop beats, ambient haze and Nordic lyricism, Khmer Live in Bergen amplifies a new energy with deeper grooves, sharper edges and greater dynamic intensity, pushing the music into a rawer, driven by experience, control and creative vision. Performed with a newly expanded band and released on Edition Records, Khmer Live in Bergen captures the volatile electricity of Molvaer's live sound -- fluid, restless and saturated with feeling. The album is a powerful reminder that his sound remains vital, forceful and fully alive -- constantly evolving with greater clarity, depth and intent."
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WH 390LP
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$16.00
PREORDER
RELEASE DATE: 10/10/2025
LP version. "Mike Clark returns to Wide Hive with an amazing ensemble. Eddie Henderson on trumpet, Henry Franklin on bass, Craig Handy on saxophone, and esteemed artist and educator Patrice Rushen on piano. On nine new recording Mike again shows his versatility easily leading compositions that span straight ahead to funk and beyond."
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RR 123173CD
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$17.00
PREORDER
RELEASE DATE: 10/10/2025
('Oleo') and John Coltrane ('Mr. P.C.'). His alto and soprano lines remain faithful to bop's core, yet each track brims with modern twists: a playful siren-like motif, a free soprano/drums duet, polytonal shifts in 'Oleo.' At its center, the title piece is a solo-sax tour de force: 'perpetual' via circular breathing, 'groove' from deep African-American roots, and echoes of Roland Kirk, Roscoe Mitchell, minimalism, and industrial sonorities. Watson's parallel work with Sam Rivers and the 29th Street Saxophone Quartet underscores his experimental drive. Joining Watson are three Italian talents -- Piero Bassini, Attilio Zanchi, and Giampiero Prina -- whose provincial origins belie their cosmopolitan artistry. Together, they embody jazz's global, boundary-crossing spirit. Though Watson reconvened them on later Red Records projects, Perpetual Groove remains singular in its vibrant blend of tradition, innovation, and international collaboration."
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LP
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RR 123143LP
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$31.00
PREORDER
RELEASE DATE: 10/10/2025
"Red Records, a prime example of how small, independent labels capitalize on unique opportunities, thrived due to its streamlined structure and emotionally driven decisions. Founded by promoter Alberto Alberti and jazz aficionado Sergio Veschi, the label built its reputation by capturing pivotal moments in Italian jazz and recording international artists like Sam Rivers, whose album The Quest became a classic. Their credibility and passion were key to earning artists' trust. The album Duo 'Bones', recorded on November 17, 1978, is a product of such seizing-the-moment intuition. Trombonists Kai Winding, a Danish-American on tour, and Dino Piana, an accomplished RAI Orchestra member, reunited in Rome after years apart. Their collaboration echoed Winding's earlier work with J.J. Johnson. The rhythm section -- Enrico Pieranunzi on piano, Giovanni Tommaso on bass, and Tullio De Piscopo on drums -- added youthful energy and groove to the session. Recorded at Emmequattro studio, the atmosphere was relaxed and spontaneous, leading to quick, joy-filled takes, mostly first attempts. The album's tracklist blends classics with originals: Winding's 'Duo 'Bones',' 'Lady H,' and 'Stop Following Me'; Piana's 'Kai and Dino'; Pieranunzi's 'Soul Dance.' The result is spirited jazz rich in swing, fast phrasing, and effortless counterpoints, delivering pure musical joy free of political overlays common at the time. Winding's affection for the project was clear. Months later, during a televised concert in Rome with the RAI Orchestra, he proudly mentioned the album and performed a big band arrangement of 'Duo 'Bones'' with Piana on stage -- an enduring nod to their serendipitous session."
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ROG 145CD
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$17.00
PREORDER
RELEASE DATE: 10/10/2025
"If you listen to nature, all the sounds are done in a confident way. I'm trying to do that. In these turbulent times, it may be worth reconsidering the few solutions offered by the art and know-how of improvisation, of the activity of improvisation. To do so, it may be necessary to start by deconstructing common sense; to start by taking improvisation not as an 'approximation' but as a method, a method of working collectively par excellence, for building situations in dialogue, in responsiveness and interactivity, in inclusiveness and, at the end, creativity. Improvisation is an articulated and articulatory knowledge, which coordinates orders and disorders more than it imposes an order. Improvisation is the art of conversation, of listening to each other, through all the particular languages of the forces at play, and through a common language that is always in the making. The air that comes out of a wind instrument, the one that comes out of the holes in a drum, the idea of this breath that expands, unravels, overlaps, becomes continuous, until it fades away. Roscoe Mitchell and Michele Rabia are made for each other, because they've always made everything audible in their respective music and improvisations. You can hear everything on the percussion of one, the slightest contact, the slightest clash, the slightest impact, and meteor showers on the resonant skins, on the resonant metals. The other's saxophones are like horns of plenty: the slightest breath, the slightest murmur, the slightest clamor, the scratches and welts. Together, they redefine the form and content of duets and dialogue, what exactly is a network connection and a disconnection; they rethink all forms of communication in music."
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BYR 052LP
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$28.00
PREORDER
RELEASE DATE: 10/10/2025
Joanna Duda Trio's new album, Delighted, weaves a hypnotic tapestry of sound that immediately captivates the listener. From the very first note, the track invites you into a world where inventive rhythms and melodies dance with a mesmerizing intensity. The crispness of the percussion and the looming intensity of the double bass create a vivid sonic landscape that feels both fresh and accessible, while undeniably complex. Duda's composition is one of her strengths, having been sought out to compose the music for the first Polish film for Netflix Originals, Erotica (2022), and she again demonstrates her uncanny ability to blend subtle complexity with melodic piano hooks that ooze playfulness. Beneath the surface a darker, more menacing undertone that keeps the listener on edge.
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OJO 25004LP
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$24.00
PREORDER
RELEASE DATE: 10/3/2025
Sleek, soulful hard bop from Duke Pearson at the top of his game. Hush! glides with understated swing and tight chemistry, driven by Donald Byrd's smooth, melodic lines. Cool, refined, and quietly captivating. An essential slice of early '60s jazz.
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LTNC 033LP
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$28.00
PREORDER
RELEASE DATE: 10/3/2025
Flur is the meeting of Austrian-Ethiopian harpist Miriam Adefris, British saxophonist Isaac Robertson, and percussionist Dillon Harrison. The trio met when studying separate music courses at Goldsmiths, University of London. Immersed in the explorative music scene surrounding the university, they have played in various formations over the past few years and collaborated with acclaimed artists (Ganavya, Floating Points, Gal Go, Shabaka), but it wasn't until now that they formed Flur. Shaped between Riverside Recording Studios and a South Bermondsey warehouse, Plunge captures the trio's first steps, moving between written passages and intuitive improvisation with equal clarity. Drawing on contemporary classical, free jazz, and ambient influences -- think Alice Coltrane, Ambrose Akinmusire, Kaija Saariaho, Azimuth, and Angel Bat Dawid -- the trio's instrumentation creates a sound that is both expansive and intimate. Plunge follows Latency's acclaimed releases with Nidia & Valentina, Emahoy Tsege-Mariam Gebru, goat (jp), Tarta Relena, and Moritz Von Oswald, expanding the label's commitment to boundary-pushing music. The album features cover artwork by Julie Mehretu, the renowned New York-based, Ethiopian-American artist whose layered, abstract cartographies explore the entanglements of history, place, and collective memory.
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BEWITH 132LP
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$43.50
PREORDER
RELEASE DATE: 10/3/2025
The Keith Tippett Group's Dedicated to You, But You Weren't Listening is a landmark in cutting edge fusion/avant-jazz. A vital and profoundly adventurous jazz-rock record that still swings hard, it was first released on Vertigo in 1971. Original copies are now very tricky to score and, as most of you really should know, it's aged ridiculously well. The stunning gatefold jacket fully restores Roger and Martyn Dean's original, arresting album artwork to complete this must-have reissue. Alive and bursting with a joyful energy that has to be heard to be believed, Dedicated to You, But You Weren't Listening flirts with perfection. It's truly magical and forever essential. A brilliant jazz pianist, composer, arranger and bandleader "who could make the outlands of modern music feel like the most hospitable of places" (The Guardian), Keith Tippett's second album is oft-regarded as his Canterbury album. Indeed, not only does he draw heavily on Soft Machine members past, present and future but the album title itself archly references a Soft Machine composition. Ray Babbington handles bass alongside Neville Whitehead and the drums are shared between Brian Spring, Robert Wyatt, and Phil Howard. Gary Boyle is on guitar whilst the great percussionist Tony Uter is enlisted for his conga and cow bell expertise. Elton Dean on alto saxello, cornetist Marc Charig and Nick Evans on trombone round out this quite stunning ensemble. Dedicated to You, But You Weren't Listening presents a collective of superhuman musicians enjoying themselves in the studio. The sheer exuberance of the performance is totally infectious. It's wild, energetic, atmospheric and, bluntly, bordering on chaotic at points. In a word, it's beautiful. This Be With edition of Dedicated to You, But You Weren't Listening has been re-mastered from the original Vertigo master tapes, Simon Francis' mastering working together with Cicely Balston's cut at Abbey Road Studios to weave their usual magic with these wonderful recordings.
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2LP
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VMP 1241LP
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"Monk was dealing with a bevy of health problems at the time, so it's perhaps understandable that the show in Paris was like a capstone or Greatest Hits. But thanks to Monk's indelible ability to make everything emotional and poignant, his ace band and a bonus appearance from Philly Joe Jones, the set has an enchanting electricity. It captured Monk swinging through his greatest works and adding flourishes that sent the crowd into multiple tizzies. Listen as he takes on his standards and remakes them for their moment. Monk's legendary stand at the Salle Pleyel. Reissued for VMP's 10th anniversary. Lacquers cut by Barry Grint, Alchemy Mastering at AIR. Pressed on exclusive light blue galaxy vinyl ."
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IOR 771611LP
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"Ratko Zjaca is back with a very distinctive world music project that finds the Croatian-born guitarist and long-time resident of Rotterdam interacting with musicians from Romania, England and India. The results of his 18th outing as a leader or co-leader are staggeringly beautiful and full of improvisational daring. Joined by Romanian cimbalom player Marius Preda, who is widely regarded as the world's first jazz soloist on that trapezoidal stringed instrument that is the distant cousin of a hammered dulcimer, along with British-born upright bassist Nick McGuire and the innovative, groundbreaking percussionist Trilok Gurtu, Zjaca and his interactive crew strike an uncanny accord on the eight delightful originals presented on Touching Minds. With Zjaca bringing in all the compositions and Preda doing the arranging, they recruited McGuire for his rock-solid fundamental bass work. They next brought in Bombay-born Gurtu, an acclaimed master of the tabla who has also developed an abundance of chops over the decades on a hybrid drumming kit he designed and pioneered through his collaborations with John McLaughlin, Joe Zawinul, Bill Laswell, Jonas Hellborg, Jack Bruce, Terje Rydpal, Oregon, the Arkè String Quartet and many others. Throughout Touching Minds, Gurtu brings the groove while also coloring the proceedings with nuanced shadings. 'I wanted a new sound for this album and the tabla and cimbalom together moved it all to a new spectrum. And when you have two of world's best players on their respective instruments, which Trilok and Marius are, you have some very special ingredients to make some incredible music,' Zjaca says. While he may have soaked up the influences of countless guitarists he has listened to and emulated at different times over the years, from Joe Pass and Jim Hall to John McLaughlin and Pat Metheny, he described his guiding principle throughout Touching Minds as: 'I play what I hear and what the music asks of me at that moment.'"
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VMP 2322LP
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"With 1975's Trident, McCoy Tyner finally achieved his true vision for the piano trio. In an era that finally -- and firmly -- established Tyner in the upper echelon of jazz masters, adored by critics, set at the top of festival bills and heartily supported by the record-buying public, Trident stands at the pinnacle of his brilliant album run from that decade. Trident might not seem as ambitious as Tyner's other '70s outings, but don't let its near-monochromatic gray and silver cover of McCoy by the ocean fool you; just beneath its surface is the heaviest, most vivid and deep music of his career. Trident finds him coming full circle, realizing his -- and just about any fantasy jazz fan's -- dream piano trio. Call it Money Jungle for the new decade, only one featuring cogent and telepathic alignment rather than clashing intergenerational conflict. Three titans, three defining masters of their instrument, with thousands of recording dates between them. (AAA) lacquers cut from the master tapes by Ryan Smith, Sterling Sound. Pressed on 180 gram black vinyl. Exclusive listening notes booklet by Andy Beta. "
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WRWTFWW 108C-LP
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$40.00
PREORDER
RELEASE DATE: 9/26/2025
WRWTFWW Records presents the official reissue of Safari's self-titled album from 1984. The Japanese jazz-fusion super gem is available as a limited-edition transparent vinyl LP housed in a heavyweight sleeve with obi. Originally released on fabled label VAP, Safari is a one-of-a-kind city pop-adjacent summer blend of AOR, smooth jazz, and sun-drenched boogie. The sole album from the all-star outfit was the brainchild of keyboardist Toshiyuki Daitoku and Japan-based Californian jazz-funk-Latin-fusion bassist Gregg Lee. Together with a large team of experienced musicians, they created a lush, immaculately-arranged 8-track cruise filled with poolside grooves, breezy rhythms, and feel-good vocal harmonies. Safari features the well-known title track which acted as the theme song for an '80s sports program on Fuji Television, the night-swim chill music tune 'All Right in The Night,' and the fan-favorite buoyant vacation hit 'The Morning After.' The official reissue is fully licensed and sourced from the original masters, with an audiophile cut by Sidney Meyer at Emil Berliner Studios, ensuring the warm, pristine sound this lost treasure deserves. Safari is the second release from WRWTFWW's City Pop Series, following Momoko Kikuchi's beach classic Ocean Side. The series, complete with a visual identity designed by Lopetz/Büro Destruct, also comes with a limited merch capsule, and more sun-soaked gems lined up for the future.
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FRB 013LP
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$33.00
PREORDER
RELEASE DATE: 9/26/2025
Emerging from the depths of private-press obscurity, The People's People Present The Spirit of David is a remarkable testament to the ambition and discipline of its creators. This singular album, originally recorded in 1974 and released in 1976, marks the first original work by tenor saxophonist Jeff Jones, who also arranged, wrote, and conceptualized the project. That same year, Jones founded The People's People collective and The Voice of the People Publishing Company, using music and the arts as a platform to give voice to the voiceless. Performed in one continuous take, The Spirit of David weaves spiritual jazz with elements of soul, world music, and electric funk, producing a hypnotic, emotive soundscape that resonates with the era's social unrest and a longing for unity and transcendence. The band -- featuring Emmons Porter on bass vocals, Jack Spinovich on drums, Leonard Franklin on guitar, Ray Vega on percussion and congas (not the trumpeter of the same name), and Steve Espanosa on piano -- delivers a deeply cohesive and textured performance that transcends its time. Now reissued by Frederiksberg Records -- a label founded in 2013 by Danish video journalist Andreas Vingaard in New York -- the album's elusive history only deepens its mystique, inviting renewed exploration. That mystique is further illuminated in the extensive story found on the album insert, written by guitarist and composer Karl Evangelista, whose detailed liner notes provide essential context and insight into the album's creation and cultural significance. From the liner notes by Karl Alfonso Defensor Evangelista: "(Jeff) Jones had musicians commit to three years of preparation, and he was a harsh taskmaster; music was drilled -- 'like the army,' as Jones describes it. Participants were more or less forbidden from taking paying gigs in the interim, and the bandleader, saving most of his capital for studio time, could not afford to feed or pay the band. The ensemble was so thoroughly rehearsed by the time of the session that the entire record was performed in one take, and the album's myriad breaks and deft orchestration changes were accomplished without visual cues."
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LP
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SDBAN 020LP
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$29.50
PREORDER
RELEASE DATE: 9/26/2025
Sdban Records presents the first official reissue of Coal Mining, the 1978 debut album by Dutch jazz pianist René van Helsdingen. This album marks a significant milestone -- the beginning of van Helsdingen's decades-spanning career as an innovative and independent musician. Born in 1957 in Jakarta, Indonesia, but holding Dutch nationality, René van Helsdingen began classical piano studies in the Netherlands in the early 1960s. Coal Mining was originally released on Munich Records, a respected Dutch jazz and roots label founded by music producer and musician Job Zomer. The album features a blend of jazz influences from giants such as Oscar Peterson, McCoy Tyner, and Bill Evans, and showcases van Helsdingen's distinctive voice as a composer and pianist at the very start of his professional journey. The record includes contributions from a rich ensemble of musicians, including Wim Essed (bass), Klaus Flenter (guitar), Børge Ring (double bass), Henk Zomer (drums), Martijn Nesenberend (drums), Dick Pluim (bass), and even a student orchestra formed during van Helsdingen's time at Delft University. Coal Mining is both a literal and symbolic title. It alludes not only to van Helsdingen's brief academic past, but to the depth and labor of jazz creation itself: layered, gritty, and forged under pressure. A year after the album's release, van Helsdingen moved to Los Angeles to continue his jazz studies. While living in Hollywood, he shared a house with future musical collaborators including Kent Brinkley, Essiet Okon Essiet, Brian Batie, John Rigby, Edmond Allmond, David Best and John Butler. Even in the early stages of his career, van Helsdingen displayed the entrepreneurial spirit that would define his path, self-releasing albums and even pioneering an early form of crowdfunding by selling 400 ad spaces on a record sleeve to finance an LP project. After his jazz studies in Los Angeles, he performed extensively in Europe, Canada, the U.S. Australia and Asia, often traveling with his own "Stage bus," which housed both a stage and instruments. In August 2018, van Helsdingen was diagnosed with Parkinson's disease. Despite the physical challenges brought on by the condition, he continues to perform and compose music. His openness about the diagnosis -- shared publicly in a 2019 documentary -- has helped raise awareness of Parkinson's and the role of creativity and improvisation as tools for resilience. Now, nearly five decades after its initial release, Coal Mining is finally receiving a well-deserved reissue. Introducing a new generation of listeners to the raw talent and visionary beginnings of a true European jazz original.
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