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Artist	Title	Format	Label	Catalog #

AMBIENT JAZZ ENSEMBLE	London Fields	LP	HERE AND NOW	HANLP 077LP
$28.50 PREORDER RELEASE DATE: 11/29/2024 Presenting the genre defining and much hip hop sampled Ambient Jazz Ensemble. AJE's Colin Baldry has a highly accomplished career in music writing and producing for iconic labels Motown, RCA, Geffen, Virgin and Capitol Records. London Fields describes London energy, vibe, anticipation; "fields" of electricity: "The phrase conjures something of my own relationship with London. Having moved away after living and working there for 20 years I've recently fallen in love with the city again. I've been walking the streets, rediscovering its parks, canals, the architecture, the river; experiencing new music in London is always a joy. The London Fields have re-captured my imagination." "Ensoul" delivers sparse felt piano before Lynsey Ward releases her inner Kate Bush. "Locked" inspired initially by Tony Robert-Fleury's 1891 painting Alix Appearing in Mask.

Artist	Title	Format	Label	Catalog #
OAAGAADA	Music Of Oaagaada	LP	WE JAZZ	WJLP 062LP
$28.00 PREORDER RELEASE DATE: 11/15/2024 Mysterious quartet Oaagaada has for some years been one of the best-kept secrets in the vibrant Finnish scene. Now, the band is ready to share their eagerly-awaited debut album on We Jazz Records. Oaagaada's music is "togetherness music" in the lineage and spirit of the great acoustic free jazz innovators, but always moving forward and developing on its own path. This music is far-removed from the sterile "contemporary hi-fi sounds" but it doesn't mean that it would be decidedly "lo-fi" either. Recorded at the band's home base, Hämeenlinna's Odd Funk studios, this is simply how Oaagaada sounds, and their album rendition is true to the band's much-loved live energy. Music Of Oaagaada flows naturally, with the opener "Oag-Ada Sweet" clocking in at mere 52 seconds, and the longform four-part Suite Tuli ("tuli" is "fire" in Finnish) heating up the entire side B of the LP. "Seagull Shapes", driven by the meditative sounds of the shruti box, makes for thrilling listening and echoes the spirit of the likes of Alice Coltrane and Pharoah Sanders without sounding that much like either of them. Live, Oaagaada is at home in acoustic settings which offer proximity and intimacy with their listeners. RIYL: Art Ensemble Of Chicago, ESP-Disk', Archie Shepp, Don Cherry.

Artist	Title	Format	Label	Catalog #
MOONDOG	H'art Songs	LP	MANAGARM MUSIKVERLAG	MANAGARM 001LP
$25.00 PREORDER RELEASE DATE: 11/8/2024 LP version.

Artist	Title	Format	Label	Catalog #
RIZZATI/ROBERTO PREGADIO, WALTER	I 3 serpenti d'oro	CD	BEAT	CDCR 152CD
$22.50 PREORDER RELEASE DATE: 11/8/2024 I 3 serpenti d'oro, a chapter of the cinematic series Kommissar X, was scored by Maestro Rizzati together with late Maestro Roberto Pregadio, and was recorded in two tapes. A wonderful finding full of music in the '60s spy movie style featuring jazz sounds, a real threat rediscovered under layers of dust brought back to life with care on CD in the collector releases series. Mastering by Enrico De Gemini, graphic layout by Daniele De Gemini and liner notes by Fabio Babini.

Artist	Title	Format	Label	Catalog #
GOYKOVICH, DUSKO	Doo's Blues (The 1967 Belgian Radio Recordings)	LP	SDBAN	SDBAND 019LP
$31.50 PREORDER RELEASE DATE: 11/8/2024 Sdban Records presents Doo's Blues, a collection of previously unreleased radio recordings capturing Serbian jazz trumpeter, composer and band leader Dusko Goykovich (1931-2023) at the moment he definitively established himself as one of Europe's most distinctive jazz artists. Dusko Goykovich was born and raised in Jajce, Bosnia and Herzegovina, at the time part of the Kingdom of Yugoslavia. He studied at the Belgrade Music Academy from 1948 to 1953, playing trumpet in Dixieland bands and joining the big band of Radio Belgrade at the age of 18. Moving to Frankfurt he first established himself on the West German jazz scene, where he played with the renowned big bands of Kurt Edelhagen and Kenny Clarke & Francy Boland. Then, after appearances at the world's largest jazz festivals such as Comblain-la-Tour in Belgium, Antibes in France and Newport, Goykovich moved stateside where he spent four years studying at the world famous Berklee College and worked with the likes of Woody Herman and Maynard Ferguson. Returning to Europe in the mid-sixties Goykovich soon introduced the world to his innovative Balkan jazz sound with Swinging Macedonia (1966), an album characterized by the melancholic melodies and sophisticated rhythms reminiscent of his native land. Not long after he was invited to record two sessions for BRT (Belgian Radio & TV), which he performed with three different ensembles. For the first session, recorded in late January of 1967, Goykovich was accompanied by Belgian vibraphonist Fats Sadi's quartet. Later that same day Goykovich was also joined by the BRT Jazzorkest, Belgium national radio's in-house jazz orchestra then playing under the direction of alto saxophonist Etienne Verschueren. Less than two months later Goykovich found himself once again ensconced in BRT's Brussels studios, this time heading up an international quintet that also included Bent Jædig (tenor saxophone and flute), Scott Bradford (piano), Jimmy Woode (bass) and Al Jones (drums). Whilst the metaphor "jazz with an accent" has been widely used to describe the music that European jazz artists created in the 1950s and 1960s, it fails to do justice to the entirely new language that Dusko Goykovich was developing. Doo's Blues was compiled by Lander Lenaerts, a DJ and writer who plays an important part in documenting the rich jazz history Belgium has to offer.

Artist	Title	Format	Label	Catalog #
MOONDOG	H'art Songs	CD	MANAGARM MUSIKVERLAG	MANAGARM 001CD
$15.00 PREORDER RELEASE DATE: 11/8/2024 "Moondog's jovial H'art Songs was the first release not to incorporate his name in the title, but the record that forever proved his genius. A rare vocal album recorded by Moondog when he was in his sixties, these ten art songs blur the boundaries between classical and pop music. Moondog called this series of art songs 'H'art songs' -- Hardin's art songs. The musical content is on a higher level than most popular music, but has an appeal to a wide range of tastes, from the pop to the classical listener. This collection of piano pop songs written and recorded in 1977 made Moondogs' stunningly eclectic discography even more chaotic musically, it also featured some of his most mesmerizing wordplay. Telling tales that can be interpreted as metaphors for how to live -- sometimes political, sometimes autobiographical, sometimes nature loving - they are always intriguingly poetic, and helped push this album to the very top of all Moondog's releases."

Artist	Title	Format	Label	Catalog #
BAKER, DUCK	Breakdown Lane: Free Solos & Duos 1976-1998	CD	ESP-DISK	ESPDISK 5100CD
$12.00 PREORDER RELEASE DATE: 11/1/2024 "Duck Baker should be a national treasure. He should be an international treasure. Should be? In my book he already is. I first came across his work in the 1970s on early Kicking Mule LPs in my local library in the UK, which was his temporary base then, and is his permanent home now. Many years later I was astounded by Spinning Song, his CD of Herbie Nichols compositions. Around the same time, I made contact with him by way of thanks following a review he wrote of my work on Stuff Smith and, later, other historic violinistic books and CDs. Duck's knowledge and learning about the ancestry of so many musical genres is prodigious, whether jazz, avant-garde, improvisation in general, various forms of country music, Irish, blues, ragtime, swing, you name it. He draws on so much to make his own unique playing and composing. And none of it is to go by the troublesome term 'appropriation;' Duck absorbs, pays tribute, and is himself, wherever his fingers might move across his flamenco guitar, including, of course, its wood body. This previously unreleased collection consists of fourteen solos and two duos with Eugene Chadbourne. The performances are drawn mostly from demo sessions or live recordings, and were recorded at various locations between 1976 and 1998. They run the gamut of moods and tempos, from the reflective 'Peace' and brooding 'Like Flies' to burners that rank with Baker's most animated free playing on record, like the title track, 'No Family Planning,' and 'Buffalo Fire.' The only so-to-speak standards are Thelonious Monk's 'Straight, No Chaser' and Billy Strayhorn's 'Take the 'A' Train,' the latter featuring fascinating and humorous interplay between the two guitarists?. Duck's catalogue is now vast, including a recent CD release of Thelonious Monk compositions, which beautifully complements the aforementioned Nichols CD. As well as solo efforts, past records include collaborations with the likes of Chadbourne, Roswell Rudd, John Zorn, and John Butchers or, at the other end of the spectrum, Stefan Grossman, John Renbourn, Leo Kottke, Molly Andrews, and Maggie Boyle. I, for one, never tire of listening to Duck playing in whatever context. He is a master and every recording is a gem." --Anthony Barnett

Artist	Title	Format	Label	Catalog #
OZCAN & JONAH PARZEN-JOHNSON, BERKE CAN	It Was Always Time	LP	WE JAZZ	WJLP 077LP
$28.00 PREORDER RELEASE DATE: 11/1/2024 It Was Always Time, the debut duo release from Berke Can Özcan and Jonah Parzen-Johnson on We Jazz Records, is a refreshing and full-throated expression of joy and curiosity. In a year when 76 countries hold national elections and listeners find themselves in an existential battle against apathy and cynicism, this effortlessly authentic album offers an innocent reminder that the antidote to stagnation is curiosity and the fuel for change is the joy of building something transformative together. In April 2022, Brooklyn based baritone saxophonist, Jonah Parzen-Johnson, found himself on a flight from New York to Istanbul to play a one-off duo concert with a veteran drummer and sound designer at the center of Istanbul's vibrant music scene, Berke Can Özcan. They met for the first time 30 minutes before soundcheck. The concert that followed could have been the culmination of years of collaboration. Both urgent and timeless, their musical partnership is instantly solid, innocent and joyful. Recorded across continents, time zones, and cultures, It Was Always Time meticulously builds on itself, weaving layers of found-sound samples over acoustic percussion to frame poignant saxophone melodies that melt into rich synth interludes. Although the album is almost completely improvised, the depth of texture and devotion to melody make it feel through-composed. From track to track, each musician places their trust in the other, and as ambition evolves into empathy, the whole becomes greater than the sum of its parts. This is not a protest album, or music that sets out to directly change the world. Rather, in the subtle way that only art is capable of, the music made by this international duo of strangers turned friends is a reminder: Be curious, find joy, build something better together. It's time. It was always time.

Artist	Title	Format	Label	Catalog #
MCDONAS, THOLLEM	Infinite-Sum Game	CD	ESP-DISK	ESPDISK 5088CD
$12.00 PREORDER RELEASE DATE: 11/1/2024 Performed live by Thollem McDonas at Sala Perriera, Cantieri Culturali alla Zisa, Palermo, Sicilia, 13 May 2023. Recorded and mixed by Simone Sfamelli. Mastered by Sean Mac Erlaine at Studio Saile, Dublin. Design and artwork by ACVilla. From the liner notes by Thollem McDonas: "My approach to the piano is unique, based on my lifelong relationship with the instrument. It is also universal, born out of the context of everything and everyone who came before and during. I have been influenced by my classical piano training, my pianist parents, growing up in the culturally diverse SF Bay Area, West Coast punk rock, Kuumbwa Jazz Club, The Cabrillo Music Festival, and my life of traveling and living without a homebase. This album expresses the culmination of my life's experiences in dialogue with the universe and my fellow human beings, including all the artists I've worked with over the years. Those collaborations have continuously helped stretch me into new shapes. An 'infinite-sum game' is the opposite of a 'zero-sum game' in that all of the participants benefit from each other, a symbiosis of sorts, biologically, culturally, financially, politically. It's the heightened state of mind of recognizing that our lives are better when others are also doing well and we put in the effort to facilitate this outcome. Since I was a child, the confluence between musics has been at the forefront of my curiosity. As a result, my music is genre-bending, code-switching, omni-idiomatic, and intersectional. Growing up, all of the composers I was studying were telling me to tell my own story. I was hyper-aware that 'Classical Music' was actually a constant revolution, and that this was the same for jazz and rock and roll too. The greatest way to honor the revolutionaries of the past is to respond to the dynamics of one's own time. I never set out to play a certain style of music, or to emulate anyone, but through my own particular explorational approach, sounds inevitably arise that conjure someone else's music, which is wide open for interpretation. Some of these comprovisations have been included on previous solo albums of mine. I see this recording as the ultimate, and final, document of these pieces. Thank you for listening!"

Artist	Title	Format	Label	Catalog #
EVANS, PETER	Extra	CD	WE JAZZ	WJCD 073CD
$16.00 PREORDER RELEASE DATE: 10/25/2024 Peter Evans makes his We Jazz Records debut with Extra. The band formation includes Evans on trumpet, Petter Eldh (Koma Saxo/Post Koma) on bass and Jim Black on drums. Peter Evans, an acclaimed trumpet player, improvisor, and composer based in New York City presents a gutsy new band that gets right to work with his eight new compositions. Extra was recorded at the iconic Namouche Studio in Lisbon and it has a feeling of a session where all musicians are pushing for the new together with great excitement. Both Eldh and Black are long-time collaborators of Evans, and every ounce of Extra brims with musical joy of togetherness and new discovery. Comprised of eight Evans originals, the album is a firecracker set off from the first beats of album opener "Freaks". While Peter Evans is often lauded for his remarkable technical prowess, he is first and foremost serving his broader musical vision at all times. That is, the remarkable musical ability of the trio doesn't outshine how together the unit is in realizing the music at hand. The strong rhythmic base of Eldh and Black allows for Evans to push his compositions to their limits and for the band to find new avenues of expression together while doing so. Tracks like "Freaks", "In See" and "Boom" are full on forward-looking fire music with more heat than a sunny day in Lisbon, while "Movement 56" and "The Lighthouse" flip the script in ways that stun and surprise like an alleyway you only discovered after taking a couple of left turns far away from the high street. This is effortless creative music by a band that's comfortable together while pushing each other forward at all times.

Artist	Title	Format	Label	Catalog #
SHEPP & ANNETTE LOWMAN, ARCHIE	Lover Man	2LP	MUSIC ON VINYL	MOV 3836LP
$47.00 PREORDER RELEASE DATE: 10/25/2024 "Lover Man by the Archie Shepp Quartet featuring Annette Lowman was originally released in 1989. For this release tenor saxophonist Shepp was joined by pianist Dave Burrell, bassist Herman Wright, drummer Stephen McCraven, and vocals by Annette Lowman. It's a diverse album with the title track featuring Lowman's warm vocals and Shepp's tenor in the background, the band's jazzy swings version of Duke Ellington's 'Squeeze Me' and eight other pieces. This expanded edition of Lover Man includes two tracks 'Margy Pargy' and 'Tribute To Bessie Smith' which were previously only available on CD."

Artist	Title	Format	Label	Catalog #
BRADFORD AND HIS CUZNS, BOBBY	Freddie Ain't Ready	LP	INTERVENTION RECORDS	IR 036LP
$43.00 PREORDER RELEASE DATE: 10/25/2024 "Intervention Records presents its first jazz release, Bobby Bradford and his CuZns' Freddie Ain't Ready. Freddie Ain't Ready is about identity. It is about discovering, developing, and embracing who you are. Freddie was recorded live-to-two-track analog at Hollywood's legendary EastWest (formerly Western) Studios by Steve Genewick and Joe Harley. Custom Flux Magnetics head stacks were used, with no editing, limiting, or compression. Just the highest resolution delivery possible of live sound to your home. Mastering and lacquers are cut by Kevin Gray at CoHEARent Audio, and boutique press RTI delivers dead quiet 180G vinyl. No expense was spared, and laborious attention to detail ensured that the listener is transported into the studio and the creative experience. His discography is extensive and includes classics such as Ornette Coleman's Science Fiction and Broken Shadows. Additionally, he holds a B.M. from Huston-Tillotson University (Austin, Texas), and was a jazz educator of note at Pomona College (Claremont, California) for 44 years. This recording project was initiated when drummer-percussionist Garth Powell (Zen Widow, AudioQuest) proposed a performance with CuZns (Bobby Bradford and William Roper) on the long-time New Music Sunday's series hosted by Open Gate Theatre in Los Angeles. This was extremely well-received, and a grand time was had by all."

Artist	Title	Format	Label	Catalog #
ISHIBASHI/JIM O'ROURKE/TATSUHISA YAMAMOTO/KEI MATSUMARU/GIOVANNI DI DOMENICO, EIKO	Sakuraza	LP	MODERN OBSCURE MUSIC	MOM 051LP
$32.00 LOW STOCK LEVEL Modern Obscure Music presents Sakuraza, a live album featuring Eiko Ishibashi (flute and electronics), Jim O'Rourke (electronics), Kei Matsumaru (alto saxophone), Tatsuhisa Yamamoto (drums), and Giovanni Di Domenico (piano). Recorded at the Sakuraza jazz club in Kofu, Japan, this dynamic and sophisticated performance blends jazz, electronic music, and pop elements. Giovanni Di Domenico, a frequent visitor to Japan, organized this June 2023 concert with long-time collaborators Ishibashi, O'Rourke, and Yamamoto, and invited saxophonist Matsumaru. The warm, intimate setting of Sakuraza provided the perfect backdrop for their unedited, improvisational session. Sakuraza captures the deep musical connection and spontaneity of these artists, offering an immersive auditory experience. Recorded on June 14, 2023.

Artist	Title	Format	Label	Catalog #
CARTER & CEDAR WALTON, RON	Heart & Soul	LP	MUSIC ON VINYL	MOV 3744LP
$36.00 PREORDER RELEASE DATE: 10/25/2024 "Released in 1982, Heart & Soul is a collaboration between bassist Ron Carter and pianist Cedar Walton, two jazz giants renowned for their impeccable musicianship. The album showcases their exceptional interplay and deep understanding of jazz standards. Title track 'Heart & Soul,' 'Frankie and Johnny,' 'Little Waltz' highlight their ability to communicate and improvise with sophistication and emotion. The album is a testament to the enduring appeal of jazz standards and the artistry of two master musicians."

Artist	Title	Format	Label	Catalog #
COLTRANE/LEE MORGAN, JOHN	Best of Birdland Vol.1	LP	SOWING RECORDS	SOW 052LP
$23.50 PREORDER RELEASE DATE: 10/25/2024 Originally released on Roulette records in 1960, this is a unique and yet often overlooked document in the form of a split album featuring early, little known works by John Coltrane and Lee Morgan. Coltrane, already in full modal flight, is featured with an unusual quartet that includes McCoy Tyner on piano, Steven Davis on bass, and the great Billy Higgins on drums. Lee Morgan's straight ahead hard bop set sees the young trumpet genius leading a hard swinging group that includes a fabulous Wayne Shorter on tenor sax, Bobby Timmons on piano (both were Morgan's colleagues in Art Blakey Jazz Messengers), Jimmy Rowser on bass, and Art Taylor on drums. A must have item for fans of these two masters of modern jazz.

Artist	Title	Format	Label	Catalog #
WALDRON/KIMIKO KASAI, MAL	One For Lady	LP	TRADING PLACES	TDP 54144LP
$24.00 PREORDER RELEASE DATE: 10/25/2024 Licensed from Cherry Red. New York-born jazz pianist Mal Waldron's incredible career saw him backing Mingus, Coltrane, and Billie Holiday, and after surviving a heroin overdose and mental breakdown, he decamped to Europe to compose film scores; then, in 1970, he made his maiden voyage to Japan, where One For Lady was recorded with rising star Kimiko Kasai, drummer Hiroshi Murakami, and bassist Yoshio Suzuki from Sadao Watanabe's band. Waldron's expressive pianos and Kasai's sultry vocal delivery are the outstanding draws, the sensitive renditions of "Willow Weep For Me" and "Lover Man" summing up the album's enduring appeal.

Artist	Title	Format	Label	Catalog #
EVANS, PETER	Extra	LP	WE JAZZ	WJLP 073LP
$26.00 PREORDER RELEASE DATE: 10/25/2024 LP version. Peter Evans makes his We Jazz Records debut with Extra. The band formation includes Evans on trumpet, Petter Eldh (Koma Saxo/Post Koma) on bass and Jim Black on drums. Peter Evans, an acclaimed trumpet player, improvisor, and composer based in New York City presents a gutsy new band that gets right to work with his eight new compositions. Extra was recorded at the iconic Namouche Studio in Lisbon and it has a feeling of a session where all musicians are pushing for the new together with great excitement. Both Eldh and Black are long-time collaborators of Evans, and every ounce of Extra brims with musical joy of togetherness and new discovery. Comprised of eight Evans originals, the album is a firecracker set off from the first beats of album opener "Freaks". While Peter Evans is often lauded for his remarkable technical prowess, he is first and foremost serving his broader musical vision at all times. That is, the remarkable musical ability of the trio doesn't outshine how together the unit is in realizing the music at hand. The strong rhythmic base of Eldh and Black allows for Evans to push his compositions to their limits and for the band to find new avenues of expression together while doing so. Tracks like "Freaks", "In See" and "Boom" are full on forward-looking fire music with more heat than a sunny day in Lisbon, while "Movement 56" and "The Lighthouse" flip the script in ways that stun and surprise like an alleyway you only discovered after taking a couple of left turns far away from the high street. This is effortless creative music by a band that's comfortable together while pushing each other forward at all times.

Artist	Title	Format	Label	Catalog #
PRIMITIVE ART GROUP	Primitive Art Group 1981-1986	2LP	AMISH RECORDS	AMI 054LP
$31.00 PREORDER RELEASE DATE: 10/25/2024 "Primitive Art Group 1981-1986 is presented on gatefold 2LP, and is a combination of the group's only two albums, consisting of one LP of Five Tread cuts plus 'Cecil Likes to Dance' a never-before-released live recording from Thistle Hall (1984) and the full 1985 LP Future Jaw-Clap. This material that has been unavailable since mid-1980s. It is well documented that in the early '80s, New Zealand was awash with adventurous new music. Though sharing the kind of happy isolation and the DIY ethic with contemporaneous outfits like Flying Nun, South Indies, and Xpressway, one band cut a decidedly different path. The Primitive Art Group, formed in Wellington, devoted itself to collective improvisation coming out of a jazz tradition. With the line-up of Anthony Donaldson (drums), David Donaldson (bass), Neil Duncan (saxes), Stuart Porter (saxes), David Watson (guitar), and originally with Pam Grey (on cello), the group's relatively brief existence left a lasting impression on the New Zealand's free music scene. Musically, there was no precedent in New Zealand for their combination of noise, collective playing and compositional freedom. The band's five-year lifespan was non-stop activity: rehearsing, touring, the creation of Braille Records (their own record label which released ten LPs), dance and theater work, appearances at music festivals, and hosting two hugely influential national festivals of improvisation at Thistle Hall, Wellington. In 1984, Primitive Art Group spent a week making their first recording, an ambitious double LP, Five Tread, which had only a single pressing and sold-out locally. One year later they were back in the studio making their second album, Future Jaw-Clap. This outing contained tighter pieces, as the band widened its repertoire with nods to broader influences and antecedents. In 1986, The Primitive Art Group gave their last concert at the Wellington Town Hall, just a half mile from Rawa House and the legendary Thistle Hall where their first shows had taken place. The band's Braille Records' recordings have never been released outside of New Zealand, nor have ever been available digitally. The group's brief tenure has continued to inspire new generations of improvisers, but nothing has ever quite matched the visceral blast of the Primitive Art Group's arrival on the scene. Every member of the group has carried on doing creative work at the highest levels: scoring films, making art, mentoring, organizing, touring and always playing."

Artist	Title	Format	Label	Catalog #
LANCASTER, BYARD	Funny Funky Rib Crib	CD	SOUFFLE CONTINU RECORDS	FFL 097CD
$13.50 PREORDER RELEASE DATE: 10/18/2024 At the beginning of the 1960s, at the Berklee College of Music, Byard Lancaster met some feisty friends: Sonny Sharrock, Dave Burrell, and Ted Daniel. It is easy to see why he rapidly became involved in free jazz. Once he was settled in New York, he appeared on Sunny Murray Quintet, recorded under the leadership of the drum crazy colleague of Albert Ayler. In 1968, the saxophonist and flutist recorded his first album under his own name: It's Not Up To Us. The following year he came to Paris in the wake of... Sunny Murray. He would come back to France in 1971 (again with Murray) and in 1973 (without Murray for a change). This is when he met Jef Gilson, the pianist and producer who encouraged him to record under his own name again. On Palm Records (Gilson's label), he would release four albums: Us, Mother Africa, Exactement, and Funny Funky Rib Crib. Funny Funky Rib Crib is an unforgettable recording (made up of several sessions dating from the middle of 1974) of creative jazz overwhelmed by funk and soul. If Lancaster had already made successful albums in the same genre -- notably New Horizons, under the name Sounds Of Liberation, which he co-led with Khan Jamal -- this one is an homage to James Brown and Sammy Davis enjoying the company of a host of guests including François Tusques (electric piano), Clint Jackson III (trumpet), François Nyombo (guitar), Joseph Traindl (trombone). Funny Funky Rib Crib's cover is a three-quarter profile portrait of the saxophonist (who can also be heard on flute, piano and even vocals), however, on the record, it is the whole group, inspired and frenetic, that tests the melodies of "Just Test," "Dogtown," or "Rib Crib" -- the two versions of which display leader Lancaster's art of nuance. On both sides of the album, the group also moves into a calmer groove, infused by blues and soul, "Work And Pray" and "Loving Kindness" are meditative tracks where listeners can lay back and relax before asking for more. Carefully remastered and restored by Gilles Laujol. Graphic design by Stefan Thanneur. Digipack CD.

Artist	Title	Format	Label	Catalog #
VA	Greasy Mike Volume 8: Revenge on the Halloween Monsters	LP	JAZZMAN RECORDS	JMAN 145LP
$22.50 PREORDER RELEASE DATE: 10/18/2024 Volume 8 of the Greasy Mike's series from Jazzman Records. Another 18 slices of rott and roll records from Weirdsville, USA. "'Ain't nobody here but us monsters!' I shouted out in desperation. 'Monsters? There are no monsters here!' came the reply out of the darkness, 'These are my children! My babies!' And with that the footsteps shuffled closer, closer. I could hear the shadowy figure breathing heavily. I could see the silhouette of his hunched figure lurching slowly towards the corner where I was crouching on the cold, sludgy floor. 'It's now or never' I told myself, and with that I leapt up and made a dash for the open door. All of a sudden the monsters in their cages began to howl and wail like death itself. The hairless, one-eyed monkey jumped and spat. The gorilla with twisted limbs began to thrash and tear at the iron bars that restrained him. The grotesque human head with the body of a dog let out a piercing, blood curdling scream, and its eyes bulged out of madness. But I had no time to be horrified, no time to be scared, and no time to stop and stare. I had to get outta there -- and fast. I moved quickly, but my feet struggled for grip on the slimy stone flagstones, which was covered everywhere in gooey blood and thick gunge. I slid and bounced haphazardly from cage to cage, hairy arms protruding and grabbing, gnashing teeth snapping and snarling, until I finally reached the dark, open doorway at the far end of the room. Turning my head back I yelled at the shadowy figure I'd left behind, 'It's witchcraft, you crack-brained crazy! You psychowhacko schizoid scumfreak!' And with that I disappeared through the void, and into the night." Featuring Los Vampiranos, Johnny Eager, Dick DeWayne Combo, Tommy Falcone & the Centuries, The Madmen, The Big Guys, Baron Daemon & the Vampires, The Phantom, Moe Koffman, Kenny & the Fiends, The Plaids, Dave Gray & the Graytones, Jerry Bryan, Mysterions, The Playboys, The Tomkos, The Phantoms Band, and The Bluenotes.

Artist	Title	Format	Label	Catalog #
REECE, DIZZY	Asia Minor	LP	HONEY PIE RECORDS	HONEY 099LP
$24.00 IN STOCK Jamaican-born jazz trumpeter Dizzy Reece recorded one of his best opus in 1962. Released on the New Jazz label the album featured greats such as bassist Ron Carter, renowned saxophonist Cecil Payne and pianist Hank Jones, it's a beautifully recorded and sequenced album, the compositions reflecting Reece's interest in the music of the Asian continent and regions of North Africa, with each piece transitioning nicely into the next. Asia Minor would be the last session Reece would lead until 1967/68. A fixture of the European jazz scene of the '50s, Reece came to New York in 1959. This intriguing, Eastern-flavored date, is still regarded has one of the best examples of cross-pollination in the jazz genre.

Artist	Title	Format	Label	Catalog #
LANCASTER, BYARD	Us	CD	SOUFFLE CONTINU RECORDS	FFL 094CD
$13.50 PREORDER RELEASE DATE: 10/18/2024 At the beginning of the 1960s, at the Berklee College of Music, Byard Lancaster met some feisty friends: Sonny Sharrock, Dave Burrell, and Ted Daniel. It is easy to see why he rapidly became involved in free jazz. Once he was settled in New York, he appeared on Sunny Murray Quintet, recorded under the leadership of the drum crazy colleague of Albert Ayler. In 1968, the saxophonist and flutist recorded his first album under his own name: It's Not Up To Us. The following year he came to Paris in the wake of... Sunny Murray. He would come back to France in 1971 (again with Murray) and in 1973 (without Murray for a change). This is when he met Jef Gilson, the pianist and producer who encouraged him to record under his own name again. On Palm Records (Gilson's label), he would release four albums: Us, Mother Africa, Exactement, and Funny Funky Rib Crib. Us, the first of the four records was recorded on November 24th, 1973 with Sylvin Marc on electric bass (a Fender... Lancaster?) and the evergreen Steve McCall on drums. On the album, the trio works from the John Coltrane model; free jazz shook up by the timely contributions of the bassist, followed by a mesmerizing atmospheric music. Then, Lancaster delivers a sinuous solo path, which is a reminder of his unique tone. On the album's companion single, the trio launches into great black music of a different genre which would lead the clairvoyant François Tusques to claim that Byard Lancaster is an "authentic representative of soul/free jazz," to sum up this is Great Black Music! First ever CD reissue; carefully remastered and restored by Gilles Laujol; graphic design by Stefan Thanneur; digipack. Licensed from Palm / Geneviève Quievreux.

Artist	Title	Format	Label	Catalog #
GALL, PETER	Love Avatar	CD	COMPOST	CPT 635CD
$16.00 PREORDER RELEASE DATE: 10/18/2024 Peter Gall, drummer of Web Web, one of the most accomplished and sought-after German jazz drummers, releases his second solo album. An intense work full of passion for modal jazz, fusion and improvisation. Full support from Gilles Peterson. With highly virtuoso, prominent guests: Wanja Slavin, Rainer Böhm, Reinier Baas, Matthias Pichler, and a live tour in winter and spring 2025. In 2018, Peter Gall's sensational debut album Paradox Dreambox saw the light of day. What began as an experiment became a strong musical statement that met with an enthusiastic response in the jazz world and led to successful tours with a fantastic band. Now finally comes the long-awaited second album: on Love Avatar, the Berliner-by-choice, who was born in Bad Aibling in Southern Bavaria, continues his search for new musical galaxies and paradoxes, emotional eruptions, irresistible grooves and the unreal, the supernatural and the love in music. Love Avatar by Peter Gall and his colleagues is richer, more complex, but also more focused and consistent than its predecessor. Mystical, hotblooded and biting, multidimensional and, above all, with a great focus on rousing grooves. It is somehow not a pure jazz album, there are too many parallel worlds for that. Nevertheless, jazz, the unpredictable, blind interaction and the courage to take risks play the most important role in this conglomerate of post-bop, fusion, baião, anthemic indie rock, melancholy synth spheres and hypnotizing beats.

Artist	Title	Format	Label	Catalog #
GALL, PETER	Love Avatar	LP	COMPOST	CPT 635LP
$24.00 PREORDER RELEASE DATE: 10/18/2024 LP version. Peter Gall, drummer of Web Web, one of the most accomplished and sought-after German jazz drummers, releases his second solo album. An intense work full of passion for modal jazz, fusion and improvisation. Full support from Gilles Peterson. With highly virtuoso, prominent guests: Wanja Slavin, Rainer Böhm, Reinier Baas, Matthias Pichler, and a live tour in winter and spring 2025. In 2018, Peter Gall's sensational debut album Paradox Dreambox saw the light of day. What began as an experiment became a strong musical statement that met with an enthusiastic response in the jazz world and led to successful tours with a fantastic band. Now finally comes the long-awaited second album: on Love Avatar, the Berliner-by-choice, who was born in Bad Aibling in Southern Bavaria, continues his search for new musical galaxies and paradoxes, emotional eruptions, irresistible grooves and the unreal, the supernatural and the love in music. Love Avatar by Peter Gall and his colleagues is richer, more complex, but also more focused and consistent than its predecessor. Mystical, hotblooded and biting, multidimensional and, above all, with a great focus on rousing grooves. It is somehow not a pure jazz album, there are too many parallel worlds for that. Nevertheless, jazz, the unpredictable, blind interaction and the courage to take risks play the most important role in this conglomerate of post-bop, fusion, baião, anthemic indie rock, melancholy synth spheres and hypnotizing beats.

Artist	Title	Format	Label	Catalog #
LANCASTER, BYARD	Exactement	2CD	SOUFFLE CONTINU RECORDS	FFL 096CD
$19.00 PREORDER RELEASE DATE: 10/18/2024 At the beginning of the 1960s, at the Berklee College of Music, Byard Lancaster met some feisty friends: Sonny Sharrock, Dave Burrell, and Ted Daniel. It is easy to see why he rapidly became involved in free jazz. Once he was settled in New York, he appeared on Sunny Murray Quintet, recorded under the leadership of the drum crazy colleague of Albert Ayler. In 1968, the saxophonist and flutist recorded his first album under his own name: It's Not Up To Us. The following year he came to Paris in the wake of Sunny Murray. He would come back to France in 1971 (again with Murray) and in 1973 (without Murray for a change). This is when he met Jef Gilson, the pianist and producer who encouraged him to record under his own name again. On Palm Records (Gilson's label), he would release four albums: Us, Mother Africa, Exactement, and Funny Funky Rib Crib. The recording of Exactement required two sessions in the studio: February 1st and May 18th 1974 -- in between the two dates, Lancaster recorded, alongside Clint Jackson, the excellent Mother Africa. Two names appear on the cover of Exactement: Lancaster (Byard) and Speller (Keno). Byard Lancaster wanted to be precise, moving regularly from one instrument to another: first on piano, which was the first instrument he learned. On "Sweet Evil Miss Kisianga," his inspiration is first and foremost Coltrane (even if leaning more towards Alice than John), this announces the storm to follow. It is Lancaster's horn-playing which really stands out: on alto or soprano saxophones, as well as on flute or bass clarinet, the musician walks a tightrope making the most of all the risks he takes. Using the full register of his instruments, he has fun with the possibilities. Then, Lancaster invokes or evokes Ornette Coleman, Eric Dolphy, and even Prokofiev, before going into a danse alongside Keno Speller on percussion. Above all, he has a unique sound. Byard Lancaster, on whatever instrument he plays and by continually seeking, always ends up hitting the right note. First ever CD reissue. Carefully remastered and restored by Gilles Laujol. Graphic design by Stefan Thanneur. Digipack 2CD.

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