Forced Exposure

Last Updated 04/06/2025 07:25 PM EDT

LOG IN
CART

Cart Items :

Sub Total :

New Releases

Labels

Jobs

Search Result for Genre JAZZ

Go to Item :

viewing 1 To 25 of 3969 items Next >>

Items Per Page :


Artist	Title	Format	Label	Catalog #

ELLINGTON, DUKE	Sentimental Swing: 1927-53	LP	ACROBAT	ACRSLP 1673LP
$26.00 PREORDER RELEASE DATE: 12/31/2025 Delayed... "Duke Ellington was one of the most important and influential figures in the entire history of jazz, as pianist, bandleader, composer and innovator, his career spanned the evolution from the early days of electric recording. However, while critics and commentators focus on his over-arching significance as a giant of the medium, it's easy to forget that he was a genius at composing tune and songs for the medium of the three-minute, 78rpm single, and during the first three decades of his career before rock 'n' roll changed the pop landscape irrevocably, he had more than 70 records that were credited as chart hits. The Duke himself preferred not to have his work referred to as 'jazz' but liked people to see it as he himself saw it, as being 'beyond category,' simply 'American music.' In a career lasting six decades, he attracted the very best musicians to his orchestras, and gifted to the world many of the jazz standards we know and love today This LP brings together some of his most iconic compositions, including timeless classics such as the Billboard R&B No.1 'Don't Get Around Much Anymore,' alongside stalwarts of the jazz canon 'Mood Indigo,' 'Sophisticated Lady,' 'Solitude,' 'Caravan,' 'Take The 'A' Train,' and 'It Don't Mean A Thing (If You Ain't Got That Swing).' It's a fantastic insight into his most successful output during a primary era of his career, and a great showcase for the artistry which made the Duke such a revered and iconic personality."

Artist	Title	Format	Label	Catalog #
DENOIR, EDUARDO MATEO, DIANE	Ineditas	LP	LITTLE BUTTERFLY RECORDS	LBR 132LP
$38.50 PREORDER RELEASE DATE: 7/4/2025 Inéditas showcases the incredible musicianship and creativity of Diane Denoir and Eduardo Mateo in their early years. These previously unreleased tracks, recorded between 1966 and 1968 in various settings, blend bossa nova, chanson française, jazz, and pop in unique ways, revealing another side of the South American scene during the 1960s. Born as Diana Reches, Diane Denoir made her debut as a singer in 1966, backed by Eduardo Mateo on guitar. Influenced by Françoise Hardy and Astrud Gilberto, along with her own unique style, she performed a special blend of chanson française, bossa nova (sung in Portuguese, English, and French), and jazz. By then, Mateo was already a well-known guitarist in the Uruguayan music scene and a sought-after arranger. He was also beginning to establish himself as an incredible songwriter, connecting different musical universes in unique ways. The two formed a fruitful artistic partnership that lasted until the early seventies. This album, originally released in 1998 on CD, is a compilation of various unreleased recordings from different sources (concerts, radio and TV recordings, homemade tapes) made between 1966 and 1968. It is a unique document that showcases their incredible musicianship and creativity in their early years. The duo swings from bossa nova classics like "The Girl from Ipanema" to the rhythm and blues of "Fever," including chanson française standards like "Le lendemain" and "La Dernière Valse." The album also features earlier versions of the three best-known Mateo songs performed by Diane: "Y hoy te vi," "Esa tristeza," and "Mejor me voy," all of which were inspired by Diane. Inéditas unveils a new dimension of South American music from an unforgettable era.

Artist	Title	Format	Label	Catalog #
RADA'S OLD BOYS, THE	Manos	LP	LITTLE BUTTERFLY RECORDS	LBR 131LP
$32.00 PREORDER RELEASE DATE: 7/4/2025 Blending Afro-Uruguayan traditions with rock, soul, jazz, and funk, Ruben Rada has shaped the music of Uruguay and Argentina from the 1960s to the present day. Throughout his career, he has consistently been surrounded by talented musicians who have been integral to his sound. This was especially true with Daniel "Lobito" Lagarde, bassist and founding member of the iconic band Totem in the early 1970s; Ricardo Nolé, keyboardist, arranger, and musical director of Rada's band in Argentina during the 1980s; and Nelson Cedréz, the drummer who has been by Rada's side since the 1990s. In 2016, these three musicians reunited to form Rada's Old Boys, releasing an album of jazz-infused reinterpretations of Rada's songs that earned rave reviews. Now, they return with Manos, a bold new album that reimagines Rada's works from every phase of his career, featuring deeply personal renditions and a special guest appearance from Rada himself on one track.

Artist	Title	Format	Label	Catalog #
PERELMAN & MATTHEW SHIPP, IVO	Armageddon Flower	CD	TAO FORMS	TAO 018CD
$13.00 PREORDER RELEASE DATE: 6/20/2025 "The seminal Matthew Shipp String Trio (Shipp: piano; Mat Maneri: viola; William Parker: bass) reconvened in late 2024 in order to commune with tenor saxophonist Ivo Perelman in the studio, and Armageddon Flower is the epic result. This album is a peak gem of improvised communication in each of their extensive and astonishing bodies of work, revealing new ways of exemplifying tradition, language, physics, material, and energy. A profound work presenting such communication at a very high level indeed. Since 1996 Perelman and Shipp have recorded 46 albums together in duo and small group settings. But as Shipp is careful to point out, 'there's only one Matthew Shipp String Trio.' At the turn of the century, this Trio struck out on a path to redefine 'Third Stream' chamber jazz via two very well-received Hat Hut CDs. A quarter century later, this new work clearly builds on extensive, musically interwoven personal history. For Shipp, 'William and Mat are as close to my natural soul brothers as you can get -- and by soul I mean the soul. Ivo is another layer of that same soul.' Perelman's copious studio dates -- beginning with his self-titled Ivo (1989) -- are a continual refinement and study in process whether or not they share personnel, and countless gems reside in his vast body of work. Armageddon Flower is a singular gem in the entire body of improvised music. This work is fundamentally a group music; while there are sections of duo and trio interaction, the onus is on a four-way conversation in which parallel streams become oceans of sound, only to be distilled into isolated rivulets once again. Without a drummer but with forward motion and bounce, the music on Armageddon Flower is sublimely striking and operates in a continuous flow of both impulsion and idea. As these four musicians have spent decades together in various capacities, their language is on one level honed. What's surprising is that entirely new pathways are exploding into view. It's unquestionable that this is music of necessity, of striving, and of possibility."

Artist	Title	Format	Label	Catalog #
VA	Spiritual Jazz 18: Behind The Iron Curtain - Sounds Beyond Barriers Pt 1	2LP	JAZZMAN RECORDS	JMAN 148LP
$32.00 PREORDER RELEASE DATE: 6/13/2025 Double LP version. Part 1. One of the most politically charged terms of the 20th century, the Iron Curtain was a metaphor for political and cultural division. In a post-war telegram Winston Churchill referred to the fault line that ran through Europe between East and West as "an Iron Curtain is drawn down upon their front. We do not know what is going on behind." In this two-part album, as far as jazz is concerned, Jazzman will showcase, describe and celebrate exactly what was "going on behind." Music is the power supreme, with the ability to transcend all barriers, be they physical, political or metaphorical. The liner notes illustrate the complex and contradictory history of Soviet jazz, and the tracks chosen cover the key period of the early 1960s to the 1980s. It was during these dark years of the Cold War that the Soviet Union and its satellite states produced a number of outstanding artists playing in a variety of styles. The impact of modernism, from hard bop and Latin to modal and cool jazz, had found its way through cracks in the curtain. The deeply-felt ancestral strains of traditional European folk music were combined with the exciting new and progressive sounds of the West, and a radical, intoxicating brew was created that no amount of guns, tanks or polonium tea could overcome. Jazzman chronicles the triumph of jazz at a time of extreme geopolitical conflict. What went on behind the Iron Curtain in these countries was once mysterious and unknown to the West, but the perseverance of their artists provided sound and light amid the secretive, dark days of the communist-capitalist standoff. There was no end of life-affirming spiritual jazz behind the Iron Curtain. Featuring Collage, Manfred Ludwig-Sextett, Krzysztof Komeda, Polish Jazz Quartet, Vagif Mustafa-Zade, Quartet Jazz Focus-65, Theo Schumman Combo, Vaclav Zahradnik, Karel Velebny, Sevil, Focus '65, Golstain-Nosov Quintet, YU All Stars 1977, and Dan Mindrila.

Artist	Title	Format	Label	Catalog #
VA	Spiritual Jazz 18: Behind The Iron Curtain - Sounds Beyond Barriers Pts 1 & 2	2CD	JAZZMAN RECORDS	JMAN 148CD
$16.00 PREORDER RELEASE DATE: 6/13/2025 One of the most politically charged terms of the 20th century, the Iron Curtain was a metaphor for political and cultural division. In a post-war telegram Winston Churchill referred to the fault line that ran through Europe between East and West as "an Iron Curtain is drawn down upon their front. We do not know what is going on behind." In this two-part album, as far as jazz is concerned, Jazzman will showcase, describe and celebrate exactly what was "going on behind." Music is the power supreme, with the ability to transcend all barriers, be they physical, political or metaphorical. The liner notes illustrate the complex and contradictory history of Soviet jazz, and the tracks chosen cover the key period of the early 1960s to the 1980s. It was during these dark years of the Cold War that the Soviet Union and its satellite states produced a number of outstanding artists playing in a variety of styles. The impact of modernism, from hard bop and Latin to modal and cool jazz, had found its way through cracks in the curtain. The deeply-felt ancestral strains of traditional European folk music were combined with the exciting new and progressive sounds of the West, and a radical, intoxicating brew was created that no amount of guns, tanks or polonium tea could overcome. Jazzman chronicles the triumph of jazz at a time of extreme geopolitical conflict. What went on behind the Iron Curtain in these countries was once mysterious and unknown to the West, but the perseverance of their artists provided sound and light amid the secretive, dark days of the communist-capitalist standoff. There was no end of life-affirming spiritual jazz behind the Iron Curtain. Featuring Collage, Manfred Ludwig-Sextett, Krzysztof Komeda, Polish Jazz Quartet, Vagif Mustafa-Zade, Quartet Jazz Focus-65, Theo Schumman Combo, Vaclav Zahradnik, Karel Velebny, Sevil, Focus '65, Golstain-Nosov Quintet, YU All Stars 1977, Dan Mindrila, Leningrad Jazz Ensemble, Sh Jazz Quintet, Josef Blaha Trio, Csaba Deseo Ensemble, Manfred Ludwig-Sextett, Anatoly Vapirov, Zbigniew Namyslowski, Andrzej Trzaskowski Quintet, Tomsits Quartet, Nicolai Gromin Quartet, Valery Kolesnikov, Vyacheslav Novikov, Vladimir Molotkov, Alexander Christidis, Tone Jansa, and S+HQ.

Artist	Title	Format	Label	Catalog #
VA	Spiritual Jazz 18: Behind The Iron Curtain - Sounds Beyond Barriers Pt 2	2LP	JAZZMAN RECORDS	JMAN 149LP
$32.00 PREORDER RELEASE DATE: 6/13/2025 Double LP version. Part 2. One of the most politically charged terms of the 20th century, the Iron Curtain was a metaphor for political and cultural division. In a post-war telegram Winston Churchill referred to the fault line that ran through Europe between East and West as "an Iron Curtain is drawn down upon their front. We do not know what is going on behind." In this two-part album, as far as jazz is concerned, Jazzman will showcase, describe and celebrate exactly what was "going on behind." Music is the power supreme, with the ability to transcend all barriers, be they physical, political or metaphorical. The liner notes illustrate the complex and contradictory history of Soviet jazz, and the tracks chosen cover the key period of the early 1960s to the 1980s. It was during these dark years of the Cold War that the Soviet Union and its satellite states produced a number of outstanding artists playing in a variety of styles. The impact of modernism, from hard bop and Latin to modal and cool jazz, had found its way through cracks in the curtain. The deeply-felt ancestral strains of traditional European folk music were combined with the exciting new and progressive sounds of the West, and a radical, intoxicating brew was created that no amount of guns, tanks or polonium tea could overcome. Jazzman chronicles the triumph of jazz at a time of extreme geopolitical conflict. What went on behind the Iron Curtain in these countries was once mysterious and unknown to the West, but the perseverance of their artists provided sound and light amid the secretive, dark days of the communist-capitalist standoff. There was no end of life-affirming spiritual jazz behind the Iron Curtain. Featuring Leningrad Jazz Ensemble, Sh Jazz Quintet, Josef Blaha Trio, Csaba Deseo Ensemble, Manfred Ludwig-Sextett, Anatoly Vapirov, Zbigniew Namyslowski, Andrzej Trzaskowski Quintet, Tomsits Quartet, Nicolai Gromin Quartet, Valery Kolesnikov, Vyacheslav Novikov, Vladimir Molotkov, Alexander Christidis, Tone Jansa, and S+HQ.

Artist	Title	Format	Label	Catalog #
TANG & PATRICK GOLDEN, ROSE	A White Horse Is Not a Horse	2LP	ESP-DISK	ESPDISK 5111LP
$35.00 PREORDER RELEASE DATE: 5/30/2025 Double LP version. Rose Tang has previously been heard on ESP-Disk in the band ATTITUDE!, whose album Pause & Effect came out in 2021 (ESPDISK 5048LP). She writes: "There was a school of philosophy in ancient China whose core theory stems from a debate entitled 'A White Horse Is Not a Horse.' In a book by Gongsun Long (公孫龍 320-250BC, about 200 years after Confucius) in the Warring States Period, two persons argue if a white horse is a horse: the protagonist argues it is not, because 'white' is the color of a (particular) horse while a 'horse' is a shape and a generic term. It's a linguistic/logical paradox, or sophistry. Ridiculed by his contemporary philosophers and forgotten for centuries, Gongsun is now considered the only philosopher in ancient China who delved into logic and philosophy of language. I was about 12 when my artist father first told me about the debate. He's painted many horses, especially white horses. Long before I discovered I'm a Mongol, I had always loved horses. Funny, my high school politics (Maoism/Marxism) teacher nicknamed me 'Wild Horse Running off the Reins.' That's how I see myself when playing music. Music offers instant and countless ways of freeing myself and connecting with people and the multiverse. It's all about following the qi, the energy, the flow. It's like cooking or making love, with senses and feelings all out in the open, without thinking. Improvising in a group is the most democratic activity. And all sounds are equal -- birds, traffic, construction, the ocean, kids -- all music to my ear. All instruments are my toys (some are indeed my daughter's toys). For every instrument I play, I feel the physical and spiritual connections with them. Ask not what your instrument can do for you, ask what you can do for your instrument. I look for the sounds that an instrument isn't 'supposed' to make. Music is the most abstract art form and the closest to the truth, yet it's the most institutionalized. My slogan is 'Learn through play. Play by ear. Fuck the rest!' So here it is, just some Weird Shit, music that is not music. A white horse is not a horse." All music improvised by Rose Tang and Patrick Golden. Recorded by Jim Clouse at Park West Studios, Brooklyn, on August 28, 2024.

Artist	Title	Format	Label	Catalog #
MORRIS & ELLIOTT SHARP, JOE	Realism	CD	ESP-DISK	ESPDISK 5084CD
$12.00 PREORDER RELEASE DATE: 5/30/2025 Joe Morris's recording career began in 1983 and has made him one of the most revered avant-garde jazz guitarists. Down Beat magazine dubbed him "the preeminent free music guitarist of his generation," while The Wire magazine called him "one of the most profound improvisers at work in the U.S." His revelatory 2012 book Perpetual Frontier/The Properties of Free Music (Riti Publishing) is a detailed and rewarding accounting of his approach to improvisation. He has been on the faculty in the Jazz and Contemporary Improvisation Department at New England Conservatory of Music since 2000. This is his fifth album as guitarist on ESP-Disk': two as leader, two in Fay Victor's SoundNoiseFUNK, and now this unique duo. Elliott Sharp began recording in 1979 and has continued prolifically adding to his discography ever since, working fluently in genres ranging from blues and jazz to free improvisation and modern classical composition. A cornerstone of the downtown NYC music scene and collaborator with musicians from around the world, he has extended the vocabulary of the guitar in ways that led Guitar Player magazine to include him in its 30th anniversary issue's list of "The Dirty Thirty: Pioneers and Trailblazers." (He also plays saxophone.) His 2019 book IrRational Music (TerraNova Press) is a crucial document of his work that goes beyond biography into musical philosophy. Realism is his first album released on ESP. Recorded and mastered by Jim Clouse, Park West Studios, Brooklyn, NY on July 17, 2023. Mixed by Elliott Sharp and Jim Clouse at Park West Studios on August 1, 2023. Produced by Steve Holtje for ESP-Disk'.

Artist	Title	Format	Label	Catalog #
COSMIC EAR	Traces	LP	WE JAZZ	WJLP 076LP
$28.00 PREORDER RELEASE DATE: 5/23/2025 LP version. Cosmic Ear is a new group bringing together Christer Bothén, Mats Gustafsson, Goran Kajfe, Kansan Zetterberg and Juan Romero. Their debut album Traces is presented by We Jazz Records, including six deep cuts. Traces is an album that sees Cosmic Ear tracking down the "traces" of the legendary Don Cherry's legacy while paving their own way in contemporary creative music expression. Christer Bothén, a collaborator with Don Cherry during his Swedish period in the 1970s, brings depth to the history of the band, while his bandmates each belong at the top of the game in Scandinavian jazz. Their music is meditative and deep, much recommended for fans of the likes of Don Cherry, Alice Coltrane, and Pharoah. That being said, listeners should approach Cosmic Ear only with openness and curiosity, without set stylistic boundaries, as it's the group's natural flow and togetherness that brings their music into a fresh territory of their own. As John Corbett writes in his liner notes: "The Cosmic Ear. Five souls, sometimes six, on the same road. The pied piper path of Mr. Cherry. Christer Bothén, one of Cherry's main collaborators in his Swedish period and one of the most beautiful bass clarinetists on planet earth, together with next-gen saxophonist Mats Gustafsson, who has carried so many torches in Cherry's procession, and younger Swedish stars trumpeter Goran Kajfes, bassist Kansan Zetterberg, and percussionist Juan Romero. Together a tempo is set, a path is charted. There are global grooves. A berimbau, a karignan (metal scraper from Guinea), donso n'goni. There are ET grooves. Synth, live-electronics, slide flute. The globe is a glove, a hand warmer that radiates with extraterrestrial power, returning the fingers to their place at the center of the galaxy; the Cherry path is a balm that restores essential moisture to the lips that blow life back into the megacosm. Let us all praise warm fingers and moist mouths." Featuring an insert with liner notes by John Corbett.

Artist	Title	Format	Label	Catalog #
DOLMEN, MICHEL ALIBO & JOWEE OMICIL, ARNAUD	Poets of Forest	CD	SAMANA PRODUCTIONS	SAM 003CD
$16.00 PREORDER RELEASE DATE: 5/23/2025 Poets of Forest is a musical journey where the soul of jazz blends with the mysteries of nature. Drummer Arnaud Dolmen composes three themes, the starting points for a spellbinding exploration of sound. Alongside double bassist Michel Alibo and multi-instrumentalist Jowee Omicil (flute, alto and soprano saxophones, bass clarinet), these melodies are transformed and brought to life in multiple forms. Each version seems to emerge from another world, where the forest and its secrets whisper between the notes. Special guest harpist Sophye Soliveau sculpts soundscapes as vast as they are mysterious. Together, they weave a timeless musical canvas. Poets of Forest is a space of silence and light, where imagination and reality meet, where nature speaks to the soul. A meditation in sound, both fragile and powerful.

Artist	Title	Format	Label	Catalog #
COSMIC EAR	Traces	CD	WE JAZZ	WJCD 076CD
$16.00 PREORDER RELEASE DATE: 5/23/2025 Cosmic Ear is a new group bringing together Christer Bothén, Mats Gustafsson, Goran Kajfe, Kansan Zetterberg and Juan Romero. Their debut album Traces is presented by We Jazz Records, including six deep cuts. Traces is an album that sees Cosmic Ear tracking down the "traces" of the legendary Don Cherry's legacy while paving their own way in contemporary creative music expression. Christer Bothén, a collaborator with Don Cherry during his Swedish period in the 1970s, brings depth to the history of the band, while his bandmates each belong at the top of the game in Scandinavian jazz. Their music is meditative and deep, much recommended for fans of the likes of Don Cherry, Alice Coltrane, and Pharoah. That being said, listeners should approach Cosmic Ear only with openness and curiosity, without set stylistic boundaries, as it's the group's natural flow and togetherness that brings their music into a fresh territory of their own. As John Corbett writes in his liner notes: "The Cosmic Ear. Five souls, sometimes six, on the same road. The pied piper path of Mr. Cherry. Christer Bothén, one of Cherry's main collaborators in his Swedish period and one of the most beautiful bass clarinetists on planet earth, together with next-gen saxophonist Mats Gustafsson, who has carried so many torches in Cherry's procession, and younger Swedish stars trumpeter Goran Kajfes, bassist Kansan Zetterberg, and percussionist Juan Romero. Together a tempo is set, a path is charted. There are global grooves. A berimbau, a karignan (metal scraper from Guinea), donso n'goni. There are ET grooves. Synth, live-electronics, slide flute. The globe is a glove, a hand warmer that radiates with extraterrestrial power, returning the fingers to their place at the center of the galaxy; the Cherry path is a balm that restores essential moisture to the lips that blow life back into the megacosm. Let us all praise warm fingers and moist mouths." Featuring an insert with liner notes by John Corbett.

Artist	Title	Format	Label	Catalog #
ARDLEY, NEIL	Harmony Of The Spheres	LP	ANALOGUE OCTOBER RECORDS	AOR 002ST-LP
$61.50 PREORDER RELEASE DATE: 5/16/2025 180 Gram vinyl, hand numbered edition of 500, ultra gloss sleeve on 380 gsm card, black poly-lined inner, eight-page booklet printed on 330 gsm card. Neil Ardley'S Harmony Of The Spheres returns to vinyl for the first time in over 40 years. Analogue October Records presents the long-awaited licensed reissue of Harmony of the Spheres, Neil Ardley's cosmic jazz masterpiece, originally released in 1979 by Decca. This marks the first vinyl reissue of the album since its original release, offering fans a rare opportunity to experience this extraordinary record in its purest form. Recorded at the legendary Morgan Studios and produced by the esteemed Martin Levan, Harmony of the Spheres is another bold evolution in Ardley's ever-expanding musical journey. A unique blend of jazz, electronic synthesis, and progressive rock, the album explores the ancient Greek concept that planets create celestial harmonies as they move through space. Using precise astronomical calculations, Ardley transposed planetary orbits into a nine-note chord -- one that extends beyond the range of traditional acoustic instruments, making synthesizers the only means of fully realizing this cosmic sound. The album features an all-star lineup, including the visionary John Martyn on guitar, saxophonist Barbara Thompson, Tony Coe, Ian Carr, and keyboardist Geoff Castle, alongside the formidable rhythm section of Billy Kristian (bass), Richard Burgess (drums), and Trevor Tomkins (percussion). Following the reissue success of Journey to the Urge Within (1986) by Courtney Pine, Analogue October Records' founder Craig Crane embarked on a mission to restore Harmony of the Spheres to its full sonic glory. Working with Gearbox and using Decca's original 15ips 2-track stereo master tapes, this reissue is a true AAA release -- an all-analogue production with no digital step. The album was meticulously cut directly from the tapes and pressed to the highest standards at Optimal in Germany. Inside the deluxe package, fans will discover an eight-page booklet featuring an in-depth essay by Jazzwise magazine editor Mike Flynn, along with never-before-seen photos from the original recording sessions. This reissue is just the beginning -- Analogue October Records is committed to further explorations of Neil Ardley's work, alongside other deep cuts from the UK's vibrant 1970s jazz fusion and jazz-rock scene. Whether you're rediscovering Harmony of the Spheres or experiencing it for the first time, this release is a testament to the artistry and innovation of Neil Ardley.

Artist	Title	Format	Label	Catalog #
KANNASTE4	Out Of Self and Into Others	LP	WE JAZZ	WJLP 078LP
$28.00 PREORDER RELEASE DATE: 5/2/2025 Helsinki tenor saxophonist Jussi Kannaste's debut album as a band leader has been a long time coming. A top musician in the local scene revered by his contemporaries and sought after as a band member, Kannaste now presents his new work Out Of Self and Into Others on We Jazz Records. His quartet, Kannaste4, brings together Finnish musicians Tomi Nikku (of Bowman Trio) and Joonas Riippa, plus Berlin-based Swedish bassist Petter Eldh (of Koma Saxo/Post Koma and Y-OTIS), and features an all original program penned by Kannaste. His music is highly personal contemporary jazz leaning into modes of avantgarde expression. At times quiet as a whisper, at times fiery and swinging, Out Of Self and Into Others is a product of a deep marinade, a debut album that feels like much more than "just" that. This album, full of compositional innovation that feels at the same time natural and unique, peels back and adds layers from the first moments on. "No Name," a hauntingly beautiful quiet time ballad is a captivating listen, its sparsity lending the track remarkable quiet intensity. "It's All Good," another key piece, is offered here as two versions bookending the LP edition's side B. The lax vibe of the piece delivers its message that feels soothing yet almost radical in its momentary acceptance of it all. Jussi Kannaste (born 1976) is a saxophonist and educator based in Helsinki. Prior to launching Kannaste4, he has been a key part of the scene for 20+ years, performing in highly acclaimed bands such as Antti Lötjönen Quintet East, 3TM, Jaska Lukkarinen Trio, Ricky-Tick Big Band, and many more. As the head of the department of Jazz at Sibelius Academy, Kannaste is also a key figure in internationally admired Finnish jazz education system.

Artist	Title	Format	Label	Catalog #
CONTEMPORARY JAZZ QUINTET, THE	Action A, B, C, E	LP	FORMALIBERA	3FFTCJQ179
$25.00 PREORDER RELEASE DATE: 5/2/2025 It all started in 1958, when Hugh Steinmetz played trumpet in the school band and got in contact with Christian Mouritzen, a 19-year-old blacksmith who played alto saxophone and would soon change his name into Franz Beckerlee. They were soon joined by young bass player Steffen Andersen. By January 1962 they entered the scene at the Vingaarden club in central Copenhagen where, together with John Tchicai, they had the groundbreaking experience of hearing Cecil Taylor, Sunny Murray, and Albert Ayler. The next step was to enter the scene in the more international Montmartre Jazzhouse. Monday night was "avantgarde night" and The Beckerlee Quartet (still in their late teens) accepted the offer to play for an hour and therefore got the chance to further develop their music. It was there that they came into contact with The New York Contemporary Five -- Don Cherry, Archie Shepp, John Tchicai, Don Moore, and J.C. Moses. Before The New York Contemporary Five left Scandinavia in November 1963, they collaborated with The Beckerlee Quartet for a broadcast on Danish Radio. The gifted drummer Sunny Murray, an inspiring force for the Beckerlee group, was hired in 1964 to play on Action, their first LP, issued the following year by the legendary Debut Records. It was at that time that they changed their name to The Contemporary Jazz Quartet. Action has come to be regarded by many as one of the most important early accomplishments in European free improvisation. It was at this time that members of The Contemporary Jazz Quartet were invited to perform with David Tudor and Michael von Biehl in Charlottenborg, a very important place for the avantgarde in music and visual arts. The group would eventually shift again in membership and become The Contemporary Jazz Quintet, featuring Bo Thrige Andersen, Franz Beckerlee, Hugh Steinmetz, Niels Harrit, and Steffen Andersen, and enter the studio in 1967 to record what would have been the follow up to Action, intended to be also issued by Debut. As a fascinating illumination of the moment, particularly because it predates Miles Davis' revolutionary innovation of electric jazz by roughly a year, new innovations in amplification during that moment that the band began to observe in rock music, provoked them to abandon that album and begin again, eventually producing the LP T.C.J.Q. in 1969, which featured two electrified saxophones, as well as amplified trumpet and double-bass, relinquishing their previous recordings, unreleased, to the vaults. It is those incredible, lost 1967 recordings made by The Contemporary Jazz Quintet, unearthed for the first time in nearly 60 years, that comprise Action A B C E, FormalIbera's new LP dedicated to the group. Includes an insert with liner notes by Mats Gustaffson and Anna-Lise Malmros.

Artist	Title	Format	Label	Catalog #
ENJI	Sonor	LP	SQUAMA	SQM 033LP
$30.50 PREORDER RELEASE DATE: 5/2/2025 LP version. For a few fleeting moments during a sunset, the sky is cast a vivid shade of amber. A dramatic flare of color, a moment belonging to both the day and the night. It is within this vibrant, ephemeral world, that Mongolian-born, Munich-based Enji has written her new album Sonor. Sonor is a reflection of Enji's personal evolution and the complex emotions that accompany living between two worlds. The album's themes revolve around the unplaceable feeling of being between cultures, not as a source of conflict, but as a space for growth and self-discovery. Enji explores how distance from her traditional Mongolian roots has shaped her identity, and how returning home brings a heightened awareness of these changes. Backed by a band of renowned jazz musicians (Elias Stemeseder on piano, Robert Landfermann on bass, Julian Sartorius on drums and co-composer Paul Brändle on guitar), Enji isn't just revisiting tradition, she's distilling the feeling of home, of small joys that reveal their significance only when viewed from afar. Like a familiar song hummed by a parent, her music captures the essence of belonging, not tied to a single place, but to the emotions and memories that shape humanity.

Artist	Title	Format	Label	Catalog #
ENJI	Sonor (Color Vinyl)	LP	SQUAMA	SQM 033B-LP
$33.00 PREORDER RELEASE DATE: 5/2/2025 LP version. Color vinyl. For a few fleeting moments during a sunset, the sky is cast a vivid shade of amber. A dramatic flare of color, a moment belonging to both the day and the night. It is within this vibrant, ephemeral world, that Mongolian-born, Munich-based Enji has written her new album Sonor. Sonor is a reflection of Enji's personal evolution and the complex emotions that accompany living between two worlds. The album's themes revolve around the unplaceable feeling of being between cultures, not as a source of conflict, but as a space for growth and self-discovery. Enji explores how distance from her traditional Mongolian roots has shaped her identity, and how returning home brings a heightened awareness of these changes. Backed by a band of renowned jazz musicians (Elias Stemeseder on piano, Robert Landfermann on bass, Julian Sartorius on drums and co-composer Paul Brändle on guitar), Enji isn't just revisiting tradition, she's distilling the feeling of home, of small joys that reveal their significance only when viewed from afar. Like a familiar song hummed by a parent, her music captures the essence of belonging, not tied to a single place, but to the emotions and memories that shape humanity.

Artist	Title	Format	Label	Catalog #
TORDENSKJOLDS SOLDATER	Love	LP	FORMALIBERA	4FFTS181
$25.00 PREORDER RELEASE DATE: 5/2/2025 North of Copenhagen, in the suburb of Holte, there was a cinema called the Reprise Theatre, which promoted the arts in the area by holding art exhibitions and other events and, in the Autumn of 1967, opened the theatre for a series of jazz concerts with no restrictions on musical content or style. Many young musicians presented their music here, from bebop and blues to more experimental music. The musicians in Tordenskjolds Soldater were among the core of musicians who played there regularly. The group was formed in October 1969 by musicians who could be heard in many different jazz groups playing at Reprisen. The members of Tordenskjolds Soldater were the fine saxophonist Jesper Nehammer, later a member of the Danish Radio Jazz Group and orchestras led by trumpeter Palle Mikkelborg. Henrik Hove and Jon Finsen were regulars on the Reprise scene for a long time and played with Ole Matthiessen in many orchestras. In April 1970 the activities at Reprisen came to an end, but at the same time the Montmartre Jazzhouse changed its programming, relying more on local Danish jazz groups playing for longer periods. Tordenskjolds Soldater played at Montmartre every Monday from May to October 1970, and it was during this period that these recordings were made, the same time of heightened activity when the band recorded its lone commercial release, Peace, for the legendary imprint Spectator Records. Love, Tordenskjolds Soldater's first new LP in more than 50 years, includes previously unreleased recordings filled with deep grooves and driving rhythms like the previous Peace album. The LP starts with "Native Land," a joyous explosion built around the visionary piano playing of Ole Mathiessen and hypnotic cycles by Henrik Hove and Jon Finsen, with soulful lines by Jesper Nehammer on sax. "Memoires of Isadora Duncan" is the only track which was featured on Peace, but the alternate version presented here includes Ole Matthiessen winding through the intoxicating melodies of Nehammer on Fender Rhodes. From here on, every track was previously unpublished. Love, a truly striking statement that reminds you how much fun jazz can be, includes an insert with original photos as well as liner notes by Ole Matthiessen.

Artist	Title	Format	Label	Catalog #
TORDENSKJOLDS SOLDATER	Love (Silkscreened)	LP	FORMALIBERA	4FFTS181-LTD
$65.00 PREORDER RELEASE DATE: 5/2/2025 Silkscreened version. "North of Copenhagen, in the suburb of Holte, there was a cinema called the Reprise Theatre, which promoted the arts in the area by holding art exhibitions and other events and, in the Autumn of 1967, opened the theatre for a series of jazz concerts with no restrictions on musical content or style. Many young musicians presented their music here, from bebop and blues to more experimental music. The musicians in Tordenskjolds Soldater were among the core of musicians who played there regularly. The group was formed in October 1969 by musicians who could be heard in many different jazz groups playing at Reprisen. The members of Tordenskjolds Soldater were the fine saxophonist Jesper Nehammer, later a member of the Danish Radio Jazz Group and orchestras led by trumpeter Palle Mikkelborg. Henrik Hove and Jon Finsen were regulars on the Reprise scene for a long time and played with Ole Matthiessen in many orchestras. In April 1970 the activities at Reprisen came to an end, but at the same time the Montmartre Jazzhouse changed its programming, relying more on local Danish jazz groups playing for longer periods. Tordenskjolds Soldater played at Montmartre every Monday from May to October 1970, and it was during this period that these recordings were made, the same time of heightened activity when the band recorded its lone commercial release, Peace, for the legendary imprint Spectator Records. Love, Tordenskjolds Soldater's first new LP in more than 50 years, includes previously unreleased recordings filled with deep grooves and driving rhythms like the previous Peace album. The LP starts with "Native Land," a joyous explosion built around the visionary piano playing of Ole Mathiessen and hypnotic cycles by Henrik Hove and Jon Finsen, with soulful lines by Jesper Nehammer on sax. "Memoires of Isadora Duncan" is the only track which was featured on Peace, but the alternate version presented here includes Ole Matthiessen winding through the intoxicating melodies of Nehammer on Fender Rhodes. From here on, every track was previously unpublished. Love, a truly striking statement that reminds you how much fun jazz can be, includes an insert with original photos as well as liner notes by Ole Matthiessen."

Artist	Title	Format	Label	Catalog #
SAKATA/GIOTIS DAMIANIDIS, AKIRA	Adyton	LP	AGUIRRE RECORDS	ZORN 107LP
$29.50 PREORDER RELEASE DATE: 5/2/2025 Japanese free jazz legend Akira Sakata and Greek avant-garde guitarist Giotis Damianidis present Adyton, their first-ever duo recording. Having collaborated since 2018, the two musicians have developed an intuitive and electrifying musical dialogue, culminating in this live performance at Haekem, Brussels -- the final concert of a two-week tour with Entasis in September 2023. Sakata, who turned 80 on February 21st, 2024, delivers his signature fiery alto saxophone, evocative clarinet, expressive voice, and resonant bells, while Damianidis expands the sonic spectrum with textural guitar and effects, weaving a dynamic interplay between structure and chaos. Titled after the "Adyton" - the innermost, most sacred part of an ancient temple -- this album invites listeners into a raw, unfiltered space of musical exploration, where spontaneous energy and deep-rooted tradition converge. A testament to Sakata's lifelong commitment to improvisation and Damianidis' boundary-pushing approach to guitar, Adyton is a powerful, transcendental journey into the unknown. Edition of 200.

Artist	Title	Format	Label	Catalog #
ENJI	Sonor	CD	SQUAMA	SQM 033CD
$16.00 PREORDER RELEASE DATE: 5/2/2025 For a few fleeting moments during a sunset, the sky is cast a vivid shade of amber. A dramatic flare of color, a moment belonging to both the day and the night. It is within this vibrant, ephemeral world, that Mongolian-born, Munich-based Enji has written her new album Sonor. Sonor is a reflection of Enji's personal evolution and the complex emotions that accompany living between two worlds. The album's themes revolve around the unplaceable feeling of being between cultures, not as a source of conflict, but as a space for growth and self-discovery. Enji explores how distance from her traditional Mongolian roots has shaped her identity, and how returning home brings a heightened awareness of these changes. Backed by a band of renowned jazz musicians (Elias Stemeseder on piano, Robert Landfermann on bass, Julian Sartorius on drums and co-composer Paul Brändle on guitar), Enji isn't just revisiting tradition, she's distilling the feeling of home, of small joys that reveal their significance only when viewed from afar. Like a familiar song hummed by a parent, her music captures the essence of belonging, not tied to a single place, but to the emotions and memories that shape humanity.

Artist	Title	Format	Label	Catalog #
WEB WEB	Plexus Plexus	CD	COMPOST	CPT 653CD
$16.00 PREORDER RELEASE DATE: 4/25/2025 Web Web present their sixth album with a new touch. More psychedelic, sometimes more krauty than before. This time, Web Web, with their original line-up (without Max Herre) have (again) chosen a special guest: JJ Whitefield (The Poets Of Rhythm/Karl Hector & The Malcouns/Syrup), who contributes the fantastic guitar sound. His riffs are sometimes funky as with the Poets Of Rhythm or Syrup, or more psychedelic as with Karl Hector & The Malcouns or his many live and studio recordings with Embryo. The sound color of his guitar gives the album a thrust into the wonderful atmosphere of spacey jazz-kraut bands of the seventies. The concept of the album is the exact opposite of the previous Web Max album, with spontaneous, improvised pieces, fragments, ideas that mean the greatest possible liberty and live spirit. The idea of bringing JJ Whitefield on board was just as unpredictable and improvised. Roberto Di Gioia spontaneously called JJ and asked him if he could imagine playing on one or two songs. JJ immediately said yes, and a day later he was in the studio. They actually only played two songs: One lasted 25 minutes, the other 45 minutes. The tracks for Plexus Plexus were created over two days, recorded by Jan Krause (Beanfield) in Munich. The energetic live session lasted twice 10 hours, and everyone -- Roberto Di Gioia (Rhodes, Fender Precision Bass, Moog, Mellotron, percussion), Christian von Kaphengst (Fender Precision Bass, Rhodes), Peter Gall (drums, percussion, Fender Rhodes), Tony Lakatos (tenor saxophone, flute) -- was "on fire" to the core. The musicians switched instruments to create a completely different overall sound: Kaphengst on Fender Rhodes sounds different to Roberto, his playing has a different harmonic structure, and Roberto on bass is familiar from numerous Max Herre recordings, or from Till Brönner's album Till Brönner.

Artist	Title	Format	Label	Catalog #
WEB WEB	Plexus Plexus	LP	COMPOST	CPT 653LP
$24.00 PREORDER RELEASE DATE: 4/25/2025 LP version. Web Web present their sixth album with a new touch. More psychedelic, sometimes more krauty than before. This time, Web Web, with their original line-up (without Max Herre) have (again) chosen a special guest: JJ Whitefield (The Poets Of Rhythm/Karl Hector & The Malcouns/Syrup), who contributes the fantastic guitar sound. His riffs are sometimes funky as with the Poets Of Rhythm or Syrup, or more psychedelic as with Karl Hector & The Malcouns or his many live and studio recordings with Embryo. The sound color of his guitar gives the album a thrust into the wonderful atmosphere of spacey jazz-kraut bands of the seventies. The concept of the album is the exact opposite of the previous Web Max album, with spontaneous, improvised pieces, fragments, ideas that mean the greatest possible liberty and live spirit. The idea of bringing JJ Whitefield on board was just as unpredictable and improvised. Roberto Di Gioia spontaneously called JJ and asked him if he could imagine playing on one or two songs. JJ immediately said yes, and a day later he was in the studio. They actually only played two songs: One lasted 25 minutes, the other 45 minutes. The tracks for Plexus Plexus were created over two days, recorded by Jan Krause (Beanfield) in Munich. The energetic live session lasted twice 10 hours, and everyone -- Roberto Di Gioia (Rhodes, Fender Precision Bass, Moog, Mellotron, percussion), Christian von Kaphengst (Fender Precision Bass, Rhodes), Peter Gall (drums, percussion, Fender Rhodes), Tony Lakatos (tenor saxophone, flute) -- was "on fire" to the core. The musicians switched instruments to create a completely different overall sound: Kaphengst on Fender Rhodes sounds different to Roberto, his playing has a different harmonic structure, and Roberto on bass is familiar from numerous Max Herre recordings, or from Till Brönner's album Till Brönner.

Artist	Title	Format	Label	Catalog #
NEW YORK CONTEMPORARY FIVE, THE	Consequences	LP	LIFE GOES ON RECORDS	LIFE 060LP
$22.50 PREORDER RELEASE DATE: 4/25/2025 Though short-lived, the New York Contemporary Five brought together NY free players Don Moore on bass, J.C. Moses on drums, Archie Shepp on tenor saxophone, and Don Cherry on trumpet with Danish alto saxophonist John Tchicai. Their 1966 album Consequences is a true masterpiece of fire music.

Artist	Title	Format	Label	Catalog #
GIANNI BREZZO	Sprechiamo!	LP	JAKARTA	JAKARTA 194LP
$30.00 PREORDER RELEASE DATE: 4/18/2025 "Gianni Brezzo is the jazz affiliated band project led by Cologne-based producer, multi-instrumentalist and creative maestro Marvin Horsch. Gianni's diverse profile is reflected both in his scene-hopping as well as his music. Besides producing Cologne pop bands like Keshavara, Woman, and Xul Zolar, Gianni has released a number of EP and LP's since 2017, culminating most recently with Filigrani EP in 2023 on Jakarta. Gianni's new LP, Sprechiamo! is a meditation around Marvin's relationship with Italian culture accompanied by research into Italian music such as Napoli Exchange, the Periodica label or Giuliano Sorgini. Within the album Gianni was looking less for his roots and moreover for his existing Italian bonds and vivid cultural exchange in his current habitat of Cologne, which he is rediscovering time and again by wandering through his neighborhood Ehrenfeld, Cologne. The quarter hosting a vivid scene of Italians who came in the 1950s, such as Gianni's grandparents once did. Sprechiamo! is a timeless release, one that would sit just as well in 1979 as it does in 2025. Vivid Italian references from composers of the '60s/'70s to recent Peridoica, always mixed with a bit of Khrunagbin and Sven Wunder to give it Gianni's own touch. Jakarta Records is ecstatic to share such a high-water mark of an album."

viewing 1 To 25 of 3969 items Next >>