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01. Suzanne Ciani - Buchla Concert At Galeria Bonino New York, April 1974 Part One
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02. Suzanne Ciani - Buchla Concert At Galeria Bonino New York, April 1974 Part Two
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ARTIST
CIANI, SUZANNE
TITLE
Buchla Concert At Galeria Bonino New York April 1974
FORMAT
LP
LABEL
FINDERS KEEPERS
CATALOG #
FKR 118LP
FKR 118LP
GENRE
ELECTRONIC
RELEASE DATE
8/2/2024
The very first Buchla synthesizer performance by revolutionary composer
Suzanne Ciani
finally makes its fifty-year journey from its switch-on New York art gallery to its long deserved and discerning global phonographic audience. With this previously unheard vinyl pressing, Finders Keepers Records present an archival project of "art music" that not only redefines musical history but lays genuine claim to the overused buzzwords such as pioneering, maverick, experimental, groundbreaking and esoteric, while questioning social politics and the evolution of music technology as we have come to understand it. To describe Italian-American composer Suzanne Ciani's resurrected
Buchla Concert
records as genuine gamechangers would be a gross understatement. These records represent a musical revolution, an artistic revelation, a scientific benchmark and a trophy in the cabinet of counterculture creativity. This sonic installation album, alongside her recently liberated
WBAI/Phill Niblock 1975
sessions (FKR 082X-LP), are triumphant yardsticks in the synthesizer space race and the untold story of the first woman on the proverbial musical moon. While pondering the early accolades attached to these golden era New York recordings it's daunting to learn that these records were in fact not even records at all. What exists on this disc now was a manifesto and a one-time gateway to a new world, which somehow was only partially pushed ajar. Captured here is a genuine live act exploring new territories with a fully performable music instrument. If the unfamiliar, modernistic, melodic pulses, tones and harmonics found on these 1970s artistic gallery collaborations/live presentations (then soon to be followed by academic grant applications and educational demonstrations) had been placed in a phonographic context alongside the widely marketed work of
Morton Subotnick
,
Walter Carlos
, or
Tomita
, then the name Suzanne Ciani and her infectious influence would have already radically changed the shape, sound and gender of our record. With the light of Buchla and Ciani's initial flame Finders Keepers continues the journey through the vaults of this increasingly celebrated music legacy, illuminating these "non-records" that evaded the limelight for almost half a century.
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